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David De Roure
 @dder


Digital Scholarship:

The Intersection of Disciplines 
DIRECTOR, UNIVERSITY OF OXFORD E-RESEARCH CENTRE
Porter, Bernard. 1939. Being a Map of Physics. Courtesy of Maine State Library and Mark Melnicove. In "10th Iteration (2014): The
Future of Science Mapping," Places & Spaces: Mapping Science, edited by Katy Börner and Samuel Mills. http://scimaps.org
http://oxfordschoolofphotography.wordpress.com/tag/tilt-shift-photography/
Segolene’s	
  slide	
  
Edwards, P. N., et al. (2013) Knowledge Infrastructures: Intellectual Frameworks and Research
Challenges. Ann Arbor: Deep Blue. http://hdl.handle.net/2027.42/97552
The Big Picture(s)
ChristineBorgman
F i r s t
Four	
  Quadrant	
  Diagram	
  
Digital
Scholarship
Citizens
Social	
  Machines	
  Defini8on	
  TBL	
  
Scientists
Talk
Forum
Image
Classification
data reduction
Citizen Scientists
http://www.parliament.uk/business/committees/committees-a-z/commons-select/science-and-technology-committee/news/report-responsible-use-of-data/
https://twitter.com/CR_UK/status/446223117841494016/
Some people's smartphones
had autocorrected the word
"BEAT" to instead read
"BEAR".
"Thank you for choosing an
adorable polar bear," the
reply from the WWF said.
"We will call you today to set
up your adoption."
http://www.bbc.com/news/technology-26723457
time
Social Machine instances
 @dder
Observer of
one social
machine
Observers using third
party observatory
Observer of
multiple social
machines
Human
participants in
Social
Machine
Human participants in
multiple Social Machines
Observer of Social
Machine infrastructure
1	
  
4	
  
2	
  
3	
  
5	
  
6	
  
SM
SM
SM
Social Machine
Observing Social
Machines
7	
  
@dder
STORYTELLING AS A STETHOSCOPE
FOR SOCIAL MACHINES
1.  Sociality through storytelling potential
and realization
2.  Sustainability through reactivity and
interactivity
3.  Emergence through collaborative
authorship and mixed authority
Zooniverse	
  is	
  a	
  highly	
  
storified	
  Social	
  Machine	
  
Facebook	
  doesn’t	
  allow	
  
for	
  improvisa8on	
  
Wikipedia	
  assigns	
  
authority	
  rights	
  rigidly	
  
http://ora.ox.ac.uk/objects/ora:8033
Tarte, S.M., De Roure, D. and Willcox, P. 2014. Working out the Plot: the Role of
Stories in Social Machines. SOCM2014: The Theory and Practice of Social
Machines, Seoul, Korea, International World Wide Web Conferences pp. 909–914
Tarte, S. Willcox, P., Glaser, H. and De Roure, D. 2015. Archetypal Narratives in Social
Machines: Approaching Sociality through Prosopography. ACM Web Science 2015.
Crossing the Boundaries of
Discipline
Multi/Inter/Trans/Post
Community	
  
