SlideShare a Scribd company logo
1 of 7
Script by
Hanna-Mariam Chowdhury and Shima Begum
Scene 1: NEW HOME
Characters: Homeless child and child 1
Location: Heron Quays DLR Station
WRLY:An establishing shot of the DLR train approaching the platform
will be the opening scene. The camera will be in level with the train. The
train will come to a halt and gradually stop and pass by the camera.
There will be nothing but diegetic sound of the intercom of the trains,
the hustle and bustle of bystanders and commuters.
A Jump cut will be used and we see ourselves at the front of the door.
The door will gradually slide open, and another jump cut will be used
,anextreme close-upshot will be used and the angle will change to a low
angleand show the protagonists shoe/foot jumping off the carriage.
Another jump cut will be used and we see ourselves face forward at the
protganostis both feet. With the use of a Tracking shot the camera will
move gradually in an upwards motion but stop at the neck where
another jump cut is used.
We are at the left side of the protagonist where she looks just above the
camera known as a point of view shot. She seems lost and peers
aroundand the camera seems quite unsteady and a little shakyHandheld
shot. This is to show the protagonists (Homeless child) uncertainty. This
is then followed by another jump cut looking to the right this time in
which we see a distinctive plastic medicinal cable attached from her
nose, the camera is quite close to her face using a Close-upshot thus
adding definition to her face and forming an almost pause or reaction
shot for the audience at this point non-diegetic sound will occur, quite
sentimental and emotional.Another Jump cut will be used showing the
homeless child walking away from the camera at a low angle that is
slightly tilted. You see her feet walking away from the camera and a
blurred sign saying ‘Way Out’ in the distance. She walks into the distance
and with ajump cutwe are at the foot of the stairs in which a tracking
shot is used to follow the protagonist on her journey. We are at the top
of the stairs a High angle looking down at the homeless child while she
climbs the stairs.
With a mixture of tracking shots, low angles, mid shots, long shots with
the help of jump cuts wesee her walking across searching for a
safehaven to live.She finds a large park, filled with grass, trees and a
playground. A Panning Shot will show the fence of the park and the sign,
which says “Sir John McDougal Gardens” so the audience knows where
she is residing. She walks into the park and looks around. A close up shot
shows her slight relief behind the sorrow and sadness on her face that
she has found a place to stay. A wide shot shows her walking to an
isolated and desolate place where she sees a damaged box in which she
uses as shelter, she begins to build a home and slowly crawls inside the
box and begins to weep where a low angle shot will be used at a
distance and non-diegetic sound will emerge (sad emotive tone).

Scene 2: UNLIKELY FRIENDS
Location: at the park where children play, in the background. And a new
character enters
Time: The Next morning
WRLY: Child 1 is eating a packet of crisps and sees the box. A wide shot
will be used in which she gradually starts to walk towards it. A tracking
shot shows her cautiously approaching the box. She peers inside A point
of view shot (a low angle facing upwards towards child 1) and she gasps
Reaction shot (a close up) of the after seeing the homeless Child looking
frail, disheveled and dehydrated.
Child 1
Wrly: (eating crisps and speaking in an inquiring tone)
Dialogue: What’s your name?why are you living in a box?
Homeless Child
Wrly: (stares emptily back at child 1 and moves her gaze to her crisps.
The protagonist suddenly snatches her crisps and huddles back to her
box) an over the shoulder shot is used were child 1 is looking down at
the homeless girl. There is no dialogue from the homeless child apart
from her heavy breathing as she eats the crisps in order to satisfy her
hunger.There is the use of light tension non- diegetic sound
Child 1
Wrly: (Sits on the grass and attempts to befriend)
Dialogue: My names *Child 1*... how old are you?. Why are you all alone
and living in a box? Where’s your family? (Echo on the word family)
Homeless Child
Wrly:looks wearily at child 1 and faces away from her and a jump cut is
used followed by a close up shot at a low angle where the homeless girl
is in a daze and starts to reminisce.

Scene 3: FLASHBACK: Acknowledgment of the illness
INT.HOMELESS CHILDS HOME-MIDDAY
Name: HOMELESS CHILD
LOCATION: At the House
Wrly: There are distinctive things that will show the homeless girls
illness. There will be distinctive objects scattered around the house. A
tracking shot will be used to illustrate each item, alongside a series of
jump cuts and flashing affects. We will see hospital documents
scattered on the kitchen table, different bottles of medicine and fluids.
There will be a document where it says private treatment and with the
use of a zoom we will see the outstanding cost of the treatment. It
becomes hazy and we flash back to reality, a Close up shot is used on
Homeless child’s face. She is shocked and feels horrible and begins to
hold her face into her hands. When she looks back up child 1 is gone.
Scene 4:Back to Reality (The two Characters meet again)
EXT. Sir McDougal’s Garden-MIDDAY
Name: Homeless child and Child 1
Location: Sir McDougal’s Garden
Wrly: It is the following day, we meet Child 1 again. The camera is at a
distance at a Low Angle (ON THE GROUND) child 1 begins to walk up to
the box, same as the first time she approached the homeless child. A
Jump Cut occurs to speed up the walking and a point of view shot is
used facing up towards the homeless girl and you see child 1 dropping
all sorts of crisps and sweets all at the same time. Another Jump
Cutused to show the reaction of the homeless child. She is wrapped in
her blanket unaware child 1 was present until food was dropped onto
her.An over the shoulder shot is used to show this. (A High Angle
looking down at the Homeless child.) The camera begins to Pan to the
left at a mid-pace taking the two girls out of the frame until we see pitch
black/darkness this is to illustrate another day and add a Montage
affect. Straight after the black screen we see the girls on another day in
the same position where child 1 gifts her snow globe. A Close-Up Shot is
used on the snow globe. The camera focuses back on the two girls and
again Pans to the left at Mid-Speed until we see pitch black screen to
illustrate yet another day.This scene entails the two characters playing
games on a Nintendo DS that child 1 had bought. you see them laughing
and enjoying each other’s company. At this point the camera will be in
Slow Motion to Fades capture the homeless girl’s happinessand joy. The
scene slowlyFade out and we see the Homeless child walking near the
river side (Fading In)
Scene 5: By the riverside (ocean walk)
EXT.OCEAN WALK-EVENING
NAME: HOMELESS CHILD
WRLY:The camera is on the ground at a Low angle, where we see the
homeless child walking away from the camera. We see the riverside on
one end to illustrate the connection of the penultimate scene. She stops
and rests near the riverside. A Jump Cut is used where we see the
Homeless child turn directly to it and sit not too far from it. She begins
to look out towards it. The camera will be placed on the right side of her
with the camera held at a Mid-Shot. The homeless child will then turn
her head towards the camera looking down and have constant
flashbacks of her past. To emphasise that another flashback was
occurring the tone of the screen will differ to Sepia Tone. The Homeless
child’s Flashback will entail her parents arguing, their face will not
actually show, there will be a lot of hand gestures showing anger and
confusion. There will be the use of Non-Diegetic sound entailing tension.
The anger elevates that the mother takes her ring and throws it towards
the camera. The ring becomes in focus and the mother and father are
blurred and they both walk out of frame.Another flashback will occur
where she holds her head in between her hands trying to drown the
sound of the parents arguing. A last flashback will occur where the
homeless child nose is heavily bleeding whilst being hung over the sink.
These flashbacks will occur back to back. But there will be a few breaks
in between where we seethe Homeless Child’s reaction of what she has
envisioned. We see her start to cry as the next flashback hits hermost. A
Flash is used to indicate that the last flash is taking place.

