This document provides definitions and explanations of various literary terms that will be used in a short story unit. It defines terms like character, protagonist, antagonist, plot, conflict, setting, theme, point of view, imagery, tone, mood, style, foreshadowing, and figures of speech like metaphor, simile, oxymoron, personification and alliteration. Examples are provided for many of the terms. Students are instructed to take notes on the terms for use in analyzing literary works.
A literary technique also known as literary device is any standardized method an author uses to convey his or her message. This distinguishes them from literary elements, which exist inherently in literature. Visit http://literarydevices.net/ to learn more about literary devices.
It is a powerpoint presentation that discusses about the lesson or topic: Literary Devices. It also talks about the definition and different types and examples about the types of Literary Devices.
A literary technique also known as literary device is any standardized method an author uses to convey his or her message. This distinguishes them from literary elements, which exist inherently in literature. Visit http://literarydevices.net/ to learn more about literary devices.
It is a powerpoint presentation that discusses about the lesson or topic: Literary Devices. It also talks about the definition and different types and examples about the types of Literary Devices.
This is the talk I gave to the Tar River Reading Council of Pitt County, NC, about multicultural children's literature. The main idea is that all texts send messages, so as teachers we should be sure those messages are as inclusive as possible of our students and our world. Using Rudine Sims Bishop's definition of multicultural children's literature and her concept of how books can be both windows into the lives of others and mirrors to reflect back our own stories, I share information, recommendations, and arts-based instructional approaches with multicultural children's literature that teachers can use in their classrooms.
Understanding the Short StoryTitle __________________________.docxmarilucorr
Understanding the Short Story
Title :_________________________________________________________________
Plot
1) What does the reader learn during exposition?
2) What is/are the conflict(s)?
3) What complications are introduced?
4) What is the climax of the story?
5) How is the conflict resolved?
Point of view
1) From what point of view is the story narrated? (first person, third person, etc.)
2) How does the narration influence your understanding of the story?
Characters
1) Who is the protagonist?
2) Who is the antagonist?
3) Are the characters round or flat?
4) Are the characters static or dynamic?
Setting
1) What is the setting of the story?
2) Does the setting influence other elements of the story?
Theme
1) What is/are the theme(s) of the story?
2) How do you know?
LITERARY TERMS
"Structure" includes all the elements in a story. The final objective is to see the story as a whole and to become aware of how the parts are put together to produce a unified effect.
ELEMENTS OF PLOT
All fiction is based on conflict and this conflict is presented in a structured format called PLOT.
Exposition
The introductory material which gives the setting, creates the tone, presents the characters, and presents other facts necessary to understanding the story.
Foreshadowing
The use of hints or clues to suggest what will happen later in the story.
Inciting Force
The event or character that triggers the conflict.
Conflict
The essence of fiction. It creates plot. The conflicts we encounter can usually be identified as one of four kinds. (Man versus…Man, Nature, Society, or Self)
Rising Action
A series of events that builds from the conflict. It begins with the inciting force and ends with the climax.
Crisis
The conflict reaches a turning point. At this point the opposing forces in the story meet and the conflict becomes most intense. The crisis occurs before or at the same time as the climax.
Climax
The climax is the result of the crisis. It is the high point of the story for the reader. Frequently, it is the moment of the highest interest and greatest emotion. The point at which the outcome of the conflict can be predicted.
Falling Action
The events after the climax which close the story.
Resolution (Denouement)
Rounds out and concludes the action.
CHARACTERIZATION
MAJOR CHARACTERS
Almost always round or three-dimensional characters. They have good and bad qualities. Their goals, ambitions and values change. A round character changes as a result of what happens to him or her. A character who changes inside as a result of what happens to him is referred to in literature as a DYNAMIC character. A dynamic character grows or progresses to a higher level of understanding in the course of the story.
Protagonist
The main character in the story
Antagonist
The character or force that opposes the protagonist.
Foil
A character who provides a contrast to the protagonist.
MINOR CHARACTERS
Almost always flat or two-dimensional characters. They have only one or two stri ...
In the text that you are about to read, you will discover that indeed, whatever hindrances in life, if there is the will to succeed, a person will surely rise above his or her circumstances.
Lesson 2Glossary of Literary TermsWhen you study literature, l.docxcroysierkathey
Lesson 2
Glossary of Literary Terms
When you study literature, like any other discipline, you should become familiar with the terminology that is used. There are more terms than those listed below, but this list is a good place to start. The terms below are listed in alphabetical order.
Alliteration is a poetic method of repeating the first consonant sounds in a line of poetry.
