Walter Hilse

Walter Hilse
Otakar Šourek, Antonín Dvořák: His Life and Works (New York: The Greystone Press, 1941), 276.
Beveridge, Zdenka and Josef Hlavka–Anna and Antonín Dvořák, 99–100.
Šourek, Antonín Dvořák: Letters and Reminiscences, 138–39.
Jan Smaczny, The Work of Antonin Dvořák (1841–1904): Dvořák and Early Music, ed. Jarmila
Gabrielova, and Jan Kachlik (Prague: Institute of Ethnology, 2007), 311–12.
Walter Hilse, "Dvořák: Mass in D Major, Opus 86," The Musical Quartetly Vol 62, no.1 (January
1976): 150.
The piece begins with sopranos without organ introduction (only later Dvořák added two bars of
introduction in the orchestra version). The musical structure is mainly polyphonic, in which every
voice at one time or another presents the theme and no voice is limited to the role of mere
accompaniment. Dvořák set the word "kyrie" syllabically and the word "eleison" melismatically (see
Example 5.6), the result it a layering in which each voice ... Show more content on Helpwriting.net
...
The rhythm of this section also lends a sense of sincerity and anxiety to the words "Christ, have
mercy," while the ascending entrances (tenor, bass, alto, soprano) in measures 73–77 intensify the
emotional impact.
"Christe eleison" begins in the key of G minor, the subdominant minor of the principal key of the
work (D major), but moves through B–flat and B minor before ending on the dominant of D major.
The first fourteen measures are assigned for soloists.
In measures 78–80, Dvořák appears to be preparing to end the section, but when the soprano comes
in with the ascending sequences in measures 81–85, the mood is brought to the climax of the
movement (see Example 5.8). The impact of this passage is especially strong when the four parts
come in an a cappella, homophonic structure in measures 85–90. The dynamic shifts from ff to pp,
ending calmly in section B, having set the mood
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Popular Music: White Winter Hymnal
Not all popular music is one particular style or have the same rhythm. Just as much as their mood
varies, their various lyrical content compliments the instrumental background creating different
ambience for each song. For instance, one of the Fleet Foxes' hit songs White Winter Hymnal
uniquely combine the reminiscence sound of '70s folk rock and non–traditional hymnal lyrics
creating a mystical, soothing excitement. Unexpected forms of literature can be incorporated into
popular music to enhance the overall balance of a song. Rhythmically addicting is the repetition in
the lyrics and instrumentation in result of the hymn components and constant beat kept in the
background. Hymns are typically arranged in meter patterns with specific amounts

William Wordsworth Syntactic And Semantic Features
The Syntactic and semantic Features In the first stanza, the poet introduces the attractive and
striking grove where he enjoys nature and at the same time also has "sad thoughts". The second
stanza explains why there are "sad thoughts". The reason is because nature linked human soul to her
fair works, and the soul run through me and the thought of "what man has made of man" makes me
grief. Wordsworth draws the phrase "to her fair works" from the last of sentence to the first, which
emphasizes the "fair works" of nature.
We already mentioned that Wordsworth speaks highly of nature, here through the syntactical
deviation, we can see how Wordsworth appreciates and enjoys nature's beauty and harmony. The
next deviation appears in the third ... Show more content on Helpwriting.net ...
They hopped and played. Here again the poet uses personification to show how the birds are in
accord with nature and how happy they are. Now let's pay more attention to the second line "Their
thoughts I cannot measure–". In ordinary life, we usually will express it in this way "I cannot
measure their thoughts". The object "their thoughts" is marked. On the one hand, it shows once
again Wordsworth likes to put nature in the first place.
On the other hand, it is coherent with the whole stanza, because the focus is on the birds. If putting
"I" in the first, then the coherence will not be so good. The fifth stanza is devoted to "the budding
twigs". Personification is used again. We see the twigs "spread out" their fan to "catch" the air and
the twigs must be in pleasure as well. In these three stanzas, the flowers, birds and twigs are all
personified and they are all greatly pleasant in the harmonious natural world.
The sixth stanza comes back to the sad thoughts of the poet. After the descriptions of the beauty and
harmony of nature, when we think again "what man has made of man", we cannot but lament. The
sorrow here reaches its climax. So here the poet uses a rhetorical question "Have I not reason to
lament/ what man has made of man?" to show his powerful feelings.

My Utopian Society Essay
The Utopian land is divided into two main terrains: farmland and cities. The farmlands, of course,
are where most of the country's resources are produced. The services of the economy, smithing,
carpentry, clothmaking, etc., are mainly produced in the cities. Iron is the only resource which must
be imported abundantly. All of the resources, except iron, that the nation requires, it produces on its
own.
The Utopians live a very simple lifestyle. They work, and in their spare time play games, read, and
socialize. Other forms of entertainment, such as gambling and hunting are looked down upon. They
only eat what is necessary, and their houses are built simply and furnished only with what is
necessary. Thus, their consumption is very low. ... Show more content on Helpwriting.net ...
Theses are exported for the iron that they need, and gold and silver after that.
However, gold and silver play a very different role in Utopia. There is no monetary system; all of
the people are provided with what they need. Instead of working to get money with which they can
choose what they want, their work is repaid with everything they need. What each person needs is
decided by them alone, and there is no risk of anyone taking more than they need. Why would
anyone take more than they need when they will always be provided for? There is no reason to store
up for the future, and there is nothing to do with extra, unnecessary products.
The gold and silver then is used for purchasing mercenaries for use in war and for paying citizens of
other nations to turn against their country in war. Since gold is of no use to the people of Utopia, it is
stored as chamber pots, and cheap jewelry worn only by the bondman, the lowest of Utopian people.
When a time comes that requires the use of gold, the Utopians gladly give it up, for to them it is just
a toilet. The Utopian government also uses its gold to lend to other nations in need. They are very
liberal with their loans, and do not always ask for them to be repaid. Their reasoning is that they
have no use for the gold, for they have a surplus of that as well, and the other nation that is in debt
has very good use for it.
This economy seems very

Analysis Of The Movie ' Dark Souls Ost '
Dark Souls OST
There was somewhat of a surprise for VGM listeners upon the release of the first trailer for Dark
Souls, FromSoftware's spiritual successor to Demon's souls. Even before any initial announcement
was made, it was easy to recognize the work of veteran freelance composer Motoi Sakuraba, his
trademark compositional style being so integral. Known primarily for his virtuosic progressive rock
compositions, Dark Souls was to be his first fully orchestral work since the Baroque influenced
Infinite Undiscovery nearly half a decade prior, and promised to be his bleakest – to match the
somber and sorrowful medieval inspired world of the 'Souls' series as previously defined by
composer Shinsuke Kita. And there's good news for those who may fear the presence of one of
Sakuraba's frequent collaborators, the synth orchestra: all of the instruments are live. In addition, the
grandeur of the collection of strings and brass receive a helping voice from the surprise contribution
of the Tokyo Philharmonic Chorus. So, let's listen and hear if Motoi Sakuraba's step out of his
typical area will stand up or stumble.
Motoi Sakuraba announces his presence with the grandiose opening theme "Prologue". Listeners
familiar with the soundtrack to Valkyrie Profile 2 will recognize the subtle build of harp and strings
into an unlashing of full orchestral tutti. However, it's the next track that truly defines the bleaker
timbre of this soundtrack. "Firelink Shrine" is the piece for the

