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EYEO FESTIVAL REDUX
thas naseemuddeen @thaz7
deutschLA
what is EYEO?
an assembly of creative coders / data
designers/ designers / artists
...so clearly, I’m not a coder or
a designer, so what the hell
am I doing here?
simple:
this may be the one of the
most progressive group of
thinkers + culture makers
in the world today.
caveat: the following is extracted from my
garbled notes
some ideas may be paraphrased, but all
cited for further exploration (which I
highly recommend...)
Image: Nathalie Miebach
http://www.theatlantic.com/entertainment/archive/2011/07/musical-sculptures-translate-weather-data-into-art/241806/
Can a machine draw the
same way I can?
IMAGE: FRIEDER NAKE
Frieder Nake
• A true pioneer in digital media known for his
groundbreaking efforts in algorithmic arts, who
believes there is not complete unity between the
algorithmic world and the artistic world
• a perspective on artificial intelligence - it is only
truly possibly if the behavior you are trying to elicit
is computable - non-computable behaviors are
infinite. (“There Should Be No Computer Art”, 1971)
• “paintings are waiting in museums because they
want to talk to us - the museum of the future will be
completely interactive”
wikipedia.org/wiki/Frieder_Nake
Lillian Schwartz
• Lillian Schwartz is the original gangster
digital artist - and the first digital artist
to be acquired by MoMA
• one of the pioneers of abstract computer
graphics she was one of the only
females at Bell Laboratories in the 60’s -
understanding machine language and
playing with color and 3D effects well
before it became a “thing”
https://www.youtube.com/
watch?v=nKGrz4AMbqk
“Drawing is the tactile
feedback for your mind.”
giorgialupi.net
http://giorgialupi.net/2014/07/01/eyeo-2014-the-shapes-of-my-thoughts/
“the shape of my thoughts”
• drawing is a mixture of what your are seeing and
what you are imagining
• drawing is a means to figuring out exactly what it
is you’re thinking
• to structure information
• to explore elements
• to refine an idea
• captures whimsy and emotion in interfaces
sometimes lost in digital world
giorgialupi.net
http://giorgialupi.net/2014/07/01/eyeo-2014-the-shapes-of-my-thoughts/
http://giorgialupi.net/2014/07/01/eyeo-2014-the-shapes-of-my-thoughts/
http://www.accurat.it/files/eyeo/pleens.mp4
“Where there is participation
you feel it in the bricks.”
dailytouslesjours.com
we can dance
• Daily tous les jours - Montreal based multidisciplinary
projects at the intersection of participation, design
and technology
• Breathing some magic into everyday spaces inviting
the public to become active participants in the
process and outcome
• Kit Operette - interactive operetta
• gesture based design, inspired by marionettes
• “Kit Opérette is a playful interactive game that invites
visitors to slip into the persona of iconic characters from
an operetta. Visitors sing and dance their way through a
dynamic decor that is virtually and physically reminiscent
of a period operetta. Every player adopts different parts
in the performance, each following opportunely placed
props and instructions, together creating a piece that
evolves along with their participation.” read more
dailytouslesjours.com
http://vimeo.com/55116371
“Embrace Context.
Embrace Surprise.”dailytouslesjours.com
http://www.dailytouslesjours.com/project/mclarena/
“The ears of the future may not
be entirely human...”
clairelevans.com
“future proof music”
• “future music” is more indicative of a
moment now than it is of the actual future
• “future music” could not contain lyrics
• cannot be rhythmic - tied to physiology
• eternal music would just be tomes
• Computer Music: machines making music for
each other, not just for humans
• Daisy 1961- Bell Labs + Hall (IBM)
• Hatsune Miku - Japan’s socially constructed
pop star, spurred on entirely new kind of
fan culture that could never be supported
by a human.
clairelevans.com
Social glitches: the breaking of
social contracts
lauren-mccarthy.com
hacking social norms
• Lauren McCarthy explores those slightly
uncomfortable moments when patterns are shifted,
expectations are broken, and participants become
aware of the system
• Conversacube - stimulating conversation and
interaction
• Us+ - Google hangout app that analyzes speech
and facial expression to improve conversation
• CrowdPilot - crowdsourcing dating advice
• Using version control to manage a long distance
relationship (gitHub)
lauren-mccarthy.comsource:
“When data goes from expressive
to productive”
brianhouse.net
• kinetic storytelling
• re-animating moments in culture, allowing others to
imprint their lives and thinking on onto the original
moment
• automaticbrowser.com
• online impersonation of yourself
• can get the browser that is usually yours
brianhouse.net
quotidian rhythms
brianhouse.net
http://vimeo.com/48919422The Quotidian Record:
“Who owns digital art?”
• with digital art - who owns it? how do you display? is
it about having instructions? or owning the IP?
