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TURN FIVE IMAGES BLACK & WHITE
TURNING AN IMAGE TO SEPIA TONE
always start with a black & white image ļƒ  make sure you are also in RGB mode
before you proceed

Tutorial 1 ā€“ USING PHOTO FILTER: IMAGE ļƒ  ADJUSTMENTS ļƒ 
PHOTO FILTER ļƒ  choose from the pull down menu either a WARMING
FILTER or PHOTO FILTER and then change the DENSITY
Tutorial 2 ā€“ USING COLOR BALANCE: IMAGE ļƒ  ADJUSTMENTS ļƒ 
COLOR BALANCE, use the RED & YELLOW settings in Shadow, Midtone
and Highlight to create brown tones (settings to taste)
Tutorial 3 ā€“ USING HUE/SATURATION: IMAGE ļƒ  ADJUSTMENTS ļƒ 
HUE/SATURATION, check COLORIZE in the corner and slide the HUE
settings
Tutorial 4 ā€“ USING LAYER STYLES 1: SELECT ALL ļƒ  EDIT CUT, EDIT
PASTE, then WINDOW ļƒ  STYLES ļƒ  Choose the SEPIA TONE or SUN
FADED preset
Tutorial 5 ā€“ USING LAYER STYLES 2: SELECT ALL ļƒ  EDIT CUT, EDIT
PASTE ļƒ  LAYER MENU ļƒ  LAYER STYLES ļƒ  COLOR OVERLAY ļƒ 
CHANGE COLOR from DEFAULT color (usually red or black) to a BROWN
color, then change OPACITY or BLEND MODE to merge color layer with
original image

great for mimicking
cameron, stieglitz, and brady
ā€œUsing Blurā€
1.
Open an image with a clear center of interest
2.
Turn B&W
3.
CROP and EDIT photo using standard editing tools
ā€¢
Crop 11x14
ā€¢
Levels & Curves
ā€¢
Brightness & Contrast
ā€¢
Burn & Dodge
4.
DUPLICATE LAYER
5.
FILTER ļƒ  BLUR ļƒ  GAUSSIAN BLUR (to taste)
6.
Change LAYER BLENDING MODE TO MULTIPLY
7.
Use the ERASER TOOL set to a SOFT BLURRY BRUSH
8.
Erase areas of the image
ā€¢
The areas I chose to erase were parts that I
wanted more detail or to be brighter. For instance
I erased the eyes, the teeth and parts of the hair
in order to bring back those highlights, details and
textures.
ā€¢
Whatever you erase will be emphasized and
become the dominant part of the photo.
9.
FLATTEN IMAGE
10.
REPEAT STEPS 4 ā€“ 6, except change the BLENDING MODE
to SCREEN
11.
REPEAT STEP 7 & 8, except this time erase areas that you
want to make darker
12.
Experiment with different OPACITY LEVELS for your
ERASER-BRUSH

great for mimicking
cameron, stieglitz and leibovitz
ā€œUsing Double-Exposure and Blurā€
1.
Open a landscape image with a clear horizon line
2.
Turn B&W
3.
CROP and EDIT photo using standard editing tools
ā€¢
Crop 11x14
ā€¢
Levels & Curves
ā€¢
Brightness & Contrast
ā€¢
Burn & Dodge
4.
DUPLICATE LAYER
5.
Use the MOVE TOOL and NUDGE the DUPLICATE LAYER to
the right or left about TEN CLICKS
6.
FILTER ļƒ  BLUR ļƒ  MOTION BLUR -12 | 10
7.
Change LAYER BLENDING MODE to MULTIPLY and
OPACITY 50% or to taste
8.
Use the ERASER SOFT BLURRY BRUSH OPACITY 50% or
lower to erase the blurriness of the image, but leave areas
around clouds, mountains, buildings, trees etc.
9.
FLATTEN IMAGE
10.
REPEAT STEPS 4 ā€“ 8, EXCEPT
ā€¢
Like in the last tutorial you are going to repeat this
technique for the highlights as well.
ā€¢
This time NUDGE the opposite direction about 20
CLICKS
ā€¢
Set the LAYER MODE to SCREEN
ā€¢
Erase for shadows and details
11.
BURN & DODGE to taste

