2. Source:
The Synergy of
Film and Music
_Sight and
Sound in Five
Hollywood
Films
âĸ Peter Rothbart
âĸ T H E S C A R E C R O
W P R E S S , I N C .
Lanham âĸ Toronto âĸ
Plymouth, UK
2013
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4. The Many Roles of Music in Film
ī Music in a general release dramatic film serves many different
functions.
ī Good film music supports the story, and a skillfully
composed musical cue can serve both technical and aesthetic
functions.
ī A good film composer will use a variety of compositional
tools and techniques, as well as an appropriate palette of
orchestration colors in support of the story.
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5. Anahid Kassabian is correct when she suggests that
music in film serves
three identifiable
but by no means
mutually exclusive
roles:
Identification Mood Commentary
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6. A brief but systematic approach to examining the role of musical cues in film within this context:
Establish time,
place, and ethnic
implications
Establish
tone/mood
Reveal
psychological
states of mind
or implications
Reveal unseen or
impending drama
Provide source
music
Provide
transition or
sonic glue
music
Provide intro or
outro music
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7. 1.Establish time, place, and ethnic implications
ī A good film composer can set historical, geographical, and ethnic context
for a film by incorporating stylistic characteristics of music of the era and
locale into the score.
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historical, geographical, ethnic, era, locale, time, place
8. 1.Establish time, place, and ethnic implications
examples
ī (locale) Boishakhir Boishak Gomvira
ī https://youtu.be/q84iJfXPp5M
ī (geography) Dunaliya Mein Jung |
Anaarkali of Aarah | Swara Bhaskar | Swati
Sharma | Rohit Sharma
ī https://youtu.be/bVA7kTHTB-g
ī (historical) Teer Merona | ft Mim , Amit
Hasan | by Anweshaa | Podmo Patar Jol
ī https://youtu.be/QLcYSiASvPQ
ī (era) Dostana Best Scene Amitabh-
Shatrughan sinha
ī https://youtu.be/uej1i-oWLGc
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historical, geographical, ethnic, era, locale, time, place
9. 1) (time)Shono Tajel Go âRupban. 1:50 seconds :
https://youtu.be/sGR6lAR5Wvg?t=111
2) (ethnic)Mohesh Khali Bari | āĻŽāĻšā§āĻļāĻāĻžāĻ˛ā§ āĻŦāĻžāĻĄāĻŧāĻŋ | Churiwala | :
https://youtu.be/ts8huMVbWek
3) (place)Prem De Re | Most Welcome | Movie song | Ananta Jalil,
Afiea Nusrat Barsha, Anonno Mamun:
https://youtu.be/3rUpeZJLZ6Y
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1.Establish time, place, and ethnic implications
examples
historical, geographical, ethnic, era, locale, time, place
10. 1) Lyrics, addressing, instrument- āĻŦāĻžāĻ āĻļāĻŋ, āĻĸ āĻ˛, āĻĻ āĻžāĻ¤āĻžāĻ°āĻž_ā§Ŧā§Ļ āĻāĻ° āĻļāĻ, āĻā§āĻ° āĻŽā§āĻ¯, āĻļāĻŦāĻ°āĻš (special for
woman), āĻāĻ˛ā§āĻĒ, conversation.
2) Lyrics, addressing, Rythym (change due to emotion), instrument- āĻŦāĻžāĻ āĻļāĻŋ, āĻĸ āĻ˛, āĻĻ āĻžāĻ¤āĻžāĻ°āĻž,
āĻĸāĻŦāĻš āĻ˛ _āĻā§āĻ° āĻŽā§āĻ¯, āĻ¸āĻ°āĻ˛āĻ¤āĻž (special for woman), āĻĻāĻ˛āĻžāĻāĻ¸āĻā§āĻā§āĻ¤, āĻĸā§āĻŽā§āĻ , āĻĸā§āĻā§, āĻāĻ˛ā§āĻĒ , conversation.
