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12 Content Marketing Secrets
from the Giants of Fiction
1. “Every
story has a
beginning,
muddle, and
end.”
@edeckers
@edeckers
2. Conflict
Sells
“Every character
should want
something, even
if it is only a
glass of water.”
@edeckers
“Plot is people. Human
emotions and desires
founded on the realities
of life, working at cross
purposes, getting hotter
and fiercer as they strike
against each other until
finally there’s an
explosion—that’s Plot.”
@edeckers
3. Your
English
teacher is
not a writer.
Elmore Leonard
If proper usage gets in the way,
it may have to go.
I can’t allow what we learned
in English composition
to disrupt
the sound and rhythm
of the narrative.
@edeckers
Never use jargon
words like
reconceptualize,
demassification,
attitudinally,
judgmentally.
They are
hallmarks of a
pretentious ass.@edeckers
John Dryden@edeckers
Robert
Lowth@edeckers
“For sale. Baby shoes. Never used.”
4. Omit things we know
“If a writer of prose knows enough
about what he is writing about,
he may omit things that he knows. . .
A writer who omits things because
he does not know them only makes
hollow places in his writing. ”
@edeckers
“The dignity of movement of an iceberg is due to
only one-eighth of it being above water.”
“The dignity of movement of an iceberg
is due to only one-eighth of (the iceberg)
being above (the) water(’s surface),
(and the other seven-eighths of it being
below the water’s surface).”
“The dignity of movement of an iceberg is due to
only one-eighth of it being above water.”
@edeckers
5. Use metaphors
and similes.
Similes are like pencils
Metaphors are pens
Men's words are bullets, that
their enemies take up and
make use of against them.
— George Savile, Maxims of State
Life is like a box of chocolates.
— Forrest Gump
@edeckers
@edeckers
And the impending squint of first light
It lurked behind a weepin’ marquee in
downtown Putnam
It’d be pullin’ up any minute now
Just like a bastard amber Velveeta yellow cab
on a rainy corner
And be blowin’ its horn in every window in town
— Tom Waits, Nighthawks at the Diner, "Putnam County"
6. Show, Don’t Tell
"Don’t tell me
the moon is
shining;
show me the
glint of light on
broken glass."
@edeckers
7. The
road to
hell is
paved
with
adverbs.
Never use an adverb
to modify the verb
''said'' . . .
. . . he admonished
gravely.
To use an adverb this
way (or almost any
way) is a mortal sin.
Elmore Leonard
The train went on up the track out of sight, around one
of the hills of burnt timber. Nick sat down on the
bundle of canvas and bedding the baggage man had
pitched out of the door of the baggage car. There was
no town, nothing but the rails and the burned-over
country. The thirteen saloons that had lined the one
street of Seney had not left a trace. The foundations of
the Mansion House hotel stuck up above the ground.
The stone was chipped and split by the fire. It was all
that was left of the town of Seney. Even the surface had
been burned off the ground.
— Ernest Hemingway, Big Two-Hearted River
@edeckers
“Work on
one thing at
a time until
finished.”
8. Focus
@edeckers
“Short stories
demand a certain
awareness of one’s
own intentions, a
certain narrowing
of the focus.”
Joan Didion
@edeckers
Hunter S. Thompson
9. Grab readers from the beginning
@edeckers
We were somewhere around Barstow on the edge of the desert when
the drugs began to take hold.
I remember saying something like, "I feel a bit lightheaded; maybe
you should drive . . ."
And suddenly there was a terrible roar all around us and the sky was
full of what looked like huge bats, all swooping and screeching and
diving around the car, which was going about 100 miles an hour with
the top down to Las Vegas.
And a voice was screaming: "Holy Jesus! What are these goddamn
animals?"
10. “Write Shitty First Drafts”
@edeckers
“The first draft of
everything is shit.”
(Just don’t publish them)
@edeckers
11. Learn
to hate
yourself:
Edit your
work.
"Be your own
editor/critic.
Sympathetic but
merciless!"
Joyce Carol Oates
@edeckers
"Remember: when
people tell you
something's wrong or
doesn't work for them,
they are almost always
right.
When they tell you
exactly what they think
is wrong and how to fix
it, they are almost always
wrong."
@edeckers
12. Read every day.
"If you want
to be a writer,
you must
do two things
above all others:
read a lot and
write a lot."
@edeckers
Read widely and
with discrimination.
Bad writing is
contagious.
P.D. James
@edeckers
Reading a lot teaches you
what good sentences sound
like, feel like, look like.
If you don't know what
good sentences are, you will
not be successful as a writer
of words. @edeckers
Read me
ErikDeckers.com
ProBlogService.com
@edeckers
erik@problogservice.com
Reach me
Thank you!

