SlideShare a Scribd company logo
1 of 36
Mixed Media
The Tate Museum in London
describes mixed media as
‘artworks composed from a
combination of different media
or materials’. It began to make
an appearance, as we have
seen in our last presentation,
with artists Pablo Picasso and
George Braque.
This presentation introduces you to artists
that have used mixed media techniques in
their paintings. It will give you an idea of
what effects can be achieved with mixing
media and introduce you to some new
vocabulary and techniques associated with
combining different media. It will briefly give
you an insight to where these artists gained
their inspiration from for their work. It will
also give you some ideas so you can create
your own mixed media artwork.
One important term to keep in mind when creating works in
oils is ‘fat over lean’. This means means the first ‘layer’
should be applied relatively thinly-be given time to dry,
before a thicker layer is applied. Technically there should be
no medium (oil) in the base coat. Better to build up layers,
this helps to ensure the first layer is dry. Oils straight from a
tube (fat) and oils mixed with a linseed oil/damar take a
LONG time to dry-there must be less oil in the first layer that
the successive-if another layer is applied before the first
layer dries it results in different drying times which creates
instability and layer shrinkage/cracking. If you are working in
acrylics and oils-it is water-based first then oil. Again, when
working in acrylics-wait for 1st layer to dry before applying
another. When combining other mediums or objects
remember to wait for these to dry before continuing.
Cy Twombly (1928-2011)
Twombly was an American painter, draftsman, printmaker
and sculptor. He was associated with the abstract
impressionists. His work developed a more graphic
aesthetic as years progressed and he used various
mediums on the one support-oils, pencil, crayon, collage,
chalk-often working into the ground whilst the paint was
still wet (But he wasn’t applying a thick layer of oils over a
wet layer!) He had a distinctly personal calligraphy that
served to communicate literary messages. He was
interested in portraying history and time- His work often
consisted of layers-worked and reworked resulting in a
diffusion of scrawling graffiti, marks and obscured images
that echoed the passage of time. He spent a large part of
his life in Italy and travelling, returning periodically back to
America.
(MoMa, 2014).
Robert Rauschenberg 1925-2008
Rauschenberg was one of America’s greatest artists. He
influenced, and still influences, generations of artists.
Highly curious, he explored many mediums -his
blending of materials and techniques, resulted in what
he termed ‘combines’(assemblages) He was an
important figure in bridging and ex-tending ideals from
the dadaist’s inquiries influencing Abstract
Expressionism and Pop art right through to
contemporary art movements. He experimented with
many techniques, incorporating screen-printing,
painting, found objects, collage, sculpture and painting
into his work. He allowed viewers to create their own
interpretation of his work.(The Art Story
Foundation,2014)
Antoni Tapies-1923-2012
Tapies was one of Spain’s greatest modern artists. A
painter, printmaker and sculptor his works are often
large to huge in scale. Primarily self-taught, he
abandoned the study of law to pursue the life of an
artist. He used earth, metal, clay and marble dust,
organic and inorganic material, collage and found
objects in his work. Often very sculptural in
appearance his painting was strongly characterised
by heavy impasto. His work reflects the social and
polical events of the time. His name in Catalan
means ‘Wall’, very fitting as most works are very
textural, reminescent of old ruins. In later years his
work reflected Eastern influences. (Fundació Antoni
Tàpies, Alley 1981)
Jasper Johns 1930-
John’s used found objects, torn newspaper and mass
produced goods and imagery in his work and in doing so
broke down the boundaries between fine art and
consumer, mass culture paving the way for the Pop Art
movement’s aesthetic embrace of popular culture. He
often used icons and imagery in his work that was already
familiar to audiences-like the flag, numbers or his work
‘Map’. Like Rauschenberg, he admired Marcel Duchamp
and also left the interpretation of his work to the viewer. He
was also a fine printmaker, a sculptor , he made drawings
and participated in multimedia collaborations. He had a
strong influence on successive art movements, among
them Pop, Minimal and Conceptual art.(The Art Story,
2014)
Jim Dine 1935-
Jim Dine was a painter, graphic artist, sculptor, poet and printmaker.
His subject matter often dealt with ordinary objects from daily life. His
themes comprised of personal identity, memory and the body. As well
as paintings, he made many prints, both etchings and lithographs of
tools-we can saw here the link with personal identity, because both
Dine’s father and grandfather ran a hardware store. He is also quoted
as saying
‘ I don't deal exclusively with the popular image. I'm more concerned
with it as a part of my landscape. Pop Art is only one facet of my
work. More than popular images, I'm interested in personal images.'.
Dine( cited in Artcylopedia, np)
His early work were paintings, images on canvas with attached
objects, such as peices of clothing or garden tools. He often repeated
themes, interpreting them in different mediums and by the 60’s his
work was quite recognisable, and he is associated particularily with
the bathrobe and the stylised heart.
The next slide contains terms that
requires you to find and write their
definitions. These art terms and
techniques relate to the PowerPoint
‘Painting’ as well, so the vocabulary is
shared between the 2 presentations.
This is because both mixed media and
painting share some techniques and
materials- depending on the
medium(s) used.
Key Terms
Assemblage
Dry brush technique
Emulsion
Impasto
Prime/Priming
Gel medium
Gesso
Scumbling
Matte Medium
Underpainting
Transfer/Photo Transfer
Write the definition of each of these terms.
Look in the glossary section of the web-site.