great for mimicking
cameron and stieglitz
ā€œUsing Thresholdā€
1.
Open an image with geometric shapes and/or leading
lines, as well as organic subject matter
2.
CROP and EDIT photo using standard editing tools
ā€¢
Crop 11x14
ā€¢
Levels & Curves
ā€¢
Brightness & Contrast
ā€¢
Burn & Dodge
3.
DUPLICATE LAYER
4.
IMAGE ļƒ  ADJUSTMENTS ļƒ  THRESHOLD
ā€¢
Use THRESHOLD to remove the gray
information, so that the image is only made up of
black areas and white areas.
ā€¢
Try to preserve as much detail as possible.
5.
FILTER ļƒ  STYLIZE ļƒ  DIFFUSE | ANISOPTROPIC
6.
Change LAYER BLENDING MODE to MULTIPLY
7.
Use the ERASER TOOL set to a SOFT BLURRY BRUSH
8.
Erase areas of the image
ā€¢
The areas I chose to erase were parts that I
wanted more detail or to be brighter. For instance
I erased the sky to bring back some of the
clouds, and some of the details in the people.

great for mimicking
rodchenko or smith
ā€œCreating a Negative Borderā€
1.
Open an image with a white background
2.
CROP and EDIT photo using standard editing tools
ā€¢
Crop 11x14
ā€¢
Levels & Curves
ā€¢
Brightness & Contrast
ā€¢
Burn & Dodge
3.
BLANK NEW LAYER ļƒ  FILL BUCKET WHITE
4.
PRESS D on the keyboard to reset your colors
5.
Use the CUSTOM SHAPE TOOL and draw a FRAME 7
graphic across the screen
6.
Then FILL BUCKET the inside with BLACK
7.
CTRL ā€“I (INVERSE)
8.
Change LAYER BLENDING MODE to MULTIPLY
9.
FILTER ļƒ  BLUR ļƒ  GAUSSIAN BLUR to taste
10.
Experiment with the LAYERā€™s OPACITY
11.
BLANK NEW LAYER
12.
Use the RECTANGULAR MARQUEE and draw a border
about an Ā½ inch in from the outside edge
13.
RIGHT CLICK and STROKE 10, then CTRL-D
14.
Use the RECTANGULAR MARQUEE and set the FEATHER to
15, then select small sections of the black border
15.
COPY and PASTE and use the MOVE TOOL to place this
section of the border as seen to the right

16.

REPEAT steps 14 & 15 several times
ā€¢
Make sure to keep clicking on the BLACK
BORDER LAYER when copying

great for mimicking
avedon and cameron
Digital Imaging ā€“ Tutorial 10
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
12.
13.
14.

Open two photos, preferably focusing on a single subject matter
Turn both photos B&W using IMAGE ļƒ  ADJUST ļƒ  GRAYSCALE or you can use
the new CS3 tool: IMAGE ļƒ  ADJUST ļƒ  Black & White
Choose the image that you want to be the ā€œbackgroundā€ and the image you
want to be the ā€œmerging-inā€ image
SELECT ļƒ  SELECT ALL on the ā€œmerging-inā€ image, then EDIT ļƒ  COPY
(SHORTCUTS: CTRL A, CTRL C)
PASTE this image onto the ā€œbackground imageā€ file using CTRL V
RESIZE if needs be using EDIT ļƒ  TRANSFORM ļƒ  SCALE
Click on the ERASER TOOL and then go to your BRUSH SETTINGS and RESET
YOUR BRUSHES using this dialogue window
Choose a SOFT ROUND BRUSH
Change brush opacity to 50% and begin erasing the excess parts of the
ā€œmerging-inā€ image (the parts you do not want to see!)
Go over the areas several times until the two photos start to ā€œmergeā€ ļƒ  its
okay if you get a ā€œhaloā€ effect
ZOOM IN and clean up the edges with the eraser
When you are satisfied go to LAYER ļƒ  FLATTEN IMAGE
Use the BURN & DODGE TOOLS to get rid of ā€œhaloesā€ and alter the image so
that they use a similar light source
Use the CROP tool to improve your composition

Digital Imaging ā€“ Tutorial 11
Start with steps 1 ā€“ 3 from above
4.
If you are more comfortable using the QUICK MASK rather than
the ERASER TOOL there is an alternate method. Start from Step 3
Above.
5.
Instead of SELECTING ALL, on the ā€œmerging-inā€ image hit QUICK
MASK and then paint out the area of the photo you wish to copy
(for the example to the right I would paint out the elephant red)
6.
Once done, exit QUICK MASK and everything BUT your subject
matter should be selected, go to SELECT ļƒ  INVERSE
7.
Then EDIT ļƒ  COPY and then go to your ā€œbackground imageā€
8.
EDIT ļƒ  PASTE (CTRL V)
9.
Again, use the ERASER and BURN & TOOL to clean up the image

