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Image & Sound Optimization
Download the Media Bits
On the Class Blackboard, find the link to the
Image and Sound Optimization Materials
Download the Media Bits
Open a clip by double-clicking. Click on the
arrow to download each clip
Import the Media
• Open a new Premiere Project and import the
12 images and 2 sound files.
• We’re working with still images (they’re faster
to download)
Assemble the Timeline
• Assemble the related clips on the timeline. I’m
using Latimer first, Little second, Ahlfeldt
third, Tolland fourth, and the two sound files
last.
Switch Workspace to Color Correction
• Let’s start with the
first Latimer clip.
• Notice how the (blue)
waveform depicts the
brightness levels of
the image.
• There are many ways
to adjust brightness
levels and color
balance.
• I’m choosing to use
Video
Effects/Adjust/Auto
Levels
• Drag that effect onto
the first clip.
• Under Auto Levels, I
adjusted the White Clip
until I brought the skin
tones in the bright part
of the face to around 70
ire.
• Remember, levels are
set to skin tones
generally.
• I also go and add the
Video Effects/Color
Correction/Fast Color
Corrector filter; the
color looks a little too
intense and hot.
• I’m interested only in
nudging the color
balance a teeny bit away
from the yellow-green.
• More importantly, I turn
down the Saturation a
bit.
• Here’s the result.
• 100 ire
• 7 ire
• Usually, many shots
from the same camera
session will require the
same filter correction.
• Once you figure out
one, you can copy and
paste the filters with
their settings and apply
them to the similar clips.
Image and sound optimization

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Image and sound optimization

  • 1. Image & Sound Optimization
  • 2. Download the Media Bits On the Class Blackboard, find the link to the Image and Sound Optimization Materials
  • 3. Download the Media Bits Open a clip by double-clicking. Click on the arrow to download each clip
  • 4. Import the Media • Open a new Premiere Project and import the 12 images and 2 sound files.
  • 5. • We’re working with still images (they’re faster to download)
  • 6. Assemble the Timeline • Assemble the related clips on the timeline. I’m using Latimer first, Little second, Ahlfeldt third, Tolland fourth, and the two sound files last.
  • 7. Switch Workspace to Color Correction
  • 8. • Let’s start with the first Latimer clip. • Notice how the (blue) waveform depicts the brightness levels of the image.
  • 9. • There are many ways to adjust brightness levels and color balance. • I’m choosing to use Video Effects/Adjust/Auto Levels • Drag that effect onto the first clip.
  • 10. • Under Auto Levels, I adjusted the White Clip until I brought the skin tones in the bright part of the face to around 70 ire. • Remember, levels are set to skin tones generally.
  • 11.
  • 12. • I also go and add the Video Effects/Color Correction/Fast Color Corrector filter; the color looks a little too intense and hot.
  • 13. • I’m interested only in nudging the color balance a teeny bit away from the yellow-green. • More importantly, I turn down the Saturation a bit.
  • 14. • Here’s the result.
  • 16. • Usually, many shots from the same camera session will require the same filter correction. • Once you figure out one, you can copy and paste the filters with their settings and apply them to the similar clips.