More Related Content

What's hot

Collage: An Exploration
Collage: An ExplorationCollage: An Exploration
Collage: An ExplorationFrank Curkovic
 
Assemblage art
Assemblage artAssemblage art
Assemblage artLizLee93
 
Mixed Media and the Found Object
Mixed Media and the Found ObjectMixed Media and the Found Object
Mixed Media and the Found Objectglennhirsch
 
Uvc100 fall2016 class6.2_semiotics_pt2
Uvc100 fall2016 class6.2_semiotics_pt2Uvc100 fall2016 class6.2_semiotics_pt2
Uvc100 fall2016 class6.2_semiotics_pt2Jennifer Burns
 
Chapter 13 bauhaus and the teaching of modernism
Chapter 13  bauhaus and the teaching of modernismChapter 13  bauhaus and the teaching of modernism
Chapter 13 bauhaus and the teaching of modernismPetrutaLipan
 
Cut&Paste: Appropriation Art
Cut&Paste: Appropriation ArtCut&Paste: Appropriation Art
Cut&Paste: Appropriation ArtDeborahJ
 
Past, present, future gcse exam 16
Past, present, future gcse exam 16Past, present, future gcse exam 16
Past, present, future gcse exam 16missfcmay
 
Tom risley presentation03
Tom risley presentation03Tom risley presentation03
Tom risley presentation03KMACG
 
Week 2 art as idea
Week 2 art as idea Week 2 art as idea
Week 2 art as idea DeborahJ
 
Art100 fall2016 class5.1_formal_analysisstepbystep
Art100 fall2016 class5.1_formal_analysisstepbystepArt100 fall2016 class5.1_formal_analysisstepbystep
Art100 fall2016 class5.1_formal_analysisstepbystepJennifer Burns
 
Exam part 2
Exam part 2Exam part 2
Exam part 2missfmay
 
Exam part 1
Exam part 1Exam part 1
Exam part 1missfmay
 
A2 Art Exam- Flaws, Perfections Ideals or Comprimises
A2 Art Exam- Flaws, Perfections Ideals or ComprimisesA2 Art Exam- Flaws, Perfections Ideals or Comprimises
A2 Art Exam- Flaws, Perfections Ideals or ComprimisesMelanie Powell
 
Year 9 Natural Forms boards
Year 9  Natural Forms boardsYear 9  Natural Forms boards
Year 9 Natural Forms boardsmissfmay
 

What's hot (19)

Collage: An Exploration
Collage: An ExplorationCollage: An Exploration
Collage: An Exploration
 
Found objects
Found objectsFound objects
Found objects
 
Assemblage art
Assemblage artAssemblage art
Assemblage art
 
Mixed Media and the Found Object
Mixed Media and the Found ObjectMixed Media and the Found Object
Mixed Media and the Found Object
 
Uvc100 fall2016 class6.2_semiotics_pt2
Uvc100 fall2016 class6.2_semiotics_pt2Uvc100 fall2016 class6.2_semiotics_pt2
Uvc100 fall2016 class6.2_semiotics_pt2
 
Conceptual art
Conceptual artConceptual art
Conceptual art
 
Force powerpoint
Force powerpointForce powerpoint
Force powerpoint
 
Chapter 13 bauhaus and the teaching of modernism
Chapter 13  bauhaus and the teaching of modernismChapter 13  bauhaus and the teaching of modernism
Chapter 13 bauhaus and the teaching of modernism
 
Cut&Paste: Appropriation Art
Cut&Paste: Appropriation ArtCut&Paste: Appropriation Art
Cut&Paste: Appropriation Art
 
Past, present, future gcse exam 16
Past, present, future gcse exam 16Past, present, future gcse exam 16
Past, present, future gcse exam 16
 
Tom risley presentation03
Tom risley presentation03Tom risley presentation03
Tom risley presentation03
 
Week 2 art as idea
Week 2 art as idea Week 2 art as idea
Week 2 art as idea
 
Art II Landscape Painting
Art II Landscape PaintingArt II Landscape Painting
Art II Landscape Painting
 