Persuasive Essay On The Use Of Technology
How do most people view the functions of the world? Is there a consensus on how certain things are
handled, or utilized? Today, there are new temptations, and functions that were nonexistent three
decades ago. Such as the advancements in technology, and communication, an unfair economy that
bounces up and down, and lastly, a government that plays a major role in the daily lives of
Americans. With this, I will create a utopia, that cancels out the negatives of these changes.
In the past decade, technology has drastically changed our daily lives. We are now able to
communicate with one another, regardless of the physical boundaries that surround us. However,
these advancements in technology, have caused new issues that did not previously exists. In my
utopia, I would not ban the usage of technology, but I would regulate how is it used. Today, there is
Instagram, Facebook, Twitter, Snapchat etc. These apps dominate the minds of daily Americans.
With these apps, people can communicate with one another, without directly pointing out a specific
person. This could be used as a positive tool but, in most cases it is used negatively. Such as, to
bully or tear down others. For example, on Instagram the pictures that get the most likes, are the
ones who compare people to one another. The caption is usually, "Me VS you". Social media has
created a perfect platform of falsity. To correct this false hood, and forms of bullying, my utopia
would create new apps, that strictly regulate what is being posted. Technology would be used in its
greatest, positive potential. Efficient communication with others, would be its one and only offer.
Citizens would still be able to post, and access apps created for my utopia. Their time spent on the
internet though, would be limited per day. This would be to ensure face–to–face social skills, that
would be required in my utopia.
Today's economy has re–established the modern–day classes. The United States is now composed of
the lower class, middle class, upper middle, and upper class. This economy has created a huge gap
in income, and the people. A larger sum of taxes is imposed on those who don't have the means to
pay it; while those who do have the means, pay less. The current economy,

Racism : A Society Of Harmony
When imagining a perfect society, the first thought that comes to a person's mind is world peace. It
is only a human belief that the world would be a better place without war and without sickness; it
should be a society of harmony. There is a natural hope that despite any differences, the world can
come together and overcome all obstacles. Though this goal may seem unrealistic, there are certain
actions that can be taken that will bring mankind one step closer to peace. One major step to take is
to eliminate racism. It is up to the parents of young children all across the world to help fight the
war against racial discrimination. By exposing children to different races and cultures, being a
positive visual influence, and guiding them to accept all humans as they are, parents are the key to
ending racism. Racism is "a belief or doctrine that inherent differences among the various human
races determine cultural or individual achievement, usually involving the idea that one's own race is
superior and has the right to rule others" ("racism"). It is an instinctive trait for man to fear
organisms that are different from him, thus making the birth of what is known as racism date back to
the dawn of time when it was used as a survival mechanism. After years of scientific research, man
uncovered the truth that all human bodies are the same regardless of their skin color, and began to
pave a path towards eliminating racism. No one culture, ethnic group, or skin color is

Instrumental Music Interpretation
The way chords, melodies, and the orchestration is arranged in a song has a powerful impact on the
spiritual impact of instrumental music. Each facet of music is a part of creating not only an emotion,
but also a spiritual implication. Although music can be interpreted differently depending on which
part of the world you live in, every song is created with intent and it is important to look at how
those intentions affect people.
Chords play a very prominent role in how we portray the emotion of a song.
Songs that contain a decent amount of dissonant sounds typically cause the listener to perceive the
music as having a negative and dismal connotation. However this varies depending on which part of
the world is interpreting the music. In western ... Show more content on Helpwriting.net ...
There is still an importance in the way that the pattern of the melody is structured. For example, if
the composer does not follow the rules for species counterpoint, the music could be interpreted as
having a wicked sound in nature.
Finally, the intent that a composer has when writing music, I believe, has the most powerful impact
of them all. The message that a composer has when he writes an instrumental composition plays a
vital role in the spiritual aspects of a song. If the intent is to write a song that contains a spirit of
witchcraft and wickedness, then that song will carry out that spiritual force that has been placed
upon it since the birth of the song. If the intent of the composer is to create a song about evil, then
God's anointing is not likely to be found on that song. However if the song is full of praise and
worship to God, then that song has a special marking on it and is more likely to be used to bring
glory to God. Ultimately, God can take anything and redeem it for his glory, but the spiritual
implications caused from a composer meaning spiritual harm through a song is most likely not
going to lead a listener

The Characteristics Of The Jazz Style Of Ella Fitzgerald
Learning a great deal about musicality, the business side of music and how to take care of herself,
the next few years brought a great deal of success to Chick Webb and herself.
With the raise of the new jazz style, bebop, jazz music moved from the diatonic conventions of the
swing era to more chromatic harmonies, complex rhythms and more notes and chord options. This
style caught Ella's attention and during her time with the Chick Webb band, she got her start
improvising in the bop style.
Ella is said to have described the early days of the bop revolution as something of a nightmare. "I
felt that I was being left behind, and I was," she says. A few years later Ella found herself as the
guest touring with Gillespie's band. She was thrilled to listen to this new music day in and day out
on the road and quickly found she had enough musicianship and "ears" or ability to hear the
intricacies of this hipper jazz. Ella Fitzgerald became an expert with the new modern rhythms and
harmonies and her improvisation and musicianship as a singer improved drastically. Her inspirations
during this era were Charlie Parker and Dizzy Gillespie and she was able to imitate their playing
style and the timbre of the saxophone and trumpet. Not only was she able to copy their playing style
but also could sound just like Parker and Gillespie. This is made apparent in her solo from the live
recording of "How High the Moon". This song is a great song for any beginning scat singer to

Symbolism in "Sonny's Blues" by James Baldwin Essay
Symbolism in "Sonny's Blues" by James Baldwin In James Baldwin's "Sonny's Blues," the reader
meets Sonny, a recovering addict, and his older brother, a high school teacher. Although these two
brothers have completely different lives and personalities, the author's use of symbolism brings them
more tightly together like a real family. Baldwin uses symbols such as ice, lightness and darkness,
and jazz music to add more depth and meaning to "Sonny's Blues." People usually think of ice or the
cold as being bitter and causing discomfort. When it is cold outside, people wear jackets to eliminate
the bitterness of the cold. In "Sonny's Blues," Sonny uses heroine to escape the discomfort of the
reality that is his life. Heroine is Sonny's ... Show more content on Helpwriting.net ...
Another symbol that Baldwin uses throughout the story is the symbol of lightness and darkness.
Lightness and darkness usually symbolize good and evil. One example of darkness that Baldwin
uses in "Sonny's Blues" is when Mama, the narrator's mother, was telling him about the death of his
and Sonny's uncle. After Mama told the story of the brothers' uncle being run over and killed by a
car full of white men, she said, "Your Daddy says he never in his life seen anything as dark as that
road after the lights of that car had gone away" (58). In this example, Baldwin uses the darkness of
the road to create a deeper meaning behind the uncle's death and the father's sadness. The reason the
father felt as if nothing could ever be as dark as that road is because he experiences his only brother
dying in front of him. Death, especially murder, is considered to be a very "dark" subject. When
there is a funeral, mostly every person is wearing black or dark clothing because he is mourning
over the death of a loved one. Another example is when the narrator reminisces on the days when all
of the 'old folks' would sit around in the living room after church. "They would all sit in the chairs
while the night is creeping up outside, but no one knows it yet...everyone is looking at something a
child cannot see" (56). Baldwin uses the darkness of night as a symbol of death in this