Scene 6: THE HIDDEN LETTER (The Last Flashback)
INT.At the House-Afternoon
Name: Homeless Child
Location: Homeless child’s Home
Wryly:The last Flashback commences where a handwritten letter is
found on the floor, very close up to the camera. And in the distance you
see the homeless child’s father coming towards the camera and kneeling
down to pick up the letter. A tracking shot will be used as the father
picks up the letter. A voiceover will begin in the voice of the young
homeless child. An over the shoulder shot will be used at aHigh Angle,
looking down at the letter. Sympathetic Non-diegeticmusic will begin
also. As the letter is read out, there will be a split screen where we see
the homeless girl escaping her home.
Dialogue: (Voice over)
Daddy...I’m Sorry…
I know it’s all my fault. I know something is wrong with me and
no one can fix me.Daddy I know I am a burdenand you and
mummy are fighting because of me… and maybe that’s why she
left. She couldn’t cope and made you cry. And that’s all my
fault.I know you are trying to find me a new hospital, but I don’t
want it. You don’t have any money and I’m not that special
anyway. I will love you daddy but I have to go. I have taken what
I need and I’m not coming back. Do not come looking for me,I
will run further. Ihave CANCER… daddy and I’m so scared!But I
don’t want to make you sad anymore by staying. Maybe mum
might come back now once I’m gone, I will miss you daddy.
Love,
*Homeless child*
EXT.CHILD LEAVES THE HOUSE-DUSK (same time as the letter is being
read out) SPLIT SCREEN
Name: HOMELESS CHILD
Wryly:The homeless child begins to collect her items such as clothes food

and blankets and places them in her rucksack a series of Jump-Cuts will
help speed up her actions. She begins to walk up to the window; the
camera will be placed at Mid-Angle outside of the house. We will see
the homeless child begin to open the window and begins quietly
creeping out of the house. At this moment the child is quiteworried and
scared whilst she leaves the house, she walks towards the end of the
road and gives one last look at the house before she sets in to the
unknown world before her. She walks in to the distance and we flash
back to reality.

Scene 7: BACK TO REALITY
EXT. RIVERSIDE (OCEAN WHARF)-MIDDAY
NAME:HOMELESS CHILD
Wrly:In a daze, but feeling quite uneasy and sick. The camera is at a low

angle facing up towards the child in which blood spews out of her mouth
after relentless amounts of coughing. She is found crying and sobbing in
pain aware that she is terribly sick and has no one to turn to.
She gets up slowly and moves even closer to the edge of the riverside
and this immediately cuts to the next scene.

SCENE 8: LOST AND FOUND
EXT.PLAYGROUND-NOON
NAME: Child 1
Wryly:It is the following day and we see child 1 happily approaching the
where the homeless child resides. She walks up to the box where the
And is worried when the homeless child is not there using a Tracking
shot. She looks all around the playground a tracking shot is used at a
fast pace in a circular motion around child 1 where she hopelessly looks
for the homeless child. Tension music starts to arise, Non-diegetic
Sound. She begins to avert her eye to theriverside near the
playground.She feels the need to run and is out of breath at her arrival a
hand held shot is used to demonstrate them. Child 1 tries to look
around and walks towards the riverside as if she can see something in
the distance. At this moment the non-diegetic sound is drowned out by
children laughter from the playground. An extreme close up shot is used
just on child 1’s eyes showing the tension she has.Child 1 walks closer
and stumbles across something on the floor a tracking shottravels in a
downward motion to the floor. She sees the small globe in which Child 1
hadgiven her, the globe is broken in pieces she beings to pick it up slowly
and again looks back at the sea and with much sorrow acknowledges
that the homeless girls shoes are floating. A jump cut will be used and
zoom in to the shows. The audience will accumulate that the homeless
child has killed herself by drowning at sea, and thescreen will slowly fade
out as will the sound of children laughing and playing in the background.

THE END.

More Related Content

What's hot

Taken movie analysis
Taken movie analysisTaken movie analysis
Taken movie analysisAdam Day
 
5 stage narrative
5 stage narrative5 stage narrative
5 stage narrativeori3
 
Horror Genre Analysis
Horror Genre AnalysisHorror Genre Analysis
Horror Genre AnalysisHarryQ
 
Chicken Run Opening Scene Analysis
Chicken Run Opening Scene AnalysisChicken Run Opening Scene Analysis
Chicken Run Opening Scene Analysisblowerc
 
Social groups
Social groupsSocial groups
Social groupsMalinatac
 
Social groups
Social groupsSocial groups
Social groupsMalinatac
 
Holly, zoe, olena pitch - don't look back
Holly, zoe, olena   pitch - don't look back Holly, zoe, olena   pitch - don't look back
Holly, zoe, olena pitch - don't look back ZG11590
 
Meaning theory pro forma
Meaning theory pro formaMeaning theory pro forma
Meaning theory pro formaEllie W.
 
