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Critiquing Music
Things you should know
Objectives
At the end of this tutorial, the student should:
▪ Explain the concept of Music Criticism
▪ Recognize the components of critiquing a composition or
performance
▪ Participate in a mock critique
The Role of the Music Critic
Musical criticism relates to the aesthetics outcomes of a piece of
music. It is concerned with making judgments about a composition or
performance.
Aspects of Music Criticism
Three aspect can be looked at when approaching a Music Criticism
Task.These include:
• Objective Criteria
• Interpretation
Objective Criteria
Objective criteria is based on how well the material in the score is
executed. Criteria includes:
• Correct pitches
• Correct rhythms (and clarity of meter)
• Correct articulation
• Correct dynamics
• Correct voicing (bringing out the most important voices)
• Proper harmonic pedaling, and following pedal marks (for piano performances)
Aspects of Interpretation
Interpretation is used to enhance the substance of the material in the
score. Criteria includes:
• Appropriate tempo and effective timing (however, often the composer gives an exact metronome
marking)
• Range of dynamics (depending on style of music)
• Tone (dark/bright, timbral shifts, etc.)
• Amount of pedal and use of soft pedal (for piano)
• Prominence of melody
• General articulation issues and very particular articulation differences (articulation, too, is not
always objective)
• General style (less subjective is whether the style is appropriate for the period)

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Critiquing music

  • 2. Objectives At the end of this tutorial, the student should: ▪ Explain the concept of Music Criticism ▪ Recognize the components of critiquing a composition or performance ▪ Participate in a mock critique
  • 3. The Role of the Music Critic Musical criticism relates to the aesthetics outcomes of a piece of music. It is concerned with making judgments about a composition or performance.
  • 4. Aspects of Music Criticism Three aspect can be looked at when approaching a Music Criticism Task.These include: • Objective Criteria • Interpretation
  • 5. Objective Criteria Objective criteria is based on how well the material in the score is executed. Criteria includes: • Correct pitches • Correct rhythms (and clarity of meter) • Correct articulation • Correct dynamics • Correct voicing (bringing out the most important voices) • Proper harmonic pedaling, and following pedal marks (for piano performances)
  • 6. Aspects of Interpretation Interpretation is used to enhance the substance of the material in the score. Criteria includes: • Appropriate tempo and effective timing (however, often the composer gives an exact metronome marking) • Range of dynamics (depending on style of music) • Tone (dark/bright, timbral shifts, etc.) • Amount of pedal and use of soft pedal (for piano) • Prominence of melody • General articulation issues and very particular articulation differences (articulation, too, is not always objective) • General style (less subjective is whether the style is appropriate for the period)