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By Group 6
•Picture;
Paintings,
Printmaking, and
Photography
What is it?
Are picture, differing primarily in the techniques of their
execution
How is it put together?
Medium
PAINTINGS and DRAWINGS
• PAINTINGS and DRAWINGS are executed through
use of
• Oil
• Watercolors
• Tempera
• Acrylics
• Fresco
• Gouache
• Ink
• Drawing media
Oils
• Are perhaps the most popular of the painting
media, and have been since their
development near the beginning of the
fifteenth century
• Durable
Water Color
• Is a broad category that includes any color
medium that uses water as a thinner.
• Transparent paint usually applied to paper
• be careful
Tempera
• Is an opaque, watercolor medium whose use
spans recorded history.
• Refers to the ground pigment and their color
binders such as gums or glue, but best known
in its egg tempera form.
• Fast drying medium
Acrylics
• In the contrast with tempera, are modern synthetic
products.
• Water soluble(dissolve in water)
• And the binding agent is an acrylic polymer
• Can be either opaque or transparent, depending upon
dilution.
• Fast drying, thin and resistant to cracking under
temperature and humidity extremes.
• Less permanent.
• It will not darken or yellow with age.
FRESCO
• Is a wall-painting technique in which pigments
suspended in water are applied to fresh, wet
plaster.
• Long-lasting
Gouache
• Water color medium in which gum is added to
ground opaque colors mixed with water.
• Transparent watercolors can be made into
gouache by adding Chinese white to them.
Ink
• It must be worked quickly and freely, it has a
spontaneous and appealing quality.
Prints
• 3 main categories:
• Relief printing
• Intaglio
• Planographic process
• RELIEF PRINTING
• Woodcut, wood engraving, linoleum, cut
and collograph.
• The image is transferred to the paper by
cutting away non-image areas and inking the
surface that remains.
• INTAGLIO
• Line engraving, etching, drypoint, and
aquatint.
• Opposite of relief printing
• The ink is transferred to the paper not from
raised areas but rather from groves cut into
a metal plate.
PLANOGRAPHIC PROCESSES
• The artist prints from a plane surfaces,
• Lithography
(stone writing)is based on a principle that
water and grease do not mix.
• Draw image on the stone.
Photography
• Comes from the Greek words phos ("light"), and
graphis ("stylus", "paintbrush") or graphê,
together meaning "drawing with light" or
"representation by means of lines" or
"drawing."
• Is a matter of personal record and pictorial
record.
• (photojournalism)
• Ansel Adams
Composition
Elements
• Line
• Color
• Form
• Hue
• Value
• Intensity
• Mass
• Texture
Line( )
o The basic building block of a visual design.
Form
o Is the shape of an object within the
composition.
o Space described by line.
Color
o Is a complex phenomenon and no less than
three theories exist as to its nature.
Hue
o Is the spectrum notation of color
o Is a specific pure color with measurable
wavelenght.
• Value
• Intensity
• Is the degre of purity of the hue…
• Sometimes called “chroma’’
• Mass(space)
• Only three dimensional have mass-
Principles
• Repetition-essence of any design
• Rhythm- is ordered recurrence of elements in a composition
• Harmony-is the logic of repeatition
• Variation-is the relationship of repeated items to each others
• Balance-
• Symmetry-the most method of achieving balance
• Asymmetrical balance-sometimes referred to us psychological
balance.
• Unity-
• Focal area pausing briefly at those areas that seem to be a greatest
visual appeal.
Other factors
• Perspective –is a tool by which the artist indicates the spatial
relationships of object in the picture
• Linear perspective-
1. Linear perspective
is characterized by the phenomenonof standing on railroad traks .
• Aerial perspective-indicates distance through the uses of light and
atmosphere
• Subject matter
• Chiaroscuro- sometimes called”modeling,.whose meaning in’’ italian is
light and shade’’
• Dynamics -
How does it simulate the senses
• Color- referred to as warm or cool depending
upon which ends of the color spectrum they
fall.