I First Heard About The Etude Op
I first heard about the Étude Op. 10, No. 3, in E major composed by Frédéric Chopin in a TV drama.
The protagonist introduces the piece as the Song of Farewell which is about the departure of two
people. While I was listening to it, the piece walked me through a path of memories.
This Étude Op. 10, No. 3, in E major is in ternary form, with ABA sections. The piece starts softly
with legato. The narrow range notes form a motive that put people into peace. The arch–shaped
phrase introduces audiences into the journey. The bass harmony acts as an accompaniment and
footprints that guide people back to their past steps by steps. Antecedent and consequent also appear
in this piece which in the first time of the phrase, the melody comes in soft and quiet; in the second
time, the phrase gets louder and is a variation of the first phrase. To me, these two corresponding
melody acts like the process of recalling the past time. In the beginning, the memories from the past
start appearing in minds, and soon, the pictures become clearer and more details pop up. With the
uses of dynamics, first crescendo and follows by decrescendo, it develops the sadness of the piece in
which it allows the audience to fall into the memories and soon after realising these precious times
have already become the past that they can no longer go back and the decrescendo represents a
sense of regret and sorrow.
The second part, which is the B section of the piece, composes of a totally different melody and to

LINK Two: CHANGES OF TEXTURE
LINK TWO: CHANGES OF TEXTURE The texture of a piece describes the harmonic interaction
within a piece. It expresses the way the parts and voices are woven together and is often referred as
the "fabric" of music. The four basic textures of music are monophonic, homophonic, polyphonic,
and heterophonic. Monophonic refers to an unaccompanied melody line, homophonic refers to a
accompanied melody, polyphonic is two contrasting melodies played together, and heterophonic
refers to a single melody played by two or more musicians. Some musical techniques, such as
imitation, canon, and fugal, are always polyphonic texture because there are more than one melody
being played at the same time. The texture of both my pieces are mostly homophonic because

Music And Its Impact On Music
Since the early days of human existence, sweet sounds of music have brought joy to the human race.
However, throughout time, music seems to have taken a bit of a detour as progress is concerned.
Music gradually became more complex and advanced as the centuries progressed. On the other
hand, recently, music seems to have deviated from its steady ascension toward the next, more
advanced stage. Has there been a recession in the complexity and overall "magic" of music?
Personally, I believe that there is a lot of truth to this concept of "relapse". Over the course of
musical expression, inventions of different instruments and music theory concepts were created and
used to benefit the science and progression of music through time. Throughout each period of music
that we studied, the music changed based on the culture and the technology that was prevalent
within its respective time period. Music found in the baroque period, for instance, is very complex
and involves the use of several different musical voices. When we look at a lot of the mainstream
music of modern day, it is very easy to realize that we have definitely taken a step backwards.
Nowadays, the popular "musical artworks" that are being released lack complexity or any kind of
variation at all. Modern pop music has really hit a stand still. One of the most characteristic aspects
of a modern pop song is the repetition that is used throughout most songs. Honestly, anyone who has
a decent ear for music

Sonic Boom Analysis
"Sonic Boom" A sonic boom is a way of describing a significant historical shift in the way music
was created and performed. (Bywater. 2016) This essay will be analysing the music genre "Jazz"
and what elements make it a Sonic boom. Looking specifically at improvisation, the essay will
include a comparison of two works by Louis Armstrong and Coleman Hawkins.
History:
Jazz is a mixture of musical, cultural, & social influences of Western and African musical cultures.
Sometimes referred as "America's Classical Music" (Jazz, America's Classical Music– Billy Taylor),
Jazz is one of America's most celebrated and oldest music genres. Jazz blossomed in the city of New
Orleans in the 1900s after the slave trade ended. It was a very multicultural ... Show more content on
Helpwriting.net ...
In "Body and Soul" the bass occasionally changes to a walking bass line. In "West End Blues" each
instrument is given a solo while the other instruments play the harmony and keep the beat. In "Body
& Soul" only the Alto Saxophone gets a solo. In "West end Blues" there are more instruments to
accompany the harmony, a Clarinet and Trombone. While in "Body & Soul" only the bass and piano
play the harmony. The chords being used in "Body and Soul" and "West End Blues" are all quartal
chords. In "Body and Soul" the chords used are major 7ths, minor 7ths, dominant 7ths and an
occasional diminished 7th chord. They are chromatic chords as most of the chords have notes
outside of the

Confucianism Bring Harmony In Society
According to The Analects, Confucianism brings harmony by not doing things to others that you
wouldn't want done to yourself. Confucianists follow Ren and Li. Ren (humility) is when one is
kind, benevolent, and has humaneness towards others. Li is the rituals, rites, etiquette and propriety
which lead to peace and harmony. Ren brings harmony by someone giving love and being equal. I
believe that ren really does bring harmony into a society because when someone has a lot of pride, it
ruins a lot for them, people don't really look at them as a humble person. Humility actually makes
you be a better person because you accept when you make errors and not making yourself look as a
very important person (this doesn't mean someone feels worthless or bad about themselves).
Whereas, Li brings harmony by knowing and accepting where you stand in society. The best
example I could think of is respect. You have to respect whom is above you. For example it is my
obligation to respect my older sisters because I'm younger than them. In class, I was told that if
everyone does the proper thing, society will function well and will lead to peace and harmony.
Whereas, Taoism brings harmony by accepting things the way they are. The concepts of Yin and
Yang bring harmony to Taoists. Yin and yang represent the fluidity of the universe. Yin meaning
"dark, passive, female" and yang meaning "light, active, male." None of them are bad or evil, they
are just different. They are complementary not

Grave Devine Musical Elements
In the CD by Toutes Suites, the aesthetically pleasing sounds of the Baroque time period are
revitalized with their distinctive beauty and variety in tone color, tempo, and rhythm. The CD
features sonatas whose first movements are all relatively similar in mood. The second movements
hold to that same likeness, although the mood portrays a slightly more calm feeling as the sonata
continues. From beginning to end, the prime factor that distinguishes one from the other is the
rhythm, and to be more specific the tempo. While listening to the pieces and feeling the movement
of how the song flows, you can distinguish the rapidity or slowness of the tempo. Respectively, each
track has its own uniqueness and different tones that separate the pieces ... Show more content on
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This creates an darker and gloomy mood compared to the other tracks. Sadness could be another
word to describe how the music flows throughout the piece. The composer creates a feeling that the
mood is felt by using imitative polyphony with several instruments to amplify and reinstate the
repetition of the somber tone. This track is also accompanied by the half and quarter notes that are
played on the violin and strengthened by the double manual harpsichord. Track 14, titled Grave
Vivace Andante is the first and second movements of a sonata, as indicated by the terms "Vivace"
commonly used to identify the first movement and the word "Andante" used to identify the second
movement. Track 14 compared to track 3 share some similarities, even though it is moving towards
a more upbeat experience because of its fast tempo and upbeat rhythm. While introducing the
beginning stages of the piece the listener can unquestionably hear that it has a remarkably higher
scale compared to track 3. It is whimsically accentuated with the use of several 1/16th notes on the
higher instruments that draw the listeners attention to the mesmerizing rapidity and happy mood that
the instruments bring to life. Track 25, titled Vivace is

