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Inserts nuts & bolts, 31st january 2013

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  • 1. Inserts nuts and bolts:Understanding Inserts in the modern media landscape DMA House Thursday 31 January 2013 #DMAinserts
  • 2. Inserts nuts and bolts: Understanding insertsin the modern media landscape9.00 Registration and networking9.30 Welcome from the chair Steve Hickman, Media Director, RAPP9.45 Inserts – Why inserts are still relevant in a multi channel age? Declan Boyle, Ad Director, IPC Media Ltd and Nick Barnard, Head of Inserts, The Telegraph Media10.15 Coffee Break10.30 Effective insert planning tips - The basics John Stevens, Director, Amra Direct11.00 The changing face of print Nick Barbeary, Group Sales Director, DST Group11.30 Affordable creativity and special print mechanics Declan Boyle, Ad Director, IPC Media Ltd and Nick Barnard, Head of Inserts, The Telegraph Media12.15 Closing comments from chair Steve Hickman, Media Director, RAPP
  • 3. Steve Hickman,Media Director, RAPP @steviehickman
  • 4. Total inserts – 1st half ofyear
  • 5. What type of inserts? Higher % are now smaller / single sheet inserts
  • 6. Why Inserts? Nick Barnard Head of Inserts,The Telegraph Media @nicksb36
  • 7. Why Inserts • Tried and tested medium that still delivers results. • 52% of adult population recalled Inserts in Newspapers and magazines* - top group of recalled channels. • Seen as more acceptable* than Internet, consumer magazines and cinema. • In terms of age, people who find inserts acceptable are over represented in the younger age groups - 15 – 24 years & 25 – 49 years**British Population Survey - The British Marketing Survey June 2011
  • 8. Why Inserts • Total insert volume across the magazine and newspaper sectors in 2011 was 4.9bn • Up 6% from 4.6bn in 2011* • Impressive as inventories are falling and paper costs are rising • Four out of five sectors were up (only Sunday supplements down – NotW)*DMA 2011 Inserts Monitor
  • 9. Why InsertsResponsive• They can deliver 4-5 times more response than space advertising alone*Cost Effective• Relatively cheap CPT• Delivery dates later so ideal for distress campaignsIntrusive• Put catalogue into reader’s hands – interaction.• Provides an immediate call to action.Flexible, Engaging and tactile• Inserts break away from the formal constraints of space advertising. Post-it notes, bound-ins, tip-ons, scent strips, lenticulars etc.
  • 10. Why InsertsTest-friendly• Low volume, low risk testing with huge roll-out potential.Measurable and trackable• Easy to track response by creative, title, region, etc.Offer Mass market coverage or regional targeting• Not necessary to use full print run; possible to concentrate on strongest regions only.• Use wholesalers to target by postcode - Mosaic• Use niche magazines.Exclusivity• Advertise in solus environmentComplimentary with other media………..
