1. “ ART” BRAIN BUSTERS GAME

5. #4 INITIALS STANDING FOR BEFORE THE COMMON ERA A. CE C. BC B. BCE D. BE #5 INITIALS STANDING FOR COMMON ERA. A. CE C. BC B. BCE D. CE

6. #6 INITIALS USED TO DESCRIBE LENGTH AND WIDTH IN PAINTINGS AND FLAT IMAGES. A. 1D C. 3D B. 2D D. 4D #7 INITIALS USED TO DESCRIBE LENGTH, WIDTH, AND DEPTH IN SCULPTURES. A. 1D C. 3D B. 2D D. 4D

7. #8 A CARVED FEMALE FIGURE USED AS A COLUMN. DRESSED IN LONG ROBES SHE SUPPORTS AN ARCHITECURAL ELEMENT ON HER HEAD. A. CARUNCLE C. CARYATID B. CARVING D. CARTOCCIO #9 ANCIENT STORY OR BELIEF USUALLY EXPLAINING IN METAPHORIC OR SYMBOLIC TERMS COSMIC ORIGINGS OR SACRED TRUTHS. A. AESTHETICS C. SYMBOL B. MYTH D. SIGNS

8. #10 IN THE SHAPE OF, OR HAVING THE ATTRIBUTES OF AN ANIMAL. A. ZOOMORPHIC C. ZOOMY B. ZOOMORIE D. ZOOLIKE #11 A BODY OR COLLECTION OF MYTHS BELONGING TO A PEOPLE AND ADDRESSING THEIR ORIGIN, HISTORY, ANCESTORS OR HEROES. A. ABSTRACT C. MYTH B. POLYTHEISM D. MYTHOLOGY

9. #12 A PAINTING TECHNIQUE IN WHICH FORMS ARE CREATED WITH PATCHES OF COLOR, EXPLOITING COLOR AND TONAL RELATIONSHIPS. A. PAINTER C. PAINTERLY B. PAINTLY D. PAINTSTALL #13 THE PHILOSOPHICAL BELIEF IN THE NOBILITY OF HUMAN CHARACTER AND ACHIEVEMENT; IN THE RENAISSANCE, A SCHOLAR WHO STUDIED ANCIENT GREEK AND LATIN AUTHORS. A. HUMANISM C. CHIVALRY B. HUMANITY D. PRIMATE

10. #14 IMAGERY WHICH DEPARTS FROM REPRESENTATIONAL ACCURACY, TO A VARIABLE RANGE OF POSSIBLE DEGREES, ARTIST THAT SELECT THIS ART TYPE EITHER EXAGGERATE IT OR SIMPLIFY THE FORM. A. ABSTAIN C. AESTHETICS B. ABSTRACT D. ALLEGORY #15 IN SCULPTURE, DESCRIBES SHAPES OR FORMS THAT TEND TO REACH OUT INTO OPEN SPACE. A. AESTHETICS C. ATECTONIC B. ALLEGORY D. CATATONIC

11. #16 BELIEF IN MANY GODS. A. MONOTHEISM C. LOTSAGODA B. POLYTHEISM D. SECATHEISM #17 SOMETHING THAT STANDS FOR OR REPRESENTS SOMETHING ELSE, HOLDS IMPLIED MEANING AND DEMANDS INTERPRETATION, MODERN ERA PSYCHOLOGY AND ART MOVEMENTS PROMOTING SUBCONSCIOUS IMAGERY THROUGH DREAMS. A. SYMBOLS C. MYTH B. SIGNS D. HUMANISM

12. #18 BELIEF IN ONE GOD. A. MONOTHEISM C. FEWAGODA B. POLYTHEISM D. SECATHEISM #19 POINTS THE VIEWER IN THE RIGHT DIRECTION. A RECOGNITION OF PREVIOUS KNOWLEDGE OR TRAINING. IN ART, IT TELLS THE VIEWER THEY HAVE LANDED AT THE RIGHT PLACE OR CONFIRMS PREVIOUS KNOWLEDGE. A. SIGNS C. CHIVALRY B. SYMBOLS D. ABSTRACTION

13. #20 AN IRREGULAR SHAPE, OR ONE THAT MIGHT BE FOUND IN NATURE RATHER THAN A REGULAR MECHANICAL SHAPE. A. OBLONG C. ORGANIC B. CURVE D. FLUID #21 A FRENCH TERM LITEARLLY MEANING “TRICK THE EYE”, SOMETIMES CALLED ILLUSIONALISM. STYLE OF PAINTING WHICH GIVES 3D OR PHOTOGRAPHIC REALISM. A. TRICKYWICKY C. BAN D’SOLEIL B. MAGIC D. TROMPE L’OEIL

14. #22 AN ERASER THAT CRUMBLES AS IT ERASES, NOT SCRATCHING OR DISCOLORING ARTWORK. A. ART TACK C. ART CANDY B. ART GUM D. SUPER ERASER #23 THE RULES AND CUSTOMS GOVERNING KNIGHTLY CONDUCT IN THE MIDDLE AGES, REQUIRING LOYALTY TO THE LORD, FAIRNESS IN COMBAT, AND COURTESY TOWARD WOMEN. A. CHIVALRY C. NICENESS B. MONOTHEISM D. ALLEGORY

15. #24 A TOOL TO SUPPORT THE HAND IN ORDER TO KEEP IT STABLE AND CLEAR OF THE WORKING SURFACE WHILE DRAWING OR PAINTING FINE PASSAGES. A. ARTIST’S STAND C. ARTIST’S LIFT B. ARTIST’S HOLDER D. ARTIST’S BRIDGE #25 PICTORIAL MATERIALS ILLUSTRATING A SUBJECT. A. ICONOGRAPHIC C. ICONOSPELICK B. IDOLOGRAPHIC D. ILLUSTRATOR