Analysis Of The Momenta Concert
On Tuesday, October 3, 2017 at 7:00pm the Momenta Quartet, comprised of a violist, a cellist, and
two violinists, performed their third night of the Momenta Festival III at the Italian Academy. The
classical concert, curated by Michael Haas, the cellist, was entitled "A Room with a View" and
explored Italy through the eyes of foreign composers. The program featured Benjamin Britten's
String Quartet No. 3 in G Major, Op. 94 (1975), Pyotr Ilyich Tchaikovsky's Souvenir de Florence
Op. 70 for string sextet (1890), and the world premiere of Claude Baker's Années de pélerinage:
Italie (2016–2017). In this essay, I will be focusing on the performance of Britten's piece, String
Quartet No. 3 in G Major. The work has five movements structured in a pattern of "slow–fast–slow–
fast–slow" all of which are characterized by unique forms of dissonance.
Overall, the concert was very enjoyable. The stunning Teatro had large windows and great acoustics
because of its high ceilings. The proscenium stage framed the musicians' semi–circle well. I
originally approached this concert feeling disappointed that I would not get to experience a full
orchestra; however, the intimacy of the setting made it so I could really see what was going on and
appreciate each musician and their respective instrument. I love that the curator chose works
produced by composers from different countries and time periods who were all inspired by the same
beautiful country that is Italy; in doing so, he gave the audience

Similarities Between Kepler And Kepler 's Platonist...
According to the common belief during the Middle Ages, the universe was comprised of many
nested celestial spheres, or orbs. According to M.S. Mahoney, an astronomical researcher at
Princeton University, Johannes Kepler, in his physics research, regarded "the spheres" as the
"geometrical spatial regions containing each planetary orbit rather than physical bodies as in
preceding Aristotelian celestial physics". Kepler provided mathematical evidence to this theory,
including the fact that the "eccentricity of each planet's elliptical orbit and its major and minor axes
defined the lengths of the radii of the inner and outer limits of its celestial sphere and, therefore, its
thickness. The role of these geometrical spheres in Kepler's Platonist geometrical cosmology was to
determine the sizes and ordering of the five Platonic polyhedral within which the spheres were
supposedly spatially embedded" (Mahoney). Although each sphere rotated uniformly, the
combination of their separate revolutions prompted the discovery of the appearance of the
irregularity in the motions of the sun and the plants as astronomers viewed from the Earth. The
notion that the planets were celestial three–dimensional spheres rather than concrete two–
dimensional objects contributed to the naming of Pythagoras's theory, known as the Harmony of the
Spheres. The Music of the Spheres, also known as Musica Universalis, originated from the Greek
philosopher, Pythagoras. During his time, the celestial spheres

Concert Report Essay
Andrew Griffin
Roberta Gregg
Music Appreciation
10–17–11
Concert Report 1
Initial Response: My initial response to the concert was of much surprise. First, when I walked in I
didn't expect to see such a formal event. Thank goodness I showed up in my work clothes! My
initial reaction to the music however was one of great surprise. I didn't really know what to expect
from the Lee's Summit Symphony because honestly I didn't even know they existed. Once the
symphony began to play "Don Giovanni" my mood instantly changed. The symphony was
incredible, and the music was not what I had expected at all. I was surprised by how much of the
music I had actually heard before and just not realized it.
First Half:
Instrumentation and Technology: ... Show more content on Helpwriting.net ...
Mozart was known for these daring types of harmonic innovations.
Musical Time Period: As far as the musical time period we haven't covered the Classical era yet in
class. However, new developments such as Mozart's daring harmonies and the rise of opera music
were characteristics new to the classical era.
Second Half:
Melody: "Titan" in the beginning had a very gentle melody. As it opened the music was calm and
peaceful. The shape started out very contour or a small wave, but as the music progressed the shape
began to show ascending and descending patterns. The movement of the music was both conjunct
and disjunct. A climax was present in the 4th section. There are a couple of times when the music
builds up as if it were about to reach the climax but then descends and doesn't reach the climax until
nearly the end.
Tempo/Dynamics: The tempo of "Titan" was pretty upbeat and sprightly. As far as instrumentation
wise, the strings were very fast similar to those of the baroque era. It had a dance style speed like the
baroque era as well. The third movement is the slowest of the four, and fourth is the most involved.
The drums really become a part of the fourth section and they make it seem as if the tempo changes
drastically because they play in between the beats. The dynamics are very similar to the tempo in
this piece. The introduction is slow but steadily picks up. The piece appears as if it were written to
build up to the climax which is pretty cool. Throughout

Perotin Is Hailed As A Kind Of Mozart Of His Time
Pérotin is hailed as a sort of Mozart of his time. He was a scholarly musician and musical innovator
. Pérotin is called by many different names: Perotinus – his Latin Name and Perotinus Magnus –
Pérotin the Great ; and even "optimus discantor", or great composer of discant. According to
Hussman, Pérotin was a court composer for Notre Dame, but his connection to Notre Dame is not
entirely confirmed. It is because of an account by the English traveler Anonymous IV and letters to a
Bishop that it is accepted that Pérotin was associated with Notre Dame. Whether he wrote
specifically for Notre Dame or not, Pérotin wrote magnificent music that has been preserved for
several centuries to this day .
The life of Pérotin is uncertain and full of speculation. Different scholars have very diverse ideas of
Pérotin's life. Tischler believed that Pérotin was born sometime between 1155 and 1160. He also
stated that he was a pupil of Leonin, the composer of the Magnus liber. Pérotin is believed to have to
have been a better organum composer the Leonin himself and even revised the Magnus liber at the
end of the 12th century between 1180 and 1190 . In revising the Magnus liber, Pérotin composed
and inserted his own clausula and puncta, such as Alleluya Nativitas into the Magnus liber. The
works of Pérotin are known to be beautiful and thoughtfully voiced with colorful textural
harmonies. Sometime after revising the Magnus liber, Pérotin began composing three–voice
organum. Later in his life,

