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Filipino Painters :
The Few Cream of
the Crop
Damian Domingo“The First Great Filipino Painter”
AKA DamianGabor Domingo “Father of Filipino Painting”
 1st Filipino to paint his face
1st self-portrait in the Philippines
Academia de Dibujo y Pintura
Date of Birth: 1796
Birthplace:Tondo, Manila, Philippines
Year of Death: 1834
La Sagrada Familia
La Sagrada Familia
Oil on Copper Sheet
Measurements: 48.26(length) x 35
(width) cm
Where it was made: Manila,
Philippines
Time Period: 19th Century; 1820’s to
1830’s
Owner: Heirs of Luis Ongpin
Museum: Ayala Miuseum
La Sagrada Familia
The delicate veil over the Virgin’s
head and shoulders is transparent to
the point of appearing almost
invisible.
Cloth folds and curves of the
figures’ clothing appear quite
realistic.
Damian Domingo uses color and
drama with control.
The painting depicts three
generations of the Holy Family.
La Sagrada Familia
The infant Jesus and his parents
are at the center, His grandparents
on either side, and God the Father,
the Holy Spirit, and the angels high
above.
It marks the peak of his finely
detailed miniaturist style.
Two misspelled words in the
paintings caption. “Sagrda” and
“Aana”
Juan Luna “Ilocano Filipino Painter”
Political activist of the Philippine Revolution during the late 19th century
 1st recognized Philippine artists
 His 1st tutor Don Lorenzo Guerero was so
impressed with his early works
 Don Lorenzo persuaded his parents to send him to
Spain to advance his skills
Date of Birth: October 23,1857
Birthplace: Badoc, Ilocos Norte, Philippines
Year of Death: December 7, 1899
Spoliarium
Spoliarium
Oil-on-Canvas
Measurements: 4.22 meters x 7.675
meters
Where it was made: Rome
Time Period: 19th Century , 1884
Award: 1st prize, gold medal at
Exposicion de Bellas Artes of Oil
Paintings in Madrid
Location: National Museum
Spoliarium
Largest painting in the
Philippines.
The Technique used by the
artist is symbolism.
Heavy strong brush strokes-
expressed his anger over the
abuses and cruelties.
Lines and color- he captured
pathos and barbarism of a
decadent empire.
Spoliarium
Vertical Lines- evidenced by
the straight body of an oppressor
suggest strength and stability.
Horizontal Lines- seen
impression of serenity and
repose.
Diagonal Lines- clearly shown
in the arms of men pulling the
wounded gladiator toward the
other room.
Spoliarium
Most well-known painting by a
Filipino artist
 A building or chamber where
the dead bodies of gladiators
were taken to be stripped of
their armor and weapons prior to
the disposal of their bodies.
Symbol of 'our social, moral,
and political life: humanity
unredeemed, reason and
aspiration in open fight with
prejudice, fanaticism, and
injustice."
Other works of Juan Luna:
Death of Cleopatra (Silver medal, 1881
Museo del Prado in Madrid)
Parisian Life (Silver medal, 1889, GSIS
Museum)
Battle of Lepanto, Blood Compact (1886,
Malacañang Palace)
Una Bulakenya (1895, Malacañang Palace)
Felix Resurreccion Hidalgo
National Artist of the Philippines for Painting
 He studied in the University of SantoTomas where
his artistry was encouraged by Fr. Sabater.
 He was simultaneously enrolled at the Escuela de
Dibujo y Pintura.
 When Juan Luna won the gold medal in the 1884
Madrid Exposition, a Filipino painter shared with
him the limelight by securing the second place.
 His remains were brought to Manila, where he now
lies entombed in the Hidalgo family mausoleum at
the Cementerio del Norte.
Date of Birth: February 21, 1855
Birthplace: Binondo, Manila
Year of Death: March 1913
Las virgenes Cristianas expuestas al populacho
Oil-on-Canvas
Measurements: 115 cm x 157 cm
Time Period: 1884
Award: Silver Medalist(9th silver
medal award among forty
five)
Location: Metropolitan Museum of
Manila
Las virgenes Cristianas expuestas al populacho
Las virgenes Cristianas expuestas al populacho
Regarded as one of the national
treasures of the Philippines
 Part of art collection of the
Bangko Sentral ng Pilipinas.