SoMware	
  
Supercomputer	
  
Digital	
  Music	
  
Collec8ons	
  
Grad-­‐sourced	
  
ground	
  truth	
  
Community	
  
SoMware	
  
Linked	
  Data	
  
Repositories	
  
Supercomputer	
  
23,000 hours of
recorded music
Music Information
Retrieval Community
SALAMI
Sequence alignment
http://en.wikipedia.org/wiki/Sequence_alignment#/media/File:Histone_Alignment.png
Dan Edelstein, Robert Morrissey, and Glenn Roe, To Quote or not to Quote: Citation Strategies in the Encyclopédie.
Journal of the History of Ideas , Volume 74, Number 2, April 2013 . pp. 213-236. 10.1353/jhi.2013.0012
Glenn Roe
3,610 Shared Passages
Montesquieu - 681 passages
•  De l'esprit des lois (1746) - 477 passages
•  Considérations sur les Romains… (1734) - 173 passages
Voltaire - 528 passages
•  Essai sur l'histoire générale… (1756) - 415 passages
Jean-Baptiste Dubos - 229 passages
•  Réflexions critiques sur la poésie et sur la peinture (1719) - 227 passages
René Aubert de Vertot - 122 passages
•  Histoire des révolutions arrivées dans le gouvernement romain (1727) - 122 passages
Antoine Arnauld & Pierre Nicole - 107 passages
•  La logique, or l'art de penser (1662) - 107 passages
Charles Rollin - 100 passages
•  Histoire ancienne des Égyptiens (1738) - 94 passages
Montaigne - 91 passages
•  Les Essais (1595) - 91 passages
Condillac - 91 passages
•  Essai sur l'origine des connaissances humaines (1746) - 91 passages
Aligned passages in the over 900 texts that predate the publication of the Encyclopédie in the ARTFL-Frantext collection,
from Russell Horton, Mark Olsen, and Glenn Roe, Something Borrowed: Sequence Alignment and the Identification of
Similar Passages in Large Text Collections, Digital Studies - Le Champ numérique 2 (1)
Glenn Roe
Psychology and digital technology are
being combined to understand music
in new ways. In the run-up to the
Being Human festival, a group of
students in the audience for Wagner’s
epic ‘Ring Cycle’, conducted by Valery
Gergiev (Birmingham Hippodrome)
will take part in an intriguing
experiment to monitor the sensations
produced over the 16-hour cycle of
four operas.
How do we really
experience Wagner’s music?
http://beinghumanfestival.org/event/hearing-wagner/
!Fusing Audio
and Semantic
Technologies
David De Roure, Graham Klyne, Kevin Page, John Pybus and David
Weigl (2015). Music and Science: Parallels in Production. 2nd Intl
Digital Libraries for Musicology workshop (DLfM 2015), June 2015.
http://chordify.net/
Social editions!
Pip Willcox
Crossing the Boundaries
of Time*
*and digital–physical
Richard O’Bierne
First	
  Folio	
  Social	
  Machines	
  
Metadata
Story of the
First Folio
Social
Machines Annotation
David De Roure and Pip Willcox
‘“Coniunction, with the participation of Society”: Citizens, Scale, and
Scholarly Social Machines’
Beyond the PDF: Born-Digital Humanities, Boston, 27–28 April 2015
Pip Willcox
Digital	
  Material	
  
Pip Willcox
Elizabeth Williamson
A computationally-enabled
sense-making network of
expertise, data, software,
models and narratives
Big Data, in a
Big Data Centre
A rehearsal for the future
▶  The Internet of Things
describes a world in which
everyday objects are
connected to a network so
that data can be shared.
▶  But it is really as much about
people as the inanimate
objects.
▶  It is impossible to anticipate
all the social changes that
could be created by
connecting billions of devices.
https://www.gov.uk/government/publications/internet-of-things-blackett-review
Crossing the Boundaries
of Collections
The ElEPHãT project used Linked Data to enable
scholarly investigation across dynamic collections
combining EEBO-TCP and the HathiTrust
The ElEPHãT project -- Early English Print in HathiTrust,
a Linked Semantic Worksets Prototype -- demonstrates
the use of Linked Data for combining, through worksets,
information from independent collections into a
coherent view which can be studied and analyzed to
facilitate and improve academic investigation of the
constituents.
The project focuses on the potential symbiosis between
two datasets: the first is Early English Books Online -
Text Creation Partnership (EEBO-TCP), a mature corpus
of digitized content consisting of English text from the
first book printed through to 1700, with highly
accurate, fully-searchable, XML-encoded texts; the
second is a custom dataset from the HathiTrust Digital
Library of all materials in English published between
1470 and 1700.
ElEPHãT
!
[The Analytical Engine] might act upon other things besides number,
were objects found whose mutual fundamental relations could be
expressed by those of the abstract science of operations, and which
should be also susceptible of adaptations to the action of the operating
notation and mechanism of the engine… Supposing, for instance, that
the fundamental relations of pitched sounds in the science of harmony
and of musical composition were susceptible of such expression and
adaptations, the engine might compose elaborate and scientific pieces of
music of any degree of complexity or extent.
http://blogs.bodleian.ox.ac.uk/adalovelace/
http://collation.folger.edu/2011/08/welcome-to-the-collation/
The Hinman CollatorCarter Hailey’s Comet Portable Optical Collator
Iain Emsley and David De Roure. 2014. “It will discourse most eloquent music”:
Sonifying variants of Hamlet. TEI Conference, Lyon, France, October 2015
•  Same quest, with some new methods
•  Doing things in new ways
•  Doing entirely new things
•  Social as well as digital
•  Semantics as a digital affordance
•  Intersection, Scale, and Social Machines
•  Other disciplines can learn from working with
the humanities
We're all in some sense digital humans, and digital humanists” @jfwinters
david.deroure@oerc.ox.ac.uk
@dder
Thanks to Iain Emsley, Terhi Nurmikko-
Fuller, Kevin Page, John Pybus, Glenn Roe,
Ségolène Tarte, David Weigl, Pip Willcox and
all our collaborators, and to the Centre for
Digital Scholarship at the Bodleian Libraries.
http://www.slideshare.net/davidderoure/digital-scholarship-intersection
www.oerc.ox.ac.uk	

david.deroure@oerc.ox.ac.uk	

@dder

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Digital Scholarship Intersection