  • 11. Effective insert planning tips – The basics John Stevens Director, Amra Direct @john3stevens
  • 12. Inserts…
  • 13. However…. 4.9bn inserts in mags and papers in 2011 1.06bn inserts booked via newshare in 2011 6.97bn inserts distributed D2D in 2011
  • 14. Maximising Insert Response Test Small Volumes Use a wide range of titles Regionality Run in selected core areasConsider Seasonality 30%-75% more responsive in key periods* Format/Creative Sales vs print run ratio Subs v. Newsstand Test both Subs can deliver 2x response* *DMA Inserts Council
  • 15. Maximising Insert Response Regional Press Low duplication, rates comparable to Nat press Targeted, delivered to home, receptive 3rd Party / PD audience, often 2x response of newsstand publications Test variations Format/Creative - Achieve standout through unusual format/creative 1 Stage v 2 Stage Ave. 50% more response with 2 stage* *DMA Inserts Council
  • 16. Getting down to it…
  • 17. Planning considerations• Timings – physical commodity etc• 2/3 month window• Availability – finite capacity• Third Party not necessarily monthly/can be irregular
  • 18. Loose v Bound• Loose will almost always be more responsive – Look at publisher volumes!• Bound are more problematic in terms of print – Different spec for each title – RAPP Media results suggest that on average bound will be about 20% less responsive• Tip-ons – Limited creative spec
  • 19. The brief
  • 20. Planning the campaign Analyse previous results Competitor data Remember to test!Compile candidate list Media planning tools National press Magazines Agency Data Bank Third Party Regional press Door to door Format
  • 21. Planning the campaign Competitor data
  • 22. Planning the campaign Media planning tools Agency Data Bank
  • 23. Why is targeting essential ?• Nothing is targeted at everyone• Cost• Wastage• Environmental concerns (99.9% are “wasted”)• In order to achieve business dynamics – CPR, CPA, ROI etc
  • 24. What level of targeting is required ?• Depends on the product• Targeting costs – creative, media etc• The more niche the product the higher the level of targeting• High margin products can sustain a higher level of targeting
  • 25. Targeting influences• Title audience – TGI, NRS vs clients current customer base or target market• Cost of the title• Responsiveness of the title (if used before)• Minimum test volume allowed/required• Roll-out potential• Regionality ?• Seasonality ?• Format required/allowed by title• Previous experience – does the title “work” for other clients ?
  • 26. Planning the campaign Format
  • 27. Format• Size, weight, pagination, paper stock…• Limitations of candidate list (especially Third Party) 280mm• Format tests? 280mm 280mm• Be involved in the creative brief• Including quality considerations – what impression are you trying to give? 148mm 148mm 148mm
  • 28. Planning the campaignCompile candidate list National press Magazines Third Party Regional press Door to door
  • 29. The role of National Press LARGE COVERAGE
  • 30. The role of Regional PressLOCALISEDNATIONALUPWEIGHT TARGETED
  • 31. The role of magazines
  • 32. The role of third party/PD’s VOLUME DEMOGRAPHIC PERSONALLY ADDRESSED RESPONSIVE ? SEASONAL
  • 33. The role of door drops VOLUME COVERAGE TARGETING ? ZONING
  • 34. Planning the campaignRemember to test!
  • 35. Handling and assessing response• Ensure codes correctly allocated• Test response handling and attribution (essential for assessing results and future planning)• Remember – a lot of your response will have been delivered online
  • 36. Print• Involve the printer in the format discussion• The largest expense of the campaign• Savings can be higher than media• Consider print/media deals with publishers
  • 37. Making Inserts Work Harder • Scaleability vs. highly targeted • Short term • Third party – over 100 programmes • CPR inserts ! • Subs vs. newsstand • Regional Press • Print prices • Experience and knowledge based planning
  • 38. The changing face of print Nick Barbeary,Group Sales Director, DST Group @DST_UK
  • 39. Presentation to DMA by Nick Barbeary Date 03/10/2012 Copyright © 2012 DST Output
  • 40. The Changing Face of Print• How the Market is Changing• New Technology• Working in a multi channel world• Delivering Environmental best practise• Future Trends and Developments• Making Print Work for Inserts Copyright © 2012 DST Output
