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            Tristan Tzara , Dada and
            Surrealism




                                          By, Michael E. Moats

                       1 23 Movies.info
Tristan Tzara (born
Samuel or Samy
Rosenstock, a.ka. S.
Samyro; April 16 1896, in
Romania

Born into a Jewish family,
his 1st language was
probably Yiddish, his
second Romanian, and his
adopted language French.
In fact the majority of his
work was written in
French.

 Having been sent away
to boarding school at 11,
he actually started his
writing career with the
magazine Simbolul, under
the direction of Adrian
Maniu, when he was 16.
                              Dada 1, ed. Tristan Tzara (Zurich, July 1917), cover, and Dada 2, ed.
(PoemHunter.com)              Tristan Tzara (Zurich, December 1917), cover. (Hoffman)
 So Tzara was a major
―president‖ in Dada, the
movement to end all
movements, in reaction to that
War to end all wars, WWI or the
Great War.

Avant-garde poet, essayist
and performance artist. Also
active as a journalist,
playwright, literary and art
critic, composer and film
director (Hoffman)

 So Tzara collaborated with
other Romanian Jews —
notably Marcel and Georges
Janco to start the Dadaist
movement. (Sanderson)



                                  Dada 3, ed. Tristan Tzara (Zurich,
                                  December 1918), cover. (Hoffman)
During WWI, Tzara joined Marcel
Janco in Switzerland at the Cabaret
Voltaire and performed drama,
recited his poetry and his Dadaist
manifestos.

 Though nobody knows where the
term comes from, some say Dada
―in French it means ‗hobby horse.‘
In German it means ‗good-bye,‘ ‗Get
off my back,‘ ‗Be seeing you
sometime.‘ In Romanian: ‗Yes,
indeed, you are right, that's
it.‖ (Spencer)                        Dada 3, ed. Tristan Tzara (Zurich, December 1918).
                                      (Hoffman)
From Dada Manifesto

Dadaist Disgust   (KennethDouglas)




                                     Dada 4–5 (Anthologie Dada), ed. Tristan Tzara (Zurich, May
                                     1919), cover. (Hoffman)
•In Zürich, Tzara met many writers and artist who would later found the Dadaist movement. Among these were Hugo Ball and his wife Emmy Hennings, who ren
                                                                                                                                                 whoent



             The Troupe in Zürich
            Hugo Ball and his wife
            Emmy Hennings, Hans Arp,
            Arthur Segal, Otto Van
            Rees, Max Oppenheimer,
            Marcel Janco, Richard
            Huelsenbeck, and Marcel
            Stodki. (Gullette)

             Though the movement
            began as a literary venue,
            it quickly moved to
            performance and visual
            arts movement. (Sayre)




                                                                                  Der Dada 3, ed. Raoul Hausmann (Berlin, April 1920), cover.
                                                                                                          (Hoffman)
 Many authors, and
artists from France,
Germany, and Italy joined
the movement.

 Eventually, artists from
the United States joined
the fray. (Hartt)




                             391 2, ed. Francis Picabia (Barcelona, February 10, 1917), cover.

                                                  (Hoffman)
From France, it was Marcel
Duchamp who led the
movement with his
outrageous paintings and
sculptures.


                                                 ← In this
                                                painting,
                                                Marcel
                                                Duchamp
                                                integrates
                                                the Cubist
                                                to the
                                                Futurists
                                                in a brave
                                                Dadaist
                                                way.




 Marcel Duchamp: Nude Descending a Staircase 1912 (Swanson)   The Blind Man 1, eds. Marcel Duchamp, Beatrice Wood, and Henri-
                                                              Pierre Roché (New York, April 10, 1917), cover. (Hoffman)
→ The photo to the left
shows Duchamp‘s
readymade sculpture of a
urinal, which he aptly
called Fountain. (Hoffman)




                             he Blind Man 2, eds. Marcel Duchamp, Beatrice Wood, and
                             Henri-Pierre Roché (New York, May 1917), pp. 2–3. (Hoffman)
 IIn 1918, Francis Picabia,
and Marcel Duchamp, from
France, and Man Ray from
the U.S., formed the Nihilist
offshoot from Dada.

