Hybridoma Technology ( Production , Purification , and Application )
Shot list
1. Shot list
Shot Number Shot type Action Mise en scene
1 Worms eye view,
tracking shot
Fade in, tracking shot
forward while looking
directly up at the
underside of the tree
canopy.
Fade in, tracking shot
forward while looking
directly up at the
underside of the tree
canopy.
2 Extreme close up Bird pecking making an
eerie noise.
Dark ominous room
3 Close up (shallow
focus) crab right (pull
focus as this happens).
Extreme long shot
(deep focus).
Shallow focus of
bloodied rock on the
ground, in focus
(shallow focus) as it
crabs right the depth
of focus changes to
deep focus revealing
the girl.
The forest is dark with
rotten logs, and fallen
leaves laying across
the ground, yet has a
warm colour pallet and
the girl seems
comfortable walking
from tree to tree
looking at her
surroundings.
4 Close up, tilt, pan to
extreme close up.
(crane). Use Tripod
technique.
Scenery
5 High angle long shot,
tilt
Follows camera as she
walks forward.
6 Extreme long shot Still shot of whole
forest
7 Hand held medium
shot
Girl walks forward
through forest and
camera follows
8 Close up Plants and leaves
9 Low angle long shot River flow
10 Long shot to close up.
Deep focus – pull focus
Girl walking through
forest framed by trees,
after he focus changes
the suspicious looking
mushroom.
The unidentified
mushroom could be
used for poisoning,
eating or for drug use.
11 Over shoulder medium
shot
Following girl as she
walks forward
12 Tilt, pan and crane Move from behind girls
shoulder to
mushroom. She pulls a
book out her bag.
Strange book she pulls
out looks mysterious
and the pictures inside
are strange, the
mushroom is seen.
13 Birds eye Girl leaning over
mushroom
14 Extreme close up Knife cutting
mushroom. Storing it
in her bag.
She is clearly going to
use it.
2. 16 Extreme long shot Front facing shot of girl
leaving forest with the
forest behind her.
She leaves the
sanctuary of the forest
behind her to enter
the featureless fields.
17 Extreme long shot.
Film this twice on using
two different filters,
edit them together in
post production.
Same shot as above
but sideways on from
her left.
The forest on her right
still contains the colour
it had when she was in
it but the left side of
the screen is grey and
saturated (where the
girl is going).
18 Extreme long shot
deep focus – pull –
shallow focus
The girl is walking
away from the forest
in the distance, when
the focus changes a
barbed wire is
revealed.
The girls red jacket
stands out in the pale
fields, when the
barbed wire is seen
there is a piece of
ripped shirt hanging
from it.
19 Over shoulder
following girl.
(handheld)
Girl walks through the
field; the camera
peeking over her
shoulder can see a
barn in the distance.
Dark barn stands out in
the saturated field.
20 Extreme close up Shot of girls face with
no expression
21 Extreme long shot.
Shot twice with
opposite filters to that
of shot 17.
The camera is looking
at her from her right.
Similar to shot 17.
She walks along the
edge of the field and
the barn is seen in
front of her.
22 POV medium shot
(hand held)
The girl walks forward
toward the shed.
The shed looms
ominously in front of
her.
23 Close up (hand held) Girl still walking
forward
24 POV shot (hand held) Girl is closer to shed
walking forward.
The darkness through
the door looms in front
of her.
25 Close up (hand held) Girl starts entering the
shed
The darkness inside
consumes her.
15 Depends on what
surrounds the scene
Girl jumps over log
3. 26 POV shot (hand held)
High angle, pan
Girl moves into shed
and conveys the scene
Inside the shed a body
is laid inside
27 High angle, medium
shot (hand held)
The camera look s
down on the body, the
head has been
impacted by a blunt
object. (The bloodied
rock from the start.)
28 Low angle, medium
shot from left of room.
(shallow focus) – pull
focus – (deep focus)
On the screen the
children’s toy from the
start is smeared with
blood. When the focus
changes the girl stood
expressionless looks
over the corpse.
29 Worms eye view,
tracking shot
Fade out, tracking shot
forward while looking
directly up at the
underside of the tree
canopy.
Fade in, tracking shot
forward while looking
directly up at the
underside of the tree
canopy.
30 Title screen