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Unit 6 - Masters Tutorials (11)

  • 1. TURN FIVE IMAGES BLACK & WHITE TURNING AN IMAGE TO SEPIA TONE always start with a black & white image ļƒ  make sure you are also in RGB mode before you proceed Tutorial 1 ā€“ USING PHOTO FILTER: IMAGE ļƒ  ADJUSTMENTS ļƒ  PHOTO FILTER ļƒ  choose from the pull down menu either a WARMING FILTER or PHOTO FILTER and then change the DENSITY Tutorial 2 ā€“ USING COLOR BALANCE: IMAGE ļƒ  ADJUSTMENTS ļƒ  COLOR BALANCE, use the RED & YELLOW settings in Shadow, Midtone and Highlight to create brown tones (settings to taste) Tutorial 3 ā€“ USING HUE/SATURATION: IMAGE ļƒ  ADJUSTMENTS ļƒ  HUE/SATURATION, check COLORIZE in the corner and slide the HUE settings Tutorial 4 ā€“ USING LAYER STYLES 1: SELECT ALL ļƒ  EDIT CUT, EDIT PASTE, then WINDOW ļƒ  STYLES ļƒ  Choose the SEPIA TONE or SUN FADED preset Tutorial 5 ā€“ USING LAYER STYLES 2: SELECT ALL ļƒ  EDIT CUT, EDIT PASTE ļƒ  LAYER MENU ļƒ  LAYER STYLES ļƒ  COLOR OVERLAY ļƒ  CHANGE COLOR from DEFAULT color (usually red or black) to a BROWN color, then change OPACITY or BLEND MODE to merge color layer with original image great for mimicking cameron, stieglitz, and brady
  • 2. ā€œUsing Blurā€ 1. Open an image with a clear center of interest 2. Turn B&W 3. CROP and EDIT photo using standard editing tools ā€¢ Crop 11x14 ā€¢ Levels & Curves ā€¢ Brightness & Contrast ā€¢ Burn & Dodge 4. DUPLICATE LAYER 5. FILTER ļƒ  BLUR ļƒ  GAUSSIAN BLUR (to taste) 6. Change LAYER BLENDING MODE TO MULTIPLY 7. Use the ERASER TOOL set to a SOFT BLURRY BRUSH 8. Erase areas of the image ā€¢ The areas I chose to erase were parts that I wanted more detail or to be brighter. For instance I erased the eyes, the teeth and parts of the hair in order to bring back those highlights, details and textures. ā€¢ Whatever you erase will be emphasized and become the dominant part of the photo. 9. FLATTEN IMAGE 10. REPEAT STEPS 4 ā€“ 6, except change the BLENDING MODE to SCREEN 11. REPEAT STEP 7 & 8, except this time erase areas that you want to make darker 12. Experiment with different OPACITY LEVELS for your ERASER-BRUSH great for mimicking cameron, stieglitz and leibovitz
  • 3. ā€œUsing Double-Exposure and Blurā€ 1. Open a landscape image with a clear horizon line 2. Turn B&W 3. CROP and EDIT photo using standard editing tools ā€¢ Crop 11x14 ā€¢ Levels & Curves ā€¢ Brightness & Contrast ā€¢ Burn & Dodge 4. DUPLICATE LAYER 5. Use the MOVE TOOL and NUDGE the DUPLICATE LAYER to the right or left about TEN CLICKS 6. FILTER ļƒ  BLUR ļƒ  MOTION BLUR -12 | 10 7. Change LAYER BLENDING MODE to MULTIPLY and OPACITY 50% or to taste 8. Use the ERASER SOFT BLURRY BRUSH OPACITY 50% or lower to erase the blurriness of the image, but leave areas around clouds, mountains, buildings, trees etc. 9. FLATTEN IMAGE 10. REPEAT STEPS 4 ā€“ 8, EXCEPT ā€¢ Like in the last tutorial you are going to repeat this technique for the highlights as well. ā€¢ This time NUDGE the opposite direction about 20 CLICKS ā€¢ Set the LAYER MODE to SCREEN ā€¢ Erase for shadows and details 11. BURN & DODGE to taste great for mimicking cameron and stieglitz
