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SOCIOLOGICAL
PERSPECTIVE
LESSON II
of the self
OBJECTIVE
1.Explain the relationship between and among the self,
society, and culture
2.Describe and discuss the different ways by which
society and culture shape the self;
3.Compare and contrast how the self can be influenced
by the different institutions in the society; and
4.Examine one’s self against the different views of self
that were discussed in the class.
MY ELEMENTARY
SELF
MY HIGH SCHOOL
SELF
MY COLLEGE SELF
ACTIVITY
MYSELF THROUGH THE YEARS
Paste a picture of you when you were in elementary, in high school and now that you
are in college. Below the picture, list down you salient characteristics that you
remember.
SIMILARITIES IN ALL
STAGES OF MY “SELF"
DIFFERENCE IN MY
“SELF” ACROSS THE
THREE STAGES OF MY
LIFE
POSSIBLE REASONS
FOR THE DIFFERENCES
IN ME
ANALYSIS
MYSELF THROUGH THE YEARS
After having examined your “self” in its different stages, fill out the table
THE FIVE MONKEYS EXPERIMENT
THE FIVE MONKEYS EXPERIMENT
A GROUP OF
SCIENTISTS
PLACED 5
MONKEYS IN A
CAGE AND IN
THE MIDDLE, A
LADDER WITH
BANANAS ON
TOP
THE FIVE MONKEYS EXPERIMENT
EVERY TIME A
MONKEY WENT
UP THE
LADDER, THE
SCIENTISTS
SOAKED THE
REST OF THE
MONKEYS
WITH COLD
WATER.
THE FIVE MONKEYS EXPERIMENT
AFTER A
WHILE, EVERY
TIME A MONKEY
WENT UP THE
LADDER, THE
OTHER ONES
BEAT UP THE
ONE ON THE
LADDER.
THE FIVE MONKEYS EXPERIMENT
AFTER SOME
TIME, NO
MONKEY DARE
TO GO UP THE
LADDER
REGARDLESS
OF THE
TEMPTATION.
THE FIVE MONKEYS EXPERIMENT
SCIENTISTS THEN
DECIDED TO
SUBSTITUTE ONE OF
THE MONKEYS. THE
FIRST THING THIS NEW
MONKEY DID WAS TO
GO UP THE LADDER.
IMMEDIATELY THE
OTHER MONKEYS BEAT
HIM UP.
AFTER SEVERAL
BEATINGS, THE NEW
MEMBER LEARNED
NOT TO CLIMB THE
LADDER EVEN THOUGH
NEVER KNEW WHY.
-An experiment conducted by G. R.
Stephenson in 1967
“Cultural Acquisition of a
specific learned response
among rhesus monkey”
1
GEORGE MEAD
2
CHARLES
COOLEY
The Social Self The Looking - Glass Self
THREE
SOCIOLOGISTS Page 12
3
ERVING
GOFFMAN
Constructing Situations and
Drama
GEORGE MEAD
THE SOCIAL SELF
1
“The self is born of society. The self is
inseparable from society and bound up with
communication. It builds on social
experience. This is largely a matter of taking
the role of other with increasing
sophistications, broadening out from
significant others to greater complexity.”
1
-GEORGE MEAD
• created through social
interaction
• Process started in childhood,
with children beginning to
develop a sense of self at about
the same time that they began
to learn language
THE SOCIAL SELF
The self is the human capacity to be
reflective and take the role of others
The self emerges
from social
experience. It is
not part of the
body and it does
noes exist at
birth
Social
experience
involves
communication
and the exchange
of symbols.
People create
meaning
To understand
the intention you
must imagine the
situation from
another person’s
point of view. By
taking the role of
the other: the
self is reflective
and reflexive.
STAGES IN MEAD’s THEORY ON THE
DEVELOPMENT OF THE SELF
Preparatory Stage:
Children mimic/imitate others
STAGES IN MEAD’s THEORY ON THE
DEVELOPMENT OF THE SELF
Play Stage:
Children pretend to play the role of
a particular or a significant other
Particular or significant other are
the perspectives and particular
roles that a child learns and
internalizes
STAGES IN MEAD’s THEORY ON THE
DEVELOPMENT OF THE SELF
Game Stage:
Children play organized games and
take on the perspectives of the
generalized other
STAGES IN MEAD’s THEORY ON THE
DEVELOPMENT OF THE SELF
Generalized Other:
The perspectives and expectations
of a network of others (or society in
general that a child learns and then
takes into account when shaping
his /her own behavior.
