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Shaolin Shaon
10/18/2020 1FLT414_Sound Design
Source:
The Synergy of
Film and Music
_Sight and
Sound in Five
Hollywood
Films
â€ĸ Peter Rothbart
â€ĸ T H E S C A R E C R O
W P R E S S , I N C .
Lanham â€ĸ Toronto â€ĸ
Plymouth, UK
2013
10/18/2020 2FLT414_Sound Design
10/18/2020 FLT414_Sound Design 3
The Many Roles of Music in Film
ī‚— Music in a general release dramatic film serves many different
functions.
ī‚— Good film music supports the story, and a skillfully
composed musical cue can serve both technical and aesthetic
functions.
ī‚— A good film composer will use a variety of compositional
tools and techniques, as well as an appropriate palette of
orchestration colors in support of the story.
10/18/2020 4FLT414_Sound Design
Anahid Kassabian is correct when she suggests that
music in film serves
three identifiable
but by no means
mutually exclusive
roles:
Identification Mood Commentary
10/18/2020 5FLT414_Sound Design
A brief but systematic approach to examining the role of musical cues in film within this context:
Establish time,
place, and ethnic
implications
Establish
tone/mood
Reveal
psychological
states of mind
or implications
Reveal unseen or
impending drama
Provide source
music
Provide
transition or
sonic glue
music
Provide intro or
outro music
10/18/2020 6FLT414_Sound Design
1.Establish time, place, and ethnic implications
ī‚— A good film composer can set historical, geographical, and ethnic context
for a film by incorporating stylistic characteristics of music of the era and
locale into the score.
10/18/2020 7FLT414_Sound Design
historical, geographical, ethnic, era, locale, time, place
1.Establish time, place, and ethnic implications
examples
ī‚— (locale) Boishakhir Boishak Gomvira
ī‚— https://youtu.be/q84iJfXPp5M
ī‚— (geography) Dunaliya Mein Jung |
Anaarkali of Aarah | Swara Bhaskar | Swati
Sharma | Rohit Sharma
ī‚— https://youtu.be/bVA7kTHTB-g
ī‚— (historical) Teer Merona | ft Mim , Amit
Hasan | by Anweshaa | Podmo Patar Jol
ī‚— https://youtu.be/QLcYSiASvPQ
ī‚— (era) Dostana Best Scene Amitabh-
Shatrughan sinha
ī‚— https://youtu.be/uej1i-oWLGc
10/18/2020 FLT414_Sound Design 8
historical, geographical, ethnic, era, locale, time, place
1) (time)Shono Tajel Go –Rupban. 1:50 seconds :
https://youtu.be/sGR6lAR5Wvg?t=111
2) (ethnic)Mohesh Khali Bari | āĻŽāĻšā§‡āĻļāĻ–āĻžāĻ˛ā§€ āĻŦāĻžāĻĄāĻŧāĻŋ | Churiwala | :
https://youtu.be/ts8huMVbWek
3) (place)Prem De Re | Most Welcome | Movie song | Ananta Jalil,
Afiea Nusrat Barsha, Anonno Mamun:
https://youtu.be/3rUpeZJLZ6Y
10/18/2020 FLT414_Sound Design 9
1.Establish time, place, and ethnic implications
examples
historical, geographical, ethnic, era, locale, time, place
1) Lyrics, addressing, instrument- āĻŦāĻžāĻ āĻļāĻŋ, āĻĸ āĻ˛, āĻĻ āĻžāĻ¤āĻžāĻ°āĻž_ā§Ŧā§Ļ āĻāĻ° āĻļāĻ•, āĻ—ā§āĻ° āĻŽā§āĻ¯, āĻļāĻŦāĻ°āĻš (special for
woman), āĻ—āĻ˛ā§āĻĒ, conversation.
