This risk assessment covers the filming activities of Dark Arts Productions. It identifies potential hazards like cold environment, manual handling, slipping hazards, and more. Control measures are outlined to reduce risks, such as providing warm clothing, training in safe lifting techniques, clearing walkways, and monitoring weather conditions. The document also includes a risk matrix to help evaluate risk levels both before and after controls are implemented.
Dark Arts Productions risk assessment form summarizes filming hazards
1. By Mariam Alim
Risk Assessment Form – Part A
Division / Studio Dark Arts Productions Department/ Series Production of filming, editing and ancillaries
Business Unit / Production
Address
CFGS, 25-33 Bow Rd, London
E3 2AE
Producer
Tel:
Mobile:
Dark Arts Productions
Period coveredby assessment n/a Versionnumber 1
Outline of risk assessment
Summary of what is proposed
This RA is to cover the activity of Dark Arts Productions during the period set out for filming, editing and the
production of ancillaries at the locations set out below
Team members / experts /
contractors / etc.
List those involved
5x CFGS Students as Cast and Crew
4x CFGS Tutors
Other externalcast members:
Bushra (Surname is w ithheld for security reasons)
David Horner
Locations
Outline locationsinvolved – indicate
any which are hostile environments
Commercial Road (Address and door number is w ithheld for securityreasons.)
CFGS, 25-33 Bow Rd, London E3 2AE
Mile End Park, Clinton Rd, London E3 4QY
St. Stephen’s Road, London E3 5JL
Assessor Name
Signature
Ms. Katie Richards-Gross Date completed n/a
Authorisedby Name
(if not Assessor) Signature
Mr. Luke Williams Date authorized n/a
Hazard list – select your hazards from the list belowand use these to complete Part B
Situational hazards Tick Physical / chemical hazards Tick Health hazards Tick
Assault by person Contact with cold liquid / v apour Disease causativ e agent
Attacked by animal Contact with cold surf ace Inf ection
Breathing compressed gas Contact with hot liquid / v apour Lack of f ood / water X
Cold env ironment X Contact with hot surf ace Lack of oxy gen
Crush by load Electric shock X Phy sical f atigue X
Drowning Explosiv e blast Repetitiv e action X
Entanglement in mov ing machinery Explosiv e release of stored pressure Static body posture X
High atmospheric pressure Fire X Stress X
Hot env ironment Hazardous substance Venom poisoning
Intimidation Ionizing radiation
Manual handling X Laser light Environmental hazards
Object f alling, mov ing or f ly ing X Lightning strike Litter X
Obstruction / exposed f eature Noise X Nuisance noise / v ibration
Sharp object / material Non-ionizing radiation Phy sical damage
Shot by f irearm Stroboscopic light Waste substance released into air
Slippery surf ace X Working in conf ined spaces X Waste substance released into soil / water
Trap in mov ing machinery Lack of v entilation
Trip hazard X Managerial / Organisational hazards
Vehicle impact / collision X Multiple hazards
Working at height
Risk matrix – use this to determine risk for
each hazard i.e. ‘how bad and how likely’ Likelihood of Harm
Severity of Harm
Remote
e.g. <1 in 1000 chance
Unlikely
e.g. 1 in 200 chance
Possible
e.g. 1 in 50 chance
Likely
e.g. 1 in 10 chance
Probable
e.g. >1 in 3 chance
Negligiblee.g.small bruise Very low Very low Very low Low Low
Slighte.g. small cut, deep bruise Very low Very low Low Low Medium
Moderatee.g. deep cut, torn muscle Very low Low Medium Medium High
Severe e.g. fracture, loss of consciousness Low Medium High High Extremely high
Very Severe e.g. death, permanent disability Low Medium High Extremely high Extremely high
2. By Mariam Alim
Risk Assessment Form –
Part B
Activity1
–Each
individual activity you
are proposing e.g.
location lighting:
Locations – As Per Part A and general movement around the complex
Commercial Road (Address and door number is w ithheld for securityreasons.)
CFGS, 25-33 Bow Rd, London E3 2AE
Mile End Park, Clinton Rd, London E3 4QY
St. Stephen’s Road, London E3 5JL
Dates / times:
n/a
Hazards2
List what could cause
harm f rom this activ ity
e.g. working at height, trip
hazard, fire, etc.
Who
exposed
List who might be
harmed f rom this
activ ity
e.g. staff,
contractors,
contributors,
public, etc.
Risk3
For each
hazard,
decide
lev el of risk
as if y ou
were to do
the activ ity
without
y our
controls
Control measures
For each hazard, list the measures y ou will be taking
to minimise the risk identif ied
e.g. appointing competent persons, training received,
planning and rehearsals, use of personal protective
equipment, provision of first aid, etc.