STAGES IN MEAD’s THEORY ON THE
DEVELOPMENT OF THE SELF
Dual Nature of the Self:
The belief that we experience the
self as both subject and object, the
“I” and the “me”
CHARLES
COOLEY
THE LOOKING-GLASS SELF
2
“One’s sense of self depends
on seeing one’s reflected in
interactions with others”
-CHARLES COOLEY
• Charles Cooley was George
Mead’s colleagues
• The looking-glass self refers to
the notion that the self develops
through our perception of
others’ evaluation and
appraisal of us.
THE LOOKING-
GLASS SELF
• The image people have of
themselves is based on how
they believe others perceive
them.
THE LOOKING-
GLASS SELF
THE LOOKING-GLASS SELF
• We imagine how we appear to other people
• We imagine how other people judge the
appearance that we think we present
• If we think the evaluation is favorable, our
self-concept is enhanced
• If we think the evaluation is unfavorable, our
self-concept is diminished
THE LOOKING-
GLASS SELF
ERVING
GOFFMAN
CONSTRUCTING SITUATIONS
AND DRAMA
3
“People routinely behave like actors on a
stage. Everyday social life become
theatrical. There are roles, scripts ad
actions. Daily life as a series of
stagecraft rules.”
3
-ERVING GOFFMAN
Believed that meaning is constructed
through interaction
INTERACTION ORDER
What we do in the immediate presence of
others
PRESENTATION OF THE
SELF IN EVERYDAY LIFE
Focuses on how individuals take on
roles and act them out to present a
favorable impression to their
“audience”
DRAMATURGY
Goffman argues that people are
concerned with controlling how
others view them, a process he called
impression management
PRESENTATION OF THE
SELF IN EVERYDAY LIFE
“All the world is a stage, and all the men
and women are merely players: they have
their exits and entrances; and one man in
his time plays many parts”
-WILLIAM SHAKESPEARE
People play different
roles throughout their
daily lives and display
different kinds of
behavior depending on
where they are and the
time of day.
FRONTSTAGE BACKSTAGE
THE SELF IS A SOCIAL
CONSTRUCTION
When people engage in
back stage behavior,
they are free of the
expectations of the
norms that dictate front
stage behavior.
ERVING GOFFMAN
Each definition of a situation lends itself to a
different approach, and the consequences are
real
The self is a Social Construction dependent on
the situation
PSYCHOLOGICAL
PERSPECTIVE
NEXT LESSON
of the self
THANK
YOU!
UNDERSTANDING THE SELF

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UNDERSTANDING THE SELF Lesson II.pdf

  • 2. OBJECTIVE 1.Explain the relationship between and among the self, society, and culture 2.Describe and discuss the different ways by which society and culture shape the self; 3.Compare and contrast how the self can be influenced by the different institutions in the society; and 4.Examine one’s self against the different views of self that were discussed in the class.
  • 3. MY ELEMENTARY SELF MY HIGH SCHOOL SELF MY COLLEGE SELF ACTIVITY MYSELF THROUGH THE YEARS Paste a picture of you when you were in elementary, in high school and now that you are in college. Below the picture, list down you salient characteristics that you remember.
  • 4. SIMILARITIES IN ALL STAGES OF MY “SELF" DIFFERENCE IN MY “SELF” ACROSS THE THREE STAGES OF MY LIFE POSSIBLE REASONS FOR THE DIFFERENCES IN ME ANALYSIS MYSELF THROUGH THE YEARS After having examined your “self” in its different stages, fill out the table
  • 5. THE FIVE MONKEYS EXPERIMENT
  • 6. THE FIVE MONKEYS EXPERIMENT A GROUP OF SCIENTISTS PLACED 5 MONKEYS IN A CAGE AND IN THE MIDDLE, A LADDER WITH BANANAS ON TOP
  • 7. THE FIVE MONKEYS EXPERIMENT EVERY TIME A MONKEY WENT UP THE LADDER, THE SCIENTISTS SOAKED THE REST OF THE MONKEYS WITH COLD WATER.
  • 8. THE FIVE MONKEYS EXPERIMENT AFTER A WHILE, EVERY TIME A MONKEY WENT UP THE LADDER, THE OTHER ONES BEAT UP THE ONE ON THE LADDER.
  • 9. THE FIVE MONKEYS EXPERIMENT AFTER SOME TIME, NO MONKEY DARE TO GO UP THE LADDER REGARDLESS OF THE TEMPTATION.