The original was destroyed in a
fire at the University of Valladolid in
Spain.
Las Virgenes Cristianas Expuestas
al Populacho is a "landmark
painting" depicting the
persecution of Christians in Ancient
Rome.
Las virgenes Cristianas expuestas al populacho
Described as a masterpiece
remarkable in the aspects of quality,
composition, and historical context.
It portrays two scantily clothed
Christian female slaves being
mocked by a group of boorish
Roman male onlookers. One of the
women is posed seated naked at
the foreground of the painting with
her "head bowed in misery". The
semi-nude women have been
stripped not only of their garments
but also of their dignity.
Las virgenes Cristianas expuestas al populacho
He derive his subject matter from
classical antiquity
He brought out the Drama of the
moment
Other works of Felix Hidalgo:
Flora de Filipinas (Plants of the Philippines) -
awarded second place for best cover design for de
Luxe edition.
 La Siesta (Nap in the afternoon) - a piece which
was favorably reviewed in La Ilustracion Espanola
y Americana in1881.
La Barca de Aqueronte (The Boat of Charon) -
received a gold medal in the international
exposition in Madrid and was bought for 7500
pesetas by the Spanish government.
Other works of Felix Hidalgo:
Laguna Estigia (The Styx)
El Violinista - was accorded a gold medal at the
Universal Exposition in St. Louis, Missouri.
FernandoAmorsolo y Cueto
National Artist of the Philippines for Painting
 Excellent sketch artist as well as peerless master
of light and color.
 Signature technique. Backlight his object, gently
shading them with nuanced color tones & haloing
them with incandescent golden glow.
 Most of his paintings portrayed the Filipino
culture, tradition, and customs like Filipino fiestas.
 Became popular because of his illuminated
landscapes and his historical paintings on which
you can see the real reflection of a Filipino soul.
Date of Birth: May 30, 1892
Birthplace: Calle Herran in Paco, Manila
Year of Death: April 26, 1972
Rice Planting
Rice Planting
Oil-on-Canvas
Measurements: 24 x 34 meters
Where it was made: Philippines
Time Period: 1922
Sold by: Geringer Art, a Honolulu
based company which specializes
in the art of Fernando Amorsolo
Rice Planting
His “Rice Planting” (1922) was a
staple of tourist brochures.
It’s visual weight is light because
the colors used were mostly pastel
in nature.
No dark colors were used to
produce a feeling of calm and
peace.
The particular genre that was
used is realism.
Rice Planting
He painted the details as to how it
might look like in real life.
In rice planting, the backlighting
technique manifested wherein figures
are outlined against a characteristic
glow, and intense light on one part of
the canvas highlights nearby details.
Sunlight is a consistent element in
Amorsolo’s works.
Brush strokes were smooth which
emphasizes the serene feeling.
Other works of Fernando Amorsolo:
The Bombing of the Intendecia (1942)
Bataan
) Afternoon Meal of theWorkers (1939)
Princess Urduja
CarlosV. Francisco aka Botong Francisco
2nd Filipino to receive the title of National Artist in Painting in 1973
 One of the first Filipino modernist
 Francisco's art is a prime example of linear
painting where lines and contours appear like cut
outs.
 He single-handedly brought back the art of mural
painting in the Philippines
Date of Birth: November 4, 1912
Birthplace:Angono, Rizal
Year of Death: March 31, 1969
Katipunan
Mural
Best known mural of Francisco
It shows his descriptions about the
History of Manila
MayorAntonioVillegas in Manila
It describes the enthusiasm of the
first Datu in Manila.
His murals on the history of Manila
for the Manila City Hall represent a
high point in his art and the art of the
country.