Art100 fall2016 class5.1_formal_analysisstepbystep
Art100 fall2016 class5.1_formal_analysisstepbystepArt100 fall2016 class5.1_formal_analysisstepbystep
Art100 fall2016 class5.1_formal_analysisstepbystep
 
Exam part 2
Exam part 2Exam part 2
Exam part 2
 
Exam part 1
Exam part 1Exam part 1
Exam part 1
 
A2 Art Exam- Flaws, Perfections Ideals or Comprimises
A2 Art Exam- Flaws, Perfections Ideals or ComprimisesA2 Art Exam- Flaws, Perfections Ideals or Comprimises
A2 Art Exam- Flaws, Perfections Ideals or Comprimises
 
Year 9 Natural Forms boards
Year 9  Natural Forms boardsYear 9  Natural Forms boards
Year 9 Natural Forms boards
 
The New York School
The New York SchoolThe New York School
The New York School
 

Similar to Mixed media

Abstract Expressionism, Pop Art, Op Art.pptx
Abstract Expressionism, Pop Art, Op Art.pptxAbstract Expressionism, Pop Art, Op Art.pptx
Abstract Expressionism, Pop Art, Op Art.pptxJonathanSiribanBias
 
Augustbirthdays1
Augustbirthdays1Augustbirthdays1
Augustbirthdays1sneuner
 
SHGC Pop Art - Part 2
SHGC Pop Art - Part 2SHGC Pop Art - Part 2
SHGC Pop Art - Part 2rachaelwhare
 
AS Exam 2015- Relationships
AS Exam 2015- RelationshipsAS Exam 2015- Relationships
AS Exam 2015- RelationshipsMelanie Powell
 
SHGC Pop Art - Part 1
SHGC Pop Art - Part 1SHGC Pop Art - Part 1
SHGC Pop Art - Part 1rachaelwhare
 
Continuation art forms in the 20 th century202
Continuation art forms in the 20 th century202Continuation art forms in the 20 th century202
Continuation art forms in the 20 th century202Bombie Dalangin
 
Pil-educational art software designed by Miss Munrakhan
Pil-educational art software designed by Miss MunrakhanPil-educational art software designed by Miss Munrakhan
Pil-educational art software designed by Miss Munrakhanbindiya14
 
SHGC History of Art - Part 2
SHGC History of Art - Part 2SHGC History of Art - Part 2
SHGC History of Art - Part 2rachaelwhare
 
conceptual art final.pptx
conceptual art final.pptxconceptual art final.pptx
conceptual art final.pptxAswinthomas12
 
Order and/or Disorder
Order and/or DisorderOrder and/or Disorder
Order and/or Disordermissfcmay
 

Similar to Mixed media (20)

Commercial Art
Commercial ArtCommercial Art
Commercial Art
 
Abstract Expressionism, Pop Art, Op Art.pptx
Abstract Expressionism, Pop Art, Op Art.pptxAbstract Expressionism, Pop Art, Op Art.pptx
Abstract Expressionism, Pop Art, Op Art.pptx
 
Augustbirthdays1
Augustbirthdays1Augustbirthdays1
Augustbirthdays1
 
SHGC Pop Art - Part 2
SHGC Pop Art - Part 2SHGC Pop Art - Part 2
SHGC Pop Art - Part 2
 
Pop art
Pop artPop art
Pop art
 
AS Exam 2015- Relationships
AS Exam 2015- RelationshipsAS Exam 2015- Relationships
AS Exam 2015- Relationships
 
Printmaking
PrintmakingPrintmaking
Printmaking
 
SHGC Pop Art - Part 1
SHGC Pop Art - Part 1SHGC Pop Art - Part 1
SHGC Pop Art - Part 1
 
Transition project
Transition projectTransition project
Transition project
 
Continuation art forms in the 20 th century202
Continuation art forms in the 20 th century202Continuation art forms in the 20 th century202
Continuation art forms in the 20 th century202
 
Pil-educational art software designed by Miss Munrakhan
Pil-educational art software designed by Miss MunrakhanPil-educational art software designed by Miss Munrakhan
Pil-educational art software designed by Miss Munrakhan
 
Robert deluanay
Robert deluanayRobert deluanay
Robert deluanay
 
Manifestos
ManifestosManifestos
Manifestos
 
SHGC History of Art - Part 2
SHGC History of Art - Part 2SHGC History of Art - Part 2
SHGC History of Art - Part 2
 
W2-ARTS.pdf
W2-ARTS.pdfW2-ARTS.pdf
W2-ARTS.pdf
 
conceptual art final.pptx
conceptual art final.pptxconceptual art final.pptx
conceptual art final.pptx
 
