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Short film presentation
General information: 
Title – “The unfortunate life of…” (Name of Character undecided) 
Plot: 
• The story of my film follows the everyday life of my main character, who’s 
name is still to be decided on. He lives in 1930’s England with his family. 
• Whilst fixing something in his house, he falls and hits his head, putting him 
in a coma. 
• He wakes up in 2014 , afraid and alone. He doesn’t know how long he will 
be stuck there, so he decides to try and live his life. 
• However, the changes in technology and society are so drastic, he cannot 
cope. In an attempt to get back to 1930 again, he puts himself back into a 
coma and wakes up in his bed.
Audience: 
Age – The age of my audience is 17+. The genre of the film would 
probably be boring for younger teens/children, because of the way it 
is filmed and the story line. 
Gender – My film is not gender specific. 
Psychographics – Anybody of 17+ who may have a particular interest 
in “Film Noir” or “German expressionist cinema”. They will probably 
need to be quite a mature person who can follow a storyline rather 
than pay attention to visual effects. 
Social grade – Social grade is not at all important.
Inspirations: 
I have taken inspiration from two pieces of media. One of which is a previous 
student’s work. 
“The huge snooze” – Ciaran Davis: 
I have taken great inspiration from Ciaran Davis’ short film, “The huge snooze”. 
Other than the fact that it is a great piece of work, the film has inspired me because 
of the way it blends “Film Noir” and “German expressionist cinema” – something 
that I had mentioned in the previous slide. The fact that a piece of work with this 
quality was produced by a student has given me great confidence as well. 
“Ashes to Ashes” – BBC: 
The popular TV series “Ashes to Ashes” has inspired me because of the similar 
storyline to mine. The main character falls into a coma, but goes back in time instead 
of forward. The elements of this series, mixed with the style of “The huge snooze” 
will compliment each other effectively.
Shots that I would like to recreate: 
Shot 1: “M” 
I would love to be able to recreate a shot like this in my short film. The shot is from the 1931 
film “M”. 
This shot stands out for me because of the clever way that the protagonist is partially out of 
the frame, but is in clear view through the reflection. This boasts the talent of the director, as 
well as highlighting the emotions that the character is feeling. My character will be bewildered 
through most of the film so being able to catch his expressions like this would be brilliant.
Shot 2: “Dracula” 
Perhaps one of the most famous shots of all time, the staircase scene from Dracula is 
instantly recognisable throughout the world of film. Whilst my film isn’t as sinister 
or frightening as Dracula, I have decided that I would like to try and attempt a shot 
in which the shadow of my character is either manipulated or shown in a fashion 
similar to this.
Shot 3: “M” 
Another shot from the 1931 film “M”. I had previously spoken about the emotion 
and fear that the character was showing in the last shot. Once again, the character 
is showing levels of fear through his body language. A shot like this would fit 
perfectly into my film, as it would emphasise the fear that the character is showing 
because of the changes in society and technology.
Shot 4: “The third man” 
This “Dutch tilt” from the 1949 film “The third man” is a shot that I would very 
much like to use in my film. Where I will incorporate this shot, I am not entirely 
sure – but it is a shot which will bring a bit of variation to my film.
Shot 5: Unknown 
This is a shot from an untitled film. The reason I have chosen to try and replicate 
this shot is because of how effective it is. The fact that the character in frame can 
only be seen as a silhouette adds mystery and a feeling of suspense to the film.

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Film powerpoint

  • 2. General information: Title – “The unfortunate life of…” (Name of Character undecided) Plot: • The story of my film follows the everyday life of my main character, who’s name is still to be decided on. He lives in 1930’s England with his family. • Whilst fixing something in his house, he falls and hits his head, putting him in a coma. • He wakes up in 2014 , afraid and alone. He doesn’t know how long he will be stuck there, so he decides to try and live his life. • However, the changes in technology and society are so drastic, he cannot cope. In an attempt to get back to 1930 again, he puts himself back into a coma and wakes up in his bed.
  • 3. Audience: Age – The age of my audience is 17+. The genre of the film would probably be boring for younger teens/children, because of the way it is filmed and the story line. Gender – My film is not gender specific. Psychographics – Anybody of 17+ who may have a particular interest in “Film Noir” or “German expressionist cinema”. They will probably need to be quite a mature person who can follow a storyline rather than pay attention to visual effects. Social grade – Social grade is not at all important.
  • 4. Inspirations: I have taken inspiration from two pieces of media. One of which is a previous student’s work. “The huge snooze” – Ciaran Davis: I have taken great inspiration from Ciaran Davis’ short film, “The huge snooze”. Other than the fact that it is a great piece of work, the film has inspired me because of the way it blends “Film Noir” and “German expressionist cinema” – something that I had mentioned in the previous slide. The fact that a piece of work with this quality was produced by a student has given me great confidence as well. “Ashes to Ashes” – BBC: The popular TV series “Ashes to Ashes” has inspired me because of the similar storyline to mine. The main character falls into a coma, but goes back in time instead of forward. The elements of this series, mixed with the style of “The huge snooze” will compliment each other effectively.
  • 5. Shots that I would like to recreate: Shot 1: “M” I would love to be able to recreate a shot like this in my short film. The shot is from the 1931 film “M”. This shot stands out for me because of the clever way that the protagonist is partially out of the frame, but is in clear view through the reflection. This boasts the talent of the director, as well as highlighting the emotions that the character is feeling. My character will be bewildered through most of the film so being able to catch his expressions like this would be brilliant.
  • 6. Shot 2: “Dracula” Perhaps one of the most famous shots of all time, the staircase scene from Dracula is instantly recognisable throughout the world of film. Whilst my film isn’t as sinister or frightening as Dracula, I have decided that I would like to try and attempt a shot in which the shadow of my character is either manipulated or shown in a fashion similar to this.
  • 7. Shot 3: “M” Another shot from the 1931 film “M”. I had previously spoken about the emotion and fear that the character was showing in the last shot. Once again, the character is showing levels of fear through his body language. A shot like this would fit perfectly into my film, as it would emphasise the fear that the character is showing because of the changes in society and technology.
  • 8. Shot 4: “The third man” This “Dutch tilt” from the 1949 film “The third man” is a shot that I would very much like to use in my film. Where I will incorporate this shot, I am not entirely sure – but it is a shot which will bring a bit of variation to my film.
  • 9. Shot 5: Unknown This is a shot from an untitled film. The reason I have chosen to try and replicate this shot is because of how effective it is. The fact that the character in frame can only be seen as a silhouette adds mystery and a feeling of suspense to the film.