Katipunan
JoseTanig Joya
National Artist inVisual Arts in 2003
 A painter and multimedia artist
 Known as an Abstract Expressionist
 He was the president of the Art Association of the
Philippines from 1962 to 1965 and dean of the U.P.
College of Fine Arts from 1970 to 1978.
Date of Birth: June 3, 1931
Birthplace: Manila, Philippines
Year of Death: March 31, 1996
Granadean Arabesque
 Inspired by Joya’s stay in Granada, a region in Spain.
How he was struck by inspiration while travelling on a train and
seeing all the beautiful sunflowers pass him by.
 Bright yellows dominate the canvass and establish the mood –
pure joy, life, and energy.
Granadean Arabesque
Other works of Jose Joya:
1948 – Barter of Panay
1954 – Christ Stripped of His Clothes
1958 – GranadeanArabesque, his landmark
painting
1965 – Dimensions of Fear
1981 –Vista BeyondVision
1985 –Torogan
1998 – Playground of the Mind
ThankYou
☺
Miniature
Miniature isn't merely about size, but also the level
of detail in the painting. It's the detail that differentiates
a miniature from a small painting: if you look at it through
a magnifying glass, you'll see extremely fine brush marks
with every detail scaled down and miniaturized.
Techniques used include hatching, stippling, and glazing.
Composition, perspective, and color are as important as
in larger paintings.
Symbolism
A symbol, in general, is a visible sign of something
invisible in such as an idea or a quality.
Art of Symbolism is the art to use symbols to
represent things, ideas and emotions.
Realism
The representation in art or literature of objects,
actions, or social conditions as they actually are, without
idealization or presentation in abstract form.
Adopted to describe things represent figures and
exactly how they look like in real life.
Mural
A mural is any piece of artwork painted or applied
directly on a wall, ceiling or other large permanent
surface.
A particularly distinguishing characteristic of mural
painting is that the architectural elements of the given
space are harmoniously incorporated into the picture
Abstract Expressionism
Abstract Expressionism is a school of art that
developed from Expressionism. It applied the principles
of Expressionism to abstract art. The artist's brush
strokes, the visible evidence of the process of creating the
painting, together with the use of color, are the 'subject'
of the painting.

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Filipino Painters: Meet the Masters Who Shaped Philippine Art

  • 1. Filipino Painters : The Few Cream of the Crop
  • 2. Damian Domingo“The First Great Filipino Painter” AKA DamianGabor Domingo “Father of Filipino Painting”  1st Filipino to paint his face 1st self-portrait in the Philippines Academia de Dibujo y Pintura Date of Birth: 1796 Birthplace:Tondo, Manila, Philippines Year of Death: 1834
  • 4. La Sagrada Familia Oil on Copper Sheet Measurements: 48.26(length) x 35 (width) cm Where it was made: Manila, Philippines Time Period: 19th Century; 1820’s to 1830’s Owner: Heirs of Luis Ongpin Museum: Ayala Miuseum
  • 5. La Sagrada Familia The delicate veil over the Virgin’s head and shoulders is transparent to the point of appearing almost invisible. Cloth folds and curves of the figures’ clothing appear quite realistic. Damian Domingo uses color and drama with control. The painting depicts three generations of the Holy Family.
  • 6. La Sagrada Familia The infant Jesus and his parents are at the center, His grandparents on either side, and God the Father, the Holy Spirit, and the angels high above. It marks the peak of his finely detailed miniaturist style. Two misspelled words in the paintings caption. “Sagrda” and “Aana”
  • 7. Juan Luna “Ilocano Filipino Painter” Political activist of the Philippine Revolution during the late 19th century  1st recognized Philippine artists  His 1st tutor Don Lorenzo Guerero was so impressed with his early works  Don Lorenzo persuaded his parents to send him to Spain to advance his skills Date of Birth: October 23,1857 Birthplace: Badoc, Ilocos Norte, Philippines Year of Death: December 7, 1899
  • 9. Spoliarium Oil-on-Canvas Measurements: 4.22 meters x 7.675 meters Where it was made: Rome Time Period: 19th Century , 1884 Award: 1st prize, gold medal at Exposicion de Bellas Artes of Oil Paintings in Madrid Location: National Museum
  • 10. Spoliarium Largest painting in the Philippines. The Technique used by the artist is symbolism. Heavy strong brush strokes- expressed his anger over the abuses and cruelties. Lines and color- he captured pathos and barbarism of a decadent empire.