This movement was
extreme Dada, Nihilism is
―the belief that all values
are baseless and that
nothing can be known or         Neozubair.worldpress.com

communicated. It is often
associated with extreme
pessimism and a
radical skepticism that
condemns existence. A true
nihilist would believe in
nothing, have no loyalties,
and no purpose other than,
perhaps, an impulse to
destroy.‖ (Pratt)                  www.niilists.net
Dada in Paris, 1920
With: Louis Aragon,
Breton, and Ribemont-
Dessaignes, Arp and
Tzara from Zurich, Man
Ray and Picabia from
New York, and Max Ernst
from Cologne. (Sayre) ,
(Hoffman)   & (ArtHistory.net)




                                 Dada 6 (Bulletin Dada), ed. Tristan Tzara (Paris, February
                                 1920), cover. (Hoffman)
Dadaism eventually
evolved into Surrealism.

André Breton led the
charge and change to
surrealism. (Hoffman) but second
sourced fro Breton‘s Manifeste du surrealisme




                                                Minotaure 10, ed. Albert Skira (Paris, Winter 1937), cover
                                                (Hofman).
 Though the
Surrealist movement
began as a literary
genre, it too quickly
evolved into a visual
art movement.

To name a few:
André Breton,
Salvador Dalí, Giorgio
de Chirico, Robert
Desnos, Marcel
Duchamp, and Michel
Leiris.

 We should also add
the Ultraistas like
Jorge Luis Borges.
(Hoffman), (Pratt) & (Spenser)


                                 La Révolution surréaliste 12, ed. André Breton (Paris,
                                 December 15, 1929), cover. (Hoffman)
I wrote this tribute to Dalí and his expressed
philosophy of Gastro Esthetic Cannibalism when I
was 18:

To Dalí or ―Gastro Aesthetic Cannibalism‖

Munching on fingers,
I assimilate,
osmosize sculpture art;
grace metaphors.

Those moths—not butterflies in stomach,
feed on each other,
death-head victor,
rends gastric-walls
in carnivore –jaws.

Lust tastes, wants and screams insatiably –more!
more!

That wind, of hate, hungers for our warmth,
gnaws at corners of cloth-skins,
and sins.

Beauty-day consumes beast-ugly-night,                           (Salvidordalipaintings.blogspot.com)
and moon that sun
and we that son of God?
                                                       My favorite surrealist artist is
Tears and rivers erode
-bits of wealth-
                                                       Salvador Dalí and this painting is
from Earth and brow;                                   called The Persistence of Memory
(both being faces and planets)
leaving—only
rotting fearsome stench
and time.

Life in lark exaltation, death in black-raven shriek
-‖cosmic orality‖-
consuming all.
.

                                  Poems from Borges
    Lluvia
    Bruscamente la tarde se ha
                                          Rain
    aclarado
                                          The afternoon has brightened up at last
    Porque ya cae la lluvia minuciosa.
                                          For rain is falling, sudden and minute.
    Cae o cayó. La lluvia es una cosa
                                          Falling or fallen. There is no dispute:
    Que sin duda sucede en el pasado.
                                          Rain is a thing that happens in the past.
    Quien la oye caer ha recobrado
                                          Who hears it fall retrieves a time that fled
    El tiempo en que la suerte
                                          When an uncanny windfall could disclose
    venturosa
                                          To him a flower by the name of rose
    Le reveló una flor llamada rosa
                                          And the perplexing redness of its red.
    Y el curioso color del colorado.
                                          Falling until it blinds each windowpane
    Esta lluvia que ciega los cristales
                                          Out in a lost suburbia this rain
    Alegrará en perdidos arrabales
                                          Shall liven black grapes on a vine inside
    Las negras uvas de una parra en
    cierto
                                          A certain patio that is no more.
                                          A longed-awaited voice through the
    Patio que ya no existe. La mojada
                                          downpour
    Tarde me trae la voz, la voz
    deseada,                              Is from my father. He has never died.   .   (A. Z.
    De mi padre que vuelve y que no ha    Forman)
    muerto. (A. Z. Forman)
Tristan Tzara dies in 1963




 Image: (1 2 3 Movies.info) Video: (YouTube)
Image: (1 2 3 Movies.info) Video: You tube
Image: (1 2 3 Movies.info) Video: You Tube
Image: (1 2 3 Movies.info) Video: You Tube
References

Tzara. 2012. Image. 20 September 2012.
                   A. Z. Forman, Translator. Poems Found in translation. 2012. Document. 03 November 2012.
ArtHistory.net. Introduction to the Artistic Style od Dada. 2009. Document. 03 November 2012.