Descriptive Essay On A Jazz Concert
It was the night of November 17, 2016; the concert was to be held in the concert room of the
Palmetto Center for the Arts, right across from the theater, where they were holding an acting
workshop on the same night. The lights were fully illuminated and glistening on the multicolored
floor. I arrived at about 6:30pm just in time to start my shift as a volunteer usher. The work was
relatively easy; I stood about 10 feet away from the door of the concert hall and reminded people I
saw with any food or beverage that they could not bring it in with them. I believe I only saw and
reminded one person of this rule, but hey, extra credit is extra credit after all.
After about 30 minutes of standing around, admiring the intricate and colorful tapestry of the current
exhibit hanging in the Palmetto Center (I believe it was the work of a man from Africa) it was
finally time for the show to begin. I (unfortunately) had missed the performances earlier that week,
which included a chamber orchestra (which I would've loved to see) on Monday, faculty recitals on
Tuesday, choir and soloists on Wednesday, and (just barely) was able to attend the final day and
performances on Thursday, which were the Jazz Ensembles and Student Led Combos.
Although I do not particularly love jazz as a genre I do have a subtle fondness for it deep in my
heart. Jazz (especially freeform) conjures up images, sights, and sounds of early Sunday morning
car rides with my mother. She'd have on 101.9 as I sat in the back seat and happily hummed along
with the freeform jazz sailing peacefully through the air, filling the car with intricate and fleeting sax
solos with trumpet accompaniment. These memories make me appreciate jazz, although I still don't
love it.
As I was being led into the concert hall, the only thing that really stood out to me was how deep the
stage was. The jazz ensemble was seated in the upper most level, but still needed an acoustic shell to
really project their sound to the audience. The concert hall was a lot larger than expected, with the
seating plan a lot steeper than I had imagined. The audience was mostly a mix of different ages,
there were a lot of (what I could make out) parent there to see their sons and daughters on stage,

Form in Chopin Nocturne in D Flat Major
In Nocturne in D flat Major, Frederic Chopin (1810–1849) creates a complex work that consists of
complicated harmonies and rhythmic motives. These two components are interwoven to build
elaborate themes which lead to a melodic design that Chopin is known for. The piece has multiple
key elements that combine to form this expressive work for piano, such as thematic growth. Various
themes are introduced in the work and as Chopin develops them, they are barely recognizable. Other
important elements in the creation of the nocturne are register and pitch. Register provides support
for the harmonies which in turn serve as the foundation on which the piece is built.
Chopin begins his Nocturne in D Flat Major with a simple arpeggiated ... Show more content on
Helpwriting.net ...
The first motive begins on beat 2 of the second measure. Motive I can be classified as a rhythmic
motive, not a melodic one, because in terms of melody it changes pitch each time it occurs but the
rhythm largely remains the same. The first time it occurs, it is introduced as part of a monophonic
soprano texture but when it occurs next at measure ten, it switches to a homophonic texture
consisting of parallel thirds. Next, Chopin varies the rhythm to evolve the motive by adding a
sixteenth note triplet on beat three, as in measure 10 or ???. This motive helps signify the return of
the main theme of the piece, such as at measures twenty six and forty six. Motive I is an important
aspect of the piece in that is present in both themes A and B as well as in every section of the form,
yet it is different in each section so that the listener can delineate between the phrases.
Register plays a very important role in the piece. Chopin begins the melody on F5 which functions
as the third of the tonic triad. This pitch is important throughout the piece because the primary
melodic register is between D flat 5 and F5. The primary melodic register is supported by a primary
bass register of D flat 3 to D flat 4. He only varies from that register when he wishes to provide
extra support for the tonic chord, as demonstrated in m. 1. To ensure that the tonalities in the bass
voice project from within the other harmonies, he increases the

The Reflection Of Martin Luther's Theory Of Music
Unsurprisingly given what discussed so far, Luther had an extremely high view of music and of
what this could accomplish – where this was true in particular with reference to the sphere of
worship and of church services . In this sense, he was of the opinion that by praising God in music,
the latter acted as a bridge allowing for the possibility of relishing God's absolute and perfect
wisdom, by seeing its reflection in his work of music itself. Accordingly – always in the Preface to
the Symphoniae Iucundae – Luther presented music as something able to connect the whole of
creation with its creation. In Loewe's words, the Preface «follows an arc that takes as its origin the
very beginning of creation and descends from God to those who have been given a voice, in order to
return to heaven through composed music: Luther explained that the praises sung by his readers had
the potential to take the singers straight back to heaven, and the ultimate origin and goal of music».
Hence, by becoming consciously musical – that is, by actively producing music as opposed to just
sounding – we come to reflective express and formulate one the basic aspects of creation . In this
way, composed music amplifies and shapes natural music and – another belief which Luther shared
with Herbenus – this way conjoins the musica humana and musica caelestis. Then, by being musical
by producing music meant to be performed in church we turn creation – as it were, in the aspect of
its musicality – back to

My Udo Or Utopian Societ
Growing up in a neighborhood that wasn't always the safest. You always have thoughts about
creating a world that you can control and a world different from your living experience. This goes
for me I grew up in an area that had lots of violence every single day. So I had fantasies of creating
this peaceful world. And this world was called Udo, Udo means peace in Igbo ( the tribe in Nigeria).
In my Udo or Utopian Societ, there will be many differences from this gloomy world we live in
today. All the bad vibes and negative air that looms in this world won't be in mine. Udo is going to
be a place where everyone can feel free to be like themselves without being looked at funny. How
my Udo is going to govern is a little bit like the Babylonian times with the Hammurabi code of laws
but not as crazy and strict. ... Show more content on Helpwriting.net ...
My perfect world is going to do the same anyone who intends to create chaos and havoc on others is
not welcomed in my world. Udo is going to be a place where there is no racism or bullying, where
they want to see the other man succeed. In 1 John 4:7 it says, "Beloved, let us love one another, for
love is from God, and whoever loves has been born of God and knows God". That's what my world
is going to be a loving and caring world totally different from the world we are living in today. We're
going to follow God's word because God's words brings joy and just makes the world a better place.
Psalms 37: 3–4 says, " Trust in the Lord and do good; dwell in the land and enjoy safe pasture.Take
delight in the Lord, and he will give you the desires of your heart". In the society, we live in today
and past civilizations money is everything. Money leads people to do crazy things. As St. Timothy
says, "For the love of money is a root of all kinds of evil. Some people, eager for money, have
wandered from the faith and pierced themselves with many

Gcse Musical Form
Rhythm
Rhythm is best described as the musical organization of sounds. The beat, meter and tempo help
when describing rhythm.
Beat: piano emphasizes on one and the and of two throughout the song.
Meter: 4/4 (quadruple meter)
Tempo: moderately slow
The tempo is consistently fairly slow throughout Hello by Adele and it is in a quadruple meter. The
piano emphasized the downbeat of each measure and the and of two. The rhythm of the song helps
with the effect of the song which is supposed to be a sad song
Musical form
Musical form is the way in which a piece of music is structured.
Verse 1
Chorus
Verse 2
Chorus
Bridge
Chorus
Minor chords throughout
During the choruses, Adele intensifies her singing by singing higher notes and dynamic. During the
verses, Adele sings more softly. During the bridge, the song intensifies as a ... Show more content on
Helpwriting.net ...
Homophonic o Adele – lead singer o Piano, drum set, background singers, strings, guitar, bass
guitar, toms
The homophonic texture is what most popular music today is described as. There is a prominent
person, maybe a lead singer, and a background. Even without the background, there may still be a
song. The piano, drum set, background singers, string instruments, guitar, bass guitar and the toms
add to the song because they add their own dynamic to it. They all play a crucial and different role
in the song as well.
The overall effect of the song, Hello, by Adele is effective in communicating the message of the
song. Each section that I talked about above gives unique qualities to the song that make people
interested and like the song. I like how throughout the song, it builds more and more slowly by
adding instruments or even just instruments playing louder dynamics as the song builds. I also like
how the song is not overly complicated and there is not too much going on instrumental