Unit 22 btec media single camera technique drama notes
Unit 22 btec media single camera technique drama notesUnit 22 btec media single camera technique drama notes
Unit 22 btec media single camera technique drama notesCatherine Longstaff
 
Foundation portfolio-Film Task: Research Part 2
Foundation portfolio-Film Task: Research Part 2Foundation portfolio-Film Task: Research Part 2
Foundation portfolio-Film Task: Research Part 2Mary Ayad
 
Assignment 8 redraft
Assignment 8 redraftAssignment 8 redraft
Assignment 8 redraftsanelhomer95
 
Trailer analysis of specific genre (horror) Haunting In Connecticut
Trailer analysis of specific genre (horror) Haunting In ConnecticutTrailer analysis of specific genre (horror) Haunting In Connecticut
Trailer analysis of specific genre (horror) Haunting In Connecticutnicole2095
 

What's hot (20)

Pitch
PitchPitch
Pitch
 
Taken movie analysis
Taken movie analysisTaken movie analysis
Taken movie analysis
 
5 stage narrative
5 stage narrative5 stage narrative
5 stage narrative
 
Script
ScriptScript
Script
 
Horror Genre Analysis
Horror Genre AnalysisHorror Genre Analysis
Horror Genre Analysis
 
Chicken Run Opening Scene Analysis
Chicken Run Opening Scene AnalysisChicken Run Opening Scene Analysis
Chicken Run Opening Scene Analysis
 
Social groups
Social groupsSocial groups
Social groups
 
Social groups
Social groupsSocial groups
Social groups
 
Holly, zoe, olena pitch - don't look back
Holly, zoe, olena   pitch - don't look back Holly, zoe, olena   pitch - don't look back
Holly, zoe, olena pitch - don't look back
 
Presentation2
Presentation2Presentation2
Presentation2
 
Meaning theory pro forma
Meaning theory pro formaMeaning theory pro forma
Meaning theory pro forma
 
Unit 22 btec media single camera technique drama notes
Unit 22 btec media single camera technique drama notesUnit 22 btec media single camera technique drama notes
Unit 22 btec media single camera technique drama notes
 
Foundation portfolio-Film Task: Research Part 2
Foundation portfolio-Film Task: Research Part 2Foundation portfolio-Film Task: Research Part 2
Foundation portfolio-Film Task: Research Part 2
 
This is england 90s
This is england 90sThis is england 90s
This is england 90s
 
Assignment 8 redraft
Assignment 8 redraftAssignment 8 redraft
Assignment 8 redraft
 
Pitch
Pitch Pitch
Pitch
 
Our idea
Our ideaOur idea
Our idea
 
Trailer analysis of specific genre (horror) Haunting In Connecticut
Trailer analysis of specific genre (horror) Haunting In ConnecticutTrailer analysis of specific genre (horror) Haunting In Connecticut
Trailer analysis of specific genre (horror) Haunting In Connecticut
 
Genres of viewing
Genres of viewingGenres of viewing
Genres of viewing
 
Literary Genre: Drama
Literary Genre: DramaLiterary Genre: Drama
Literary Genre: Drama
 

Viewers also liked

Q4- Media a2: Hanna-Mariam Chowdhury
Q4- Media a2: Hanna-Mariam ChowdhuryQ4- Media a2: Hanna-Mariam Chowdhury
Q4- Media a2: Hanna-Mariam Chowdhurymeriama96
 
Film genre: Drama
Film genre: DramaFilm genre: Drama
Film genre: Dramameriama96
 
Infographics - Digital Marketing Tool
Infographics - Digital Marketing ToolInfographics - Digital Marketing Tool
Infographics - Digital Marketing ToolCaterina Ceredi
 
2 prezentarea mds m.culesov
2 prezentarea mds m.culesov2 prezentarea mds m.culesov
2 prezentarea mds m.culesovAnișoara Gonța
 
Ameneh ahmadi laqborlaw
Ameneh ahmadi laqborlawAmeneh ahmadi laqborlaw
Ameneh ahmadi laqborlawameneh_ahmadi
 
CV-June_2015-Wasim-Akhtar
CV-June_2015-Wasim-AkhtarCV-June_2015-Wasim-Akhtar
CV-June_2015-Wasim-AkhtarWasim Akhtar
 
GENESIS BROCHURE
GENESIS BROCHUREGENESIS BROCHURE
GENESIS BROCHUREteddypather
 
Сергей Игнатович "Города и территории завтра: инструментарий позитивных перемен"
Сергей Игнатович "Города и территории завтра: инструментарий позитивных перемен"Сергей Игнатович "Города и территории завтра: инструментарий позитивных перемен"
Сергей Игнатович "Города и территории завтра: инструментарий позитивных перемен"mosurban
 
Franklin Reflective - Spec Sheet v2
Franklin Reflective - Spec Sheet v2Franklin Reflective - Spec Sheet v2
Franklin Reflective - Spec Sheet v2Justin Zak
 
вільне програмне забезпечення
вільне програмне забезпеченнявільне програмне забезпечення
вільне програмне забезпеченняtsisar21pgf
 
Sme strategy half day strategic planning workshops offsites
Sme strategy half day strategic planning workshops offsitesSme strategy half day strategic planning workshops offsites
Sme strategy half day strategic planning workshops offsitesAnthony C Taylor
 
Subtract integer practice
Subtract integer practiceSubtract integer practice
Subtract integer practiceforeverun
 
Location and Camera Shot Influences
Location and Camera Shot InfluencesLocation and Camera Shot Influences
Location and Camera Shot Influenceszingmusic1
 
simple present tense
simple present tensesimple present tense
simple present tenseDevita Sagita
 
Продвижение для автоотрасли: кейсы
Продвижение для автоотрасли: кейсыПродвижение для автоотрасли: кейсы
Продвижение для автоотрасли: кейсыRoman Klevtsov
 
A Estética do Marketing. Desenvolvendo um plano.
A Estética do Marketing. Desenvolvendo um plano.A Estética do Marketing. Desenvolvendo um plano.
A Estética do Marketing. Desenvolvendo um plano.Douglas Merighi
 
Video games as cultural expressions
Video games as cultural expressionsVideo games as cultural expressions
Video games as cultural expressionsPer Arne Godejord
 

Viewers also liked (19)