Order and/or Disorder
Order and/or DisorderOrder and/or Disorder
Order and/or Disorder
 
Jackson Pollock
Jackson PollockJackson Pollock
Jackson Pollock
 
Art History
Art HistoryArt History
Art History
 
The Modernist Era
The Modernist EraThe Modernist Era
The Modernist Era
 

Recently uploaded

Akola Call Girls #9907093804 Contact Number Escorts Service Akola
Akola Call Girls #9907093804 Contact Number Escorts Service AkolaAkola Call Girls #9907093804 Contact Number Escorts Service Akola
Akola Call Girls #9907093804 Contact Number Escorts Service Akolasrsj9000
 
Call Girls in Islamabad | 03274100048 | Call Girl Service
Call Girls in Islamabad | 03274100048 | Call Girl ServiceCall Girls in Islamabad | 03274100048 | Call Girl Service
Call Girls in Islamabad | 03274100048 | Call Girl ServiceAyesha Khan
 
Low Rate Call Girls in Laxmi Nagar Delhi Call 9990771857
Low Rate Call Girls in Laxmi Nagar Delhi Call 9990771857Low Rate Call Girls in Laxmi Nagar Delhi Call 9990771857
Low Rate Call Girls in Laxmi Nagar Delhi Call 9990771857delhimodel235
 
How Can You Get Dubai Call Girls +971564860409 Call Girls Dubai?
How Can You Get Dubai Call Girls +971564860409 Call Girls Dubai?How Can You Get Dubai Call Girls +971564860409 Call Girls Dubai?
How Can You Get Dubai Call Girls +971564860409 Call Girls Dubai?kexey39068
 
Call Girl in Bur Dubai O5286O4116 Indian Call Girls in Bur Dubai By VIP Bur D...
Call Girl in Bur Dubai O5286O4116 Indian Call Girls in Bur Dubai By VIP Bur D...Call Girl in Bur Dubai O5286O4116 Indian Call Girls in Bur Dubai By VIP Bur D...
Call Girl in Bur Dubai O5286O4116 Indian Call Girls in Bur Dubai By VIP Bur D...dajasot375
 
FULL ENJOY - 9953040155 Call Girls in Mahipalpur | Delhi
FULL ENJOY - 9953040155 Call Girls in Mahipalpur | DelhiFULL ENJOY - 9953040155 Call Girls in Mahipalpur | Delhi
FULL ENJOY - 9953040155 Call Girls in Mahipalpur | DelhiMalviyaNagarCallGirl
 
FULL ENJOY - 9953040155 Call Girls in New Ashok Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in New Ashok Nagar | DelhiFULL ENJOY - 9953040155 Call Girls in New Ashok Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in New Ashok Nagar | DelhiMalviyaNagarCallGirl
 
Govindpuri Call Girls : ☎ 8527673949, Low rate Call Girls
Govindpuri Call Girls : ☎ 8527673949, Low rate Call GirlsGovindpuri Call Girls : ☎ 8527673949, Low rate Call Girls
Govindpuri Call Girls : ☎ 8527673949, Low rate Call Girlsashishs7044
 
Aiims Call Girls : ☎ 8527673949, Low rate Call Girls
Aiims Call Girls : ☎ 8527673949, Low rate Call GirlsAiims Call Girls : ☎ 8527673949, Low rate Call Girls
Aiims Call Girls : ☎ 8527673949, Low rate Call Girlsashishs7044
 
8377087607, Door Step Call Girls In Gaur City (NOIDA) 24/7 Available
8377087607, Door Step Call Girls In Gaur City (NOIDA) 24/7 Available8377087607, Door Step Call Girls In Gaur City (NOIDA) 24/7 Available
8377087607, Door Step Call Girls In Gaur City (NOIDA) 24/7 Availabledollysharma2066
 
FULL ENJOY - 9953040155 Call Girls in Noida | Delhi
FULL ENJOY - 9953040155 Call Girls in Noida | DelhiFULL ENJOY - 9953040155 Call Girls in Noida | Delhi
FULL ENJOY - 9953040155 Call Girls in Noida | DelhiMalviyaNagarCallGirl
 
The First Date by Daniel Johnson (Inspired By True Events)
The First Date by Daniel Johnson (Inspired By True Events)The First Date by Daniel Johnson (Inspired By True Events)
The First Date by Daniel Johnson (Inspired By True Events)thephillipta
 
Faridabad Call Girls : ☎ 8527673949, Low rate Call Girls
Faridabad Call Girls : ☎ 8527673949, Low rate Call GirlsFaridabad Call Girls : ☎ 8527673949, Low rate Call Girls
Faridabad Call Girls : ☎ 8527673949, Low rate Call Girlsashishs7044
 