Dynamic Shifts : Movie Analysis
Dynamic Shifts: Describe a significant element and explain its effect.
1. In the beginning of the film a quite melody plays behind the narrator's voice add she describes the
story of the gods and Perseus' birth, which adds to the story like ambiance of the scene. However,
once the scene jumpcuts to the beginning of the storyline where Perseus' adoptive father finds him
and his deceased mother in a casket, the music fades into silence. Thus, the ceasing of the music is
another element that is used by the directors and the editors to end one scene, the backstory, and
begin another scene.
2. As Perseus and his men begin to enter Medusa's lair, Perseus and Draco discuss Perseus' fate, as
the witches foretold that Perseus would die. However, Draco promises Perseus that they will survive
to the end. During this scene, the music is very upbeat, but slow. However, as the bloat inches closer
to Medusa's cave the music crescendos, and becomes louder. This technique conveys to the viewer
that Perseus and his men are approaching danger. As well, the crescendo in the movie serves as a
transition into the next scene, where they have entered Medusa's cave and possible death. The music
decrescendos as Perseus gives a short speech to the men, thanking them for accompanying him on
this journey. As a result, the rise and fall of the melody within the film can change to the overall
dynamic – the softer melody conveys the significance of Draco and Perseus conversation, and has
the same effect

Sister Act Analysis
The Sister Act, a musical theatre show, written by Cheri Steinkellner and Bill Steinkellner, was a hit
musical during the late two thousand, making all the way to Broadway. It has its roots in the era of
disco, with all types of different distinctions from modern types of music, and with its plot, it also
delves into the realm of hymns and old gospel music, which all culminates into a musical theatre
extravaganza.
It being a musical, makes it hard to distinguish one genre in particular, but the overlying theme
seems to be based on late 70's disco (as that is the setting for the musical in the first place). The
line–up of instruments were: two keyboardists, a trumpet, a clarinet, a saxophone, a flute, an electric
bass, drums, and a lot of vocalists. All the woodwinds and brass instruments were covered by one
guy, and a lot more additional instrumentation was covered by the keyboardist.
Their instrumentation in the play seemed mediocre initially, but after listening to how they were able
to cooperate with one another, to create harmonies sounding so consonant was incredibly
interesting, especially with vocalists thrown in. The voices mixing with the instruments and vice–
versa made it sound almost "angelical". The harmonies created were also very "southern–gospel"
sounding in certain points in the musical.
The vocalists varied from scene to scene but in total, there seemed to be about 22 vocalists in all.
Seeing the choir being fairly massive, in relation to the size

Comparison Of Dystopias And The New Harmony Society
Utopias and dystopias are two complete opposite societies. A utopia is defined as any real or
imaginary society, place, or state that are considered to be perfect or ideal ("Utopia"). Everyone has
a different idea of what a perfect world would be. This makes creating a utopia for everyone very
difficult. One person's utopia may be a dystopia for another. Dystopias are defined as a society
characterized by human misery, as squalor, oppression, disease, and overcrowding ("Dystopia").
Both
Oceania and the New Harmony Society started out with the intention of being a utopia; over time,
these two societies changed into dystopias for more than one reason.
Utopias are a great thing: however, most utopias do not remain utopias. With time, these utopias can
easily ... Show more content on Helpwriting.net ...
Everyone wants to have power and money so eventually the society turns corrupt and certain people
feel inferior to others. The government slowly but surely changes and things go from great to
horrible. Some examples of utopias are The Garden of Eden, Heaven, and for a short period of time,
the New Harmony colony. Examples of dystopias are Present in the book "The Hunger Games", the
book 1984, and The New Harmony society.
Both Oceania and New Harmony considered themselves to be a utopia. George Rapp founded a
society that he believed would have a community free of individualism, exploitation, social tension,
and political corruption. When joining the New Harmony society, "Members signed over all their
property to the community; they pledged to live in celibacy; and they prayed for the Second Coming
as depicted in Father Rapp's weekly sermons."(Communitarianism). The members must agree to
these guidelines and give their consent in order to be accepted into the society. Once they agree to
these opening guidelines, they must immediately start practicing them. One belief that they practice
is that "Reform would be achieved through communal love not violence or coercion" meaning, they
want to use love and

Utopian Society Research Paper
In a theoretical technologically advanced utopian society, we must come to realize that machines
will be a very big role in our society. From transportation to police, machines will be largely
involved in every part of this society. Many depictions have been made of such a society in movies
and novels. They all seem to follow a similar path; people distance themselves from each other,
hiding behind technology. With technology growing rapidly, there will be a shortage of jobs,
meaning there must be solutions to a stable economy. Furthermore, such society must follow strict
guidelines and laws for it to remain utopian.
One such depiction is the universe of Wall–E. In this future utopia, humanity has abandoned Earth
and are living on a big space ... Show more content on Helpwriting.net ...
The need for its economy to keep circulating requires a different view to the job market as it is now.
This is to prevent massive homelessness because of the automation overtaking many simpler jobs.
Tech based majors will have a great time in this utopia with an endless number of job positions
needed to keep society mostly automated. People with other skills will still have a place in this
society, because some things simply cannot be done as well by a robot, be it cooking, sports or
entertainment. Extra secure laws and regulations will help lower the crime rates. Such society
doesn't need extra strict laws, just more serious consequences to extreme wrongdoings such as
murder or rape. Adding technology to every part of our lives will also keep many of the crimes from
happening such as technologically advanced home security. There will still be much that should be
agreed on for society to follow these guidelines. Especially if the government shall receive less
power, this society has to be very well planned out to prevent catastrophic results. With all this in
mind, this technologically advanced utopia seems rather plausible in the near

Gladiator by Ridly Scott Essay
Gladiator by Ridly Scott
I am going to watch the film Gladiator by Ridly Scott. I hope to accurately describe and analyse
how the director creates a feeling of tension, suspense and how overall he makes the film believable.
I will not analyse the whole film, but just two of the scenes. The two scenes I have chosen are the
first scene the battle of Germania and the last scene the death of the evil Emperor.
======================================================================
The points I am most likely to focus on are the camera angles, sound effects, music, the acting and
the shots, also I will describe how the two scenes were made to be realistic with the aid of computer
effects.
I will ... Show more content on Helpwriting.net ...
The emperor is very impressed with his performance and arranges to meet him. When asked to
remove his mask and helmet Maximus turns his back on the emperor, the emperor was given the
choice to kill him there and then but he declined so as to keep his popularity with the crowed.
Maximus tries to escape but the emperor captures him and challenges Maximus to a fight. The
emperor cheats in this fight by stabbing Maximus with a poison dagger before. In the end both
Maximus and the emperor die in battle.
I will now analyse the first scene in the film, the battle of Germania. In this scene Rome battles
against the barbarians of Germania. The scene and film starts with blurb that helps set the scene and
draw the viewer in to the plot of the film. The blurb fades away as harmony music fades in and we,
the viewers, are shown an extreme close up of Maximus's hand sweeping through the grass. The
colour is very bright, and the music promotes happiness in the viewers mind. This small section of
the film is his thoughts of home, the harmony music which plays has a very important role
throughout the film when ever Maximus is thinking about home to drive him self on that music is
played. And the first part of the first scene links the music with home for the viewer because it is the
first thing in the film that you hear.
Suddenly the director chooses to have a huge contrast, the