Q4- Media a2: Hanna-Mariam Chowdhury
Q4- Media a2: Hanna-Mariam ChowdhuryQ4- Media a2: Hanna-Mariam Chowdhury
Q4- Media a2: Hanna-Mariam Chowdhury
 
Film genre: Drama
Film genre: DramaFilm genre: Drama
Film genre: Drama
 
Infographics - Digital Marketing Tool
Infographics - Digital Marketing ToolInfographics - Digital Marketing Tool
Infographics - Digital Marketing Tool
 
2 prezentarea mds m.culesov
2 prezentarea mds m.culesov2 prezentarea mds m.culesov
2 prezentarea mds m.culesov
 
Ameneh ahmadi laqborlaw
Ameneh ahmadi laqborlawAmeneh ahmadi laqborlaw
Ameneh ahmadi laqborlaw
 
Luxury Trends _2013
Luxury Trends _2013Luxury Trends _2013
Luxury Trends _2013
 
CV-June_2015-Wasim-Akhtar
CV-June_2015-Wasim-AkhtarCV-June_2015-Wasim-Akhtar
CV-June_2015-Wasim-Akhtar
 
GENESIS BROCHURE
GENESIS BROCHUREGENESIS BROCHURE
GENESIS BROCHURE
 
Сергей Игнатович "Города и территории завтра: инструментарий позитивных перемен"
Сергей Игнатович "Города и территории завтра: инструментарий позитивных перемен"Сергей Игнатович "Города и территории завтра: инструментарий позитивных перемен"
Сергей Игнатович "Города и территории завтра: инструментарий позитивных перемен"
 
Franklin Reflective - Spec Sheet v2
Franklin Reflective - Spec Sheet v2Franklin Reflective - Spec Sheet v2
Franklin Reflective - Spec Sheet v2
 
вільне програмне забезпечення
вільне програмне забезпеченнявільне програмне забезпечення
вільне програмне забезпечення
 
Sme strategy half day strategic planning workshops offsites
Sme strategy half day strategic planning workshops offsitesSme strategy half day strategic planning workshops offsites
Sme strategy half day strategic planning workshops offsites
 
Subtract integer practice
Subtract integer practiceSubtract integer practice
Subtract integer practice
 
Maps bike way
Maps bike wayMaps bike way
Maps bike way
 
Location and Camera Shot Influences
Location and Camera Shot InfluencesLocation and Camera Shot Influences
Location and Camera Shot Influences
 
simple present tense
simple present tensesimple present tense
simple present tense
 
Продвижение для автоотрасли: кейсы
Продвижение для автоотрасли: кейсыПродвижение для автоотрасли: кейсы
Продвижение для автоотрасли: кейсы
 
A Estética do Marketing. Desenvolvendo um plano.
A Estética do Marketing. Desenvolvendo um plano.A Estética do Marketing. Desenvolvendo um plano.
A Estética do Marketing. Desenvolvendo um plano.
 
Video games as cultural expressions
Video games as cultural expressionsVideo games as cultural expressions
Video games as cultural expressions
 

Similar to Magnify Prod.

The women in black analysis
The women in black analysisThe women in black analysis
The women in black analysisDilini Gorsia
 
Storyline Ideas
Storyline IdeasStoryline Ideas
Storyline Ideaskiera1995
 
Opening Analysis
Opening AnalysisOpening Analysis
Opening Analysis08elinthom
 
Treatment for our film
Treatment for our filmTreatment for our film
Treatment for our filmTaslima_B
 
First Pitch Presentation
First Pitch PresentationFirst Pitch Presentation
First Pitch Presentationfarheen180
 
Film analysis frankie
Film analysis frankieFilm analysis frankie
Film analysis frankieSafiya8
 
The house at the end of the street
The house at the end of the street The house at the end of the street
The house at the end of the street foreveramira
 
Dragonfly presentation
Dragonfly presentationDragonfly presentation
Dragonfly presentationEmma Вennett
 
Story Line Ideas
Story Line IdeasStory Line Ideas
Story Line Ideaspaigeh1995
 
Film pitch (final)
Film pitch (final)Film pitch (final)
Film pitch (final)ABoksh
 
Baby monitor deconstruction
Baby monitor deconstructionBaby monitor deconstruction
Baby monitor deconstructionclarkelucy2051
 
The Baby Monitor Deconstruction
The Baby Monitor DeconstructionThe Baby Monitor Deconstruction
The Baby Monitor Deconstructionkhalfyard
 
Mamma trailer anlysis
Mamma trailer anlysisMamma trailer anlysis
Mamma trailer anlysisgeorgiacreevy
 
Analysis of 'The Woman in Black' Opening title sequence
Analysis of 'The Woman in Black' Opening title sequenceAnalysis of 'The Woman in Black' Opening title sequence
Analysis of 'The Woman in Black' Opening title sequenceNusrat Chowdhury
 
Comparative textural analysis
Comparative textural analysisComparative textural analysis
Comparative textural analysisL-Monk
 

Similar to Magnify Prod. (20)

The women in black analysis
The women in black analysisThe women in black analysis
The women in black analysis
 
Storyline Ideas
Storyline IdeasStoryline Ideas
Storyline Ideas
 
Opening Analysis
Opening AnalysisOpening Analysis
Opening Analysis
 
Treatment for our film
Treatment for our filmTreatment for our film
Treatment for our film
 
First Pitch Presentation
First Pitch PresentationFirst Pitch Presentation
First Pitch Presentation
 
Film analysis frankie
Film analysis frankieFilm analysis frankie
Film analysis frankie
 
The house at the end of the street
The house at the end of the street The house at the end of the street
The house at the end of the street
 
Dragonfly presentation
Dragonfly presentationDragonfly presentation
Dragonfly presentation
 
Story Line Ideas
Story Line IdeasStory Line Ideas
Story Line Ideas
 
Treatment
TreatmentTreatment
Treatment
 
Treatment
TreatmentTreatment
Treatment
 
Film pitch (final)
Film pitch (final)Film pitch (final)
Film pitch (final)
 
Baby monitor deconstruction
Baby monitor deconstructionBaby monitor deconstruction
Baby monitor deconstruction
 
The Baby Monitor Deconstruction
The Baby Monitor DeconstructionThe Baby Monitor Deconstruction
The Baby Monitor Deconstruction
 
Mamma trailer anlysis
Mamma trailer anlysisMamma trailer anlysis
Mamma trailer anlysis
 