•

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visual art.pptx

  • 3. What is it? Are picture, differing primarily in the techniques of their execution How is it put together? Medium
  • 4. PAINTINGS and DRAWINGS • PAINTINGS and DRAWINGS are executed through use of • Oil • Watercolors • Tempera • Acrylics • Fresco • Gouache • Ink • Drawing media
  • 5. Oils • Are perhaps the most popular of the painting media, and have been since their development near the beginning of the fifteenth century • Durable
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  • 7. Water Color • Is a broad category that includes any color medium that uses water as a thinner. • Transparent paint usually applied to paper • be careful
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  • 9. Tempera • Is an opaque, watercolor medium whose use spans recorded history. • Refers to the ground pigment and their color binders such as gums or glue, but best known in its egg tempera form. • Fast drying medium
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  • 11. Acrylics • In the contrast with tempera, are modern synthetic products. • Water soluble(dissolve in water) • And the binding agent is an acrylic polymer • Can be either opaque or transparent, depending upon dilution. • Fast drying, thin and resistant to cracking under temperature and humidity extremes. • Less permanent. • It will not darken or yellow with age.
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  • 14. FRESCO • Is a wall-painting technique in which pigments suspended in water are applied to fresh, wet plaster. • Long-lasting
  • 15. Gouache • Water color medium in which gum is added to ground opaque colors mixed with water. • Transparent watercolors can be made into gouache by adding Chinese white to them.
  • 16. Ink • It must be worked quickly and freely, it has a spontaneous and appealing quality. Prints • 3 main categories: • Relief printing • Intaglio • Planographic process
  • 17. • RELIEF PRINTING • Woodcut, wood engraving, linoleum, cut and collograph. • The image is transferred to the paper by cutting away non-image areas and inking the surface that remains. • INTAGLIO • Line engraving, etching, drypoint, and aquatint. • Opposite of relief printing • The ink is transferred to the paper not from raised areas but rather from groves cut into a metal plate.
  • 18. PLANOGRAPHIC PROCESSES • The artist prints from a plane surfaces, • Lithography (stone writing)is based on a principle that water and grease do not mix. • Draw image on the stone.
  • 19. Photography • Comes from the Greek words phos ("light"), and graphis ("stylus", "paintbrush") or graphê, together meaning "drawing with light" or "representation by means of lines" or "drawing." • Is a matter of personal record and pictorial record. • (photojournalism) • Ansel Adams
  • 21. Elements • Line • Color • Form • Hue • Value • Intensity • Mass • Texture
  • 22. Line( ) o The basic building block of a visual design. Form o Is the shape of an object within the composition. o Space described by line.
  • 23. Color o Is a complex phenomenon and no less than three theories exist as to its nature. Hue o Is the spectrum notation of color o Is a specific pure color with measurable wavelenght.
  • 24. • Value • Intensity • Is the degre of purity of the hue… • Sometimes called “chroma’’ • Mass(space) • Only three dimensional have mass-
  • 25. Principles • Repetition-essence of any design • Rhythm- is ordered recurrence of elements in a composition • Harmony-is the logic of repeatition • Variation-is the relationship of repeated items to each others • Balance- • Symmetry-the most method of achieving balance • Asymmetrical balance-sometimes referred to us psychological balance. • Unity- • Focal area pausing briefly at those areas that seem to be a greatest visual appeal.
  • 26. Other factors • Perspective –is a tool by which the artist indicates the spatial relationships of object in the picture • Linear perspective- 1. Linear perspective is characterized by the phenomenonof standing on railroad traks . • Aerial perspective-indicates distance through the uses of light and atmosphere • Subject matter • Chiaroscuro- sometimes called”modeling,.whose meaning in’’ italian is light and shade’’ • Dynamics -
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  • 28. How does it simulate the senses • Color- referred to as warm or cool depending upon which ends of the color spectrum they fall. •