2) Lyrics, addressing, Rythym (change due to emotion), instrument- āĻŦāĻžāĻ āĻļāĻŋ, āĻĸ āĻ˛, āĻĻ āĻžāĻ¤āĻžāĻ°āĻž,
āĻĸāĻŦāĻš āĻ˛ _āĻ—ā§āĻ° āĻŽā§āĻ¯, āĻ¸āĻ°āĻ˛āĻ¤āĻž (special for woman), āĻĻāĻ˛āĻžāĻ•āĻ¸āĻ™ā§āĻ—ā§€āĻ¤, āĻĸā§‡āĻŽā§āĻŸ , āĻĸā§‡āĻ‰ā§œ, āĻ—āĻ˛ā§āĻĒ , conversation.
3) Lyrics, addressing (too direct), Rythym (change due to emotion), instrument- triangle,drum,
gong, guiter, harp, tambourine,accordian,flute (modern),piano (church orchetration),violin
(urban)_conversation (too direct), Urban (approach from a woman!!)
10/18/2020 FLT414_Sound Design 10
1.Establish time, place, and ethnic implications
examples
historical, geographical, ethnic, era, locale, time, place
2.Establish tone/mood.
ī‚— Tone is a term used to describe the psychological lens
through which we experience the film.
ī‚— It is the overall psychological atmosphere created by
the look and sound of a film.
10/18/2020 FLT414_Sound Design 11
ī‚— (dark, tragic) Dracula theme - Bram Stoker's Dracula theme
ī‚— https://youtu.be/Mi80O9uKB30
ī‚— (surrealistic) jomer raja dilo bor
ī‚— https://youtu.be/X3f6oCTMH9c?t=2710
ī‚— (geography,folk) āĻ­āĻžāĻ“āĻ¯āĻžāĻ‡āĻ¯āĻž āĻ—āĻžāĻ¨ - āĻ“āĻĄāĻ• āĻ—āĻžāĻĄāĻŧāĻŋāĻ¯āĻžāĻ˛ āĻ­āĻžāĻ‡ (āĻĻā§‡āĻ°āĻš ā§ŒāĻ¸ā§€ āĻ°ā§‡āĻŽāĻžāĻ¨)
ī‚— https://youtu.be/eOhgriPCnMk
10/18/2020 FLT414_Sound Design 12
2.Establish tone/mood.
3.Reveal psychological states of mind or implications
ī‚— powerful psychological force
ī‚— the thoughts and feelings of the onscreen characters
ī‚— power to create empathy in the viewer.
ī‚— causes us to feel as the character feels.
ī‚— A good music cue is an aural extension of the visual
realm.
10/18/2020 FLT414_Sound Design 13
4.Reveal unseen or impending drama
ī‚— indicate to the audience, but not the onscreen characters
ī‚— about to happen, or has happened, either on- or off-screen
ī‚— slasher film_music intensifies_ louder/faster/busier/dissonant
10/18/2020 FLT414_Sound Design 14
A slasher film is a subgenre of horror films involving a killer murdering a group of people, usually by use of bladed tools. ...
The genre hit its peak between 1978–1984 in an era referred to as the "Golden Age" of slasher films.
Impending = āĻ†āĻ¸āĻ¨ā§āĻ¨
Dissonant=āĻĻāĻŦāĻ¸ā§āĻšāĻ°āĻž
5.Provide source music
ī‚— Music heard by the onscreen characters+viewer=source music= diegetic and
nondiegetic .
ī‚— Diegetic vs. Non-Diegetic Explained - Applied Cinema Studies
ī‚— https://youtu.be/jd0kQLD7JS8
ī‚— Labb Par Aaye Video Song | Bandish Bandits | Javed Ali | Shankar Ehsaan Loy |
Amazon Original
ī‚— https://youtu.be/7kR6tqaq_zY
10/18/2020 FLT414_Sound Design 15
6.Provide transition or sonic glue music
ī‚— the most effective means of linking contiguous scenes together, acting as
sonic glue.
ī‚— smooth a transition or sharpen an edit point
ī‚— abruptly cut in synchronization with the edit.
ī‚— encourages the viewer to accept the nonlinear sequence of visual events or
the sudden geographic displacements as the drama develops.