  • 41. A closer look at theChanging Face of Print Copyright © 2012 DST Output
  • 42. Copyright © 2012 DST Output
  • 43. Copyright © 2012 DST Output
  • 44. How the Market is Changing Copyright © 2012 DST Output
  • 45. 2005“Traditional channels form themainstay of organisation’scommunication programmes” Copyright © 2012 DST Output
  • 46. 2009“Increasing penetration ofinternet , combined with costeffectiveness in a recessionleads to an increased use ofonline communicationchannels” Copyright © 2012 DST Output
  • 47. Now“An increased understandingof multi-channel effectivenessleads to a more balanced useof channels in customercommunication” Copyright © 2012 DST Output
  • 48. New Technology Copyright © 2012 DST Output
  • 49. Digital and Inkjet Advances Faster Bigger Better• Hardware • Automation• Software • Processes• Inks • Costs• Resolution Copyright © 2012 DST Output
  • 50. 2010 - HP T350 1,200 dpi., 762mm web, 183 mpm. 3,927 bespoke A4s per minute Copyright © 2012 DST Output
  • 51. Speed of Progress2011 HP T400 1,200dpi., 1067mm web, 183 mpm. 5,500 bespoke A4s per minute Copyright © 2012 DST Output
  • 52. Litho Web- 72pp 1980mm web 1020 mpm 50,000 A4s per minute Copyright © 2012 DST Output
  • 53. Working in aMulti Channel World Copyright © 2012 DST Output
  • 54. Copyright © 2012 DST Output
  • 55. Average increase in response rates over print only campaigns Copyright © 2012 DST Output
  • 56. Don’t confuse measurability with effectiveness. Copyright © 2012 DST Output
  • 57. DeliveringEnvironmental Best Practise Copyright © 2012 DST Output
  • 58. Why it is important• Protects brand values• Perpetuates Self regulation• Introduces efficiencies and improves ROI• Meets your corporate and social responsibility (CSR) objectives Copyright © 2012 DST Output
  • 59. Objectives• The UK sent 11.4 million tonnes of biodegradable waste to landfill in 2010/11 and this must reduce to 7.5 million tonnes by 2013 and to 5.2 million tonnes by 2020• Create a greater understanding of environmentally friendly operations• Change bad habits• Supply simple, jargon free advice following best practise guidelines Copyright © 2012 DST Output
  • 60. Perceived BenefitsA: 75.7% consumers think better about print on recycled paperB: 63.1% welcome steps taken by companies to offset CO2C: 64.7% consumers would give more business to companies certified as eco friendlyless waste = less cost = greater ROI Copyright © 2012 DST Output
  • 61. Materials - best practise• For every tree that is logged in managed forests, three to four trees are replanted, as young trees grow they absorb CO2• As a minimum standard material must be purchased from approved sustainable sources. Suppliers must be able to provide evidence of this• Purchase through reputable sources avoid buying illegally imported unaudited stock Copyright © 2012 DST Output
  • 62. Materials - best practise• Recycled stocks are cheaper and have improved availability• Reduce grammage – better yield or more copies per tonne• Use standard sizes and reduce grammage when you can• Reduced weight reduces CO2 in delivery Copyright © 2012 DST Output
  • 63. Wastage - best practiseSize is everything 210mm 200mm 190mm Copyright © 2012 DST Output
  • 64. Printing - best practise• Manage your supply chain - push ISO14001 downstream• Minimise and Audit wastage within all processes - check all stages• Ink and Finishes – minimise ink, use coated stock, avoid laminates• Use logos to promote environmental credentials – promote recyclability Copyright © 2012 DST Output
  • 65. Future Trends and Developments Copyright © 2012 DST Output
  • 66. ? Copyright © 2012 DST Output
  • 67. Future trends – Inserts win awards“Marketing Magazine’s Customer Publishing Agency of the Year 2012: Publicis Blueprint also managed to be fleet of foot with innovationThe judges highlighted the agencys ability to offer innovative creative workand integrated activity across multiple channels for brands including CathKidston, HP and Orange.The self-titled work for designer Cath Kidston, like so much of the agencyscontent, was highly effective; an insert in Easy Living drove a 56% increasein online customers” Copyright © 2012 DST Output
  • 68. Future trends – An aging populationOver 50s are the fastest growingdemographic group in the UK todayand by 2035 they are expected to make up44% of our total population.Combine that with the fact that they alsohold 80% of UK assets, 60% of savingsand 40% of disposable income.The elderly trust paper and like thephysical presence that an insert has. Copyright © 2012 DST Output
