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Sexism in Pop Videos
Laura Mulvey: The Male Gaze Theory 
Mulvey’s theory suggests that the male gaze 
denies women human identity, relegating them 
to the status of objects to be admired for 
physical appearance. They are commodified 
and so act as essential symbols within 
mainstream pop videos. The theory suggests 
women can more often than not only watch a 
film from a secondary perspective and only view 
themselves from a mans perspective. This 
poses the threat of a masculinized mindset in 
reality therefore many feminists criticize media 
texts, particularly pop music videos. 
• Only 16% of media creators are female which 
undoubtedly has a detrimental effect on the 
media. It is not likely that the male gaze will 
disappear any time soon.
The male gaze 
Women are objects 
of male erotic desire 
within the media text 
and audience 
Women do not have 
agency 
Men are active/women 
are passive 
Patriarchy and 
phallocentrism are 
linked: phallus (penis) 
is a symbol of power 
– e.g. in cinema: guns 
= phallus = power 
Cinema reflects 
patriarchal (male 
dominated) society Audience is forced to 
identify with male 
gaze
The effect on society 
The male gaze leads to Hegemonic ideologies within our society. 
Hegemonic = ruling or dominant in a political or social context 
The media is a powerful tool which has the ability to influence our 
thoughts and opinions without our control. As I previously mentioned, 
pop videos have this effect. The male gaze can be applied for many pop 
videos therefore women themselves can begin to find themselves looking 
at other women in the same way as men do. For example, the insecurity of 
body image majorly stems from the media: pop videos often use slim or 
hourglass women that are presented as the “ideal woman” therefore 
anxieties are created within the female society.
The effect on society 
The male gaze leads to Hegemonic ideologies within our society. 
Hegemonic = ruling or dominant in a political or social context 
Mulvey argued that we live in a patriarchal society in which men set the 
majority of the rules and construct and represent the ideal visions, roles 
and male dominance over woman. Therefore the risk of media influence is 
evermore present in our society where men already rule.
The effect on society 
The male gaze leads to Hegemonic ideologies within our society. 
Hegemonic = ruling or dominant in a political or social context
Miley Cyrus 
“Wrecking Ball” 
In 2013, Miley Cyrus released “Wrecking Ball”. This pop video caused 
outrage and controversy, particularly due to her drastic change in image 
from the innocent, teen idol “Hannah Montana”. Although a fictional 
Disney character, Hannah Montana acted as an older sister figure for 
young girls. A shift in her career leading her to leave this image behind 
proved to be shocking for this audience in particular. Miley Cyrus bleached 
and cut her hair, opting for an androgynous look, wore bold makeup and 
skimpy clothing. “Wrecking Ball” provided a “bridge” for Miley as she left 
adolescence and began to find herself as an adult. Many popular music 
artists do this in their careers, like Britney Spears who, according to 
Stephen Thomas Erlewine of AllMusic, “strived to deepen her persona, 
making it more adult while still recognizably Britney.”
Miley Cyrus 
“Wrecking Ball”: From Hannah Montana to Miley 
Cyrus
Miley Cyrus 
“Wrecking Ball”: Is she exploiting or being exploited? 
It is debatable whether Miley is exploiting herself or forcefully being 
exploited in this music video. To some extent I feel that she was partially 
exploited due to the market and her career. After leaving behind her 
Hannah Montana status, financially, this would have left her looking for 
something new. Due to the space in the market for controversial artists and 
celebrities, Miley and her record label, RCA ceased the opportunity to 
make a comeback with an extreme image. However her erratic behaviour 
which is often seen in the press suggests that she is not being exploited by 
record labels and deals. Perhaps this is the real Miley Cyrus that was once 
hidden and repressed by the idealised Hannah Montana.
Miley Cyrus 
“Wrecking Ball”: In the press
Is she exploiting or being exploited? 
“Do not let them 
prostitute you!” 
