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Analysis Of Horror Trailers
Target Audience 
Demographics 
- The film is for both the male and female gender. 
- Age Rating: 15+ 
- Social Economic Class E 
Psychographics 
- Fans of horror movies 
- Fans of the producer and have seen Paranormal Activity, Insidious, 
Sinister and The Purge, which are other horror movies that are also 
produced by Blumhouse Production.
Cinematography 
There are a use of many different shots used throughout the Jessabelle trailer 
that which help build up tensions and show the shift in power between each 
character. There is the use of both low and high angles used greatly throughout 
the trailer. The low and high camera angles have been used to connotes the 
character as powerful or weak and vulnerable . For example the trailer starts off 
by showing the lead character as weak as the camera is looking down to her in a 
wheel chair in a dark, abandoned hospital (as seen on the right). This creates 
sympathy for the character showing her as weak and needing help from the 
beginning. There is also the use of many close ups which not only helps the 
audience to understand how the character is feeling through there face 
expressions, but also has been used to create a sense of lack of space and being 
crowded by another presence in the room.
Editing 
The Jessabelle trailer uses a variety of editing techniques. The trailer starts of 
with slow editing of longer takes, the builds ups the tension to fast editing to 
create a sense of panic and excitement for the audience. There is the use of 
titling edits which informs the audience of the producer and the previous 
successful horror movies they have produced. This not only strengthens the fear 
of the audience, but also craws in inherited audiences. The background of the 
title edits also create a sense of fear as it is distorted and blurred like a unclear 
vision. Blink eye editing has been used throughout the trailer which is a very 
effective form of editing, creating a sense that someone is watching them but 
cant be seen, insinuating to the audience that there is another presence in the 
house. There are also other editing types used such as shot reverse shot, 
reaction shot and motivated cuts which helps to not only create fear for the 
audience but also create tension throughout the trailer.
Sound 
The sounds used in trailers are crucial as they are used to create a mood and 
ambiance. This trailer uses non- diegetic, diegetic and voiceovers throughout. 
The voiceovers used throughout the trailer is the conversations between the 
characters, but the main voiceover comes from Jessabelle's mother. This 
indicates even though her mother isn’t with her she is watching over her. The 
trailer creates fear in the audience with sounds from objects, such as a ringing 
phone or a clock ticking. At the beginning of the trailer the first thing that the 
audience hears is a phone ringing. This represents that from the beginning of 
the trailer she is helpless and relies on a man to helps her. There is the sound of 
a clock ticking as the editing of the trailer gets faster. This indicates a 
countdown to the ending getting the audiences hearts racing. Towards the 
ending of the trailer silence takes over with only the diegetic sound of the tap 
dripping and a sudden slam shut of the door as if they are shutting the audience 
out creating a fear for the unknown. Silence in horror trailers is a common 
convention which allows to create tension and enigma.
Mise-En-Scene 
This trailer adheres to stereotypical horror genre mise-en-scene conventions. At 
the beginning of the trailer we are in a dark, isolated hospital with a single light 
that’s on Jessabelle. This straight away tell the audience that the film is based 
on this character. However there is also a dark figure behind her in this shot 
which is foreshadowing on the events that will take place in the house and even 
though she seems alone someone is watching her. The films is overall is very 
dark. The main location shown in the trailer is the old, wooden house that is 
isolated by a lake, which is a common convention in horror movies. There is a 
contrast between the darkness of the house and the brightness and good 
weather at the lake. This is goes against the horror movie conventions of rain, 
thunder and lightning in horror movies. The use of the wheelchair in the trailer 
is very important as it shows the females disability and that she defenceless and 
helpless with no power.
Theories 
With a female character that is vulnerable, weak and seeks the help from 
male characters such as her dad and her male friend which shows that this 
trailer clearly follows Vladimir Propp’s Character theory, with the male 
seen as a hero helping the damsel in distress. This also links in with and 
supports John Berger’s theory of men acting and the women just 
appearing. This has been shown trough her dad running to her help whilst 
Jessabelle waits to be saved by the men around her. However I believe the 
trailer doesn’t follow Todorov’s narrative theory like the character theory 
as the trailer starts at a disequilibrium were Jessabelle is at a hospital after 
an accident, rather then a equilibrium were there is a normal and happy 
beginning to a trailer

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Analysis of Jessabelle trailer

  • 2. Target Audience Demographics - The film is for both the male and female gender. - Age Rating: 15+ - Social Economic Class E Psychographics - Fans of horror movies - Fans of the producer and have seen Paranormal Activity, Insidious, Sinister and The Purge, which are other horror movies that are also produced by Blumhouse Production.