First Ice Essay
First Ice EssayFirst Ice Essay
First Ice Essay
 
Analysis of 'The Woman in Black' Opening title sequence
Analysis of 'The Woman in Black' Opening title sequenceAnalysis of 'The Woman in Black' Opening title sequence
Analysis of 'The Woman in Black' Opening title sequence
 
Comparative textural analysis
Comparative textural analysisComparative textural analysis
Comparative textural analysis
 
Redrum proposal
Redrum proposal Redrum proposal
Redrum proposal
 
Production planning
Production planningProduction planning
Production planning
 

Recently uploaded

Top Rated Kolkata Call Girls Khardah ⟟ 6297143586 ⟟ Call Me For Genuine Sex S...
Top Rated Kolkata Call Girls Khardah ⟟ 6297143586 ⟟ Call Me For Genuine Sex S...Top Rated Kolkata Call Girls Khardah ⟟ 6297143586 ⟟ Call Me For Genuine Sex S...
Top Rated Kolkata Call Girls Khardah ⟟ 6297143586 ⟟ Call Me For Genuine Sex S...ritikasharma
 
College Call Girls Pune 8617697112 Short 1500 Night 6000 Best call girls Service
College Call Girls Pune 8617697112 Short 1500 Night 6000 Best call girls ServiceCollege Call Girls Pune 8617697112 Short 1500 Night 6000 Best call girls Service
College Call Girls Pune 8617697112 Short 1500 Night 6000 Best call girls ServiceNitya salvi
 
Zirakpur Call Girls👧 Book Now📱8146719683 📞👉Mohali Call Girl Service No Advanc...
Zirakpur Call Girls👧 Book Now📱8146719683 📞👉Mohali Call Girl Service No Advanc...Zirakpur Call Girls👧 Book Now📱8146719683 📞👉Mohali Call Girl Service No Advanc...
Zirakpur Call Girls👧 Book Now📱8146719683 📞👉Mohali Call Girl Service No Advanc...rajveermohali2022
 
Model Call Girls In Pazhavanthangal WhatsApp Booking 7427069034 call girl ser...
Model Call Girls In Pazhavanthangal WhatsApp Booking 7427069034 call girl ser...Model Call Girls In Pazhavanthangal WhatsApp Booking 7427069034 call girl ser...
Model Call Girls In Pazhavanthangal WhatsApp Booking 7427069034 call girl ser... Shivani Pandey
 
Book Sex Workers Available Kolkata Call Girls Service Airport Kolkata ✔ 62971...
Book Sex Workers Available Kolkata Call Girls Service Airport Kolkata ✔ 62971...Book Sex Workers Available Kolkata Call Girls Service Airport Kolkata ✔ 62971...
Book Sex Workers Available Kolkata Call Girls Service Airport Kolkata ✔ 62971...ritikasharma
 
Tikiapara Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex A...
Tikiapara Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex A...Tikiapara Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex A...
Tikiapara Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex A...aamir
 
Navsari Escorts Service ☎️ 6378878445 ( Sakshi Sinha ) High Profile Call Girl...
Navsari Escorts Service ☎️ 6378878445 ( Sakshi Sinha ) High Profile Call Girl...Navsari Escorts Service ☎️ 6378878445 ( Sakshi Sinha ) High Profile Call Girl...
Navsari Escorts Service ☎️ 6378878445 ( Sakshi Sinha ) High Profile Call Girl...mriyagarg453
 
Nayabad Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex At ...
Nayabad Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex At ...Nayabad Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex At ...
Nayabad Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex At ...aamir
 
📞 Contact Number 8617697112 VIP Ganderbal Call Girls
📞 Contact Number 8617697112 VIP Ganderbal Call Girls📞 Contact Number 8617697112 VIP Ganderbal Call Girls
📞 Contact Number 8617697112 VIP Ganderbal Call GirlsNitya salvi
 
Independent Sonagachi Escorts ✔ 9332606886✔ Full Night With Room Online Booki...
Independent Sonagachi Escorts ✔ 9332606886✔ Full Night With Room Online Booki...Independent Sonagachi Escorts ✔ 9332606886✔ Full Night With Room Online Booki...
Independent Sonagachi Escorts ✔ 9332606886✔ Full Night With Room Online Booki...Riya Pathan
 
Dakshineswar Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Se...
Dakshineswar Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Se...Dakshineswar Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Se...
Dakshineswar Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Se...aamir
 
Independent Garulia Escorts ✔ 9332606886✔ Full Night With Room Online Booking...
Independent Garulia Escorts ✔ 9332606886✔ Full Night With Room Online Booking...Independent Garulia Escorts ✔ 9332606886✔ Full Night With Room Online Booking...
Independent Garulia Escorts ✔ 9332606886✔ Full Night With Room Online Booking...Riya Pathan
 
Model Call Girls In Ariyalur WhatsApp Booking 7427069034 call girl service 24...
Model Call Girls In Ariyalur WhatsApp Booking 7427069034 call girl service 24...Model Call Girls In Ariyalur WhatsApp Booking 7427069034 call girl service 24...
Model Call Girls In Ariyalur WhatsApp Booking 7427069034 call girl service 24... Shivani Pandey
 
Science City Kolkata ( Call Girls ) Kolkata ✔ 6297143586 ✔ Hot Model With Sex...
Science City Kolkata ( Call Girls ) Kolkata ✔ 6297143586 ✔ Hot Model With Sex...Science City Kolkata ( Call Girls ) Kolkata ✔ 6297143586 ✔ Hot Model With Sex...
Science City Kolkata ( Call Girls ) Kolkata ✔ 6297143586 ✔ Hot Model With Sex...rahim quresi
 
Hotel And Home Service Available Kolkata Call Girls Sonagachi ✔ 6297143586 ✔C...
Hotel And Home Service Available Kolkata Call Girls Sonagachi ✔ 6297143586 ✔C...Hotel And Home Service Available Kolkata Call Girls Sonagachi ✔ 6297143586 ✔C...
Hotel And Home Service Available Kolkata Call Girls Sonagachi ✔ 6297143586 ✔C...ritikasharma
 
