This PPT was about painting.

2. PAINTING
ART APPRECIATION

3. What is your understanding
about painting?

4. LEARNING OBJECTIVES:
1. Understand and define what is painting.
2. Know the importance of painting.
3. Identify the importance and significant of
Filipino painter who made history in
painting.

5. PAINTING
 painting it is
important to know
how to create a
meaningful effects
on the flat surface
used, painting
expresses
the painter or
artist’s feelings on
creating a
meaningful and
creative painting.

6. MEDIUM IN PAINTING
 The success of work of art greatly depends on the
materials used in painting.
 Physical materials make certain demands upon aesthetic
medium.
 For example, paper or crayon or canvas has certain
capacities for sensuous effects in terms of the aesthetic
materials they evoke of line, color, mass and volume as
well as the organization of these into patterns and
designs.

7. SOME OF THE MOST COMMON MEDIA:
1. PENCIL- is used in basic sketching of figures, lines
and others.
Kinds:
> HARD PENCIL- used on smooth paper that can
make the most of wire line.
> SOFT PENCIL-used on the granular surface, can
invite effects of mass and a texture of gray.

9. B. ORIENTAL SUMI
 the flow and ease of this medium cannot be
achieved by pencil.
No technique can rival Sumi or India ink for
suggesting movement along line or for gradations of
gray and accents of black and white.
It is monochromatic and does not achieve the
variety of emotional responses.

11. C.) WATER COLOR
it resembles Oriental
Sumi, it invites
brilliance and variety of
hues. It is a lyric type of
painting

12. D.) OIL
the heaviest of
among painting
media it’s slow to
dry and need a
continues flow of
painting.

13. E.) TEMPERA
 More deliberate in
technique than oil. It is
ordinarily applied to a
carefully prepared white
gesso ground (chalk and
gum).The pigment is
mixed with white and
egg yolk.

14. 5 Elements of Art Structure
1) LINES - assumes significant power with their mental suggestions.
Kinds of lines:
 Straight - basic framework of many forms.
It lacks softness and flexibility. It mean efficiency, simplicity and
strength.
 Vertical - suggest aspirations, poise and exaltation
 Horizontal - gives an idea of calm and repose
 Diagonal - portrays movement, action and life
 Jagged line - conveys the sense of violence and conflicts.
 Curved line - subtle because they do not convey fixed ideas of
direction, but they also convey the sense of instability

15. 2) FORMS - direct the movement of the eyes. It
is like lines because they have size and volume.
3) COLOR - it gives life/appeal on the painting.
Each color has its own properties and even in the
most abstract paintings, the painter apply both
the traditional as well as the allusive properties of
color.
4) VALUES - sometimes called chiaroscuro, deal
with the treatment of light and dark in design.

16. 5) TEXTURE - deals with the tactile values and is merely
suggested. It means the surface treatment of an artistic
work.
 Color and sizes are vital significance in dealing with the
aesthetics of painting, for these are the media of
pictorial expression.
 Color and line should not evoke an emotion as much
as express it. The mere evocation of emotion is the
greatest weakness of sentimental paintings.
 The purpose of any art is to express concrete states of
the soul, not to represent mere things

17. What is Realism?
Realism in the arts is generally the attempt to
represent subject matter truthfully, without
artificiality and avoiding speculative and
supernatural elements.
The term is often used interchangeably with
naturalism, although these terms are not
synonymous.

18. FORMS OF
REALISM

19. 1. THROUGH-THE –WINDOW
REALISM
arranging the objects
within the strongest
organizing patterns
available to vision-it
may result in stiff
arrangement

20. 2.) Selective realism-functions
on the principle
that nobody can
see every object in
front of him but
sees only what he is
interested in

21. 3.) Light-and-shadow realism
Works on the principle
that the right way to
depict what the eye sees
is to paint the way that
light falls on objects and
is reflected to the eye

22. 4.) FRINGE REALISM
 what is known, as
Impressionism is a
painting of a fringe
without the focus. The
painter paints only what
stimulates the eye

23. 5.) FOCUS –AND-FRINGE REALISM
 operates on the principle
that the actual image
perceived on the retina
consists of a clear image of
the objects focused upon the
middle of the visual field and
fringe of increased blurriness
towards the edges.

