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Genre Research
Nisha Bhamra
For our short film, we have chosen to produce a romance;
this particularly appeals to our target audience of
females aged 12-24. They particularly communicate
emotion, connection and passion among the main
characters, which young females like to empathise with,
and they typically enjoy the lighthearted nature posed
in this genre. Romance films usually gross very well due
to this, and they are enjoyed among families, friends
and couples; generally a mass audience.
Conventions of Romance Films
 Typically, the girl is well off, and the male is left to chase her
– he isn’t ‘good enough’ for her, and must prove himself.
 In terms of the narrative, romance films often follow a strict
path, depicted by Todorov’s theory, consisting of 5 stages; the
film begins with an Equilibrium, which then meets a
Disruption, which the characters then Recognise, Attempt to
Repair, beginning a New Equilibrium.
 The girl is often dressed in feminine clothing, in either bright
or soft colours in order to emphasis her femininity. In
contrast, the male can often be seen in dull/plain/dark
clothing in order to shift the attention to the female, and
possibly connote his inferiority.
 Setting is an important factor in romance films; the main
characters are often seen in parks/around nature, at
landmarks with a lot of symbolism, or in fairly
personal/intimate/enclosed spaces, which encourages the
idea of them being alone
Popular romance films:
 Casablanca
 Titanic
 Her
 The Notebook
 10 Things I Hate About You
 Sleepless in Seattle
 How to Lose a Guy in 10 Days
 Love Actually
 The Other Woman
 The Time Traveler’s Wife
 About Time
 Friends with Benefits
 That Awkward Moment
 Twilight
 Crazy, Stupid, Love
 The Lucky One

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Genre research

  • 2. For our short film, we have chosen to produce a romance; this particularly appeals to our target audience of females aged 12-24. They particularly communicate emotion, connection and passion among the main characters, which young females like to empathise with, and they typically enjoy the lighthearted nature posed in this genre. Romance films usually gross very well due to this, and they are enjoyed among families, friends and couples; generally a mass audience.
  • 3. Conventions of Romance Films  Typically, the girl is well off, and the male is left to chase her – he isn’t ‘good enough’ for her, and must prove himself.  In terms of the narrative, romance films often follow a strict path, depicted by Todorov’s theory, consisting of 5 stages; the film begins with an Equilibrium, which then meets a Disruption, which the characters then Recognise, Attempt to Repair, beginning a New Equilibrium.  The girl is often dressed in feminine clothing, in either bright or soft colours in order to emphasis her femininity. In contrast, the male can often be seen in dull/plain/dark clothing in order to shift the attention to the female, and possibly connote his inferiority.  Setting is an important factor in romance films; the main characters are often seen in parks/around nature, at landmarks with a lot of symbolism, or in fairly personal/intimate/enclosed spaces, which encourages the idea of them being alone
  • 4. Popular romance films:  Casablanca  Titanic  Her  The Notebook  10 Things I Hate About You  Sleepless in Seattle  How to Lose a Guy in 10 Days  Love Actually  The Other Woman  The Time Traveler’s Wife  About Time  Friends with Benefits  That Awkward Moment  Twilight  Crazy, Stupid, Love  The Lucky One