Kanpur call girls 📞 8617697112 At Low Cost Cash Payment Booking
Kanpur call girls 📞 8617697112 At Low Cost Cash Payment BookingKanpur call girls 📞 8617697112 At Low Cost Cash Payment Booking
Kanpur call girls 📞 8617697112 At Low Cost Cash Payment BookingNitya salvi
 
2k Shot Call girls Laxmi Nagar Delhi 9205541914
2k Shot Call girls Laxmi Nagar Delhi 92055419142k Shot Call girls Laxmi Nagar Delhi 9205541914
2k Shot Call girls Laxmi Nagar Delhi 9205541914Delhi Call girls
 
Beautiful 😋 Call girls in Lahore 03210033448
Beautiful 😋 Call girls in Lahore 03210033448Beautiful 😋 Call girls in Lahore 03210033448
Beautiful 😋 Call girls in Lahore 03210033448ont65320
 

Recently uploaded (20)

Top Rated Kolkata Call Girls Khardah ⟟ 6297143586 ⟟ Call Me For Genuine Sex S...
Top Rated Kolkata Call Girls Khardah ⟟ 6297143586 ⟟ Call Me For Genuine Sex S...Top Rated Kolkata Call Girls Khardah ⟟ 6297143586 ⟟ Call Me For Genuine Sex S...
Top Rated Kolkata Call Girls Khardah ⟟ 6297143586 ⟟ Call Me For Genuine Sex S...
 
College Call Girls Pune 8617697112 Short 1500 Night 6000 Best call girls Service
College Call Girls Pune 8617697112 Short 1500 Night 6000 Best call girls ServiceCollege Call Girls Pune 8617697112 Short 1500 Night 6000 Best call girls Service
College Call Girls Pune 8617697112 Short 1500 Night 6000 Best call girls Service
 
Zirakpur Call Girls👧 Book Now📱8146719683 📞👉Mohali Call Girl Service No Advanc...
Zirakpur Call Girls👧 Book Now📱8146719683 📞👉Mohali Call Girl Service No Advanc...Zirakpur Call Girls👧 Book Now📱8146719683 📞👉Mohali Call Girl Service No Advanc...
Zirakpur Call Girls👧 Book Now📱8146719683 📞👉Mohali Call Girl Service No Advanc...
 
Russian ℂall gIRLS In Goa 9316020077 ℂall gIRLS Service In Goa
Russian ℂall gIRLS In Goa 9316020077  ℂall gIRLS Service  In GoaRussian ℂall gIRLS In Goa 9316020077  ℂall gIRLS Service  In Goa
Russian ℂall gIRLS In Goa 9316020077 ℂall gIRLS Service In Goa
 
CHEAP Call Girls in Malviya Nagar, (-DELHI )🔝 9953056974🔝(=)/CALL GIRLS SERVICE
CHEAP Call Girls in  Malviya Nagar, (-DELHI )🔝 9953056974🔝(=)/CALL GIRLS SERVICECHEAP Call Girls in  Malviya Nagar, (-DELHI )🔝 9953056974🔝(=)/CALL GIRLS SERVICE
CHEAP Call Girls in Malviya Nagar, (-DELHI )🔝 9953056974🔝(=)/CALL GIRLS SERVICE
 
Model Call Girls In Pazhavanthangal WhatsApp Booking 7427069034 call girl ser...
Model Call Girls In Pazhavanthangal WhatsApp Booking 7427069034 call girl ser...Model Call Girls In Pazhavanthangal WhatsApp Booking 7427069034 call girl ser...
Model Call Girls In Pazhavanthangal WhatsApp Booking 7427069034 call girl ser...
 
Book Sex Workers Available Kolkata Call Girls Service Airport Kolkata ✔ 62971...
Book Sex Workers Available Kolkata Call Girls Service Airport Kolkata ✔ 62971...Book Sex Workers Available Kolkata Call Girls Service Airport Kolkata ✔ 62971...
Book Sex Workers Available Kolkata Call Girls Service Airport Kolkata ✔ 62971...
 
Tikiapara Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex A...
Tikiapara Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex A...Tikiapara Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex A...
Tikiapara Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex A...
 
Navsari Escorts Service ☎️ 6378878445 ( Sakshi Sinha ) High Profile Call Girl...
Navsari Escorts Service ☎️ 6378878445 ( Sakshi Sinha ) High Profile Call Girl...Navsari Escorts Service ☎️ 6378878445 ( Sakshi Sinha ) High Profile Call Girl...
Navsari Escorts Service ☎️ 6378878445 ( Sakshi Sinha ) High Profile Call Girl...
 
Nayabad Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex At ...
Nayabad Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex At ...Nayabad Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex At ...
Nayabad Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex At ...
 
📞 Contact Number 8617697112 VIP Ganderbal Call Girls
📞 Contact Number 8617697112 VIP Ganderbal Call Girls📞 Contact Number 8617697112 VIP Ganderbal Call Girls
📞 Contact Number 8617697112 VIP Ganderbal Call Girls
 
Independent Sonagachi Escorts ✔ 9332606886✔ Full Night With Room Online Booki...
Independent Sonagachi Escorts ✔ 9332606886✔ Full Night With Room Online Booki...Independent Sonagachi Escorts ✔ 9332606886✔ Full Night With Room Online Booki...
Independent Sonagachi Escorts ✔ 9332606886✔ Full Night With Room Online Booki...
 
Dakshineswar Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Se...
Dakshineswar Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Se...Dakshineswar Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Se...
Dakshineswar Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Se...
 
Independent Garulia Escorts ✔ 9332606886✔ Full Night With Room Online Booking...
Independent Garulia Escorts ✔ 9332606886✔ Full Night With Room Online Booking...Independent Garulia Escorts ✔ 9332606886✔ Full Night With Room Online Booking...
Independent Garulia Escorts ✔ 9332606886✔ Full Night With Room Online Booking...
 
Model Call Girls In Ariyalur WhatsApp Booking 7427069034 call girl service 24...
Model Call Girls In Ariyalur WhatsApp Booking 7427069034 call girl service 24...Model Call Girls In Ariyalur WhatsApp Booking 7427069034 call girl service 24...
Model Call Girls In Ariyalur WhatsApp Booking 7427069034 call girl service 24...
 