Gullette, Alan. Sur . Real. 13 January 2011. Document. 03 November 2012.

Hartt, Fredrick. Art; A History of Painting, Sculture and Architecture. Vol. II. New York/Englewood Cliffs: Prentice-Hall Inc., and
                   Harry N. Abrams, 1976. book.

Hoffman, Irene E. Documents of Dada and Surrealism:Dada and Surrealist Journals in the Mary Reynolds Collection. 2001.
                 Document. 30 September 2012.

Kenneth Douglas, et. al. The Noton Anthology of Western Literature. Ed. Sarah Lawall. Eighth Edition. Vol. II. New York/London:
                W.W. Norton & Company, 2006. Anthology.

neozubair.wordpress.com. Neo Nihilists . 2012. 2 October 2012.

Nielsen, W. Dadaism and Surrealism . 1996. Document. 19 October 2012.

PoemHunter.com. Tristan Tzara. 19 October 2012. Documant. 19 October 2012.

Pratt, Allan. Nihilism. 03 May 2005. Document. 13 October 2012.

Salvidordalipaintings.blogspot.com. About SalvidorDali. 2012. Image and document. 02 November 2012.

Sanderson, Brenton. Tristan Tzara and the Jewish Roots of Dada, Part 1. 15 November 2011. Document. 10 September 2012.

Sayre, Henrey M. A World of Art. 5th edition. Upper Saddle River: Pearson/Prentice Hall, 2007. book.

Spencer, Harold. The Image Maker. New Yory, New York: Charles Scribner's Sons, 1975. Book.

Swanson, Chad. Marcel Duchamp (1887 - 1968): The Father of Post-modernism. 2012. Image. 17 September 2012.

www.nihilists.net. Nihilists' Corner. 2012. Image. 30 September 2012.

You Tube. ABC's of Dad 1. 2012. Video. 03 October 2012.