  • 1. David De Roure @dder Digital Scholarship: The Intersection of Disciplines DIRECTOR, UNIVERSITY OF OXFORD E-RESEARCH CENTRE
  • 2. Porter, Bernard. 1939. Being a Map of Physics. Courtesy of Maine State Library and Mark Melnicove. In "10th Iteration (2014): The Future of Science Mapping," Places & Spaces: Mapping Science, edited by Katy Börner and Samuel Mills. http://scimaps.org
  • 4.
  • 5.
  • 7. Edwards, P. N., et al. (2013) Knowledge Infrastructures: Intellectual Frameworks and Research Challenges. Ann Arbor: Deep Blue. http://hdl.handle.net/2027.42/97552
  • 10. F i r s t
  • 11. Four  Quadrant  Diagram   Digital Scholarship
  • 14.
  • 17. https://twitter.com/CR_UK/status/446223117841494016/ Some people's smartphones had autocorrected the word "BEAT" to instead read "BEAR". "Thank you for choosing an adorable polar bear," the reply from the WWF said. "We will call you today to set up your adoption." http://www.bbc.com/news/technology-26723457
  • 19. Observer of one social machine Observers using third party observatory Observer of multiple social machines Human participants in Social Machine Human participants in multiple Social Machines Observer of Social Machine infrastructure 1   4   2   3   5   6   SM SM SM Social Machine Observing Social Machines 7   @dder
  • 20. STORYTELLING AS A STETHOSCOPE FOR SOCIAL MACHINES 1.  Sociality through storytelling potential and realization 2.  Sustainability through reactivity and interactivity 3.  Emergence through collaborative authorship and mixed authority Zooniverse  is  a  highly   storified  Social  Machine   Facebook  doesn’t  allow   for  improvisa8on   Wikipedia  assigns   authority  rights  rigidly   http://ora.ox.ac.uk/objects/ora:8033 Tarte, S.M., De Roure, D. and Willcox, P. 2014. Working out the Plot: the Role of Stories in Social Machines. SOCM2014: The Theory and Practice of Social Machines, Seoul, Korea, International World Wide Web Conferences pp. 909–914
  • 21. Tarte, S. Willcox, P., Glaser, H. and De Roure, D. 2015. Archetypal Narratives in Social Machines: Approaching Sociality through Prosopography. ACM Web Science 2015.
  • 22. Crossing the Boundaries of Discipline Multi/Inter/Trans/Post
  • 23. Community   SoMware   Supercomputer   Digital  Music   Collec8ons   Grad-­‐sourced   ground  truth   Community   SoMware   Linked  Data   Repositories   Supercomputer   23,000 hours of recorded music Music Information Retrieval Community SALAMI
  • 25. Dan Edelstein, Robert Morrissey, and Glenn Roe, To Quote or not to Quote: Citation Strategies in the Encyclopédie. Journal of the History of Ideas , Volume 74, Number 2, April 2013 . pp. 213-236. 10.1353/jhi.2013.0012 Glenn Roe
  • 26. 3,610 Shared Passages Montesquieu - 681 passages •  De l'esprit des lois (1746) - 477 passages •  Considérations sur les Romains… (1734) - 173 passages Voltaire - 528 passages •  Essai sur l'histoire générale… (1756) - 415 passages Jean-Baptiste Dubos - 229 passages •  Réflexions critiques sur la poésie et sur la peinture (1719) - 227 passages René Aubert de Vertot - 122 passages •  Histoire des révolutions arrivées dans le gouvernement romain (1727) - 122 passages Antoine Arnauld & Pierre Nicole - 107 passages •  La logique, or l'art de penser (1662) - 107 passages Charles Rollin - 100 passages •  Histoire ancienne des Égyptiens (1738) - 94 passages Montaigne - 91 passages •  Les Essais (1595) - 91 passages Condillac - 91 passages •  Essai sur l'origine des connaissances humaines (1746) - 91 passages Aligned passages in the over 900 texts that predate the publication of the Encyclopédie in the ARTFL-Frantext collection, from Russell Horton, Mark Olsen, and Glenn Roe, Something Borrowed: Sequence Alignment and the Identification of Similar Passages in Large Text Collections, Digital Studies - Le Champ numérique 2 (1) Glenn Roe