24. 6.) DREAM-WORLD REALISM
this is painting the as it
appears in the artist’s
mind, enveloped by the
emotion.
Realism leaves the outer
world and depicts that
world that exist beyond
the eye

25. HISTORICAL BACKGROUND OF PAINTINGS
IN THE PHILLIPPINES
Painting in the country was introduced by the
Spanish friars in 17th century.
 The earliest Filipino paintings were almost
exclusively religious in themes and imitative of
Dutch and Flemish models which are then
current in Europe.

26. 1) FELIX RESURRECCION HIDALGO
Won a silver medal of large
canvas, Christian Virgins
Exposed to the Populace (Las
Virgenes Christiana’s
Expuestas al Populacho)

28. 2) JUAN LUNA
From Badoc, Ilocos Norte won
gold medal for his epic
SPOLIARIUM. The propagandist
Jose Rizal, Marcelo H.Del Pilar,
Graciano Lopez –Jaena and other
nationalist rejoiced because they
saw political significance in Luna
and Hidalgo’s triumph at a
prestigious

30. 3) VICENTE MANANSALA
 Became a classic long
before his death. He was
given a posthumous
recognition as National
Artist. Romantic, volatile,
exuberant are standard
epithets to describe the
tone and spirit of his
works.

31. 3) VICENTE MANANSALA
 His subject matter in his artworks are
folksy,pastoral,provincial,full of wonder at the sights
and serenades, gaudy, cockpit, galumphing,
jeepneys,shimmering baroque altars,idealized brown
madonnas and others.

33. 4) Carlos Francisco
 Known in Angono, Rizal as “Botong”.
 He is a mural painter the country has ever produced. He
features on his canvass the Filipinos living in provincial
towns and barrios.
 The theme of his celebrations was the spirit of the
Community and his hero the Communal man rooted in
the soil and the folk traditions of his ancestors. He
celebrated not only country scene but vital events in
Philippine history.

34.  He researched avidly on traditional Filipino even it is
Christian or Muslims and the cultural communities.
 Some of popular paintings are; the creation of first man
and woman stepping out of their bamboo hollows, pre-
Magellan’s tribesmen, Lapu-Lapu,
 The Blood Compact, the Manila Galleon, The British
Occupation, the illustrado leaders of the Propaganda
Movement, Francisco Balagtas writing his epic poem,
Bonifacio and the Katipuneros.
4) Carlos Francisco

35. He had some art
collaborations with
Victorio Edades and Galo
Ocampo on two Art
Nouvaeau-ish projects to
grace the lobbies of the
pre-war States and Capitol
Theaters
4) Carlos Francisco

37. 5) Mauro Malang Santos
 Started his career as Malang,
illustrator-cartoonist for Manila
Chronicle and creator of two comic-
strip characters, Kosme the Cop
(retired) and Chain Gang Charlie.
 He exhibited at the Philippine Art
Gallery in the late 1950’s were
miniatures blithely illustrating the
urban folks.

38. 5) Mauro Malang Santos ARTWORKS

39. 6) Fernando Amorsolo
 The “father of Philippine painting” is
one of the realistic-naturalistic
 Impressionism portrays the effect of
experience upon consciousness of
the artist and audience.
 The artist uses free distortion of form
and color which he gives visual form
to inner sensations or emotions. It
sometimes portrays defeat.

40. 6) Fernando Amorsolo
Juan Luna and E. Aguilar Cruz are considered
expressionist. Aguilar a modern expressionist
was a Philippine Ambassador to UNESCO in
Paris in 1979.

41. 1. He was given a posthumous recognition as
National Artist.
2. He is from Badoc, Ilocos Norte won gold medal for
his epic spolarium.
3. Known as the “father of Philippine painting” is one
of the realistic-naturalistic
4. He is the modern expressionist was a Philippine
Ambassador to UNESCO in Paris in 1979
5. He is a mural painter the country has ever
produced.

42. 6. The heaviest of among painting media .
7. The arrangement of the objects within the
strongest organizing patterns available to vision-
it may result in stiff arrangement
8. It is monochromatic and does not achieve the
variety of emotional responses.
9.He won silver medal of a large canvass.
10. The painting that appears in the artist’s mind,
enveloped by the emotion

43. 11-15 MEDIA IN PAINTING