A Critique of the Proposed National Education Policy Reform
Shot list
1. Shot List
Names: Jade Dowse, Amy-Ann Edwards, Connor Brumby
Shot Number Shot Type & Movement (e.g. Close Up) Shot Description
1 (Shot 6)
Over the shoulder shot with panning
movement of camera
The Female Protaganist is tied
in chair with panning
movement of camera to the
frame of the antagonist.
2 (Shot 7)
Close up shot To show the female
protagonists’ beaten face.
3 (Shot 8)
Over the shoulder shot Conversation between the
antagonist and the female
protagonist.
4 (Shot 9)
Over the shoulder shot Conversation between the
antagonist and the female
protagonist.
5 (Shot 10)
Over the shoulder shot Conversation between the
antagonist and the female
protagonist.
6 (Shot 11)
Low angle shot/ Point of View Shot with
handheld camera movement
The female protagonist is
looking up at the antagonist as
he is about to strike.
7 (Shot 12)
Extreme close up shot with handheld camera
movement
Shows the female protagonists
eyes expressing fear.
8 (Shot 13)
Silhouette On the wall we see the scene in
silhouette form to bring about
suspense before the screen
turns black.
9 (Shot 2)
Establishing Shot The establishing shot shows a
long shot of the setting of the
film opening showing a field
with the protagonist running.
10 (Shot 1)
Low Shot Shows the setting of a field and
the male protagonist running in
front of the camera.
11 (Shot 3)
Mid/Long Shot with handheld camera
movement
This shot shows the face of the
male protagonist.
12 (Shot 4)
Mid/Long Shot with handheld camera
movement
Shows the back of the male
protagonist so the audience can
see where he is going.
13 (Shot 14)
Long Shot with panning camera movement Shows him running into the
woods.
14 (Shot 15)
Mid Shot with handheld camera movement This shot shows the back of his
head as he runs between the
trees.
2. 15 (Shot 16) Long Shot with panning movement He sees the backpack entwined
within a tree and goes to grab
it.
16 (Shot 17) Mid Shot We see him have the backpack
in his hands.
17 (Shot 18) Point of View Shot Through his eyes we see the
note left in the bag as he reads
it in his hand.
18 (Shot 19) Mid Shot with handheld camera movement He takes the gun out of the bag
and cocks it.
19 (Shot 20) Mid Shot with handheld camera movement He puts the gun out in front of
him.
20 (Shot 21) Focus Pull Focus pull from the male
protagonist to the gun before
the screen goes black.