Stories are an effective way to engage donors and raise funds. This document provides tips for gathering, writing, and publishing compelling stories about a charity's work. It encourages looking for stories from a variety of sources, including beneficiaries, donors, founders, and staff. Effective interviews involve preparing both the interviewee and interviewer, asking open-ended questions, and probing for details that bring the story to life. When writing stories, it is important to include characters, their goals and struggles, and an arc with a beginning, middle, and end. Relatable stories that inspire action are most impactful for fundraising.
How the Congressional Budget Office Assists Lawmakers
How to gather, write and publish fundraising impact stories
1. How to gather,
write, and publish
your fundraising
stories
Leah Eustace, CFRE, ACFRE
Blue Canoe Philanthropy
leah@yourbluecanoe.ca
@LeahEustace
www.yourbluecanoe.ca
2. “The cat sat on
the mat is not the
beginning of a story.
The cat sat on
the dog's mat is.”
~ John le Carré
4. Why stories
are awesome
• Keep the reader’s attention
• Help you communicate
better
• Enhance your credibility
• Linger longer
• Get passed along
• Raise more money!
6. Look… and listen
• Listen to what’s being said
around the water cooler
• What’s your founder story?
• Talk to people on the front lines
• Think about your own story…
• Attend your charity’s events
• Keep an eye on your social
media feeds
• At the end of every day ask
yourself “what happened today
that would make a good story?”
14. What to ask
• Why don't you start by telling me a little bit about
yourself
• How did you first hear about [charity]?
• What prompted your first gift?
• Tell me about your history with [breast cancer/being
SOS mother…etc]. How did it change your life and the
lives of your family members?
• What impresses you most about [charity]?
15. What to ask
• How would (your life /Canada /region / city/world
be different if it didn't exist?
• Where does your philanthropic spirit come from?
What values were you brought up with?
• Tell me about a particular person you've met, or a
program you've been involved with (or a story
you've read) involving [charity’s] work that has
stood out for you
16. Probe
• Walk me through…
• Paint a picture of…
• How old are…?
• What is that person’s name?
• How did that make you feel?
• What’s it like to…?
• What went through your mind when…?
• How did you react to…?
• What hurdles did you face when…?
17. The last best question
Is there anything
else you’d like to
add that we haven’t
touched on?
24. “A story does what facts
and statistics never can: it
inspires and motivates. The
audience tunes in because
they see themselves woven
into the story.”
~ D. Taylor, The Healing Power of Stories
25. “If I look at the mass I will never act. If I look
at the one, I will.”
~Mother Teresa
30. A thirsty ant went to the river. He was
carried away by the rush of the stream
and was about to drown. A dove, sitting
in a tree overhanging the water, plucked
a leaf. The leaf fell into the stream close
to the ant, and the ant climbed onto it.
The ant floated safely to the bank.
Shortly afterward, a bird catcher came
and laid a trap in the tree. The ant bit
and stung him on the foot. In pain, the
bird catcher threw down his trap. The
noise made the dove fly away.
31. Pete argued that data gathered from a
NASA voyage to Venus called into
question current theories about the
formation of our solar system. Part of his
talk emphasized the importance of mass
spectrometers. He then discussed the
isotopes of argon 36 and argon 38 and
noted that they were of higher density
than expected. He also cited the high
values of neon found in the atmosphere.
He has a paper that is already written,
but he is aware of the need for further
investigation as well.
32. “Your $100 donation today will help us
double the size of our cancer center.”
“Your $100 donation today will give a
cancer patient’s mother a home away from
home tonight.”
Everyone is talking about storytelling
We learn about why stories are important
But, what we don’t talk about as much is what goes on in our brains that makes stories work
That’s what I want to talk about today
Keep the reader’s attention
Help you communicate better
Enhance your credibility
Linger longer
Get passed along
Raise more money!
Not only that, but people believe information more readily if it’s delivered in story rather than through statistics.
Most organizations I talk to struggle to find stories.
In other words, there isn’t a culture of storytelling
Let’s talk about some ways you can create pull.
Website
Reply devices
Surveys
Information packages
Receipt packages
Newsletters
Facebook
Blogs
In person or over the phone
brainstorm with staff a few times a year
-the more you ask, the more you’ll change the culture of your organization
Set up a time that’s convenient.
If they ask for your questions in advance, try to dissuade them
Consider sending them a sample of the kind of story you’ll be writing:
Ask them for about 45 minutes of their time
Let them know how the story will be used
Let them know the process… how long before they see a draft, for example.