  • 69. Making Print Work for Inserts Copyright © 2012 DST Output
  • 70. Business Services – UPS• Working closely with UPS’s agency to deliver global new customer campaign •Takes customer through a “journey” using relevant languages and imagery •Integrated workflow to simplify global approval process Local nuances Copyright © 2012 DST Output
  • 71. Leisure – Gala Coral • Working closely with agencies to deliver creative Direct Marketing•Utilising both mono and colour digital data led technologies to optimise response rates •Utilises range of finishing techniques to deliver customer impact Format Copyright © 2012 DST Output
  • 72. Retail – High Volume Dynamic DM •Using latest high speed inkjet print technology •Enables efficient production of variable colour digital print•Large national individually tailored campaigns returning significant ROIDrive to data and measurability Copyright © 2012 DST Output
  • 73. Automotive – Mercedes Customer Retention • Recognising the customer, their car and profile• Targeted model & finance to engage at point of potential new purchase • Impressive response from hybrid print output Quality an issue? Copyright © 2012 DST Output
  • 74. Associate Benefits - M&S Reward Statement• Integration of six documents into one (better communication and cost) • Dynamic and relevant content for every employee • Supported by graphic representation of data Not only only colour Not variable colour Copyright © 2012 DST Output
  • 75. Integrated with other media Copyright © 2012 DST Output
  • 76. Takeaway! ……Printed inserts are an effective andmeasurable part of integrated communication! Copyright © 2012 DST Output
  • 77. Thank you & questions nickbarbeary@dstgroupuk.com tel: 0845 8590000 mobile : 07979 500295 Copyright © 2012 DST Output
  • 78. INSERTS: CREATIVE SOLUTIONS Declan Boyle Ad Director: IPC Innovator
  • 79. Loose insert format:The majority of inserts sold are ‘single sheet’ A5 or‘multi page’ catalogues: Single Sheets: Multi Page Sheets:
  • 80. Despite the publics negative perception inserts /brochures are taken notice of by women who read magazines. 76% look at loose inserts and leaflets in magazines 32% of which have kept the insert for future reference Inserts/brochures provoke a call to action! 38% have used a coupon 74% have purchased a 34% have used a discount reply card printed on an code printed on an insert fashion item as a result insert of reading an insert/leaflet 44% have visited the 41% have boughtwebsite address printed something as a direct result of reading an 71% have redeemed on an insert coupons on leaflets in- insert or leaflet in a magazine store
  • 81. Loose Format/Bound in: Damart mailorder (16pp)
  • 82. Loose format /thread through: Surfscent seal
  • 83. Loose format/thread through:BritishHeart Foundation
  • 84. Bound insert format:‘Bound in’ inserts retain much of the creative flexibility of loose insertsbut become an integral part of the magazine:
  • 85. Special Mechanics: PPA Research 10 different special mechanics were measured in the Magnify Study. All of these mechanics have individual strengths, and performance of such mechanics can vary depending on advertising category. An advert which utilises Special mechanics that perform particularly wellunique characteristics or include: has the goal of driving a specific reader actionwhich sets them apart from • ads containing samplesstandard display advertising • food coupons • scent strips
  • 86. Bigger is betterOptimising advertising performance: Front of book better than back of book Special mechanicsenhance performance Not all categories perform equally Harness the editorial glow
  • 87. Sampling:Providing actual samples gets respondents’ attention incomparison to an offer of a sample or a trial +50% +160% +37% Consideration Purchase Positive brand disposition
  • 88. Food Coupons: Boost trial of a product Increase visibility and interaction with an advert Further increase product purchase by 11% 3 times more likely to be clipped and saved compared to normal food ad On average 1 in 4 of those who remember the ad will use the coupon 42% of those who remember the ad go on to recommend the product