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12 Content Marketing Secrets We Can Learn From the Giants of Fiction - Indy Digital Media Association - 2015

  • 1. 12 Content Marketing Secrets from the Giants of Fiction
  • 2. 1. “Every story has a beginning, muddle, and end.” @edeckers
  • 4. 2. Conflict Sells “Every character should want something, even if it is only a glass of water.” @edeckers
  • 5. “Plot is people. Human emotions and desires founded on the realities of life, working at cross purposes, getting hotter and fiercer as they strike against each other until finally there’s an explosion—that’s Plot.” @edeckers
  • 6. 3. Your English teacher is not a writer. Elmore Leonard
  • 7. If proper usage gets in the way, it may have to go. I can’t allow what we learned in English composition to disrupt the sound and rhythm of the narrative. @edeckers
  • 8. Never use jargon words like reconceptualize, demassification, attitudinally, judgmentally. They are hallmarks of a pretentious ass.@edeckers
  • 11. “For sale. Baby shoes. Never used.” 4. Omit things we know
  • 12. “If a writer of prose knows enough about what he is writing about, he may omit things that he knows. . . A writer who omits things because he does not know them only makes hollow places in his writing. ” @edeckers
  • 13. “The dignity of movement of an iceberg is due to only one-eighth of it being above water.”
  • 14. “The dignity of movement of an iceberg is due to only one-eighth of (the iceberg) being above (the) water(’s surface), (and the other seven-eighths of it being below the water’s surface).” “The dignity of movement of an iceberg is due to only one-eighth of it being above water.”
  • 16. Similes are like pencils Metaphors are pens
  • 17. Men's words are bullets, that their enemies take up and make use of against them. — George Savile, Maxims of State Life is like a box of chocolates. — Forrest Gump @edeckers
  • 19. And the impending squint of first light It lurked behind a weepin’ marquee in downtown Putnam It’d be pullin’ up any minute now Just like a bastard amber Velveeta yellow cab on a rainy corner And be blowin’ its horn in every window in town — Tom Waits, Nighthawks at the Diner, "Putnam County"
  • 21. "Don’t tell me the moon is shining; show me the glint of light on broken glass." @edeckers
  • 22. 7. The road to hell is paved with adverbs.
  • 23. Never use an adverb to modify the verb ''said'' . . . . . . he admonished gravely. To use an adverb this way (or almost any way) is a mortal sin. Elmore Leonard
  • 24. The train went on up the track out of sight, around one of the hills of burnt timber. Nick sat down on the bundle of canvas and bedding the baggage man had pitched out of the door of the baggage car. There was no town, nothing but the rails and the burned-over country. The thirteen saloons that had lined the one street of Seney had not left a trace. The foundations of the Mansion House hotel stuck up above the ground. The stone was chipped and split by the fire. It was all that was left of the town of Seney. Even the surface had been burned off the ground. — Ernest Hemingway, Big Two-Hearted River @edeckers
  • 25. “Work on one thing at a time until finished.” 8. Focus @edeckers
  • 26. “Short stories demand a certain awareness of one’s own intentions, a certain narrowing of the focus.” Joan Didion @edeckers
  • 27. Hunter S. Thompson 9. Grab readers from the beginning @edeckers
  • 28. We were somewhere around Barstow on the edge of the desert when the drugs began to take hold. I remember saying something like, "I feel a bit lightheaded; maybe you should drive . . ." And suddenly there was a terrible roar all around us and the sky was full of what looked like huge bats, all swooping and screeching and diving around the car, which was going about 100 miles an hour with the top down to Las Vegas. And a voice was screaming: "Holy Jesus! What are these goddamn animals?"
  • 29. 10. “Write Shitty First Drafts” @edeckers
  • 30. “The first draft of everything is shit.”
  • 31. (Just don’t publish them) @edeckers
  • 33. "Be your own editor/critic. Sympathetic but merciless!" Joyce Carol Oates @edeckers
  • 34. "Remember: when people tell you something's wrong or doesn't work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong." @edeckers
  • 36. "If you want to be a writer, you must do two things above all others: read a lot and write a lot." @edeckers
  • 37. Read widely and with discrimination. Bad writing is contagious. P.D. James @edeckers
  • 38. Reading a lot teaches you what good sentences sound like, feel like, look like. If you don't know what good sentences are, you will not be successful as a writer of words. @edeckers

Editor's Notes

  1. Leigh Brackett, Sword of Rhiannon, The Big Sleep, Empire Strikes Back
  2. Get Shorty, Killshot, Freaky Deaky
  3. Dryden created the “no prepositions at the end of sentences” rule in 1672. Responding to something Ben Johnson wrote in 1611, “the bodies that those souls were frighted from.” He never explained why he thought it was bad. Robert Lowth followed it up in his 1762 book, A Short Introduction to English Grammar (pages 127–128). He said it was fine for informal English, but not formal: "This is an Idiom which our language is strongly inclined to; it prevails in common conversation, and suits very well with the familiar style in writing; but the placing of the Preposition before the Relative is more graceful, as well as more perspicuous; and agrees much better with the solemn and elevated Style."
  4. Robert Lowth was a 17th century Latin scholar who decided that "do not split infinitives" was a rule, based on the notion that in Latin, there are no two word infinitives — to run, to go, to eat. Since it was impossible to split them in Latin, he said we couldn't split them in English. It should never have been a rule. It was the same for prepositions at the end of a sentence: "you can't do it in Latin, you shouldn't do it in English.”
  5. Tom Waits
  6. REFLECTION: What are some complex ideas you try to explain to people, whether it’s how a process works, or the problems a new product is supposed to solve? Can you think of a metaphor to explain them? Try to explain them like a movie pitch: Sharknado = Jaws meets Twister
  7. The Cherry Orchard, The Wood Demon, Uncle Vanya
  8. Henry Miller: Tropic of Cancer, Tropic of Capricorn, Black Spring, and The Rosy Crucifixion.
  9. Play It As It Lays, Democracy, A Book of Common Prayer
  10. Hunter S. Thompson would often write 3 – 5 solid lede-worthy sentences, string them together, and beat the reader with them, BAP BAP BAP! He didn't do it all the time, and he would sometimes do it in the middle of a story. It was forceful and dramatic, and made the reader pay attention. That's what an opening lede should do, so imagine the power it had when it appeared elsewhere.