FULL ENJOY - 9953040155 Call Girls in Dwarka Mor | Delhi
FULL ENJOY - 9953040155 Call Girls in Dwarka Mor | DelhiFULL ENJOY - 9953040155 Call Girls in Dwarka Mor | Delhi
FULL ENJOY - 9953040155 Call Girls in Dwarka Mor | DelhiMalviyaNagarCallGirl
 
FULL ENJOY - 9953040155 Call Girls in Shahdara | Delhi
FULL ENJOY - 9953040155 Call Girls in Shahdara | DelhiFULL ENJOY - 9953040155 Call Girls in Shahdara | Delhi
FULL ENJOY - 9953040155 Call Girls in Shahdara | DelhiMalviyaNagarCallGirl
 
Karachi Escorts | +923070433345 | Escort Service in Karachi
Karachi Escorts | +923070433345 | Escort Service in KarachiKarachi Escorts | +923070433345 | Escort Service in Karachi
Karachi Escorts | +923070433345 | Escort Service in KarachiAyesha Khan
 
FULL ENJOY - 9953040155 Call Girls in Paschim Vihar | Delhi
FULL ENJOY - 9953040155 Call Girls in Paschim Vihar | DelhiFULL ENJOY - 9953040155 Call Girls in Paschim Vihar | Delhi
FULL ENJOY - 9953040155 Call Girls in Paschim Vihar | DelhiMalviyaNagarCallGirl
 
Karol Bagh Call Girls : ☎ 8527673949, Low rate Call Girls
Karol Bagh Call Girls : ☎ 8527673949, Low rate Call GirlsKarol Bagh Call Girls : ☎ 8527673949, Low rate Call Girls
Karol Bagh Call Girls : ☎ 8527673949, Low rate Call Girlsashishs7044
 
Olivia Cox. intertextual references.pptx
Olivia Cox. intertextual references.pptxOlivia Cox. intertextual references.pptx
Olivia Cox. intertextual references.pptxLauraFagan6
 

Recently uploaded (20)

Akola Call Girls #9907093804 Contact Number Escorts Service Akola
Akola Call Girls #9907093804 Contact Number Escorts Service AkolaAkola Call Girls #9907093804 Contact Number Escorts Service Akola
Akola Call Girls #9907093804 Contact Number Escorts Service Akola
 
Call Girls in Islamabad | 03274100048 | Call Girl Service
Call Girls in Islamabad | 03274100048 | Call Girl ServiceCall Girls in Islamabad | 03274100048 | Call Girl Service
Call Girls in Islamabad | 03274100048 | Call Girl Service
 
Low Rate Call Girls in Laxmi Nagar Delhi Call 9990771857
Low Rate Call Girls in Laxmi Nagar Delhi Call 9990771857Low Rate Call Girls in Laxmi Nagar Delhi Call 9990771857
Low Rate Call Girls in Laxmi Nagar Delhi Call 9990771857
 
How Can You Get Dubai Call Girls +971564860409 Call Girls Dubai?
How Can You Get Dubai Call Girls +971564860409 Call Girls Dubai?How Can You Get Dubai Call Girls +971564860409 Call Girls Dubai?
How Can You Get Dubai Call Girls +971564860409 Call Girls Dubai?
 
Call Girl in Bur Dubai O5286O4116 Indian Call Girls in Bur Dubai By VIP Bur D...
Call Girl in Bur Dubai O5286O4116 Indian Call Girls in Bur Dubai By VIP Bur D...Call Girl in Bur Dubai O5286O4116 Indian Call Girls in Bur Dubai By VIP Bur D...
Call Girl in Bur Dubai O5286O4116 Indian Call Girls in Bur Dubai By VIP Bur D...
 
FULL ENJOY - 9953040155 Call Girls in Mahipalpur | Delhi
FULL ENJOY - 9953040155 Call Girls in Mahipalpur | DelhiFULL ENJOY - 9953040155 Call Girls in Mahipalpur | Delhi
FULL ENJOY - 9953040155 Call Girls in Mahipalpur | Delhi
 
FULL ENJOY - 9953040155 Call Girls in New Ashok Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in New Ashok Nagar | DelhiFULL ENJOY - 9953040155 Call Girls in New Ashok Nagar | Delhi
FULL ENJOY - 9953040155 Call Girls in New Ashok Nagar | Delhi
 
Govindpuri Call Girls : ☎ 8527673949, Low rate Call Girls
Govindpuri Call Girls : ☎ 8527673949, Low rate Call GirlsGovindpuri Call Girls : ☎ 8527673949, Low rate Call Girls
Govindpuri Call Girls : ☎ 8527673949, Low rate Call Girls
 
