From Art to Mediation 1905 2009

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From Art to Mediation
Seminar at ARoS Museum organized by the Heritage Agency of Denmark. (May 2009)

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From Art to Mediation 1905 2009

  1. 1. Fra kunst til formidling ...eller omvendt Mogens Jacobsen jacobsen@artnode.org M.A.P. PROJEKTET 1
  2. 2. MAP = Media Art Platform MAP / Media Art Platform staged a variety of transdisciplinary experiments that were reinvestigating the archive and the museum from the perspective of New Media. MAP took place at the Museum of Contemporary Art in Roskilde, Denmark, between 2006 and 2008. MAP faser Udstillingen ”Social_Aktion” (2006) ”Hørbar” af Mogens Jacobsen Tværfaglig udviklingsgruppe (2007-08) Udstillingen ”Total_Aktion” (2008) S. Campion, C-E. Carlsen, M. Jacobsen m.fl. Bog: RE:ACTION - The Digital Archive Experience” (2009) 2
  3. 3. Bog: Juni 2009 295 ,- Tværfaglig gruppe Marianne Bech Rasmus Holmboe Tine Seligman Martin Johansen Carl-Emil Carlsen Jesper Steen Andersen Sebastian Campion Søren Carlsen Morten Jæger Martin Wegeberg Thomas Markussen Lars Graugaard Morten Søndergaard Enrico Passetti Mogens Jacobsen 3
  4. 4. MAP Dogmer • Museet er et fysisk rum. • Museet er et socialt og - let's face it - rekreativt rum. • Publikum er medspiller • Samlingen eksisterer. • Dele af samlingen er immateriel. • Oplevelse er ikke nok. • MAP er et eksperiment. 3 værker Metasyn Social Souvenir Carl-Emil Carlsen Sebastian Campion 4
  5. 5. MUSEET Role of the museum Collect / Preserve Mediate Research 5
  6. 6. Contemporary Art Time-based Conceptual Art Non-object Art Unstable Art Media Art Digital Art ……… What’s so great about museums? 6
  7. 7. Navigating the museum ”Church of bits” Mediate a collection of bits 7
  8. 8. Mediating the bits 8
  9. 9. Mediating the bits Indianapolis Museum of Art • ArtBabble • Blog • Flickr • Facebook • YouTube • IMA tags • iTunes • Dashboard 9
  10. 10. http://steve.museum “We discovered that visitors struggled to navigate digital collections. The problem, in part, stemmed from a semantic gap that separated museums’ formal descriptions of art – usually created by art historians and other specialist – and the vernacular language used by the general public for searching.” ”Church of bits” (2) Mediate a collection of bits - without loosing the advantages of the atoms 10
  11. 11. Rum: Menneske/Bit grænseflade INTERFACES 11
  12. 12. Not the same old thing again Mark Weiser • ”The Computer for the 21st Century” (1991) • ”The World is not a Desktop” (1993) 12
  13. 13. Den tredje bølge • Mainframe (mange:1) • PC (1:1) • UbiComp (1:mange) Hiroshi Ishii: Bits & Atoms Ting vs. Information Atomer vs. Bits 13
  14. 14. Towards Seamless Interfaces between People, Bits and Atoms Hiroshi Ishii and Brygg Ullmer (1997) “Reality-Based Interaction: A Framework for Post-WIMP Interfaces” (2008) Jacob, Girouard, Hirshfield, Horn, Shaer, Treacy, & Zigelbaum. 14
  15. 15. MAP: LYDKUNST-SAMLINGEN 15
  16. 16. Covers Musik Quiz 16
  17. 17. Musik Quiz Covers Single LP CD iTunes/iPod 1800 cm2 242 cm2 25/4 cm2 17
  18. 18. David Weinberger: ”Everything is Misc.” HØRBAR / AUDIOBAR 18
  19. 19. Hørbar (2006) Mediate existing material (non modified / no ”remix”) Use the (physical) space Engage social interaction Support ”Stumble upon” 19
  20. 20. Bar research Korova Milk Bar Vitamin Bar Cubrick “ClockWork Orange” (1971) 2003 Russell Hagg and Peter Sheilds James Irvine Hørbar (2006) 20
  21. 21. Ambiguous / emotional / subjective RFID 21
  22. 22. Interaction (between people) 22
  23. 23. PlayList KUNST? & KUNSTENERE? 23
  24. 24. Kunstnerens rolle • Dims / legetøj / kunst? • Design? • Kunsthåndværk? Japanese Device Art “Different ideas on fine art and applied art, or art and entertainment, are bringing unique approaches to Japanese media art today.” Machiko Kusahara, Waseda University, Tokyo 24
  25. 25. Japanese Device Art Toshio Iwai 25
  26. 26. Toshio Iwai: “Seven Memories” (2007) NTT ICC, Tokyo 26
  27. 27. NTT ICC: ”Transform Yourself” (2008) 27

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