Assonance is a poetic method that relies on close repetition of vowel sounds to create rhymes. The rhymes may seem to be just a little off, not quite what one might expect. For example, vowels sounds are sometimes close, but not identical, like love and prove.
Audience: This is the reader. Unlike the audience for a TV program, the audience for fiction must be engaged. That means the person reading the story, novel, play or poem, has to work a bit to get everything out of the literature that the creator put into it.
Character: The protagonist is the character at the center of the story, the main character; sometimes called the “hero” or “heroine,” the protagonist does not necessarily act in a “heroic” manner. Sometimes, there is a major character that works against the interests of the protagonist whether he/she realized it or not. This character is called an antagonist. Sometimes, the protagonist meets his or her match in the antagonist.
Major characters are those characters about which the audience learns the most and comes to care about the most while minor characters are less central to the story than major characters.
Round characters are very clearly individuals. They seem like real people. The audience gets to know a lot about them because they express a full range of human emotions and are firmly placed in the community.
On the other hand, flat characters can be somewhat lost in the background, needing to be in the story, but not the main part of it.
A dynamic character is one that changes during the course of the story because of what he or she experiences in it.
A flat character does not change throughout the course of the story. He or she is the same kind of person at the end of the story as he or she is at the beginning.
Dramatic elements are those elements that apply to plays. Reading a play is somewhat artificial because plays are merely scripts of dialogue whose true meaning does not come alive until the play is performed before a life audience.
The dramatis personae is a list of characters in the play. The terms for “character” apply here. There are no narrators in drama, unlike other fictional forms.
An act is a large division in a play made up of “scenes.” They function like chapter breaks in a book. The number of acts and scenes varies from one-act plays to plays with several acts. Usually, the text of the play also applies numbers to the lines of the play (not the sentences or paragraphs).
Dialogue is the term given to the words characters speak to each other. A soliloquy is a speech by one character given alone on the stage that gives the chara ...
Content Standard:
The learner demonstrates an understanding of how Anglo-American literature and other text types serve as means of connecting to the world; also how to use ways of analyzing one-act play and different forms of verbal for him/her to skillfully perform in a one-act play.
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3. We will be using these literary
terms throughout the Short
Story Unit as well as
throughout the school year.
You will need to understand
and be able to identify these
terms as used in the context of
literary works.
SPOTLIGHT:
LITERARY TERMS
4. Use the guided notes available in
the OHS to take some notes for
yourselves
SPOTLIGHT:
LITERARY TERMS
5. WE WILL USE THE FOLLOWING TERMS:
Character Antagonist Protagonist
Diction Denotation
Connotation
Imagery Mood Plot
Conflict Oxymoron Alliteration
Foreshadowing Suspense Irony
Point of View Setting Style
Theme Tone Figures of
Speech
Metaphor Simile Personification
9. DO YOU KNOW YOUR
ANTAGONISTS???
On your paper take a few minutes to write down some
Antagonists that you can recall from movies, television shows,
and video games
Remember the Antagonist is in conflict with the Protagonist or
main character!
Helpful hint – you should now know why people use the saying
“Don’t antagonize me!”
10. CHARACTERS: STATIC
VS. DYNAMIC
Static – stereotype, only one or two characteristics
that never change (ex. wicked stepmother)
Dynamic – many personalities that change,
for better or worse by the end of the story
(ex. Shrek)
11. CHARACTERIZATION:
WAYS IN WHICH A CHARACTER
IS REVEALED
His/her physical appearance
What he/she says, thinks, feels and dreams
What he/she does or does not do
What others say about him/her
and how others react to him/her
12. SETTING
The setting of a literary work
is the time and place of the
action.
The setting includes all the
details of a place and time –
the year, the time of day,
even the weather. The place
may be a specific country,
state, region, community,
neighborhood, building,
institution, or home.
Details such as dialect,
clothing, customs, and
modes of transportation are
often used to establish
setting.
In most stories, the setting
serves as a backdrop – a
context in which the
characters interact. The
setting of a story often helps
to create a particular mood,
13. PLOT
Plot is the sequence of events. The first event
causes the second, the second causes the third,
and so forth.
In most novels, dramas, short stories, and
narrative poems, the plot involves both
characters and a central conflict.
14. CONFLICT
Conflict is the struggle
between opposing forces
in a story or play. There
are several types of
conflict that exist in
literature.
(See next slides for
15.
16. INTERNAL CONFLICT:
MAN VS. SELF
Internal conflict exists within the mind of a
character who is torn between different
courses of action.