Ask them how much time they have for you… and stick to it!
Let them know that they have full approval of the final product
Always let the person know you’re using a recorder
Offer that if you ask anything that makes them uncomfortable, to just let you know
Are the right person to do the interview?
Find and read everything you can about the person before the interview, but don’t hesitate to ask them to tell the stories again
ZAK
If they say ‘well you can find all that out on the internet’ respond with how important it is for you to hear it in their own words
Always write your questions down in advance
Make sure you’re in a place where you won’t be disturbed
FOCUS (close your email, mute your phone, close your door)
Share part of yourself
Remind them why your speaking to them… what it’s for and what role you play
Be prepared to let the conversation go off on tangents…
For complicated topics, … how would you describe that project/your work to your 80-year-old great aunt?
What does that lab work mean to the average person?
Ask a question, and then pause.
Always ask open ended questions
Don’t be afraid to confirm: “And how old is your granddaughter? What’s her name? When was that?”
Don’t ignore the uncomfortable… but warm the interviewee up before you ask them
If the person begins to show vulnerability, don’t back up… go forward
Don’t let them get away with generalities… Example “That was a difficult time for me.” respond with “how difficult?” “why was it difficult?” Look for specifics, details and examples
For most responses, you’ll have to probe a little deeper….
once that last question has been answered: remind them again about the process,
thank them profusely,
hang up and make sure your recording worked … if it didn’t write down as much as you can remember right away before you do anything else
If you can, start writing right away… while you’re emotional. You’ll write your best stuff this way.
Don’t worry about typos or finding the perfect sentence to start off with… just write.
If you write something that makes you want to hide or erase, keep going straight to that feeling. You’re on to something
If you can’t write immediately, take the time to jot down a few thoughts: what part of the story stood out for you the most? Was there a particular quote that spoke to you? Write these down because they’ll be harder to remember later.
There are good stories and bad stories.
Kendall Haven has studied over 1000 research findings, articles and book
He then did EEGs to get into the mind of a story receiver and found the 8 essential elements of effective story architecture
Characters: the characters that populate the essential character positions in the story
Traits: selected elements of character description used to control receiver attitude toward, and relationship to, story characters
Goal: what a character needs/wants to do/get in a story
Motives: the sets of drivers that make a goal important to a character. Goals and motives are the primary source of story suspense
Conflicts and problems: the set of obstacles that stand between a character and an established goal and block that character from reaching that goal
Risk and danger: the likelihood of failure and the consequences of failure created by problems and conflicts that a character must face. Risk and danger are the primary source of story excitement and excitement and suspense are the primary sources of story tension
Struggles: the sequence of events a character undertakes to reach a goal highlighted by the climax scene (confrontation with the last and greatest obstacle) and the resolution scene
Details: the character, sensory, scenic and event specific descriptors used to create, direct and control receivers story imagery
This may sound oversimplied, and it is.
Focus on inspiring the donor. How do you inspire them?
Tell them about the future you believe in.
Tell them about your hopes and dreams.
Show them what you’ve been able to accomplish, and the amazing things you’ll be able to do in the next 25 or 50 years.
Creating a culture of philanthropy is very much about moving from the head to the heart
Once the cause sits in people’s hearts, they’re all in
Best way to make this transition is through storytelling
Think about how the story will be used and write accordingly
Website
Letter
Newsletter article
One good story can be used many ways and many times.
Just as you’re getting sick of the story, donors are starting to hear it.
Which appeal would you respond to….
LEAH
Anyone know what grade level it’s recommended we use in our fundraising writing?
Grade 7
I often see staff at charities push back on this. They’ll claim that their donors are more sophisticated and better educated.
But it’s not about education, it’s about comprehension
No matter what you think of his politics, you have to admit that Obama is a powerful orator
Sit and really listen the next time you hear him speak
Guess what? He most commonly speaks at a grade eight level … the first president to do so consistently
How do you find readability stats in MS word… google it
LEAH
13 point type
Serif vs sans serif
Don’t use all caps, italics, script and ornate typefaces.
Make line spacing larger than usual
Use dark type on a white background.
Write short paragraphs.
bullets, numbered lists, sidebars, and pull-out quotes
older eye develops a yellow cast, and it becomes harder to distinguish between certain colors.
blue, purple and green may look alike when used together.
Yellow, orange and red are much easier to tell apart.
Never use glossy paper. Light reflects from the gloss and makes it very difficult for the reader to see the print.