10/18/2020 FLT414_Sound Design 16
Contiguous= āĻ¸āĻ‚āĻ˛āĻ—ā§āĻ¨
Sonic= āĻ§ā§āĻŦāĻĄāĻ¨āĻ¤āĻ°āĻ™ā§āĻ—
ī‚— Kokila Ben | First World Problems | Dialogue with Beats | Yashraj Mukhate
| Gopi Bahu | Raashi
ī‚— https://youtu.be/SjhBeIz1tDI
ī‚— Charsulli Gardulli | Rakhi Sawant | Kachra Gaadi Remix | Dialogue with
Beats | Yashraj Mukhate
ī‚— https://youtu.be/K8GIqRyPJYM
10/18/2020 FLT414_Sound Design 17
6.Provide transition or sonic glue music
7.Provide intro or outro music
ī‚— credit music = occurs at the end of the film, intro and outro
music brackets the film.
ī‚— leads us into the visual experience of cinema
ī‚— takes us back into the reality of the theater at the end of the
film.
ī‚— increasing sales of either the film or the music (the
intellectual property rights of which are often owned by the
same parent company).
10/18/2020 FLT414_Sound Design 18
ī‚— Batman Opening and Closing Theme 1966 - 1968 With
Snippets
ī‚— https://youtu.be/kK4H-LkrQjQ
10/18/2020 FLT414_Sound Design 19
7.Provide intro or outro music
8.Supply musical sound effect
ī‚— Music is often synchronized in a way that complements or
reinforces sound effects in the film.
ī‚— For example, the sound of someone falling to the floor may
be musically incorporated into the score as a bass drum hit
or a loud trombone outburst.
ī‚— In this case, it literally is a musical sound effect as the body
hits the floor.
10/18/2020 FLT414_Sound Design 20
At the end,
ī‚— The process of linking a specific visual event to a short
music gesture _(a sort of musical
onomatopoeia)_mickeymousing_ humorous.
10/18/2020 FLT414_Sound Design 21
NOTE
ī‚— 1. Anahid Kassabian, Hearing Film: Tracking
Identifications in Contemporary Hollywood Film Music
(New York: Routledge, 2001), 57.
10/18/2020 FLT414_Sound Design 22

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The Synergy of Film and Music

  • 2. Source: The Synergy of Film and Music _Sight and Sound in Five Hollywood Films â€ĸ Peter Rothbart â€ĸ T H E S C A R E C R O W P R E S S , I N C . Lanham â€ĸ Toronto â€ĸ Plymouth, UK 2013 10/18/2020 2FLT414_Sound Design
  • 4. The Many Roles of Music in Film ī‚— Music in a general release dramatic film serves many different functions. ī‚— Good film music supports the story, and a skillfully composed musical cue can serve both technical and aesthetic functions. ī‚— A good film composer will use a variety of compositional tools and techniques, as well as an appropriate palette of orchestration colors in support of the story. 10/18/2020 4FLT414_Sound Design
  • 5. Anahid Kassabian is correct when she suggests that music in film serves three identifiable but by no means mutually exclusive roles: Identification Mood Commentary 10/18/2020 5FLT414_Sound Design
  • 6. A brief but systematic approach to examining the role of musical cues in film within this context: Establish time, place, and ethnic implications Establish tone/mood Reveal psychological states of mind or implications Reveal unseen or impending drama Provide source music Provide transition or sonic glue music Provide intro or outro music 10/18/2020 6FLT414_Sound Design