  • 3. Cinematography There are a use of many different shots used throughout the Jessabelle trailer that which help build up tensions and show the shift in power between each character. There is the use of both low and high angles used greatly throughout the trailer. The low and high camera angles have been used to connotes the character as powerful or weak and vulnerable . For example the trailer starts off by showing the lead character as weak as the camera is looking down to her in a wheel chair in a dark, abandoned hospital (as seen on the right). This creates sympathy for the character showing her as weak and needing help from the beginning. There is also the use of many close ups which not only helps the audience to understand how the character is feeling through there face expressions, but also has been used to create a sense of lack of space and being crowded by another presence in the room.
  • 4. Editing The Jessabelle trailer uses a variety of editing techniques. The trailer starts of with slow editing of longer takes, the builds ups the tension to fast editing to create a sense of panic and excitement for the audience. There is the use of titling edits which informs the audience of the producer and the previous successful horror movies they have produced. This not only strengthens the fear of the audience, but also craws in inherited audiences. The background of the title edits also create a sense of fear as it is distorted and blurred like a unclear vision. Blink eye editing has been used throughout the trailer which is a very effective form of editing, creating a sense that someone is watching them but cant be seen, insinuating to the audience that there is another presence in the house. There are also other editing types used such as shot reverse shot, reaction shot and motivated cuts which helps to not only create fear for the audience but also create tension throughout the trailer.
  • 5. Sound The sounds used in trailers are crucial as they are used to create a mood and ambiance. This trailer uses non- diegetic, diegetic and voiceovers throughout. The voiceovers used throughout the trailer is the conversations between the characters, but the main voiceover comes from Jessabelle's mother. This indicates even though her mother isn’t with her she is watching over her. The trailer creates fear in the audience with sounds from objects, such as a ringing phone or a clock ticking. At the beginning of the trailer the first thing that the audience hears is a phone ringing. This represents that from the beginning of the trailer she is helpless and relies on a man to helps her. There is the sound of a clock ticking as the editing of the trailer gets faster. This indicates a countdown to the ending getting the audiences hearts racing. Towards the ending of the trailer silence takes over with only the diegetic sound of the tap dripping and a sudden slam shut of the door as if they are shutting the audience out creating a fear for the unknown. Silence in horror trailers is a common convention which allows to create tension and enigma.
  • 6. Mise-En-Scene This trailer adheres to stereotypical horror genre mise-en-scene conventions. At the beginning of the trailer we are in a dark, isolated hospital with a single light that’s on Jessabelle. This straight away tell the audience that the film is based on this character. However there is also a dark figure behind her in this shot which is foreshadowing on the events that will take place in the house and even though she seems alone someone is watching her. The films is overall is very dark. The main location shown in the trailer is the old, wooden house that is isolated by a lake, which is a common convention in horror movies. There is a contrast between the darkness of the house and the brightness and good weather at the lake. This is goes against the horror movie conventions of rain, thunder and lightning in horror movies. The use of the wheelchair in the trailer is very important as it shows the females disability and that she defenceless and helpless with no power.
  • 7. Theories With a female character that is vulnerable, weak and seeks the help from male characters such as her dad and her male friend which shows that this trailer clearly follows Vladimir Propp’s Character theory, with the male seen as a hero helping the damsel in distress. This also links in with and supports John Berger’s theory of men acting and the women just appearing. This has been shown trough her dad running to her help whilst Jessabelle waits to be saved by the men around her. However I believe the trailer doesn’t follow Todorov’s narrative theory like the character theory as the trailer starts at a disequilibrium were Jessabelle is at a hospital after an accident, rather then a equilibrium were there is a normal and happy beginning to a trailer