  • 27. Psychology and digital technology are being combined to understand music in new ways. In the run-up to the Being Human festival, a group of students in the audience for Wagner’s epic ‘Ring Cycle’, conducted by Valery Gergiev (Birmingham Hippodrome) will take part in an intriguing experiment to monitor the sensations produced over the 16-hour cycle of four operas. How do we really experience Wagner’s music? http://beinghumanfestival.org/event/hearing-wagner/
  • 28. !Fusing Audio and Semantic Technologies David De Roure, Graham Klyne, Kevin Page, John Pybus and David Weigl (2015). Music and Science: Parallels in Production. 2nd Intl Digital Libraries for Musicology workshop (DLfM 2015), June 2015.
  • 31.
  • 32. Crossing the Boundaries of Time* *and digital–physical
  • 33.
  • 35. First  Folio  Social  Machines   Metadata Story of the First Folio Social Machines Annotation David De Roure and Pip Willcox ‘“Coniunction, with the participation of Society”: Citizens, Scale, and Scholarly Social Machines’ Beyond the PDF: Born-Digital Humanities, Boston, 27–28 April 2015 Pip Willcox
  • 38. A computationally-enabled sense-making network of expertise, data, software, models and narratives Big Data, in a Big Data Centre
  • 39. A rehearsal for the future ▶  The Internet of Things describes a world in which everyday objects are connected to a network so that data can be shared. ▶  But it is really as much about people as the inanimate objects. ▶  It is impossible to anticipate all the social changes that could be created by connecting billions of devices. https://www.gov.uk/government/publications/internet-of-things-blackett-review
  • 41.
  • 42. The ElEPHãT project used Linked Data to enable scholarly investigation across dynamic collections combining EEBO-TCP and the HathiTrust The ElEPHãT project -- Early English Print in HathiTrust, a Linked Semantic Worksets Prototype -- demonstrates the use of Linked Data for combining, through worksets, information from independent collections into a coherent view which can be studied and analyzed to facilitate and improve academic investigation of the constituents. The project focuses on the potential symbiosis between two datasets: the first is Early English Books Online - Text Creation Partnership (EEBO-TCP), a mature corpus of digitized content consisting of English text from the first book printed through to 1700, with highly accurate, fully-searchable, XML-encoded texts; the second is a custom dataset from the HathiTrust Digital Library of all materials in English published between 1470 and 1700.
  • 44. !
  • 45. [The Analytical Engine] might act upon other things besides number, were objects found whose mutual fundamental relations could be expressed by those of the abstract science of operations, and which should be also susceptible of adaptations to the action of the operating notation and mechanism of the engine… Supposing, for instance, that the fundamental relations of pitched sounds in the science of harmony and of musical composition were susceptible of such expression and adaptations, the engine might compose elaborate and scientific pieces of music of any degree of complexity or extent. http://blogs.bodleian.ox.ac.uk/adalovelace/
  • 46. http://collation.folger.edu/2011/08/welcome-to-the-collation/ The Hinman CollatorCarter Hailey’s Comet Portable Optical Collator Iain Emsley and David De Roure. 2014. “It will discourse most eloquent music”: Sonifying variants of Hamlet. TEI Conference, Lyon, France, October 2015
  • 47. •  Same quest, with some new methods •  Doing things in new ways •  Doing entirely new things •  Social as well as digital •  Semantics as a digital affordance •  Intersection, Scale, and Social Machines •  Other disciplines can learn from working with the humanities We're all in some sense digital humans, and digital humanists” @jfwinters
  • 48. david.deroure@oerc.ox.ac.uk @dder Thanks to Iain Emsley, Terhi Nurmikko- Fuller, Kevin Page, John Pybus, Glenn Roe, Ségolène Tarte, David Weigl, Pip Willcox and all our collaborators, and to the Centre for Digital Scholarship at the Bodleian Libraries. http://www.slideshare.net/davidderoure/digital-scholarship-intersection