Music g10 you too Louiella so I can get over it and took a break from the very lucky to have you like it and took a break from the very lucky to have you like it and took a break from the very lucky to have you like it and took a break from the very lucky to have you like it and took a break noon kos akong self sa imong mama sa ako na na meet you too Louiella miss you guys too I think about sa news about the same time hadlok kaayo iyang gi tan awon nako to na mga soon I love youuu Louiella as well and rest well sorry for the late reply sa ko ni no need to be tuok by you and your family are Music g10 you too Louiella so I can get over it and took a break from the very lucky to have you like it and took a break from the very lucky to have you like it and took a break from the very lucky to have you like it and took a break from the very lucky to have you like it and took a break noon kos akong self sa imong mama sa ako na na meet you too Louiella miss you guys too I think about sa news about the same time hadlok kaayo iyang gi tan awon nako to na mga soon I love youuu Louiella as well and rest well sorry for the late reply sa ko ni no need to be tuok by you and your family are
2. MODERN NATIONALISM-
A looser form of 20th century music development
focused on nationalistic composers and musical
innovators who sought to combine modern
techniques with folk materials.
3. Modern nationalism emerged in the late 18th and early
19th centuries as a response to the political and social
changes brought about by the Enlightenment, the
French Revolution, and the Industrial Revolution. It
gained momentum in the 19th and 20th centuries.
4. Nationalistic music often incorporates elements
of folk music, such as folk songs, folk dances, or
rhythms. It also emphasizes the use of nationalist
subjects for operas, symphonic poems, or other
forms of music 1
5. Nationalism is characterized by a strong sense of
identity and loyalty to one's nation or ethnic
group. It often emphasizes cultural, linguistic,
and historical ties among members of the nation.
modern nationalism involves recognizing its
complex and multifaceted nature, its role in
shaping history and politics, and its impact on
culture and identity in the contemporary world.
It remains a significant force in the 21st century,
influencing both domestic and international
affairs.
6. HISTORY OF MODERN NATIONALISM
The late 19th century saw the beginnings of musical nationalism as
composers sought to reflect their countries' unique identities and
cultures in their music.
The early 20th century marked the flourishing of modern
nationalism in music. Composers began to systematically collect and
incorporate folk music and cultural themes into their works.
IInterwar Period: Between the World Wars, modern nationalism in
music continued to thrive as composers explored their national
identities, often in response to political and social upheavals.
7. HISTORY OF MODERN NATIONALISM
Mid-20th Century: Modern nationalism in music reached its zenith
during the mid-20th century, with composers using folk elements to
establish distinct national musical identities.
Late 20th Century: In the late 20th century, modern nationalism in
music persisted, with national elements continuing to play a role in
contemporary classical and film music compositions. Additionally,
modern nationalist movements emerged in various regions around
the world, further influencing musical expressions of national
identity.
8. Composers of modern nationalism often drew
inspiration from their homeland's cultural identity,
folklore, history, and landscapes. They aimed to
create a distinct musical identity for their nation.
10. Béla Bartók
was a Hungarian composer,
pianist, and ethnomusicologist
known for his significant
contributions to modern
nationalism in music.
11. MIKROKOSMOS
"Mikrokosmos" by Béla Bartók is an example of modern nationalism in
music due to its incorporation of Eastern European folk elements in a
pedagogical context, promoting the preservation of cultural
traditions.
12. Jean Sibelius
Sibelius is a central figure in
Finnish music, and his tone poem
"Finlandia" is a symbol of Finnish
nationalism. His compositions,
such as "Finlandia" and his
symphonies, played a pivotal role
in fostering Finnish national
identity.
13. FINLANDIA
"Finlandia," a tone poem that
embodies Finnish patriotism
and the struggle for national
independence, making it a
symbol of Finnish national
identity.
14. Alberto Ginastera
Ginastera's compositions, such as
the "Estancia" ballet suite and his
piano works, drew inspiration from
Argentine folk music and
landscapes, contributing to
Argentine musical nationalism.
15. ESTANCIA
"Estancia," which vividly portrays
the Argentine rural landscape,
folklore, and traditions through its
use of folk rhythms, melodies, and
dance forms, contributing
significantly to the development of
an Argentine national musical
identity.
16. Manuel de Falla
Falla's music, such as "The Three-
Cornered Hat" and "Nights in the
Gardens of Spain," showcased
Spanish folk elements and cultural
influences, contributing to
Spanish musical nationalism.
17. the three cornered hat
"The Three-Cornered Hat" (El sombrero
de tres picos), which vividly portrays
Spanish folk themes, dances, and culture,
encapsulating the essence of Spanish
nationalism in music.
18. Bedřich Smetana (1824-1884)
was a Czech composer known for
his significant contributions to
Czech music and the development
of nationalistic music in the 19th
century.
19. VLTAVA (THE MOLDAU)
"Vltava" (The Moldau), which
celebrates the natural beauty and
cultural heritage of the Czech lands,
becoming an emblematic
representation of Czech national
identity in music.