3) Lyrics, addressing (too direct), Rythym (change due to emotion), instrument- triangle,drum,
gong, guiter, harp, tambourine,accordian,flute (modern),piano (church orchetration),violin
(urban)_conversation (too direct), Urban (approach from a woman!!)
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1.Establish time, place, and ethnic implications
examples
historical, geographical, ethnic, era, locale, time, place
11. 2.Establish tone/mood.
ī Tone is a term used to describe the psychological lens
through which we experience the film.
ī It is the overall psychological atmosphere created by
the look and sound of a film.
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13. 3.Reveal psychological states of mind or implications
ī powerful psychological force
ī the thoughts and feelings of the onscreen characters
ī power to create empathy in the viewer.
ī causes us to feel as the character feels.
ī A good music cue is an aural extension of the visual
realm.
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14. 4.Reveal unseen or impending drama
ī indicate to the audience, but not the onscreen characters
ī about to happen, or has happened, either on- or off-screen
ī slasher film_music intensifies_ louder/faster/busier/dissonant
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A slasher film is a subgenre of horror films involving a killer murdering a group of people, usually by use of bladed tools. ...
The genre hit its peak between 1978â1984 in an era referred to as the "Golden Age" of slasher films.
Impending = āĻāĻ¸āĻ¨ā§āĻ¨
Dissonant=āĻĻāĻŦāĻ¸ā§āĻšāĻ°āĻž
15. 5.Provide source music
ī Music heard by the onscreen characters+viewer=source music= diegetic and
nondiegetic .
ī Diegetic vs. Non-Diegetic Explained - Applied Cinema Studies
ī https://youtu.be/jd0kQLD7JS8
ī Labb Par Aaye Video Song | Bandish Bandits | Javed Ali | Shankar Ehsaan Loy |
Amazon Original
ī https://youtu.be/7kR6tqaq_zY
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16. 6.Provide transition or sonic glue music
ī the most effective means of linking contiguous scenes together, acting as
sonic glue.
ī smooth a transition or sharpen an edit point
ī abruptly cut in synchronization with the edit.
ī encourages the viewer to accept the nonlinear sequence of visual events or
the sudden geographic displacements as the drama develops.
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Contiguous= āĻ¸āĻāĻ˛āĻā§āĻ¨
Sonic= āĻ§ā§āĻŦāĻĄāĻ¨āĻ¤āĻ°āĻā§āĻ
17. ī Kokila Ben | First World Problems | Dialogue with Beats | Yashraj Mukhate
| Gopi Bahu | Raashi
ī https://youtu.be/SjhBeIz1tDI
ī Charsulli Gardulli | Rakhi Sawant | Kachra Gaadi Remix | Dialogue with
Beats | Yashraj Mukhate
ī https://youtu.be/K8GIqRyPJYM
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6.Provide transition or sonic glue music
18. 7.Provide intro or outro music
ī credit music = occurs at the end of the film, intro and outro
music brackets the film.
ī leads us into the visual experience of cinema
ī takes us back into the reality of the theater at the end of the
film.
ī increasing sales of either the film or the music (the
intellectual property rights of which are often owned by the
same parent company).
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19. ī Batman Opening and Closing Theme 1966 - 1968 With
Snippets
ī https://youtu.be/kK4H-LkrQjQ
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7.Provide intro or outro music
20. 8.Supply musical sound effect
ī Music is often synchronized in a way that complements or
reinforces sound effects in the film.
ī For example, the sound of someone falling to the floor may
be musically incorporated into the score as a bass drum hit
or a loud trombone outburst.
ī In this case, it literally is a musical sound effect as the body
hits the floor.
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21. At the end,
ī The process of linking a specific visual event to a short
music gesture _(a sort of musical
onomatopoeia)_mickeymousing_ humorous.
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22. NOTE
ī 1. Anahid Kassabian, Hearing Film: Tracking
Identifications in Contemporary Hollywood Film Music
(New York: Routledge, 2001), 57.
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