  • 11. Spoliarium Vertical Lines- evidenced by the straight body of an oppressor suggest strength and stability. Horizontal Lines- seen impression of serenity and repose. Diagonal Lines- clearly shown in the arms of men pulling the wounded gladiator toward the other room.
  • 12. Spoliarium Most well-known painting by a Filipino artist  A building or chamber where the dead bodies of gladiators were taken to be stripped of their armor and weapons prior to the disposal of their bodies. Symbol of 'our social, moral, and political life: humanity unredeemed, reason and aspiration in open fight with prejudice, fanaticism, and injustice."
  • 13. Other works of Juan Luna: Death of Cleopatra (Silver medal, 1881 Museo del Prado in Madrid) Parisian Life (Silver medal, 1889, GSIS Museum) Battle of Lepanto, Blood Compact (1886, Malacañang Palace) Una Bulakenya (1895, Malacañang Palace)
  • 14. Felix Resurreccion Hidalgo National Artist of the Philippines for Painting  He studied in the University of SantoTomas where his artistry was encouraged by Fr. Sabater.  He was simultaneously enrolled at the Escuela de Dibujo y Pintura.  When Juan Luna won the gold medal in the 1884 Madrid Exposition, a Filipino painter shared with him the limelight by securing the second place.  His remains were brought to Manila, where he now lies entombed in the Hidalgo family mausoleum at the Cementerio del Norte. Date of Birth: February 21, 1855 Birthplace: Binondo, Manila Year of Death: March 1913
  • 15. Las virgenes Cristianas expuestas al populacho
  • 16. Oil-on-Canvas Measurements: 115 cm x 157 cm Time Period: 1884 Award: Silver Medalist(9th silver medal award among forty five) Location: Metropolitan Museum of Manila Las virgenes Cristianas expuestas al populacho
  • 17. Las virgenes Cristianas expuestas al populacho Regarded as one of the national treasures of the Philippines  Part of art collection of the Bangko Sentral ng Pilipinas. The original was destroyed in a fire at the University of Valladolid in Spain. Las Virgenes Cristianas Expuestas al Populacho is a "landmark painting" depicting the persecution of Christians in Ancient Rome.
  • 18. Las virgenes Cristianas expuestas al populacho Described as a masterpiece remarkable in the aspects of quality, composition, and historical context. It portrays two scantily clothed Christian female slaves being mocked by a group of boorish Roman male onlookers. One of the women is posed seated naked at the foreground of the painting with her "head bowed in misery". The semi-nude women have been stripped not only of their garments but also of their dignity.
  • 19. Las virgenes Cristianas expuestas al populacho He derive his subject matter from classical antiquity He brought out the Drama of the moment
  • 20. Other works of Felix Hidalgo: Flora de Filipinas (Plants of the Philippines) - awarded second place for best cover design for de Luxe edition.  La Siesta (Nap in the afternoon) - a piece which was favorably reviewed in La Ilustracion Espanola y Americana in1881. La Barca de Aqueronte (The Boat of Charon) - received a gold medal in the international exposition in Madrid and was bought for 7500 pesetas by the Spanish government.
  • 21. Other works of Felix Hidalgo: Laguna Estigia (The Styx) El Violinista - was accorded a gold medal at the Universal Exposition in St. Louis, Missouri.