Summary Of Brahms Symphony No. 4
Brahms wrote Symphony No. 4 in E Minor in 1884. The work was first performed in Meiningen,
Germany in October 1885 and was an instant success because of its masterful composition and
unique style. Brahms's music and his fourth symphony are often viewed as a bridge between the
music of the baroque and romantic era. Although Brahms is considered to be a romantic composer,
his music is unique from others because you can hear both the style of older–era composers and
features of romantic style in the texture of his works. This combination of baroque and romantic
style in his music helps create more balance in the music, which gives it a blend that captured
audiences and still entrances them today. Brahms was also inspired by study of Beethoven's
symphonies for their orchestral color and harmonic structure; Brahms incorporates these features he
enjoyed into his writing. The fourth movement of Brahms' symphony No. 4 is titled Allegro
energico e passianato and is known for its use of the Baroque style of Chaconne and other features
that are found in the Romantic style as well. Some of these include chromaticism, a melody that
jumps between major and minor keys but does not settle into a single mode, and extended
techniques to creature a richness and a wide pallet of sounds.
Brahms was a scholar and had a strong interest in Baroque music. His fourth movement makes use
of the Chaconne style. It is a series of repeated variations and chord progressions, a form of ostinato
or bass

On James Weldon Johnson’s “The Autobiography of an...
When the narrator of Johnson's novel falls in love, it is to music he turns to express that emotion to
his intended one (149). She in turn answered in kind, letting the notes and tempo combine with her
words in expression of her love returned to him. The relevance of music in Johnson's novel should
not be undercut by the other issues within the confines of his text. Exploring the meaning of this
inclusion will be to explore the theme of music itself. It will encompass the examination of the style
of music, the generation in which the story takes place along with the issues of race. Johnson's use
of music to develop a story line and illuminate the various issues and themes of his novel is a
demonstration of his love of the art form along ... Show more content on Helpwriting.net ...
This is fitting with the rest of the narrator's description of these times. The closeness of mother and
son, the evenings usually ending with the boy in his mother's arms while she "croon [s} some old
melody without words" (5). The narrator notes during these times, his mother would look into the
fire "with great dark eyes, ...to where? No one knew but her" (5). This image personifies a surreal
moment when music takes the heart and mind to another time and place. The two were in harmony
with each other, he forming the background of her existence while she lived each day in a pleasing
manner of daily routine and motherly instruction. From this the narrator takes the reader through the
development of his attachment to the art form. His talent, which expanded during his young
childhood and the early thumping on the piano, evolved into his adulthood styling of ragtime. His
early instruction happened in the form of a woman and her daughter, each of whom taught the
young narrator in music and in general education. This formed a basic foundation in the
fundamentals of music which enabled the narrator to build his musical repertoire. Later and with the
aid of a new instructor, the label of "infant prodigy" was used to describe the level of talent in
possession of the narrator (18). The author employs much into the descriptions of the narrator's early
development in music and his training, not only in hymns and old melodies, but in the classics also.

Mawi Asgedom: The Book Paw
Mawi asgedom was born in ethiopia in the middle of the civil war happening in 1974. His family
fled the war to a Sudanese refugee camp when Mawi was only 3 years old. Four years later Mawi
and his family immigrated to america when he was only 7 years old. They moved into a house in
Chicago a year later. Mawi his mother and brother grew up very poor and lived off food stamps.
Mawi has written 8 books in his life. He has inspired many teenagers with his motivational speeches
and his online leadership classes. Mawi has always excelled academically. He later graduated from
Harvard University.Mawi asgedom influenced society by showing people that with hard work
comes success through his literary work Of Beetles & Angels, The Code, ... Show more content on
Helpwriting.net ...
At the age of three Mawi, his Mother, and Brother fled the civil war happening in Ethiopia to a
sudanese refugee camp. He grew up poor living in Chicago, and he later went on to graduate
Harvard University. This book influences society through inspiration and dedication. This book was
written to show that you can be successful if you work hard no matter what your background is. He
decided to share his story to inspire the youth and to prove that you can do anything if you work
hard enough. Also to stop making excuses and just try your best and good things will come as a
result.This book has many inspirational quotes but the one I choose is one of the more popular ones.
I choose "People always mistreated the angels, my father said, because the angels never looked like
angels. They were always disguised as the lowliest of beetles; beggars, vagrants,and misfits."
(Asgedom 50) This quote could be interpreted into many different ways but the majority of people
viewed it as people often are quick to judge by appearance and material things. This quote is saying
some of the best people don't look like they would be the best people. Also, the angels are the people
that aren't what they seem. Then he says the beetles are disguised as beggars, vagrants, and misfits.
The quote is saying when you get to know the beatles you start to see them as angels or better
people. So when you get to know the angels you start to see them as beetles or lesser

Geraldine Brooks's Reading The Secret Chord A Novel
The Secret Chord Reading The Secret Chord A Novel by Geraldine Brooks was like reading about
the biblical character King David for the first time. Author Ms. Brooks brought King David's
character to life. As I read, I hardly realized that the novel is over five–hundred pages. Brooks
carefully built upon the biblical story of David. What I appreciate is that Brooks did not omit
information rather she expanded on the facts colorfully and creatively. Some of the expansion is
based on theory. However, the majority of the story aligns with biblical and historical chronology.
For example, the story expands on David's childhood relationship with his paternal and maternal
caregivers.
The story interestingly describes King David as a talented musician among his many talents. King
David's musical ability had the power to soothe the savage, unite his offspring, and bring healing
and unity to two split nations. David's instrument of choice was a harp, that was a part of his
existence. Geraldine enlightens us to how beautifully David played the harp; she says "if the harp
where a loom the notes he drew from it a bright thread forming a splendid pattern . . . He played this
way often, even interrupting meetings with his generals . . . He said that music its order and
precision – helped him find the patterns in things – the way through the confusion of events and
opinions to the direction to order, and beyond inspiration" (Brooks 40).The text even says you could
read his mind through his

Analysis Of The Song Blue Moon
The original version of the song Blue Moon was written in 1934 by Richard Rodgers and Lorenz
Hart. The version by jazz singer Billie Holiday was release in 1952. The work is performed by a
mixed ensemble consisting of a single soloist and a jazz quartet. The meter and the rhythm can be
categorized as a compound meter with accented upbeats. The texture of the version performed by
Billie Holiday is polyphonic as the vocalist and the musicians have different lines of music that are
being performed at the same time. This type of texture was common for the jazz songs of the time.
The melody of the piece stays the same throughout most of the piece until almost the end. During
this part of the song the vocals drop out and a saxaphone replaces the