• example Teji Furahshi - Lovers, 1994
• future of curation - learning code: school of poetic
coding in Brooklyn
• MoMA has gone through an evolution of digital
acquisitions in the past few years, including their first
app, Bjork’s Biophilia
•
moma.org
the art of our time
some more cool stuff...
thisisindexed.com
jessicahagy.info
thisisindexed.com
Cod.Act
https://www.youtube.com/watch?v=vsXs3GUrw64

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Eyeo festival redux

  • 1. EYEO FESTIVAL REDUX thas naseemuddeen @thaz7 deutschLA
  • 2. what is EYEO? an assembly of creative coders / data designers/ designers / artists
  • 3. ...so clearly, I’m not a coder or a designer, so what the hell am I doing here?
  • 4. simple: this may be the one of the most progressive group of thinkers + culture makers in the world today.
  • 5. caveat: the following is extracted from my garbled notes some ideas may be paraphrased, but all cited for further exploration (which I highly recommend...) Image: Nathalie Miebach http://www.theatlantic.com/entertainment/archive/2011/07/musical-sculptures-translate-weather-data-into-art/241806/
  • 6. Can a machine draw the same way I can? IMAGE: FRIEDER NAKE
  • 7. Frieder Nake • A true pioneer in digital media known for his groundbreaking efforts in algorithmic arts, who believes there is not complete unity between the algorithmic world and the artistic world • a perspective on artificial intelligence - it is only truly possibly if the behavior you are trying to elicit is computable - non-computable behaviors are infinite. (“There Should Be No Computer Art”, 1971) • “paintings are waiting in museums because they want to talk to us - the museum of the future will be completely interactive” wikipedia.org/wiki/Frieder_Nake
  • 8. Lillian Schwartz • Lillian Schwartz is the original gangster digital artist - and the first digital artist to be acquired by MoMA • one of the pioneers of abstract computer graphics she was one of the only females at Bell Laboratories in the 60’s - understanding machine language and playing with color and 3D effects well before it became a “thing”
  • 10. “Drawing is the tactile feedback for your mind.” giorgialupi.net http://giorgialupi.net/2014/07/01/eyeo-2014-the-shapes-of-my-thoughts/
  • 11. “the shape of my thoughts” • drawing is a mixture of what your are seeing and what you are imagining • drawing is a means to figuring out exactly what it is you’re thinking • to structure information • to explore elements • to refine an idea • captures whimsy and emotion in interfaces sometimes lost in digital world giorgialupi.net http://giorgialupi.net/2014/07/01/eyeo-2014-the-shapes-of-my-thoughts/
  • 13. “Where there is participation you feel it in the bricks.” dailytouslesjours.com
  • 14. we can dance • Daily tous les jours - Montreal based multidisciplinary projects at the intersection of participation, design and technology • Breathing some magic into everyday spaces inviting the public to become active participants in the process and outcome • Kit Operette - interactive operetta • gesture based design, inspired by marionettes • “Kit Opérette is a playful interactive game that invites visitors to slip into the persona of iconic characters from an operetta. Visitors sing and dance their way through a dynamic decor that is virtually and physically reminiscent of a period operetta. Every player adopts different parts in the performance, each following opportunely placed props and instructions, together creating a piece that evolves along with their participation.” read more dailytouslesjours.com
  • 17. “The ears of the future may not be entirely human...” clairelevans.com
  • 18. “future proof music” • “future music” is more indicative of a moment now than it is of the actual future • “future music” could not contain lyrics • cannot be rhythmic - tied to physiology • eternal music would just be tomes • Computer Music: machines making music for each other, not just for humans • Daisy 1961- Bell Labs + Hall (IBM) • Hatsune Miku - Japan’s socially constructed pop star, spurred on entirely new kind of fan culture that could never be supported by a human. clairelevans.com
  • 19.
  • 20. Social glitches: the breaking of social contracts lauren-mccarthy.com
  • 21. hacking social norms • Lauren McCarthy explores those slightly uncomfortable moments when patterns are shifted, expectations are broken, and participants become aware of the system • Conversacube - stimulating conversation and interaction • Us+ - Google hangout app that analyzes speech and facial expression to improve conversation • CrowdPilot - crowdsourcing dating advice • Using version control to manage a long distance relationship (gitHub) lauren-mccarthy.comsource:
  • 22. “When data goes from expressive to productive” brianhouse.net
  • 23. • kinetic storytelling • re-animating moments in culture, allowing others to imprint their lives and thinking on onto the original moment • automaticbrowser.com • online impersonation of yourself • can get the browser that is usually yours brianhouse.net quotidian rhythms brianhouse.net
  • 26. • with digital art - who owns it? how do you display? is it about having instructions? or owning the IP? • example Teji Furahshi - Lovers, 1994 • future of curation - learning code: school of poetic coding in Brooklyn • MoMA has gone through an evolution of digital acquisitions in the past few years, including their first app, Bjork’s Biophilia • moma.org the art of our time
  • 27. some more cool stuff...