Aiims Call Girls : ☎ 8527673949, Low rate Call Girls
Aiims Call Girls : ☎ 8527673949, Low rate Call GirlsAiims Call Girls : ☎ 8527673949, Low rate Call Girls
Aiims Call Girls : ☎ 8527673949, Low rate Call Girls
 
8377087607, Door Step Call Girls In Gaur City (NOIDA) 24/7 Available
8377087607, Door Step Call Girls In Gaur City (NOIDA) 24/7 Available8377087607, Door Step Call Girls In Gaur City (NOIDA) 24/7 Available
8377087607, Door Step Call Girls In Gaur City (NOIDA) 24/7 Available
 
FULL ENJOY - 9953040155 Call Girls in Noida | Delhi
FULL ENJOY - 9953040155 Call Girls in Noida | DelhiFULL ENJOY - 9953040155 Call Girls in Noida | Delhi
FULL ENJOY - 9953040155 Call Girls in Noida | Delhi
 
The First Date by Daniel Johnson (Inspired By True Events)
The First Date by Daniel Johnson (Inspired By True Events)The First Date by Daniel Johnson (Inspired By True Events)
The First Date by Daniel Johnson (Inspired By True Events)
 
Dxb Call Girls # +971529501107 # Call Girls In Dxb Dubai || (UAE)
Dxb Call Girls # +971529501107 # Call Girls In Dxb Dubai || (UAE)Dxb Call Girls # +971529501107 # Call Girls In Dxb Dubai || (UAE)
Dxb Call Girls # +971529501107 # Call Girls In Dxb Dubai || (UAE)
 
Faridabad Call Girls : ☎ 8527673949, Low rate Call Girls
Faridabad Call Girls : ☎ 8527673949, Low rate Call GirlsFaridabad Call Girls : ☎ 8527673949, Low rate Call Girls
Faridabad Call Girls : ☎ 8527673949, Low rate Call Girls
 
FULL ENJOY - 9953040155 Call Girls in Dwarka Mor | Delhi
FULL ENJOY - 9953040155 Call Girls in Dwarka Mor | DelhiFULL ENJOY - 9953040155 Call Girls in Dwarka Mor | Delhi
FULL ENJOY - 9953040155 Call Girls in Dwarka Mor | Delhi
 
FULL ENJOY - 9953040155 Call Girls in Shahdara | Delhi
FULL ENJOY - 9953040155 Call Girls in Shahdara | DelhiFULL ENJOY - 9953040155 Call Girls in Shahdara | Delhi
FULL ENJOY - 9953040155 Call Girls in Shahdara | Delhi
 
Karachi Escorts | +923070433345 | Escort Service in Karachi
Karachi Escorts | +923070433345 | Escort Service in KarachiKarachi Escorts | +923070433345 | Escort Service in Karachi
Karachi Escorts | +923070433345 | Escort Service in Karachi
 
FULL ENJOY - 9953040155 Call Girls in Paschim Vihar | Delhi
FULL ENJOY - 9953040155 Call Girls in Paschim Vihar | DelhiFULL ENJOY - 9953040155 Call Girls in Paschim Vihar | Delhi
FULL ENJOY - 9953040155 Call Girls in Paschim Vihar | Delhi
 
Karol Bagh Call Girls : ☎ 8527673949, Low rate Call Girls
Karol Bagh Call Girls : ☎ 8527673949, Low rate Call GirlsKarol Bagh Call Girls : ☎ 8527673949, Low rate Call Girls
Karol Bagh Call Girls : ☎ 8527673949, Low rate Call Girls
 
Olivia Cox. intertextual references.pptx
Olivia Cox. intertextual references.pptxOlivia Cox. intertextual references.pptx
Olivia Cox. intertextual references.pptx
 