How Did Franz Schubert Develop His Sacred Music?
Even though Franz Schubert's most admire composer, Ludwig van Beethoven composed his sacred
music in his late period, Schubert began to compose his sacred music since his early age.
Throughout Schubert's short life, he composed six masses. His six masses can be divided between
early four masses and late two masses. Schubert's last mass in E flat includes unique moments
where chorus sings unmelodic and homophonic passages with melodic phrases in one or more of the
instruments. This short paper examines why Schubert chooses the moments he does to have the
choir sing simple chords while the instruments wax rhapsodic.
Firstly, in this work, Schubert sets these unique moments due to text and his aim to express text
meaning effectively. These moments ... Show more content on Helpwriting.net ...
In June and July 1828, he enthusiastically composed mass in E flat. Although, it is still not clear
when he completed this work, it exposes his definitive maturity as composer. In this period,
Schubert changed his concept of mass as profound personal genre instead of liturgical work, so that
he attempted to use his overall compositional skills and musical ideas. In this concepts, mass in E
flat includes the forms of instrumental music. In 1828, Schubert delved into counterpoint and used it
for his mass in E flat. After the symmetrical five sections of Gloria, Schubert sets the fugue to
conclude this movement. It starts from "Cum sancto spiritu" [mm. 260], and "Amen" section
culminates. This fugue theme of Gloria evokes the theme of Johann Sebastian Bach's Keyboard
music. In addition, composer used the fugue again for "Osanna in excelsis Deo" and entire
Benedictus movement composed with rondo form. This movement begins with stings four measures
phrase, and after strings' playing theme, four soloists, winds instruments and choir join. Fugue and
rondo form are the representative forms of instrumental music. Likewise, Schubert combines the
musical idea of instrumental music to mass, and his consideration of genre and approach of mass led
him to consider to change the role of orchestra as individual

An Analysis Of Claire Boucher 's New Music
Since she started making music in 2010, Claire Boucher's Grimes project has made some of the
oddest pop music imaginable, and since she started making music in 2010, the music has only
increased in quality. From 2010′s three lo–fi, darker projects of Darkbloom, Halfaxa, and Geidi
Primes, to 2012′s ethereal Visions, to her recent singles, last year's trap–influenced "Go" and this
year's moody synthpop jam "REALiTi (Demo)", Boucher seems to have been slowly moving
towards a mainstream pop presence, if only on the periphery. Art Angels is the newest progression
towards this goal, lying closest to the center – it seems to be Boucher's least experimental record
thus far, if only conceptually. This change has been met with varying degrees of ... Show more
content on Helpwriting.net ...
It's why this album feels so polished at times – as a vocalist, Grimes is taking every opportunity to
add melody to the songs. In "Flesh Without Blood", the triumphant lead single, her voice never
rests, dancing in the verses, fluttering in the pre–chorus, and finally exploding: "Now I don't care
anymore / uncontrollable." "Kill V. Maim" is another example of a song that would be quite boring
without Boucher's relentless experimentation with vocals: her ratty, filtered voice whines the verses,
occasionally lapsing into a grotesque scream. Every five seconds, she's changing her melody, her
voice, and the instruments around her, and it's all set to a very clearly defined chord progression, one
that doesn't have to be beautiful as long as it's catchy. The result is that Art Angels is a grower of an
album – at first listen, one might only hear a single element of a song, but more and more of
Boucher's lovely experiments will leak out with more and more listens.
Truly, this album is much more eclectic than Visions, and Boucher pulls off each little genre
experiment fantastically, adapting the genres to her style. With its mantric vocals and stop–and–go
guitar riff, "Artangels" sounds like a Jagwar Ma track at first – however, Boucher clogs this
framework with little sonic Easter eggs, keeping the beat interesting

Hey Jude
Hey Jude – Song analysis
"Hey Jude" is a song by the English rock band The Beatles and was written by Paul McCartney. It
was first released in August 1968 under The Beatles label 'Apple Records'. Hey Jude runs for 7mins
and 11secs and at the time of release was the longest single to top the British charts.
The song is said to have evolved from "hey Jules", a song that had been written as a ballad to
comfort Lennon's son Julian during his parents' divorce. McCartney said,
"I started with the idea 'Hey Jules,' which was Julian, don't make it bad, take a sad song and make it
better. Hey, try and deal with this terrible thing. I knew it was not going to be easy for him. I always
feel sorry for kids in divorces ... I had the idea [for ... Show more content on Helpwriting.net ...
This is however broken at the end of this verse as there is one bar added. Harmonically to do this the
final verse chord is turned into a V/IV allowing the chordal structure to smoothly transition from
verse to bridge.
Bridge 1:
As a result of the verse having a bar added to the end, the first phrase of both bridges have 5 bars
thus mimicking the lead in from verse to bridge making the song stable again. Harmonically the
start and the end of both bridges tonally are quite unstable. The bridge is an unusual 11 and a half
measures long and sees the introduction of a walking Bass line and drums with emphasis on tapping
cymbals. Melodically the main vocal tends to fall throughout the most part of the bridge, barely
rising until the major melody swell that leads to the next verse.
Verse 3:
Verse 3 has the addition of backing vocals in thirds. There is also the introduction of a stray backing
vocal as well. The stray vocal "so let it out and let it in" leads into the lyrical ideas found in the next
bridge. The tambourine in this verse is more frequent and played now as semi–quavers.
Bridge 2: Bridge 2 mirrors bridge 1 harmonically and musically with only slight variance in lyrics
and slightly more ornate lead vocals with more passing notes but still sticking to the diatonic Fmajor
the majority of the time..
Verse 4:

In verse 4 there is a vocal ornamentation of the initial "Hey Jude" phrase,

Sam Lawson Valis Ablae Analysis
First impressions: Valis Ablaze – Insularity EP (2017) by Sam Lawson
Sadly, due to the fact that i've got my hands on this EP so late in the game and it's being released just
days from now, I don't have time to properly sit and digest this music as thoroughly as I would like
to so instead of a normal review, i'll be doing a first impression piece, which is for all intents and
purposes exactly the same as a review but it's written over the course of the first two listens to the
music rather than after the fact.
So currently, i'm about one minute into the opener 'Resolution'. Something that struck me was the
rich vocal harmonies at the beginning of the song, there are plenty of staples of the "djent" subgenre
appearing throughout the track. You have the TesseracT esque chord arpeggio, clean guitar intro
bleeding into a heavy riff and then dropping out to the verse, which is very ethereal and spacey
melodically with a thundering syncopated drum ... Show more content on Helpwriting.net ...
The usual suspects being Dan Tompkins, Spencer Sotelo and whatnot and sure maybe he uses a
similar technique and his ear for melody has likely been altered by listening to those bands a lot in
his life however, he isn't an imitation which is refreshing. I'm sort of replaying the same part over
and over trying to figure out who his voice does remind me of, I hate making lazy comparisons but
somethings I have to figure out for the sake of my own sanity. Perhaps Chris Barretto of Monuments
fame? Mostly when he is creeping into his higher range. I also get Tillian (Dance Gavin Dance)
vibes too. This song does no wrong as an opening track, I am hoping the that the songwriting takes a
bit of a left–of–field turn as we progress through, a classic djent banger is a great way to kick off but
i'm hoping what is left is slightly more experimental

Walter Hilse

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Walter Hilse