  • 22. FernandoAmorsolo y Cueto National Artist of the Philippines for Painting  Excellent sketch artist as well as peerless master of light and color.  Signature technique. Backlight his object, gently shading them with nuanced color tones & haloing them with incandescent golden glow.  Most of his paintings portrayed the Filipino culture, tradition, and customs like Filipino fiestas.  Became popular because of his illuminated landscapes and his historical paintings on which you can see the real reflection of a Filipino soul. Date of Birth: May 30, 1892 Birthplace: Calle Herran in Paco, Manila Year of Death: April 26, 1972
  • 24. Rice Planting Oil-on-Canvas Measurements: 24 x 34 meters Where it was made: Philippines Time Period: 1922 Sold by: Geringer Art, a Honolulu based company which specializes in the art of Fernando Amorsolo
  • 25. Rice Planting His “Rice Planting” (1922) was a staple of tourist brochures. It’s visual weight is light because the colors used were mostly pastel in nature. No dark colors were used to produce a feeling of calm and peace. The particular genre that was used is realism.
  • 26. Rice Planting He painted the details as to how it might look like in real life. In rice planting, the backlighting technique manifested wherein figures are outlined against a characteristic glow, and intense light on one part of the canvas highlights nearby details. Sunlight is a consistent element in Amorsolo’s works. Brush strokes were smooth which emphasizes the serene feeling.
  • 27. Other works of Fernando Amorsolo: The Bombing of the Intendecia (1942) Bataan ) Afternoon Meal of theWorkers (1939) Princess Urduja
  • 28. CarlosV. Francisco aka Botong Francisco 2nd Filipino to receive the title of National Artist in Painting in 1973  One of the first Filipino modernist  Francisco's art is a prime example of linear painting where lines and contours appear like cut outs.  He single-handedly brought back the art of mural painting in the Philippines Date of Birth: November 4, 1912 Birthplace:Angono, Rizal Year of Death: March 31, 1969
  • 30. Mural Best known mural of Francisco It shows his descriptions about the History of Manila MayorAntonioVillegas in Manila It describes the enthusiasm of the first Datu in Manila. His murals on the history of Manila for the Manila City Hall represent a high point in his art and the art of the country. Katipunan
  • 31. JoseTanig Joya National Artist inVisual Arts in 2003  A painter and multimedia artist  Known as an Abstract Expressionist  He was the president of the Art Association of the Philippines from 1962 to 1965 and dean of the U.P. College of Fine Arts from 1970 to 1978. Date of Birth: June 3, 1931 Birthplace: Manila, Philippines Year of Death: March 31, 1996
  • 33.  Inspired by Joya’s stay in Granada, a region in Spain. How he was struck by inspiration while travelling on a train and seeing all the beautiful sunflowers pass him by.  Bright yellows dominate the canvass and establish the mood – pure joy, life, and energy. Granadean Arabesque
  • 34. Other works of Jose Joya: 1948 – Barter of Panay 1954 – Christ Stripped of His Clothes 1958 – GranadeanArabesque, his landmark painting 1965 – Dimensions of Fear 1981 –Vista BeyondVision 1985 –Torogan 1998 – Playground of the Mind
  • 36. Miniature Miniature isn't merely about size, but also the level of detail in the painting. It's the detail that differentiates a miniature from a small painting: if you look at it through a magnifying glass, you'll see extremely fine brush marks with every detail scaled down and miniaturized. Techniques used include hatching, stippling, and glazing. Composition, perspective, and color are as important as in larger paintings.
  • 37. Symbolism A symbol, in general, is a visible sign of something invisible in such as an idea or a quality. Art of Symbolism is the art to use symbols to represent things, ideas and emotions.
  • 38. Realism The representation in art or literature of objects, actions, or social conditions as they actually are, without idealization or presentation in abstract form. Adopted to describe things represent figures and exactly how they look like in real life.
  • 39. Mural A mural is any piece of artwork painted or applied directly on a wall, ceiling or other large permanent surface. A particularly distinguishing characteristic of mural painting is that the architectural elements of the given space are harmoniously incorporated into the picture
  • 40. Abstract Expressionism Abstract Expressionism is a school of art that developed from Expressionism. It applied the principles of Expressionism to abstract art. The artist's brush strokes, the visible evidence of the process of creating the painting, together with the use of color, are the 'subject' of the painting.