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Dada by Michael Moats

  • 1. . (1 3 Movies.info) (1 22 3 Movies.info) Tristan Tzara , Dada and Surrealism By, Michael E. Moats 1 23 Movies.info
  • 2. Tristan Tzara (born Samuel or Samy Rosenstock, a.ka. S. Samyro; April 16 1896, in Romania Born into a Jewish family, his 1st language was probably Yiddish, his second Romanian, and his adopted language French. In fact the majority of his work was written in French.  Having been sent away to boarding school at 11, he actually started his writing career with the magazine Simbolul, under the direction of Adrian Maniu, when he was 16. Dada 1, ed. Tristan Tzara (Zurich, July 1917), cover, and Dada 2, ed. (PoemHunter.com) Tristan Tzara (Zurich, December 1917), cover. (Hoffman)
  • 3.  So Tzara was a major ―president‖ in Dada, the movement to end all movements, in reaction to that War to end all wars, WWI or the Great War. Avant-garde poet, essayist and performance artist. Also active as a journalist, playwright, literary and art critic, composer and film director (Hoffman)  So Tzara collaborated with other Romanian Jews — notably Marcel and Georges Janco to start the Dadaist movement. (Sanderson) Dada 3, ed. Tristan Tzara (Zurich, December 1918), cover. (Hoffman)
  • 4. During WWI, Tzara joined Marcel Janco in Switzerland at the Cabaret Voltaire and performed drama, recited his poetry and his Dadaist manifestos.  Though nobody knows where the term comes from, some say Dada ―in French it means ‗hobby horse.‘ In German it means ‗good-bye,‘ ‗Get off my back,‘ ‗Be seeing you sometime.‘ In Romanian: ‗Yes, indeed, you are right, that's it.‖ (Spencer) Dada 3, ed. Tristan Tzara (Zurich, December 1918). (Hoffman)
  • 5. From Dada Manifesto Dadaist Disgust (KennethDouglas) Dada 4–5 (Anthologie Dada), ed. Tristan Tzara (Zurich, May 1919), cover. (Hoffman)
  • 6. •In Zürich, Tzara met many writers and artist who would later found the Dadaist movement. Among these were Hugo Ball and his wife Emmy Hennings, who ren whoent  The Troupe in Zürich Hugo Ball and his wife Emmy Hennings, Hans Arp, Arthur Segal, Otto Van Rees, Max Oppenheimer, Marcel Janco, Richard Huelsenbeck, and Marcel Stodki. (Gullette)  Though the movement began as a literary venue, it quickly moved to performance and visual arts movement. (Sayre) Der Dada 3, ed. Raoul Hausmann (Berlin, April 1920), cover. (Hoffman)
  • 7.  Many authors, and artists from France, Germany, and Italy joined the movement.  Eventually, artists from the United States joined the fray. (Hartt) 391 2, ed. Francis Picabia (Barcelona, February 10, 1917), cover. (Hoffman)
  • 8. From France, it was Marcel Duchamp who led the movement with his outrageous paintings and sculptures. ← In this painting, Marcel Duchamp integrates the Cubist to the Futurists in a brave Dadaist way. Marcel Duchamp: Nude Descending a Staircase 1912 (Swanson) The Blind Man 1, eds. Marcel Duchamp, Beatrice Wood, and Henri- Pierre Roché (New York, April 10, 1917), cover. (Hoffman)
  • 9. → The photo to the left shows Duchamp‘s readymade sculpture of a urinal, which he aptly called Fountain. (Hoffman) he Blind Man 2, eds. Marcel Duchamp, Beatrice Wood, and Henri-Pierre Roché (New York, May 1917), pp. 2–3. (Hoffman)
  • 10.  IIn 1918, Francis Picabia, and Marcel Duchamp, from France, and Man Ray from the U.S., formed the Nihilist offshoot from Dada. This movement was extreme Dada, Nihilism is ―the belief that all values are baseless and that nothing can be known or Neozubair.worldpress.com communicated. It is often associated with extreme pessimism and a radical skepticism that condemns existence. A true nihilist would believe in nothing, have no loyalties, and no purpose other than, perhaps, an impulse to destroy.‖ (Pratt) www.niilists.net
  • 11. Dada in Paris, 1920 With: Louis Aragon, Breton, and Ribemont- Dessaignes, Arp and Tzara from Zurich, Man Ray and Picabia from New York, and Max Ernst from Cologne. (Sayre) , (Hoffman) & (ArtHistory.net) Dada 6 (Bulletin Dada), ed. Tristan Tzara (Paris, February 1920), cover. (Hoffman)
  • 12. Dadaism eventually evolved into Surrealism. André Breton led the charge and change to surrealism. (Hoffman) but second sourced fro Breton‘s Manifeste du surrealisme Minotaure 10, ed. Albert Skira (Paris, Winter 1937), cover (Hofman).