Mixed media

  • 2. The Tate Museum in London describes mixed media as ‘artworks composed from a combination of different media or materials’. It began to make an appearance, as we have seen in our last presentation, with artists Pablo Picasso and George Braque.
  • 3. This presentation introduces you to artists that have used mixed media techniques in their paintings. It will give you an idea of what effects can be achieved with mixing media and introduce you to some new vocabulary and techniques associated with combining different media. It will briefly give you an insight to where these artists gained their inspiration from for their work. It will also give you some ideas so you can create your own mixed media artwork.
  • 4. One important term to keep in mind when creating works in oils is ‘fat over lean’. This means means the first ‘layer’ should be applied relatively thinly-be given time to dry, before a thicker layer is applied. Technically there should be no medium (oil) in the base coat. Better to build up layers, this helps to ensure the first layer is dry. Oils straight from a tube (fat) and oils mixed with a linseed oil/damar take a LONG time to dry-there must be less oil in the first layer that the successive-if another layer is applied before the first layer dries it results in different drying times which creates instability and layer shrinkage/cracking. If you are working in acrylics and oils-it is water-based first then oil. Again, when working in acrylics-wait for 1st layer to dry before applying another. When combining other mediums or objects remember to wait for these to dry before continuing.
  • 5. Cy Twombly (1928-2011) Twombly was an American painter, draftsman, printmaker and sculptor. He was associated with the abstract impressionists. His work developed a more graphic aesthetic as years progressed and he used various mediums on the one support-oils, pencil, crayon, collage, chalk-often working into the ground whilst the paint was still wet (But he wasn’t applying a thick layer of oils over a wet layer!) He had a distinctly personal calligraphy that served to communicate literary messages. He was interested in portraying history and time- His work often consisted of layers-worked and reworked resulting in a diffusion of scrawling graffiti, marks and obscured images that echoed the passage of time. He spent a large part of his life in Italy and travelling, returning periodically back to America. (MoMa, 2014).
  • 6.
  • 7.
  • 8.
  • 9.
  • 10.
  • 11. Robert Rauschenberg 1925-2008 Rauschenberg was one of America’s greatest artists. He influenced, and still influences, generations of artists. Highly curious, he explored many mediums -his blending of materials and techniques, resulted in what he termed ‘combines’(assemblages) He was an important figure in bridging and ex-tending ideals from the dadaist’s inquiries influencing Abstract Expressionism and Pop art right through to contemporary art movements. He experimented with many techniques, incorporating screen-printing, painting, found objects, collage, sculpture and painting into his work. He allowed viewers to create their own interpretation of his work.(The Art Story Foundation,2014)
  • 12.
  • 13.
  • 14.
  • 15.
  • 16.
  • 17. Antoni Tapies-1923-2012 Tapies was one of Spain’s greatest modern artists. A painter, printmaker and sculptor his works are often large to huge in scale. Primarily self-taught, he abandoned the study of law to pursue the life of an artist. He used earth, metal, clay and marble dust, organic and inorganic material, collage and found objects in his work. Often very sculptural in appearance his painting was strongly characterised by heavy impasto. His work reflects the social and polical events of the time. His name in Catalan means ‘Wall’, very fitting as most works are very textural, reminescent of old ruins. In later years his work reflected Eastern influences. (Fundació Antoni Tàpies, Alley 1981)
  • 18.
  • 19.
  • 20.
  • 21.
  • 22.
  • 23. Jasper Johns 1930- John’s used found objects, torn newspaper and mass produced goods and imagery in his work and in doing so broke down the boundaries between fine art and consumer, mass culture paving the way for the Pop Art movement’s aesthetic embrace of popular culture. He often used icons and imagery in his work that was already familiar to audiences-like the flag, numbers or his work ‘Map’. Like Rauschenberg, he admired Marcel Duchamp and also left the interpretation of his work to the viewer. He was also a fine printmaker, a sculptor , he made drawings and participated in multimedia collaborations. He had a strong influence on successive art movements, among them Pop, Minimal and Conceptual art.(The Art Story, 2014)
  • 24.
  • 25.
  • 26.
  • 27.
  • 28.
  • 29. Jim Dine 1935- Jim Dine was a painter, graphic artist, sculptor, poet and printmaker. His subject matter often dealt with ordinary objects from daily life. His themes comprised of personal identity, memory and the body. As well as paintings, he made many prints, both etchings and lithographs of tools-we can saw here the link with personal identity, because both Dine’s father and grandfather ran a hardware store. He is also quoted as saying ‘ I don't deal exclusively with the popular image. I'm more concerned with it as a part of my landscape. Pop Art is only one facet of my work. More than popular images, I'm interested in personal images.'. Dine( cited in Artcylopedia, np) His early work were paintings, images on canvas with attached objects, such as peices of clothing or garden tools. He often repeated themes, interpreting them in different mediums and by the 60’s his work was quite recognisable, and he is associated particularily with the bathrobe and the stylised heart.
  • 30.
  • 31.
  • 32.
  • 33.
  • 34.
  • 35. The next slide contains terms that requires you to find and write their definitions. These art terms and techniques relate to the PowerPoint ‘Painting’ as well, so the vocabulary is shared between the 2 presentations. This is because both mixed media and painting share some techniques and materials- depending on the medium(s) used.
  • 36. Key Terms Assemblage Dry brush technique Emulsion Impasto Prime/Priming Gel medium Gesso Scumbling Matte Medium Underpainting Transfer/Photo Transfer Write the definition of each of these terms. Look in the glossary section of the web-site.