  • 10. THE FIVE MONKEYS EXPERIMENT SCIENTISTS THEN DECIDED TO SUBSTITUTE ONE OF THE MONKEYS. THE FIRST THING THIS NEW MONKEY DID WAS TO GO UP THE LADDER. IMMEDIATELY THE OTHER MONKEYS BEAT HIM UP. AFTER SEVERAL BEATINGS, THE NEW MEMBER LEARNED NOT TO CLIMB THE LADDER EVEN THOUGH NEVER KNEW WHY.
  • 11. -An experiment conducted by G. R. Stephenson in 1967 “Cultural Acquisition of a specific learned response among rhesus monkey”
  • 12. 1 GEORGE MEAD 2 CHARLES COOLEY The Social Self The Looking - Glass Self THREE SOCIOLOGISTS Page 12 3 ERVING GOFFMAN Constructing Situations and Drama
  • 14. “The self is born of society. The self is inseparable from society and bound up with communication. It builds on social experience. This is largely a matter of taking the role of other with increasing sophistications, broadening out from significant others to greater complexity.” 1 -GEORGE MEAD
  • 15. • created through social interaction • Process started in childhood, with children beginning to develop a sense of self at about the same time that they began to learn language THE SOCIAL SELF
  • 16. The self is the human capacity to be reflective and take the role of others The self emerges from social experience. It is not part of the body and it does noes exist at birth Social experience involves communication and the exchange of symbols. People create meaning To understand the intention you must imagine the situation from another person’s point of view. By taking the role of the other: the self is reflective and reflexive.
  • 17. STAGES IN MEAD’s THEORY ON THE DEVELOPMENT OF THE SELF Preparatory Stage: Children mimic/imitate others
  • 18. STAGES IN MEAD’s THEORY ON THE DEVELOPMENT OF THE SELF Play Stage: Children pretend to play the role of a particular or a significant other Particular or significant other are the perspectives and particular roles that a child learns and internalizes
  • 19. STAGES IN MEAD’s THEORY ON THE DEVELOPMENT OF THE SELF Game Stage: Children play organized games and take on the perspectives of the generalized other
  • 20. STAGES IN MEAD’s THEORY ON THE DEVELOPMENT OF THE SELF Generalized Other: The perspectives and expectations of a network of others (or society in general that a child learns and then takes into account when shaping his /her own behavior.
  • 21. STAGES IN MEAD’s THEORY ON THE DEVELOPMENT OF THE SELF Dual Nature of the Self: The belief that we experience the self as both subject and object, the “I” and the “me”
  • 23. “One’s sense of self depends on seeing one’s reflected in interactions with others” -CHARLES COOLEY
  • 24. • Charles Cooley was George Mead’s colleagues • The looking-glass self refers to the notion that the self develops through our perception of others’ evaluation and appraisal of us. THE LOOKING- GLASS SELF
  • 25. • The image people have of themselves is based on how they believe others perceive them. THE LOOKING- GLASS SELF
  • 27. • We imagine how we appear to other people • We imagine how other people judge the appearance that we think we present • If we think the evaluation is favorable, our self-concept is enhanced • If we think the evaluation is unfavorable, our self-concept is diminished THE LOOKING- GLASS SELF
  • 29. “People routinely behave like actors on a stage. Everyday social life become theatrical. There are roles, scripts ad actions. Daily life as a series of stagecraft rules.” 3 -ERVING GOFFMAN
  • 30. Believed that meaning is constructed through interaction INTERACTION ORDER What we do in the immediate presence of others PRESENTATION OF THE SELF IN EVERYDAY LIFE
  • 31. Focuses on how individuals take on roles and act them out to present a favorable impression to their “audience” DRAMATURGY
  • 32. Goffman argues that people are concerned with controlling how others view them, a process he called impression management PRESENTATION OF THE SELF IN EVERYDAY LIFE
  • 33. “All the world is a stage, and all the men and women are merely players: they have their exits and entrances; and one man in his time plays many parts” -WILLIAM SHAKESPEARE
  • 34. People play different roles throughout their daily lives and display different kinds of behavior depending on where they are and the time of day. FRONTSTAGE BACKSTAGE THE SELF IS A SOCIAL CONSTRUCTION When people engage in back stage behavior, they are free of the expectations of the norms that dictate front stage behavior.
  • 35. ERVING GOFFMAN Each definition of a situation lends itself to a different approach, and the consequences are real The self is a Social Construction dependent on the situation