Risk3
For each hazard, now
decide lev el of risk once all
y our controls are in place
Cold Environment Cast & Crew LOW Encourage all to bring w arm
clothing and lots of layers
Put reminder in Location Notes on
all Call Sheets
Ensure regular breaks are taken in
a w armenvironment
Ensure hot drinks are available on
location at all times
VERY LOW
Manual Handling Crew & Cast MEDIUM Crew are trained how to safely lift
and handle equipment and other
items
Only those w ho are trained how to
handle safely w illbe lifting things
Plan routes before moving objects
Equipment w illbe dropped as near
to w here it needs to be placed as
possible
Plan breaks w here objects can be
put dow n
Team lifts w illbe encouraged for
larger, bulky items
VERY LOW
Object Falling, Moving
or Flying
All LOW Make sure all objects that are at
height are secured to the rigging or
w eighted down at the base
Make sure all crew and actors know
the set and w hat is at height
Ensure that the vicinity surrounding
the moving/flying object is clear
VERY LOW
Slippery Surface Cast & Crew MEDIUM Due to adverse w eather, Slippery Surface
may become a risk. To limit this, w e w ill:
Avoid, w here possible, filming in
particularly slippery areas
Encourage sensible, practical
footw ear
Ensure sand/grit/sawdust is put
dow n where necessary
Wipe or mop up any liquid
spillages as soon as possible and
notify other members of cast and
crew
VERY LOW
Trip Hazard Crew , Cast &
Public
MEDIUM Crew w illkeep cabling to a
minimum w here possible
Kit w illbe stored neatly and
w alkways willbe kept clear
Crew w illkeep cables tidy & secure
any loose cabling
Cables laid across walkways, if
unavoidable, to be covered w ith
cables mats or securely taped dow n
Letters to residents have been
VERY LOW
3. By Mariam Alim
distributed to inform them of our
intentions at each location w ith our
contact details on
Locations w illensure public can get
through the set in betw een takes
and w illbe able to pass w ithout
obstruction
Vehicle Impact or
Collision
All MEDIUM Ensure people do no w orktoo
closely to the road and w hen
w orking by the road have someone
monitoring traffic forriskreduction
Wear high- visibility jackets w hen
filming outside
LOW
Electric Shock Crew & Cast MEDIUM Only equipment PAT Tested w illbe
used
Ensure location of fuse boards is
know n for each location
Check to make sure that sockets
are not overloaded and equipment
turned off w hen not in use
Those involved should do a visual
checkbefore using any electrical
devices
If anything is unfit for use, it w illnot
be used further on the shoot until it
repaired and re-tested
LOW
Fire Crew & Cast LOW When setting up shots, the relevant
departments w ill ensure electrical
equipment is given adequate space
to keep cool and not overheat
Strictly no smoking
Ensure a Fire Marshall is present,
and as such, w illtake preventative
steps w hilst on location
In the event of a fire, area to be left
immediately and all cast and crew to
assemble in pre-arranged safe
location
Cast and crew to familiarise
themselves w ith locations of fire
extinguishers/blankets and locations
of fire exits
Ensure that fire escape routes are
not blocked
VERY LOW
Working in Confined
Space
Cast & Crew LOW Cast and Crew to blockthrough
moves
Constant communication to be kept
up betw een everyone, so that
everyone know swhat everyoneelse
is doing and planning
Only necessary personneland
equipment to be on location
VERY LOW
Noise Crew VERY
LOW
Ensure noise levels monitored
If needed, w ear extraneousnoise
cancelling headphones
VERY LOW
Lack of Food/Water Cast & Crew LOW We w illensure the cast and crew
have w ater and or hot drinks
available as much as possible, to
limit the possibility of dehydration or
lack of food
Everyone involved w illtake meal
breaks w herever possible to limit
risk of lackof food/w ater
VERY LOW
Physical Fatigue Crew & Cast MEDIUM All involved w illbe given as many
breaks as time w illallow
The w orking day w illNOT exceed 6
LOW
4. By Mariam Alim
hours for anyone involved in the
shoot
Adequate breaks w illbe given in
betw een each day’s work
Drinks w illbe available throughout
the day to keep all hydrated and
energised
Set-Ups w illbe carefully planned
A trained first aider w illalw aysbe
present, should they need to give
any medical assistance to cast
and/or crew
Repetitive Action Cast & Crew LOW Ensure regular breaks are
scheduled and taken
If necessary,take turns w ith the
task
VERY LOW
Static Body Posture &
Repetitive Action
Crew LOW Everyone w illbe encouraged to get
out off set and have a w alkaround.
Regular w orkbreaks w illbe
encouraged to those w ho w illhave
a static body posture
Where possible, ensure that the
position is as comfortable as
possible
VERY LOW
Litter Cast & Crew &
Public
LOW Locations to be cleared of litter
before setting up
Bin bags/bins to be provided, and
cast and crew to be encouraged to
dispose of w asteappropriately
VERY LOW