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1 of 10
‘Measure Up!’ (TBC)
and
‘James’s Untitled Documentary’
• Both films:
– High production values
– Subject management
– Impact on focus area and audience
Workload
Subjects
Location
Shoot Days
Crew
Jess
3
Mainly London
4-6 one day shoots
Small crew
James
1
Devon
2 longer shoot periods
Larger crew
• Previously produced ‘The Decision to Live’
• Body image and Transgenderism are key focuses in media
today.
• Can personally relate to some of the issues discussed within
each documentary.
• Focused on gaining up to date knowledge of the
wider subjects of each film.
• News articles
• ‘Senna’ and ‘Iris’
• Filming permits for Tiverton
• Getting hold of archive footage from catwalks, modeling
shoots and Kay’s Jeremy Kyle interview.
Measure Up!
•Regular contact with subjects.
•Meet/Skyped all subjects
before filming.
•Archive footage from subjects
and online.
•Small budget
Untitled
•Met Kay on Tuesday and
Wednesday this week –
discussed ethics and his
representation.
•Recce already planned for
December.
•Slightly larger budget –
GoFundMe.
Jess
•Lots of one day shoots.
•Majority of shoots local to or
within London.
•Will take place over a ¾ month
period.
James
•Main shoot – 5 days, 5 nights max
•Dance shoot – 2 days, 1 night
•Jess is 1st
AD, so Measure Up!
shoot days will happen around this.
W/B NOVEMBER DECEMBER JAN 4TH JAN 11TH JAN 18TH JAN 25TH FEBRUARY FEB 29TH MAR 7TH MAR 14TH MAR 21ST MAR 28TH APR 4TH APR 11TH APR 18TH APR 25TH MAY 2ND
PRE PRODUCTION Jess and James
RECCE - DEVON (Emily, James, Sam) First week of Dec
MEET PAIGE (JESS)
SHOOT WEEK (James main shoot) Sun 24th night to Thursday 28th day
ROUGH EDIT (James)
SHOOT DAYS (Jess)
SHOOT DAYS (James dance shoot)
MAIN EDITING PERIOD Jess and James Jess and James Jess and James Jess and James Jess and James Jess and James Jess and James Jess and James Jess and James
COLOUR GRADE Jess and James Jess and James
SOUND DESIGN Jess and James Jess and James
ROUGH CUT SCREENING 1 ROUGH CUT SCREENING
ROUGH CUT SCREENING 2 ROUGH CUT SCREENING
FINAL EDIT Jess and James - BY SUN 1ST MAY
DEADLINE DEADLINE - MAY 4TH
Jess
•The three subjects are very
interested but we are aware of
other potential models –
contacted urgently
•One day shoots – easy to
reschedule.
•Small crew essential for this
reason.
•Points of review will come after
each interview/shoot day.
James
•Subject is very interested and
passionate in the project.
•We will film as much as possible
over the main shoot – reducing the
need for reshoots.
•If reshoot is absolutely necessary,
can be done over the dance shoot
days.
•Points of review will come after
recce, main shoot and rough cut.
Director/Producer work strategy – regular face to face meeting and
daily contact via phone/Facebook/text.
- Meetings with both directors present.
• Measure Up!
– Brad = editor
– Looking for a DOP
• James’s Untitled Doc
– Sam = DOP
– Jess = First AD
– Looking for an editor
• My additional roles
– Editing = Hannah and Eugene’s film
– Colour Grading x1
– Sound Recording x?
Documentary Production Workload and Schedule

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Documentary Production Workload and Schedule

  • 2.
  • 3. • Both films: – High production values – Subject management – Impact on focus area and audience Workload Subjects Location Shoot Days Crew Jess 3 Mainly London 4-6 one day shoots Small crew James 1 Devon 2 longer shoot periods Larger crew
  • 4. • Previously produced ‘The Decision to Live’ • Body image and Transgenderism are key focuses in media today. • Can personally relate to some of the issues discussed within each documentary.
  • 5. • Focused on gaining up to date knowledge of the wider subjects of each film. • News articles • ‘Senna’ and ‘Iris’ • Filming permits for Tiverton • Getting hold of archive footage from catwalks, modeling shoots and Kay’s Jeremy Kyle interview.
  • 6. Measure Up! •Regular contact with subjects. •Meet/Skyped all subjects before filming. •Archive footage from subjects and online. •Small budget Untitled •Met Kay on Tuesday and Wednesday this week – discussed ethics and his representation. •Recce already planned for December. •Slightly larger budget – GoFundMe.
  • 7. Jess •Lots of one day shoots. •Majority of shoots local to or within London. •Will take place over a ¾ month period. James •Main shoot – 5 days, 5 nights max •Dance shoot – 2 days, 1 night •Jess is 1st AD, so Measure Up! shoot days will happen around this. W/B NOVEMBER DECEMBER JAN 4TH JAN 11TH JAN 18TH JAN 25TH FEBRUARY FEB 29TH MAR 7TH MAR 14TH MAR 21ST MAR 28TH APR 4TH APR 11TH APR 18TH APR 25TH MAY 2ND PRE PRODUCTION Jess and James RECCE - DEVON (Emily, James, Sam) First week of Dec MEET PAIGE (JESS) SHOOT WEEK (James main shoot) Sun 24th night to Thursday 28th day ROUGH EDIT (James) SHOOT DAYS (Jess) SHOOT DAYS (James dance shoot) MAIN EDITING PERIOD Jess and James Jess and James Jess and James Jess and James Jess and James Jess and James Jess and James Jess and James Jess and James COLOUR GRADE Jess and James Jess and James SOUND DESIGN Jess and James Jess and James ROUGH CUT SCREENING 1 ROUGH CUT SCREENING ROUGH CUT SCREENING 2 ROUGH CUT SCREENING FINAL EDIT Jess and James - BY SUN 1ST MAY DEADLINE DEADLINE - MAY 4TH
  • 8. Jess •The three subjects are very interested but we are aware of other potential models – contacted urgently •One day shoots – easy to reschedule. •Small crew essential for this reason. •Points of review will come after each interview/shoot day. James •Subject is very interested and passionate in the project. •We will film as much as possible over the main shoot – reducing the need for reshoots. •If reshoot is absolutely necessary, can be done over the dance shoot days. •Points of review will come after recce, main shoot and rough cut. Director/Producer work strategy – regular face to face meeting and daily contact via phone/Facebook/text. - Meetings with both directors present.
  • 9. • Measure Up! – Brad = editor – Looking for a DOP • James’s Untitled Doc – Sam = DOP – Jess = First AD – Looking for an editor • My additional roles – Editing = Hannah and Eugene’s film – Colour Grading x1 – Sound Recording x?