Science City Kolkata ( Call Girls ) Kolkata ✔ 6297143586 ✔ Hot Model With Sex...
Science City Kolkata ( Call Girls ) Kolkata ✔ 6297143586 ✔ Hot Model With Sex...Science City Kolkata ( Call Girls ) Kolkata ✔ 6297143586 ✔ Hot Model With Sex...
Science City Kolkata ( Call Girls ) Kolkata ✔ 6297143586 ✔ Hot Model With Sex...
 
Hotel And Home Service Available Kolkata Call Girls Sonagachi ✔ 6297143586 ✔C...
Hotel And Home Service Available Kolkata Call Girls Sonagachi ✔ 6297143586 ✔C...Hotel And Home Service Available Kolkata Call Girls Sonagachi ✔ 6297143586 ✔C...
Hotel And Home Service Available Kolkata Call Girls Sonagachi ✔ 6297143586 ✔C...
 
Kanpur call girls 📞 8617697112 At Low Cost Cash Payment Booking
Kanpur call girls 📞 8617697112 At Low Cost Cash Payment BookingKanpur call girls 📞 8617697112 At Low Cost Cash Payment Booking
Kanpur call girls 📞 8617697112 At Low Cost Cash Payment Booking
 
2k Shot Call girls Laxmi Nagar Delhi 9205541914
2k Shot Call girls Laxmi Nagar Delhi 92055419142k Shot Call girls Laxmi Nagar Delhi 9205541914
2k Shot Call girls Laxmi Nagar Delhi 9205541914
 
Beautiful 😋 Call girls in Lahore 03210033448
Beautiful 😋 Call girls in Lahore 03210033448Beautiful 😋 Call girls in Lahore 03210033448
Beautiful 😋 Call girls in Lahore 03210033448
 

Magnify Prod.

