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EDITING SCREENSHOTS – BY AIDAN COUPLAND
Here in thisscreenshotIwas
editinganewlycollectedshot
of a church. The shotwas a
panningshotup to the cross
situatedonthe top of the
buildingandthiseditlinksin
withthe scriptof the
documentary.Iwasstartingto
cut bitsof thisfootage upso it
wouldfitinwiththe gap it
neededtobe in.
In thisscreenshot(above) Ihadeditedsome
effectsintothe documentary.The effectIhad
selectedandsituatedinthiswasdiptoblack.
The reasonI put dipto blackin here wasto try
and breakup the flow andillustrate thatwe
had movedonto a differentquestioninthe
interview stage sothe audiencedidn’tget
confused.
EDITING SCREENSHOTS – BY AIDAN COUPLAND
Here in thisscreenshotIhadjusteditedone of the
scene intoblackand white togive ita more serious
but still spookyeffect.Ithoughtthiseffectwouldbe
goodbecause like Isaidit helpsgive the feelof anold
classichorror show butagain isnot to silly and
doesn’tputpeople off the understandingof how
seriousthe documentaryis.
In thisscreenshotIwasplayingaboutwiththe audio
of joshspeaking.We hadanissue that the audiowas
a little toolow fromotherparts and soI played
aboutwiththe audiogain andchannels.Iincreased
the audiogainto bust the soundup,so we could
hearJosh a lotclearerinthis clipandit worked.The
audiogainwas increasedtoaroundthe 12 – 14 mark
whichmade Joshesaudioforthisclipa lotbetter.I
alsofoundan issue withsome of the audiocoming
throughone headphone andwithsome time
investigatingImanagedtofindaudiochannelsand
sortedout the audiosoit came throughboth.

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Screenshots of my editing.

  • 1. EDITING SCREENSHOTS – BY AIDAN COUPLAND Here in thisscreenshotIwas editinganewlycollectedshot of a church. The shotwas a panningshotup to the cross situatedonthe top of the buildingandthiseditlinksin withthe scriptof the documentary.Iwasstartingto cut bitsof thisfootage upso it wouldfitinwiththe gap it neededtobe in. In thisscreenshot(above) Ihadeditedsome effectsintothe documentary.The effectIhad selectedandsituatedinthiswasdiptoblack. The reasonI put dipto blackin here wasto try and breakup the flow andillustrate thatwe had movedonto a differentquestioninthe interview stage sothe audiencedidn’tget confused.
  • 2. EDITING SCREENSHOTS – BY AIDAN COUPLAND Here in thisscreenshotIhadjusteditedone of the scene intoblackand white togive ita more serious but still spookyeffect.Ithoughtthiseffectwouldbe goodbecause like Isaidit helpsgive the feelof anold classichorror show butagain isnot to silly and doesn’tputpeople off the understandingof how seriousthe documentaryis. In thisscreenshotIwasplayingaboutwiththe audio of joshspeaking.We hadanissue that the audiowas a little toolow fromotherparts and soI played aboutwiththe audiogain andchannels.Iincreased the audiogainto bust the soundup,so we could hearJosh a lotclearerinthis clipandit worked.The audiogainwas increasedtoaroundthe 12 – 14 mark whichmade Joshesaudioforthisclipa lotbetter.I alsofoundan issue withsome of the audiocoming throughone headphone andwithsome time investigatingImanagedtofindaudiochannelsand sortedout the audiosoit came throughboth.