  • 4. ā€œUsing Thresholdā€ 1. Open an image with geometric shapes and/or leading lines, as well as organic subject matter 2. CROP and EDIT photo using standard editing tools ā€¢ Crop 11x14 ā€¢ Levels & Curves ā€¢ Brightness & Contrast ā€¢ Burn & Dodge 3. DUPLICATE LAYER 4. IMAGE ļƒ  ADJUSTMENTS ļƒ  THRESHOLD ā€¢ Use THRESHOLD to remove the gray information, so that the image is only made up of black areas and white areas. ā€¢ Try to preserve as much detail as possible. 5. FILTER ļƒ  STYLIZE ļƒ  DIFFUSE | ANISOPTROPIC 6. Change LAYER BLENDING MODE to MULTIPLY 7. Use the ERASER TOOL set to a SOFT BLURRY BRUSH 8. Erase areas of the image ā€¢ The areas I chose to erase were parts that I wanted more detail or to be brighter. For instance I erased the sky to bring back some of the clouds, and some of the details in the people. great for mimicking rodchenko or smith
  • 5. ā€œCreating a Negative Borderā€ 1. Open an image with a white background 2. CROP and EDIT photo using standard editing tools ā€¢ Crop 11x14 ā€¢ Levels & Curves ā€¢ Brightness & Contrast ā€¢ Burn & Dodge 3. BLANK NEW LAYER ļƒ  FILL BUCKET WHITE 4. PRESS D on the keyboard to reset your colors 5. Use the CUSTOM SHAPE TOOL and draw a FRAME 7 graphic across the screen 6. Then FILL BUCKET the inside with BLACK 7. CTRL ā€“I (INVERSE) 8. Change LAYER BLENDING MODE to MULTIPLY 9. FILTER ļƒ  BLUR ļƒ  GAUSSIAN BLUR to taste 10. Experiment with the LAYERā€™s OPACITY 11. BLANK NEW LAYER 12. Use the RECTANGULAR MARQUEE and draw a border about an Ā½ inch in from the outside edge 13. RIGHT CLICK and STROKE 10, then CTRL-D 14. Use the RECTANGULAR MARQUEE and set the FEATHER to 15, then select small sections of the black border 15. COPY and PASTE and use the MOVE TOOL to place this section of the border as seen to the right 16. REPEAT steps 14 & 15 several times ā€¢ Make sure to keep clicking on the BLACK BORDER LAYER when copying great for mimicking avedon and cameron
  • 6. Digital Imaging ā€“ Tutorial 10 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. Open two photos, preferably focusing on a single subject matter Turn both photos B&W using IMAGE ļƒ  ADJUST ļƒ  GRAYSCALE or you can use the new CS3 tool: IMAGE ļƒ  ADJUST ļƒ  Black & White Choose the image that you want to be the ā€œbackgroundā€ and the image you want to be the ā€œmerging-inā€ image SELECT ļƒ  SELECT ALL on the ā€œmerging-inā€ image, then EDIT ļƒ  COPY (SHORTCUTS: CTRL A, CTRL C) PASTE this image onto the ā€œbackground imageā€ file using CTRL V RESIZE if needs be using EDIT ļƒ  TRANSFORM ļƒ  SCALE Click on the ERASER TOOL and then go to your BRUSH SETTINGS and RESET YOUR BRUSHES using this dialogue window Choose a SOFT ROUND BRUSH Change brush opacity to 50% and begin erasing the excess parts of the ā€œmerging-inā€ image (the parts you do not want to see!) Go over the areas several times until the two photos start to ā€œmergeā€ ļƒ  its okay if you get a ā€œhaloā€ effect ZOOM IN and clean up the edges with the eraser When you are satisfied go to LAYER ļƒ  FLATTEN IMAGE Use the BURN & DODGE TOOLS to get rid of ā€œhaloesā€ and alter the image so that they use a similar light source Use the CROP tool to improve your composition Digital Imaging ā€“ Tutorial 11 Start with steps 1 ā€“ 3 from above 4. If you are more comfortable using the QUICK MASK rather than the ERASER TOOL there is an alternate method. Start from Step 3 Above. 5. Instead of SELECTING ALL, on the ā€œmerging-inā€ image hit QUICK MASK and then paint out the area of the photo you wish to copy (for the example to the right I would paint out the elephant red) 6. Once done, exit QUICK MASK and everything BUT your subject matter should be selected, go to SELECT ļƒ  INVERSE 7. Then EDIT ļƒ  COPY and then go to your ā€œbackground imageā€ 8. EDIT ļƒ  PASTE (CTRL V) 9. Again, use the ERASER and BURN & TOOL to clean up the image