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Name: Neha Mehta 
Roll no.: 17 
Paper No.: 3-Literary Theory& Criticism 
Topic: ‘ Plot’ is the soul (e.g. Oedipus) 
Submitted to: Smt.S.B. Gardi & 
Department of English 
M.K. Bhavnagar University
Plot is the soul. 
 The plot is the most important of the six parts 
of tragedy, he ranks the remainder as follows, 
from most important to least: 
 Character 
 Thought 
 Diction 
 Melody 
 Spectacle.
 Plot is the ‘‘first principle,’’ the most important 
feature of tragedy –the soul of tragedy. 
 According to Aristotle, tragedies where the 
outcome depends on a tightly constructed 
cause- and – effect chain of action are superior 
to those that depend primarily on the character 
and personality of the protagonist.
 The plot must be “of a certain magnitude’’, both 
quantitatively and qualitatively. 
 Aristotle argues that plots should not be too 
brief; the more incidents and themes that 
playwright can bring together in an organic 
unity, the greater the artistic value and richness 
of the play.
 He further argues that Peripety and anognorisis 
–most powerful means for tragic effect is part of 
plot, not of character. 
 Sophocles' Oedipus the king is regarded by 
Aristotle as an instance of ideal plot for it 
involves both Peripety and Discovery.
Climax 
Unity of Action In 
OedipusTheKing 
Incentive Moment Resolution
 Unity of Action: Each of the incidents in this 
play is part of a tightly constructed cause and 
effect chain. 
 The plague in Thebes prompts Oedipus to 
send Creon to consult the oracle of Delphi; 
the oracle’s reply that the murderer of Laius 
most be banished from Thebes prompts 
Oedipus pronounce a solemn curse on the 
murderer and send for Teiresias.
 Teriesias states that Oedipus is the murderer, 
but since the king knows himself to be 
innocent, he accuses Creon of plotting with 
Teiresias against him. 
 As Aristotle recommends, this is directly 
connected to the anagnorisis, for the 
messenger and Herdsman piece together the 
whole story of Oedipus, enabling him to 
“recognize” his true identity, to gain the 
essential knowledge he has lacked.
 ThankYou

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Plot as 'Soul'

  • 1. Name: Neha Mehta Roll no.: 17 Paper No.: 3-Literary Theory& Criticism Topic: ‘ Plot’ is the soul (e.g. Oedipus) Submitted to: Smt.S.B. Gardi & Department of English M.K. Bhavnagar University
  • 2. Plot is the soul.  The plot is the most important of the six parts of tragedy, he ranks the remainder as follows, from most important to least:  Character  Thought  Diction  Melody  Spectacle.
  • 3.  Plot is the ‘‘first principle,’’ the most important feature of tragedy –the soul of tragedy.  According to Aristotle, tragedies where the outcome depends on a tightly constructed cause- and – effect chain of action are superior to those that depend primarily on the character and personality of the protagonist.
  • 4.  The plot must be “of a certain magnitude’’, both quantitatively and qualitatively.  Aristotle argues that plots should not be too brief; the more incidents and themes that playwright can bring together in an organic unity, the greater the artistic value and richness of the play.
  • 5.  He further argues that Peripety and anognorisis –most powerful means for tragic effect is part of plot, not of character.  Sophocles' Oedipus the king is regarded by Aristotle as an instance of ideal plot for it involves both Peripety and Discovery.
  • 6. Climax Unity of Action In OedipusTheKing Incentive Moment Resolution
  • 7.  Unity of Action: Each of the incidents in this play is part of a tightly constructed cause and effect chain.  The plague in Thebes prompts Oedipus to send Creon to consult the oracle of Delphi; the oracle’s reply that the murderer of Laius most be banished from Thebes prompts Oedipus pronounce a solemn curse on the murderer and send for Teiresias.
  • 8.  Teriesias states that Oedipus is the murderer, but since the king knows himself to be innocent, he accuses Creon of plotting with Teiresias against him.  As Aristotle recommends, this is directly connected to the anagnorisis, for the messenger and Herdsman piece together the whole story of Oedipus, enabling him to “recognize” his true identity, to gain the essential knowledge he has lacked.