4. This is the first page of frames of our
Adaptation to the film the boy who cried
Wolf
This is our establishing shot that fades in
from the title, the reason for the
establishing medium 2 shot is not only to
show the audience our location and
setting but for them to grasp the two
protagonists and be thrown straight into
the action . The frame allows the
audience to understand that our two
protagonists our two deviant characters
as they our shown playing knock down
ginger to strangers.
There is no dialogue in our opening frame. As during our research we looked at the
film trainspotting ,the opening scene to trainspotting is fast paced there is not much
talking involved in the first frame this is something in our group we want to emulate
as it gives our target audience the ability to jump straight into the action and
emotion in the scene without being distracted by the dialogue .
5. This is the first page of frames of our
Adaptation to the film the boy who cried
Wolf
The second shot we have is our “chase
scene” the transition for the 2 medium
shot would be the camera panning left
from a medium shot this would follow by
a cut to camera 2 following the actors
,again we looked at trainspotting for
inspiration and guidance during there
chase scene there are various cuts which
allow the audience to see different
points during the chase . In terms of fx
we've decided to use non diegetic faced
paced music as this would help highlight
the fastened pace.
For research and planning we've looked at trainspotting in particular the chase
scene. The chase uses non diegetic music to highlight the fasten pace and
excitement from the chase , the chase also allows the audience to get a greater
sense of the character behaviour this is why in our short film we want to include the
chase in the beginning as It would allow the audience to understand that the
characters are deviant .
6. This is the first page of frames of our Adaptation to the film the boy who
cried Wolf
Location Slowed down pace done in editing
Lighting
Sound
The third shot we have is the running down of stairs again there is no dialogue in this clip as
we want the audience to rely on the non diegetic music and the actions of the character to
build up an understanding of what type of characters they are. For this shot to work we
would place a camera on the last step as the actors one by one run down the stairs the
camera being in a medium shot would tilt up to the face of the actors .this whole shot would
still have the continuation of the music
7. This is the first page of frames of our Adaptation to the film the boy who
cried Wolf
The thrid and fourth f
8. This is the first page of frames of our
Adaptation to the film the boy who cried
Wolf
9. This is the first page of frames of our
Adaptation to the film the boy who cried
Wolf
This is our establishing shot that fades in
from the title, the reason for the
establishing medium 2 shot is not only to
show the audience our location and
setting but for them to grasp the two
protagonists and be thrown straight into
the action . The frame allows the
audience to understand that our two
protagonists our two deviant characters
as they our shown playing knock down
ginger to strangers.
There is no dialogue in our opening frame. As during our research we looked at the
film trainspotting ,the opening scene to trainspotting is fast paced there is not much
talking involved in the first frame this is something in our group we want to emulate
as it gives our target audience the ability to jump straight into the action and
emotion in the scene without being distracted by the dialogue .
10. Ideas for script
Further adapt the story tale
Boy on his own The boy
who cried
wolf
Who does the boy
cry wolf to and what
does he cry
Boy and girl both Boy and
The boy makes make prank calls to girl who
prank calls to the The police are both
emergency deviant
services characters
11. Characters
As a group we decided on the use of two characters a boy and a girl ,best friends who
Always naive and unaware of there consequences the age of the
12. Cries Wolf
by Michael Kiggundu, Victoria Gafoor and Geoffrey
Chambers Yeboah
Mis en scene
Props
phone