  • 7. 1.Establish time, place, and ethnic implications ī‚— A good film composer can set historical, geographical, and ethnic context for a film by incorporating stylistic characteristics of music of the era and locale into the score. 10/18/2020 7FLT414_Sound Design historical, geographical, ethnic, era, locale, time, place
  • 8. 1.Establish time, place, and ethnic implications examples ī‚— (locale) Boishakhir Boishak Gomvira ī‚— https://youtu.be/q84iJfXPp5M ī‚— (geography) Dunaliya Mein Jung | Anaarkali of Aarah | Swara Bhaskar | Swati Sharma | Rohit Sharma ī‚— https://youtu.be/bVA7kTHTB-g ī‚— (historical) Teer Merona | ft Mim , Amit Hasan | by Anweshaa | Podmo Patar Jol ī‚— https://youtu.be/QLcYSiASvPQ ī‚— (era) Dostana Best Scene Amitabh- Shatrughan sinha ī‚— https://youtu.be/uej1i-oWLGc 10/18/2020 FLT414_Sound Design 8 historical, geographical, ethnic, era, locale, time, place
  • 9. 1) (time)Shono Tajel Go –Rupban. 1:50 seconds : https://youtu.be/sGR6lAR5Wvg?t=111 2) (ethnic)Mohesh Khali Bari | āĻŽāĻšā§‡āĻļāĻ–āĻžāĻ˛ā§€ āĻŦāĻžāĻĄāĻŧāĻŋ | Churiwala | : https://youtu.be/ts8huMVbWek 3) (place)Prem De Re | Most Welcome | Movie song | Ananta Jalil, Afiea Nusrat Barsha, Anonno Mamun: https://youtu.be/3rUpeZJLZ6Y 10/18/2020 FLT414_Sound Design 9 1.Establish time, place, and ethnic implications examples historical, geographical, ethnic, era, locale, time, place
  • 10. 1) Lyrics, addressing, instrument- āĻŦāĻžāĻ āĻļāĻŋ, āĻĸ āĻ˛, āĻĻ āĻžāĻ¤āĻžāĻ°āĻž_ā§Ŧā§Ļ āĻāĻ° āĻļāĻ•, āĻ—ā§āĻ° āĻŽā§āĻ¯, āĻļāĻŦāĻ°āĻš (special for woman), āĻ—āĻ˛ā§āĻĒ, conversation. 2) Lyrics, addressing, Rythym (change due to emotion), instrument- āĻŦāĻžāĻ āĻļāĻŋ, āĻĸ āĻ˛, āĻĻ āĻžāĻ¤āĻžāĻ°āĻž, āĻĸāĻŦāĻš āĻ˛ _āĻ—ā§āĻ° āĻŽā§āĻ¯, āĻ¸āĻ°āĻ˛āĻ¤āĻž (special for woman), āĻĻāĻ˛āĻžāĻ•āĻ¸āĻ™ā§āĻ—ā§€āĻ¤, āĻĸā§‡āĻŽā§āĻŸ , āĻĸā§‡āĻ‰ā§œ, āĻ—āĻ˛ā§āĻĒ , conversation. 3) Lyrics, addressing (too direct), Rythym (change due to emotion), instrument- triangle,drum, gong, guiter, harp, tambourine,accordian,flute (modern),piano (church orchetration),violin (urban)_conversation (too direct), Urban (approach from a woman!!) 10/18/2020 FLT414_Sound Design 10 1.Establish time, place, and ethnic implications examples historical, geographical, ethnic, era, locale, time, place
  • 11. 2.Establish tone/mood. ī‚— Tone is a term used to describe the psychological lens through which we experience the film. ī‚— It is the overall psychological atmosphere created by the look and sound of a film. 10/18/2020 FLT414_Sound Design 11
  • 12. ī‚— (dark, tragic) Dracula theme - Bram Stoker's Dracula theme ī‚— https://youtu.be/Mi80O9uKB30 ī‚— (surrealistic) jomer raja dilo bor ī‚— https://youtu.be/X3f6oCTMH9c?t=2710 ī‚— (geography,folk) āĻ­āĻžāĻ“āĻ¯āĻžāĻ‡āĻ¯āĻž āĻ—āĻžāĻ¨ - āĻ“āĻĄāĻ• āĻ—āĻžāĻĄāĻŧāĻŋāĻ¯āĻžāĻ˛ āĻ­āĻžāĻ‡ (āĻĻā§‡āĻ°āĻš ā§ŒāĻ¸ā§€ āĻ°ā§‡āĻŽāĻžāĻ¨) ī‚— https://youtu.be/eOhgriPCnMk 10/18/2020 FLT414_Sound Design 12 2.Establish tone/mood.