Sinead O’Connor to Miley:
Miley Cyrus 
“Wrecking Ball” 
Phallic symbol (the weapon) is 
sexualised by Miley 
Wearing little or no clothing throughout; 
pornographic music video to appeal to the make 
audience > the male gaze
Lily Allen 
“Hard Out Here”: A ‘feminist’ pop video 
Lily Allen’s music video begins with a graphic surgical scene where the 
men standing around her criticise her. The manager questions how 
“somebody [lets] themselves get like this?”, the surgeon suggests that is 
merely a “lack of self-discipline”. This view is misogynistic as they lack 
empathy for Lily Allen who insists she’s has children. Therefore the 
audience are lead to view this music video as a feminist statement. The 
lyrics also indicate that this Lily Allen is trying to fight back against female 
stereotypes: 
“You'll find me in the studio and not in the kitchen”
Lily Allen 
“Hard Out Here”: A ‘feminist’ pop video 
It is important to 
note how the 
surgeons are all 
men. This suggests 
that plastic surgery 
is a critical male-dominated 
industry.
Lily Allen 
“Hard Out Here”: Parody or sexualising women? 
However, she refers to herself as a “bitch”. It is ambiguous as to whether 
she is putting on a male persona in a sarcastic tone or whether she believes 
it is empowering. Nevertheless it is a derogatory tone which Lily Allen is 
reinforcing in a music video that is supposedly ‘feminist’.
Lily Allen 
“Hard Out Here”: Parody or sexualising women? 
Further evidence to argue against this pro-feminist message: 
Little clothing often worn to sell 
records, stereotype that black 
women have thick thighs and large 
bums reinforced 
Similarities with African-American rap music 
videos: flashy car with half-naked women 
acting seductively around it > the attraction 
to masculinity and materialism
YG ft. Drake 
“Who Do You Love?”: Presentation of women in 
rap music videos 
Curvaceous women in 
skimpy bikinis 
surrounding the men 
by a pool 
The male gaze > women are 
filmed in a way that makes them 
subjects of male erotic desire 
Alcohol, luxury, wealth 
are typical features of 
rap music videos
YG ft. Drake 
“Who Do You Love?”: Presentation of women in 
rap music videos 
A scene of what 
appears to be YG’s 
girlfriend at home 
while he parties with 
friends and other 
women > misogyny
Jennifer Lopez ft. Iggy Azalea 
“Booty”: The male gaze 
Sinead O’Connor warned 
Miley Cyrus not to let the 
industry “prostitute” her 
however many female artists 
do this to some extent in 
order to sell records and 
attract attention. The ‘male 
gaze’ attracts this attention 
from males and females 
alike as we are all forced to 
identify with it on our 
screens. The woman’s body 
has been commodified and 
made an essential feature of 
music videos.

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Sexism in Pop Videos

  • 1. Sexism in Pop Videos
  • 2. Laura Mulvey: The Male Gaze Theory Mulvey’s theory suggests that the male gaze denies women human identity, relegating them to the status of objects to be admired for physical appearance. They are commodified and so act as essential symbols within mainstream pop videos. The theory suggests women can more often than not only watch a film from a secondary perspective and only view themselves from a mans perspective. This poses the threat of a masculinized mindset in reality therefore many feminists criticize media texts, particularly pop music videos. • Only 16% of media creators are female which undoubtedly has a detrimental effect on the media. It is not likely that the male gaze will disappear any time soon.
  • 3. The male gaze Women are objects of male erotic desire within the media text and audience Women do not have agency Men are active/women are passive Patriarchy and phallocentrism are linked: phallus (penis) is a symbol of power – e.g. in cinema: guns = phallus = power Cinema reflects patriarchal (male dominated) society Audience is forced to identify with male gaze
  • 4.
  • 5. The effect on society The male gaze leads to Hegemonic ideologies within our society. Hegemonic = ruling or dominant in a political or social context The media is a powerful tool which has the ability to influence our thoughts and opinions without our control. As I previously mentioned, pop videos have this effect. The male gaze can be applied for many pop videos therefore women themselves can begin to find themselves looking at other women in the same way as men do. For example, the insecurity of body image majorly stems from the media: pop videos often use slim or hourglass women that are presented as the “ideal woman” therefore anxieties are created within the female society.
  • 6. The effect on society The male gaze leads to Hegemonic ideologies within our society. Hegemonic = ruling or dominant in a political or social context Mulvey argued that we live in a patriarchal society in which men set the majority of the rules and construct and represent the ideal visions, roles and male dominance over woman. Therefore the risk of media influence is evermore present in our society where men already rule.