  • 89. Scent Strips: Scent strips outperform ads without this mechanic significantly across all key metrics 58% More engaging 20% 67% More visible uplift in effectiveness score 1 Scent strips:+36% +66% +11% Fragrance catch the eye Strip draw readers into the copy get them to engage with contentConsideration Purchases Positive brand disposition
  • 90. Driving consumerengagement via the 5 Senses
  • 91. SIGHT
  • 92. SIGHT
  • 93. SIGHT
  • 94. SOUND
  • 95. TASTE
  • 96. SMELL
  • 97. SMELL
  • 98. SMELL
  • 99. SMELL
  • 100. TOUCH
  • 101. TOUCH
  • 102. 6thSeNSE
  • 103. OTHER PRINT MECHANICS
  • 104. Paper Mechanics: Citroen Part 1
  • 105. Paper Mechanics: Citroen Part 2
  • 106. Paper Mechanics: Fairy
  • 107. Paper Mechanics: Vivienne Westwoodfragrances
  • 108. Paper Mechanics: Hugo Boss
  • 109. Micro encapsulation:Various terms include:• Scent Seal• CBL Liqua Touch• Liqua Touch “Midi”• Fragrance Bottle or Box• Scent Strip• Scratch & Sniff
  • 110. Scent seal: scratch & sniff
  • 111. Tracing Paper Overlay:
  • 112. Pop Up’s:
  • 113. Textured bound in:
  • 114. Lenticular / Holographic:
  • 115. Acetate/Magic Window: Working with display dept to create maximum standout for the client. Translucent Acetate Overlay Display Page Overlay
  • 116. Be-jewelled cover:hand glued crystals
  • 117. Book Mark & Tip On:
  • 118. Stick on Notes
  • 119. Print & Inserts are still Innovating!From 3D covers and "intelligent photos", to talking ads, "click tobuy" technology and augmented reality, media owners continue toinnovate Special mechanics Embedded videos E-ink covers Holographic covers
  • 120. Print Finishing: Mirri
  • 121. The Webkey:• A unique way of bridging thephysical print media and the digitalworld.• Engages recipients with contentoffline, then connects them onlineto learn more.• Just plug it into a USB port toseamlessly launch any URL.• Allows marketers to createpersonalized online experienceswhilst tracking campaignperformance in real time.
  • 122. The Webkey: Samsung Smart TV
  • 123. The Webkey die cut and integratedwith scent seal:
  • 124. The Webkey: Aftershave bottle die cut
  • 125. Video-in-Print:
  • 126. Digital & Print Interactivity: QR Codes: NFC Enabled:Inserts tagged with touch technology can be tracked & measured for their effectiveness
  • 127. NFC Enabled: Nuffield Health
  • 128. Magtraction:
  • 129. Summary:
  • 130. Thank you.
  • 131. Bound Inserts: Olay Case StudyChallenge Drive awareness and trial of Regenerist as a product that could offer ‘super cream’ results without the hefty price tag Create an engaging paper mechanic using luxurious imagery and finish Exude authority, prestige and scientific beauty credentials Results: High unprompted awareness and recall  62% of the Marie Claire sample remembered seeing the Olay/Olay Regenerist advertising  When prompted, 88% recalled seeing the ad vs 44% of the readers of competitive titles Strong standout and differentiationSolution  48% said it was highly noticeable andBy developing a ‘Fish Eye’ paper mechanic in Marie 29% said it was very distinctiveClaire, printed on 3D holographic lenticular paper and 21% had never seen an ad like thisusing red on black to create a space age feel beforeThe reverse side communicated the scientific andluxury brand values Strengthened product credentials  Sample thought the ad made Olay seem ‘more modern and up to date’
  • 132. Bound Inserts: John Frieda Case StudyChallenge Strengthen John Frieda’s premium brand image Communicate John Frieda’s unique positioning Create stand-out in a cluttered market Results  High standout and brand attribution - over a third of readers recognised the de-branded creative and nearly 7 out of 10 who recognised it associated the ad with John Frieda unpromptedSolution  Aspirational status - 8 out of 10 agreed the creative made John Frieda look like an upmarket By developing a high impact campaign in the form of a and premium brandbespoke glossy bound-in insert on premium heavy stockpaper  Increased likelihood to purchase - 99% of This was a solus creative partnership in both Marie readers who identified the creative on behalf ofClaire and InStyle John Frieda planned to buy John Frieda products in the future
  • 133. Closing Remarks Steve Hickman,Media Director, RAPP
  • 134. Upcoming eventsData Protection 2013 - 8th FebruaryWhat does data sharing mean to consumers - 27th February You can see more DMA Events at www.dma.org.uk #DMAinserts