  • 13. 3.Reveal psychological states of mind or implications ī‚— powerful psychological force ī‚— the thoughts and feelings of the onscreen characters ī‚— power to create empathy in the viewer. ī‚— causes us to feel as the character feels. ī‚— A good music cue is an aural extension of the visual realm. 10/18/2020 FLT414_Sound Design 13
  • 14. 4.Reveal unseen or impending drama ī‚— indicate to the audience, but not the onscreen characters ī‚— about to happen, or has happened, either on- or off-screen ī‚— slasher film_music intensifies_ louder/faster/busier/dissonant 10/18/2020 FLT414_Sound Design 14 A slasher film is a subgenre of horror films involving a killer murdering a group of people, usually by use of bladed tools. ... The genre hit its peak between 1978–1984 in an era referred to as the "Golden Age" of slasher films. Impending = āĻ†āĻ¸āĻ¨ā§āĻ¨ Dissonant=āĻĻāĻŦāĻ¸ā§āĻšāĻ°āĻž
  • 15. 5.Provide source music ī‚— Music heard by the onscreen characters+viewer=source music= diegetic and nondiegetic . ī‚— Diegetic vs. Non-Diegetic Explained - Applied Cinema Studies ī‚— https://youtu.be/jd0kQLD7JS8 ī‚— Labb Par Aaye Video Song | Bandish Bandits | Javed Ali | Shankar Ehsaan Loy | Amazon Original ī‚— https://youtu.be/7kR6tqaq_zY 10/18/2020 FLT414_Sound Design 15
  • 16. 6.Provide transition or sonic glue music ī‚— the most effective means of linking contiguous scenes together, acting as sonic glue. ī‚— smooth a transition or sharpen an edit point ī‚— abruptly cut in synchronization with the edit. ī‚— encourages the viewer to accept the nonlinear sequence of visual events or the sudden geographic displacements as the drama develops. 10/18/2020 FLT414_Sound Design 16 Contiguous= āĻ¸āĻ‚āĻ˛āĻ—ā§āĻ¨ Sonic= āĻ§ā§āĻŦāĻĄāĻ¨āĻ¤āĻ°āĻ™ā§āĻ—
  • 17. ī‚— Kokila Ben | First World Problems | Dialogue with Beats | Yashraj Mukhate | Gopi Bahu | Raashi ī‚— https://youtu.be/SjhBeIz1tDI ī‚— Charsulli Gardulli | Rakhi Sawant | Kachra Gaadi Remix | Dialogue with Beats | Yashraj Mukhate ī‚— https://youtu.be/K8GIqRyPJYM 10/18/2020 FLT414_Sound Design 17 6.Provide transition or sonic glue music
  • 18. 7.Provide intro or outro music ī‚— credit music = occurs at the end of the film, intro and outro music brackets the film. ī‚— leads us into the visual experience of cinema ī‚— takes us back into the reality of the theater at the end of the film. ī‚— increasing sales of either the film or the music (the intellectual property rights of which are often owned by the same parent company). 10/18/2020 FLT414_Sound Design 18
  • 19. ī‚— Batman Opening and Closing Theme 1966 - 1968 With Snippets ī‚— https://youtu.be/kK4H-LkrQjQ 10/18/2020 FLT414_Sound Design 19 7.Provide intro or outro music
  • 20. 8.Supply musical sound effect ī‚— Music is often synchronized in a way that complements or reinforces sound effects in the film. ī‚— For example, the sound of someone falling to the floor may be musically incorporated into the score as a bass drum hit or a loud trombone outburst. ī‚— In this case, it literally is a musical sound effect as the body hits the floor. 10/18/2020 FLT414_Sound Design 20
  • 21. At the end, ī‚— The process of linking a specific visual event to a short music gesture _(a sort of musical onomatopoeia)_mickeymousing_ humorous. 10/18/2020 FLT414_Sound Design 21
  • 22. NOTE ī‚— 1. Anahid Kassabian, Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music (New York: Routledge, 2001), 57. 10/18/2020 FLT414_Sound Design 22