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Editing
Dominic Patrick
This is an establishing shot
of a car driving down a
country lane. Cuts from last
scene through time (3
seconds)
Over the shoulder of Sarah talking with her daughter (3
seconds)
POV from Sarah’s daughter as the conversation
continues (3 seconds)
Cut back to daughter as she smiles during the conversation.
This shows the strong mother daughter connection.(0.5
seconds)
Cut back to Sarah (2 seconds)
Cut to husband focusing on road, his stressed facial
expression signifies that the Husband has something
bothering him.(4 seconds)
Sarah and the daughter are conversing whilst Paul is
thinking about Juno and stressing. (6 seconds)
A short conversation between Sarah and Paul helps
solidify the idea of something not being completely fine
between them to the audience, the tension between
them. (4 second)
The first half of this sense is edited to be very
slow paced. This is to trick the audience into
feeling that they are safe. As it makes the scene
feel calm and laid back. This is to prepare the
audience to be unprepared for the second half
of the scene.
Car smashes into an oncoming van. Extremely fast cuts
instantly create an action packed scene. (less than a second)
Poles fly through the air towards the car. Very short cut.
Establishes a quicker editing pace that gives audience a
lot of confusing information (Fraction of a second)
Another quick cut. This is to hide the fact that the poles
that kill Paul in this shot are very bad examples of CGI
and that non of them actually hit Paul. (less than a
second)
Another quick cut showing Paul’s gory death. However this
shot isn’t very graphic. As the short and snappy shots
allow the audience to fill in the gaps in the gore.(Fraction
of a second)
Cuts to an establishing shot of the result of the crash. Editing pace is even
slower than at the start of the scene, The slowness shows that the action is
finished. A fade to black has been used to show that the narrative is
finished in this scene (20 seconds)
This second half of the scene has a much quicker
editing pace in order to shock the audience with
the sudden sharp change in pace. The faster
pace confuses the audience because they can
not fully take in everything that is happening in
every shot. This also makes it easier to create
the scene for the producers as the fast paced
cuts disguise any mistakes that are made. For
example the poles not piercing Paul.
CGI – Computer generated images
The poles that fly
through the air are
probably real in this
cut as nobody is in
the car. So health &
safety isn’t an issue.
Or they could be CGI
poles added after the
shot was taken.
These poles are CGI,
as it is dangerous to
have the real poles fly
into an actor. So they
added the poles in
with CGI after the
shot was taken.
Regular cuts are used for the majority in this
scene. However the last shot fades to black, to
represent the scene coming to its end. By not
showing the inside of the car after the accident,
the producers create the question of who's still
alive in the car.
The scene starts peacefully with slow editing
and. There is a comforting feel to scene as the
family has a conversation. Although when the
action begins, suddenly all of that changes and
the contrast is highly discomforting to the
audience.

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Dominic Patrick Editing

  • 2. This is an establishing shot of a car driving down a country lane. Cuts from last scene through time (3 seconds)
  • 3. Over the shoulder of Sarah talking with her daughter (3 seconds)
  • 4. POV from Sarah’s daughter as the conversation continues (3 seconds)
  • 5. Cut back to daughter as she smiles during the conversation. This shows the strong mother daughter connection.(0.5 seconds)
  • 6. Cut back to Sarah (2 seconds)
  • 7. Cut to husband focusing on road, his stressed facial expression signifies that the Husband has something bothering him.(4 seconds)
  • 8. Sarah and the daughter are conversing whilst Paul is thinking about Juno and stressing. (6 seconds)
  • 9. A short conversation between Sarah and Paul helps solidify the idea of something not being completely fine between them to the audience, the tension between them. (4 second)
  • 10. The first half of this sense is edited to be very slow paced. This is to trick the audience into feeling that they are safe. As it makes the scene feel calm and laid back. This is to prepare the audience to be unprepared for the second half of the scene.
  • 11. Car smashes into an oncoming van. Extremely fast cuts instantly create an action packed scene. (less than a second)
  • 12. Poles fly through the air towards the car. Very short cut. Establishes a quicker editing pace that gives audience a lot of confusing information (Fraction of a second)
  • 13. Another quick cut. This is to hide the fact that the poles that kill Paul in this shot are very bad examples of CGI and that non of them actually hit Paul. (less than a second)
  • 14. Another quick cut showing Paul’s gory death. However this shot isn’t very graphic. As the short and snappy shots allow the audience to fill in the gaps in the gore.(Fraction of a second)
  • 15. Cuts to an establishing shot of the result of the crash. Editing pace is even slower than at the start of the scene, The slowness shows that the action is finished. A fade to black has been used to show that the narrative is finished in this scene (20 seconds)
  • 16. This second half of the scene has a much quicker editing pace in order to shock the audience with the sudden sharp change in pace. The faster pace confuses the audience because they can not fully take in everything that is happening in every shot. This also makes it easier to create the scene for the producers as the fast paced cuts disguise any mistakes that are made. For example the poles not piercing Paul.
  • 17. CGI – Computer generated images The poles that fly through the air are probably real in this cut as nobody is in the car. So health & safety isn’t an issue. Or they could be CGI poles added after the shot was taken. These poles are CGI, as it is dangerous to have the real poles fly into an actor. So they added the poles in with CGI after the shot was taken.
  • 18. Regular cuts are used for the majority in this scene. However the last shot fades to black, to represent the scene coming to its end. By not showing the inside of the car after the accident, the producers create the question of who's still alive in the car.
  • 19. The scene starts peacefully with slow editing and. There is a comforting feel to scene as the family has a conversation. Although when the action begins, suddenly all of that changes and the contrast is highly discomforting to the audience.