  • 7. The effect on society The male gaze leads to Hegemonic ideologies within our society. Hegemonic = ruling or dominant in a political or social context
  • 8. Miley Cyrus “Wrecking Ball” In 2013, Miley Cyrus released “Wrecking Ball”. This pop video caused outrage and controversy, particularly due to her drastic change in image from the innocent, teen idol “Hannah Montana”. Although a fictional Disney character, Hannah Montana acted as an older sister figure for young girls. A shift in her career leading her to leave this image behind proved to be shocking for this audience in particular. Miley Cyrus bleached and cut her hair, opting for an androgynous look, wore bold makeup and skimpy clothing. “Wrecking Ball” provided a “bridge” for Miley as she left adolescence and began to find herself as an adult. Many popular music artists do this in their careers, like Britney Spears who, according to Stephen Thomas Erlewine of AllMusic, “strived to deepen her persona, making it more adult while still recognizably Britney.”
  • 9. Miley Cyrus “Wrecking Ball”: From Hannah Montana to Miley Cyrus
  • 10. Miley Cyrus “Wrecking Ball”: Is she exploiting or being exploited? It is debatable whether Miley is exploiting herself or forcefully being exploited in this music video. To some extent I feel that she was partially exploited due to the market and her career. After leaving behind her Hannah Montana status, financially, this would have left her looking for something new. Due to the space in the market for controversial artists and celebrities, Miley and her record label, RCA ceased the opportunity to make a comeback with an extreme image. However her erratic behaviour which is often seen in the press suggests that she is not being exploited by record labels and deals. Perhaps this is the real Miley Cyrus that was once hidden and repressed by the idealised Hannah Montana.
  • 11. Miley Cyrus “Wrecking Ball”: In the press
  • 12. Is she exploiting or being exploited? “Do not let them prostitute you!” Sinead O’Connor to Miley:
  • 13. Miley Cyrus “Wrecking Ball” Phallic symbol (the weapon) is sexualised by Miley Wearing little or no clothing throughout; pornographic music video to appeal to the make audience > the male gaze
  • 14. Lily Allen “Hard Out Here”: A ‘feminist’ pop video Lily Allen’s music video begins with a graphic surgical scene where the men standing around her criticise her. The manager questions how “somebody [lets] themselves get like this?”, the surgeon suggests that is merely a “lack of self-discipline”. This view is misogynistic as they lack empathy for Lily Allen who insists she’s has children. Therefore the audience are lead to view this music video as a feminist statement. The lyrics also indicate that this Lily Allen is trying to fight back against female stereotypes: “You'll find me in the studio and not in the kitchen”
  • 15. Lily Allen “Hard Out Here”: A ‘feminist’ pop video It is important to note how the surgeons are all men. This suggests that plastic surgery is a critical male-dominated industry.
  • 16. Lily Allen “Hard Out Here”: Parody or sexualising women? However, she refers to herself as a “bitch”. It is ambiguous as to whether she is putting on a male persona in a sarcastic tone or whether she believes it is empowering. Nevertheless it is a derogatory tone which Lily Allen is reinforcing in a music video that is supposedly ‘feminist’.
  • 17. Lily Allen “Hard Out Here”: Parody or sexualising women? Further evidence to argue against this pro-feminist message: Little clothing often worn to sell records, stereotype that black women have thick thighs and large bums reinforced Similarities with African-American rap music videos: flashy car with half-naked women acting seductively around it > the attraction to masculinity and materialism
  • 18. YG ft. Drake “Who Do You Love?”: Presentation of women in rap music videos Curvaceous women in skimpy bikinis surrounding the men by a pool The male gaze > women are filmed in a way that makes them subjects of male erotic desire Alcohol, luxury, wealth are typical features of rap music videos
  • 19. YG ft. Drake “Who Do You Love?”: Presentation of women in rap music videos A scene of what appears to be YG’s girlfriend at home while he parties with friends and other women > misogyny
  • 20. Jennifer Lopez ft. Iggy Azalea “Booty”: The male gaze Sinead O’Connor warned Miley Cyrus not to let the industry “prostitute” her however many female artists do this to some extent in order to sell records and attract attention. The ‘male gaze’ attracts this attention from males and females alike as we are all forced to identify with it on our screens. The woman’s body has been commodified and made an essential feature of music videos.