  • 13.  Though the Surrealist movement began as a literary genre, it too quickly evolved into a visual art movement. To name a few: André Breton, Salvador Dalí, Giorgio de Chirico, Robert Desnos, Marcel Duchamp, and Michel Leiris.  We should also add the Ultraistas like Jorge Luis Borges. (Hoffman), (Pratt) & (Spenser) La Révolution surréaliste 12, ed. André Breton (Paris, December 15, 1929), cover. (Hoffman)
  • 14. I wrote this tribute to Dalí and his expressed philosophy of Gastro Esthetic Cannibalism when I was 18: To Dalí or ―Gastro Aesthetic Cannibalism‖ Munching on fingers, I assimilate, osmosize sculpture art; grace metaphors. Those moths—not butterflies in stomach, feed on each other, death-head victor, rends gastric-walls in carnivore –jaws. Lust tastes, wants and screams insatiably –more! more! That wind, of hate, hungers for our warmth, gnaws at corners of cloth-skins, and sins. Beauty-day consumes beast-ugly-night, (Salvidordalipaintings.blogspot.com) and moon that sun and we that son of God? My favorite surrealist artist is Tears and rivers erode -bits of wealth- Salvador Dalí and this painting is from Earth and brow; called The Persistence of Memory (both being faces and planets) leaving—only rotting fearsome stench and time. Life in lark exaltation, death in black-raven shriek -‖cosmic orality‖- consuming all.
  • 15. . Poems from Borges Lluvia Bruscamente la tarde se ha Rain aclarado The afternoon has brightened up at last Porque ya cae la lluvia minuciosa. For rain is falling, sudden and minute. Cae o cayó. La lluvia es una cosa Falling or fallen. There is no dispute: Que sin duda sucede en el pasado. Rain is a thing that happens in the past. Quien la oye caer ha recobrado Who hears it fall retrieves a time that fled El tiempo en que la suerte When an uncanny windfall could disclose venturosa To him a flower by the name of rose Le reveló una flor llamada rosa And the perplexing redness of its red. Y el curioso color del colorado. Falling until it blinds each windowpane Esta lluvia que ciega los cristales Out in a lost suburbia this rain Alegrará en perdidos arrabales Shall liven black grapes on a vine inside Las negras uvas de una parra en cierto A certain patio that is no more. A longed-awaited voice through the Patio que ya no existe. La mojada downpour Tarde me trae la voz, la voz deseada, Is from my father. He has never died. . (A. Z. De mi padre que vuelve y que no ha Forman) muerto. (A. Z. Forman)
  • 16. Tristan Tzara dies in 1963 Image: (1 2 3 Movies.info) Video: (YouTube)
  • 17. Image: (1 2 3 Movies.info) Video: You tube
  • 18. Image: (1 2 3 Movies.info) Video: You Tube
  • 19. Image: (1 2 3 Movies.info) Video: You Tube
  • 20. References Tzara. 2012. Image. 20 September 2012. A. Z. Forman, Translator. Poems Found in translation. 2012. Document. 03 November 2012. ArtHistory.net. Introduction to the Artistic Style od Dada. 2009. Document. 03 November 2012. Gullette, Alan. Sur . Real. 13 January 2011. Document. 03 November 2012. Hartt, Fredrick. Art; A History of Painting, Sculture and Architecture. Vol. II. New York/Englewood Cliffs: Prentice-Hall Inc., and Harry N. Abrams, 1976. book. Hoffman, Irene E. Documents of Dada and Surrealism:Dada and Surrealist Journals in the Mary Reynolds Collection. 2001. Document. 30 September 2012. Kenneth Douglas, et. al. The Noton Anthology of Western Literature. Ed. Sarah Lawall. Eighth Edition. Vol. II. New York/London: W.W. Norton & Company, 2006. Anthology. neozubair.wordpress.com. Neo Nihilists . 2012. 2 October 2012. Nielsen, W. Dadaism and Surrealism . 1996. Document. 19 October 2012. PoemHunter.com. Tristan Tzara. 19 October 2012. Documant. 19 October 2012. Pratt, Allan. Nihilism. 03 May 2005. Document. 13 October 2012. Salvidordalipaintings.blogspot.com. About SalvidorDali. 2012. Image and document. 02 November 2012. Sanderson, Brenton. Tristan Tzara and the Jewish Roots of Dada, Part 1. 15 November 2011. Document. 10 September 2012. Sayre, Henrey M. A World of Art. 5th edition. Upper Saddle River: Pearson/Prentice Hall, 2007. book. Spencer, Harold. The Image Maker. New Yory, New York: Charles Scribner's Sons, 1975. Book. Swanson, Chad. Marcel Duchamp (1887 - 1968): The Father of Post-modernism. 2012. Image. 17 September 2012. www.nihilists.net. Nihilists' Corner. 2012. Image. 30 September 2012. You Tube. ABC's of Dad 1. 2012. Video. 03 October 2012.