10. • became popular in the 1900's
• Artworks are more emotional force (not on realistic or
natural images)
• used distorted outlines, unrealistic or unnatural images
• works are not actually what they see in the physical world,
but depend on their imaginations and feelings.
12. Sub-Movements:
1. Fauvism (Les Fauves/"the
wild beasts")
- Uses bold, vibrant colors, and
visual distortions.
“Blue Window”
Henri Matisse
13. Sub-Movements:
2. Dadaism ("non-style")
- Characterized by
imagination, dream fantasies,
memory images, and visual
tricks and fantasies.
“I and the Village”
Marc Chagall
14. Sub-Movements:
3. Surrealism
- Depicts an illogical
subconscious dream world
beyond the logical,
conscious, physical one.
“Persistence of Memory”
Salvador Dali
15. Sub-Movements:
4. Social Realism
- Expresses the artist’s role in social reform.
- Social Issues serve as inspiration
“Miners’ Wives”
Ben Shahn
“Guernica”
Pablo Picasso
17. • existed from various intellectual
points of view
• intellectualism was reflected in art
• Expressionism was emotional, while
abstractionism was logical and
rational
• Geometrical shapes, patterns, lines,
angles, textures, and swirls of color
were used.
•Cubism
• Futurism
• Mechanical style
• Non-objectivism
18. 1. CUBISM - The cubist style
was derived from the word
cube, a three-dimensional
geometric figure composed
of lines, planes, and angles.
“Girl Before a Mirror”
Pablo Picasso
19. 2. FUTURISM
- began in Italy in the early
1900s
- fast-paced, machine-
propelled age.
- inspirationare are motion,
force, speed, and strength of
mechanical forms
“Armored Train”
Gino Severeni
20. 3. MECHANICAL STYLE
- basic forms such as planes,
cones, spheres, and
cylinders all fit together in
a precise and neat manner
“Discs in the City”
Fernand Leger
21. 4. NON-OBJECTIVISM
- styles don’t make use of
figures or even
representations of figures
“New York City”
Piet Mondrian
22. •new forms of abstract art developed by
American painters such as Jackson Pollock, Mark
Rothko and Willem de Kooning in the 1940s and 1950s.
•It is often characterised by gestural brush-strokes or
mark-making, and the impression of spontaneity.
24. • Op Art
• Pop Art
• Performance Art
• Installation Art
25. art movement that gives a
visual experience – a form of
"action painting," taking
place in the viewer's eye,
giving the illusion of
movement.
“Fall”
Bridget Riley
26.
27. a movement made of the
use of commonplace, trivial,
even nonsensical objects
that pop artists seemed to
enjoy and laugh at.
“Marilyn Monroe”
Andy Warhol
28.
29. • time, space, the performer's body,
and a relationship between the
performer and audience.
• the actions of an individual or a
group of a particular place and at a
particular time constitute the
work.
• The performer himself or herself is
the artist.
30.
31. • use of sculptural materials and
other media to modify the way the
viewer experiences a particular
space.
• environmental art, project art, and
temporary art.
• It creates an entire sensory
experience for the viewer that
allows him to walk through them. “Cordillera Labyrinth”
Roberto Villanueva