The leading character struggles with
himself/herself; with his/her own soul,
ideas of right or wrong, physical
limitations, choices, etc.
17. EXTERNAL CONFLICT
External conflict exists when a character struggles
against some outside force, such as another
character, nature, society, or fate.
Man vs. Man (physical) –
The leading character struggles
with his physical strength against other men,
forces of nature, or animals.
Man vs. Circumstances (classical) –
The leading character struggles
against fate, or the circumstances
of life facing him/her.
Man vs. Society (social) –
The leading character struggles
against ideas, practices,
or customs of other people.
18. THEME
The theme of a literary work is its central
message, concern, or purpose. A theme
can usually be expressed as a
generalization, or general statement,
about people or life.
The theme may be stated directly by the
writer although it is more often
presented indirectly.
When the theme is stated indirectly, the
reader must figure out the theme by
looking carefully at what the work
reveals about the people or about life.
19. POINT OF VIEWPoint of View is the perspective, or vantage point, from
which a story is told. It is the relationship of the narrator
to the story.
First-person is told by a character who
uses the first-person pronoun “I”.
Third-person limited point of view is the point of view
where the narrator uses third-person pronouns such as
“he” and “she” to refer to the characters.
Third person omniscient
The author can narrate the story
using the omniscient point of view.
He can move from character to character,
event to event, having free access
to the thoughts, feelings and motivations
of his characters and he introduces
information where and when he chooses.
20. IRONYSituational irony – contrast between what the reader expects to have
happen and what actually happens in the story.
(In Finding Nemo, you wouldn’t expect that sharks
would be in a “fish are friends, not food”
support group.)
Dramatic Irony – the reader knows something that a character does
not. (i.e. The audience knows that Clark Kent is Superman, though
characters in the story do not.)
Verbal Irony – saying one thing and meaning another.
(Sarcasm is a form of verbal irony.)
21. IMAGERY
Imagery is words
or phrases that
appeal to one or
more of the five
senses.
Writers use
imagery to
describe how
their subjects
look, sound, feel,
taste, and smell.
22. SUSPENSE
Suspense is the growing interest and excitement readers
experience while awaiting a climax or resolution in a
work of literature. It is a feeling of anxious uncertainty
about the outcome of events. Writers create suspense by
raising questions in the minds of their readers.
23. TONE
Tone is a reflection of a writer’s or speaker’s
attitude toward a subject of a poem, story, or
other literary work.
Tone may be communicated through words
and details that express particular emotions
and that evoke and emotional response from
the reader.
For example, word choice or phrasing may
seem to convey respect, anger, light-
heartedness, or sarcasm.
24. MOOD
Mood, or atmosphere, is the feeling
created in the reader by a literary
work or passage.
Writer’s use many devices to create
mood, including images, dialogue,
setting, and plot.
Often, a writer creates a mood at
the beginning of a work and then
sustains the mood throughout.
Sometimes, however, the mood of
the work changes dramatically.
25. TONE VS. MOOD
In short, TONE is how the
AUTHOR feels & MOOD is
how the piece of literature
makes THE READER feel
26. STYLE
Style is the distinctive way in which an author uses
language.
Word choice, phrasing, sentence length, tone,
dialogue, purpose, and attitude toward the
audience and subject can all contribute to an
author’s writing style.
27. FORESHADOWING
Foreshadowing is the author’s use of clues to hint at what
might happen later in the story. Writers use
foreshadowing to build their readers’ expectations and
to create suspense. This is used to help readers prepare
for what is to come.
28. FIGURES OF SPEECH
A figure of speech is a specific device or kind
of figurative language, such as hyperbole,
metaphor, personification, simile, or
understatement.
Figurative language is used for descriptive
effect, often to imply ideas indirectly. It is not
meant to be taken literally. Figurative
language is used to state ideas in vivid and
imaginative ways.
29. METAPHOR
A Metaphor is a type of speech that compares two or more unlike
things. A metaphor does NOT use like or as.
30. SIMILE
A Simile is another figure of speech that compares
seemingly unlike things. Simile’s DO use the words like
or as.
31. OXYMORON
An Oxymoron is a figure of speech that is a combination
of seemingly contradictory words.
Examples: Same difference
Pretty ugly
Roaring silence
32. PERSONIFICATION
Personification is a figure of
speech in which an animal,
object, force of nature, or idea
is given human qualities or
characteristics.
33. ALLITERATION
Alliteration is the repetition of sounds, most often
consonant sounds, at the beginning of words.
Alliteration gives emphasis to words.