  • 1. Script by Hanna-Mariam Chowdhury and Shima Begum Scene 1: NEW HOME Characters: Homeless child and child 1 Location: Heron Quays DLR Station WRLY:An establishing shot of the DLR train approaching the platform will be the opening scene. The camera will be in level with the train. The train will come to a halt and gradually stop and pass by the camera. There will be nothing but diegetic sound of the intercom of the trains, the hustle and bustle of bystanders and commuters. A Jump cut will be used and we see ourselves at the front of the door. The door will gradually slide open, and another jump cut will be used ,anextreme close-upshot will be used and the angle will change to a low angleand show the protagonists shoe/foot jumping off the carriage. Another jump cut will be used and we see ourselves face forward at the protganostis both feet. With the use of a Tracking shot the camera will move gradually in an upwards motion but stop at the neck where another jump cut is used. We are at the left side of the protagonist where she looks just above the camera known as a point of view shot. She seems lost and peers aroundand the camera seems quite unsteady and a little shakyHandheld shot. This is to show the protagonists (Homeless child) uncertainty. This is then followed by another jump cut looking to the right this time in which we see a distinctive plastic medicinal cable attached from her nose, the camera is quite close to her face using a Close-upshot thus adding definition to her face and forming an almost pause or reaction shot for the audience at this point non-diegetic sound will occur, quite sentimental and emotional.Another Jump cut will be used showing the homeless child walking away from the camera at a low angle that is slightly tilted. You see her feet walking away from the camera and a blurred sign saying ‘Way Out’ in the distance. She walks into the distance and with ajump cutwe are at the foot of the stairs in which a tracking shot is used to follow the protagonist on her journey. We are at the top of the stairs a High angle looking down at the homeless child while she climbs the stairs.
  • 2. With a mixture of tracking shots, low angles, mid shots, long shots with the help of jump cuts wesee her walking across searching for a safehaven to live.She finds a large park, filled with grass, trees and a playground. A Panning Shot will show the fence of the park and the sign, which says “Sir John McDougal Gardens” so the audience knows where she is residing. She walks into the park and looks around. A close up shot shows her slight relief behind the sorrow and sadness on her face that she has found a place to stay. A wide shot shows her walking to an isolated and desolate place where she sees a damaged box in which she uses as shelter, she begins to build a home and slowly crawls inside the box and begins to weep where a low angle shot will be used at a distance and non-diegetic sound will emerge (sad emotive tone). Scene 2: UNLIKELY FRIENDS Location: at the park where children play, in the background. And a new character enters Time: The Next morning WRLY: Child 1 is eating a packet of crisps and sees the box. A wide shot will be used in which she gradually starts to walk towards it. A tracking shot shows her cautiously approaching the box. She peers inside A point of view shot (a low angle facing upwards towards child 1) and she gasps Reaction shot (a close up) of the after seeing the homeless Child looking frail, disheveled and dehydrated. Child 1 Wrly: (eating crisps and speaking in an inquiring tone) Dialogue: What’s your name?why are you living in a box? Homeless Child Wrly: (stares emptily back at child 1 and moves her gaze to her crisps. The protagonist suddenly snatches her crisps and huddles back to her box) an over the shoulder shot is used were child 1 is looking down at the homeless girl. There is no dialogue from the homeless child apart from her heavy breathing as she eats the crisps in order to satisfy her hunger.There is the use of light tension non- diegetic sound Child 1
  • 3. Wrly: (Sits on the grass and attempts to befriend) Dialogue: My names *Child 1*... how old are you?. Why are you all alone and living in a box? Where’s your family? (Echo on the word family) Homeless Child Wrly:looks wearily at child 1 and faces away from her and a jump cut is used followed by a close up shot at a low angle where the homeless girl is in a daze and starts to reminisce. Scene 3: FLASHBACK: Acknowledgment of the illness INT.HOMELESS CHILDS HOME-MIDDAY Name: HOMELESS CHILD LOCATION: At the House Wrly: There are distinctive things that will show the homeless girls illness. There will be distinctive objects scattered around the house. A tracking shot will be used to illustrate each item, alongside a series of jump cuts and flashing affects. We will see hospital documents scattered on the kitchen table, different bottles of medicine and fluids. There will be a document where it says private treatment and with the use of a zoom we will see the outstanding cost of the treatment. It becomes hazy and we flash back to reality, a Close up shot is used on Homeless child’s face. She is shocked and feels horrible and begins to hold her face into her hands. When she looks back up child 1 is gone. Scene 4:Back to Reality (The two Characters meet again) EXT. Sir McDougal’s Garden-MIDDAY Name: Homeless child and Child 1 Location: Sir McDougal’s Garden Wrly: It is the following day, we meet Child 1 again. The camera is at a distance at a Low Angle (ON THE GROUND) child 1 begins to walk up to the box, same as the first time she approached the homeless child. A Jump Cut occurs to speed up the walking and a point of view shot is used facing up towards the homeless girl and you see child 1 dropping all sorts of crisps and sweets all at the same time. Another Jump
  • 4. Cutused to show the reaction of the homeless child. She is wrapped in her blanket unaware child 1 was present until food was dropped onto her.An over the shoulder shot is used to show this. (A High Angle looking down at the Homeless child.) The camera begins to Pan to the left at a mid-pace taking the two girls out of the frame until we see pitch black/darkness this is to illustrate another day and add a Montage affect. Straight after the black screen we see the girls on another day in the same position where child 1 gifts her snow globe. A Close-Up Shot is used on the snow globe. The camera focuses back on the two girls and again Pans to the left at Mid-Speed until we see pitch black screen to illustrate yet another day.This scene entails the two characters playing games on a Nintendo DS that child 1 had bought. you see them laughing and enjoying each other’s company. At this point the camera will be in Slow Motion to Fades capture the homeless girl’s happinessand joy. The scene slowlyFade out and we see the Homeless child walking near the river side (Fading In) Scene 5: By the riverside (ocean walk) EXT.OCEAN WALK-EVENING NAME: HOMELESS CHILD WRLY:The camera is on the ground at a Low angle, where we see the homeless child walking away from the camera. We see the riverside on one end to illustrate the connection of the penultimate scene. She stops and rests near the riverside. A Jump Cut is used where we see the Homeless child turn directly to it and sit not too far from it. She begins to look out towards it. The camera will be placed on the right side of her with the camera held at a Mid-Shot. The homeless child will then turn her head towards the camera looking down and have constant flashbacks of her past. To emphasise that another flashback was occurring the tone of the screen will differ to Sepia Tone. The Homeless child’s Flashback will entail her parents arguing, their face will not actually show, there will be a lot of hand gestures showing anger and confusion. There will be the use of Non-Diegetic sound entailing tension. The anger elevates that the mother takes her ring and throws it towards the camera. The ring becomes in focus and the mother and father are blurred and they both walk out of frame.Another flashback will occur where she holds her head in between her hands trying to drown the sound of the parents arguing. A last flashback will occur where the homeless child nose is heavily bleeding whilst being hung over the sink.
  • 5. These flashbacks will occur back to back. But there will be a few breaks in between where we seethe Homeless Child’s reaction of what she has envisioned. We see her start to cry as the next flashback hits hermost. A Flash is used to indicate that the last flash is taking place. Scene 6: THE HIDDEN LETTER (The Last Flashback) INT.At the House-Afternoon Name: Homeless Child Location: Homeless child’s Home Wryly:The last Flashback commences where a handwritten letter is found on the floor, very close up to the camera. And in the distance you see the homeless child’s father coming towards the camera and kneeling down to pick up the letter. A tracking shot will be used as the father picks up the letter. A voiceover will begin in the voice of the young homeless child. An over the shoulder shot will be used at aHigh Angle, looking down at the letter. Sympathetic Non-diegeticmusic will begin also. As the letter is read out, there will be a split screen where we see the homeless girl escaping her home. Dialogue: (Voice over) Daddy...I’m Sorry… I know it’s all my fault. I know something is wrong with me and no one can fix me.Daddy I know I am a burdenand you and mummy are fighting because of me… and maybe that’s why she left. She couldn’t cope and made you cry. And that’s all my fault.I know you are trying to find me a new hospital, but I don’t want it. You don’t have any money and I’m not that special anyway. I will love you daddy but I have to go. I have taken what I need and I’m not coming back. Do not come looking for me,I will run further. Ihave CANCER… daddy and I’m so scared!But I don’t want to make you sad anymore by staying. Maybe mum might come back now once I’m gone, I will miss you daddy. Love, *Homeless child*
  • 6. EXT.CHILD LEAVES THE HOUSE-DUSK (same time as the letter is being read out) SPLIT SCREEN Name: HOMELESS CHILD Wryly:The homeless child begins to collect her items such as clothes food and blankets and places them in her rucksack a series of Jump-Cuts will help speed up her actions. She begins to walk up to the window; the camera will be placed at Mid-Angle outside of the house. We will see the homeless child begin to open the window and begins quietly creeping out of the house. At this moment the child is quiteworried and scared whilst she leaves the house, she walks towards the end of the road and gives one last look at the house before she sets in to the unknown world before her. She walks in to the distance and we flash back to reality. Scene 7: BACK TO REALITY EXT. RIVERSIDE (OCEAN WHARF)-MIDDAY NAME:HOMELESS CHILD Wrly:In a daze, but feeling quite uneasy and sick. The camera is at a low angle facing up towards the child in which blood spews out of her mouth after relentless amounts of coughing. She is found crying and sobbing in pain aware that she is terribly sick and has no one to turn to. She gets up slowly and moves even closer to the edge of the riverside and this immediately cuts to the next scene. SCENE 8: LOST AND FOUND EXT.PLAYGROUND-NOON NAME: Child 1 Wryly:It is the following day and we see child 1 happily approaching the where the homeless child resides. She walks up to the box where the And is worried when the homeless child is not there using a Tracking shot. She looks all around the playground a tracking shot is used at a fast pace in a circular motion around child 1 where she hopelessly looks for the homeless child. Tension music starts to arise, Non-diegetic Sound. She begins to avert her eye to theriverside near the
  • 7. playground.She feels the need to run and is out of breath at her arrival a hand held shot is used to demonstrate them. Child 1 tries to look around and walks towards the riverside as if she can see something in the distance. At this moment the non-diegetic sound is drowned out by children laughter from the playground. An extreme close up shot is used just on child 1’s eyes showing the tension she has.Child 1 walks closer and stumbles across something on the floor a tracking shottravels in a downward motion to the floor. She sees the small globe in which Child 1 hadgiven her, the globe is broken in pieces she beings to pick it up slowly and again looks back at the sea and with much sorrow acknowledges that the homeless girls shoes are floating. A jump cut will be used and zoom in to the shows. The audience will accumulate that the homeless child has killed herself by drowning at sea, and thescreen will slowly fade out as will the sound of children laughing and playing in the background. THE END.