Editor's Notes

  1. Tate Museum, 2014, retrieved January 2, 2015, < http://www.tate.org.uk/learn/online-resources/glossary/m/mixed-media>
  2. Museum of Modern Art ( MoMa), 2014, retrieved January 2, 2015, <Cy Twombly-http://www.moma.org/collection/artist.php?artist_id=5988>
  3. Cy Twombly, Untitled,1961, oil,crayon,pencil Wikiart, 2014, retrieved January 4, 2015, <http://www.wikiart.org/en/cy-twombly/untitled>
  4. ‪Cy Twombly, Apollo and the Artist 1975. Oil paint, wax crayon, pencil and collage on paper 142 x 128 cm‬ Tate Museum, 2014, retrieved January 2, 2015, <http://www.tate.org.uk/context-comment/articles/lingering-threshold-between-word-and-image>
  5. Quattro Stagioni: Inverno,Acrylic paint, oil paint and graphite on canvas,Support: 3135 x 2210 x 35,1993–5 Tate Museum, 2014, retrieved January 2, 2015,<http://www.tate.org.uk/art/artworks/twombly-quattro-stagioni-inverno-t07890>
  6. Cy Twombly, No. VIII, natural history , part 1,mushrooms,Lithograph and mixed media on paper,Support: 758 x 558 mm, 1974 Tate Museum, 2014, retrieved January 2, 2015, <http://www.tate.org.uk/art/artworks/twombly-no-viii-p07580>
  7. Cy Twombly, ‘Pan’,1975 Wikiart, 2014, retrieved January 4, 2015, <http://www.wikiart.org/en/cy-twombly/pan>
  8. The Art Story Foundation, 2014, retrieved January 2, 2015, < http://www.theartstory.org/artist-rauschenberg-robert.htm> Here’s a very interesting link from the Khanacademy that talks about Rauschenberg’s famous work, ‘Bed: https://www.khanacademy.org/humanities/art-1010/abstract-exp-nyschool/ny-school/v/robert-rauschenberg-bed-1955
  9. Robert Rauschenberg - 'Canyon', 1959, oil, housepaint, pencil, paper, fabric, metal, buttons, nails, cardboard, printed paper, photographs, wood, paint tubes, mirror string, pillow & bald eagle on canvas National Gallery of Art (Washington, D. C.) Wikiart, 2014, retrieved January 4, 2015, <http://en.wikipedia.org/wiki/File:Robert_Rauschenberg%27s_%27Canyon%27,_1959.jpg>
  10. Untitled, Mirror, transfer drawing, oil, watercolor, crayon, pencil, and cut-and-pasted paper on paper, 1952, 26.7 x 21.6 cm Museum of Modern Art (MoMa), 2014, retrieved January 7, 2015, <http://www.moma.org/collection/browse_results.php?criteria=O%3AAD%3AE%3A4823&page_number=4&template_id=1&sort_order=1>
  11. Robert Rauschenberg, Radioactive 1, Oil and silkscreen ink on canvas, 1963, 213.4 x 152.4 cm The Rauschenberg Foundation, 2014, retrieved January 4, 2015, < http://www.rauschenbergfoundation.org/art/artwork/retroactive-i>
  12. Robert Rauschenberg's untitled 'combine', 1963. Oil, silkscreened ink, metal, and plastic on canvas, 82 x 48 in.. Solomon R. Guggenheim Museum WikiArt, 2014, retrieved January 4, 2015, < http://en.wikipedia.org/wiki/File:Robert_Rauschenberg%27s_untitled_%27combine%27,_1963.jpg>
  13. Robert Rauschenberg, Pilgrim, 1960, Combine: oil, graphite, paper, printed paper, and fabric on canvas with painted wood chair Hauser & Wirth, retrieved December 22, 2014, <http://www.hauserwirth.com/exhibitions/2066/re-view-onnasch-collection/list-of-works/6/>
  14. Fundacio Antoni Tapies, retrieved January 15, 2015, <http://www.fundaciotapies.org/site/spip.php?rubrique73> Tate Museum, 2014, retrieved January 15, 2015, <http://www.tate.org.uk/art/artists/antoni-tapies-2025>
  15. Antoni Tapies, ‘Green and Grey’, 1957, Oil paint, epoxy resin and marble dust on canvas, 114 x 161.3 cm Wikiart, 2014, retrieved January 4, 2015, <http://www.wikiart.org/en/antoni-tapies/grey-and-green-painting-1957>
  16. Antoni Tapies, ‘Grey Ochre’, 1958, Oil paint, epoxy resin and marble dust on canvas, 260.3 x 194.3 cm, Collection Tate Museum Wikiart, 2014, retrieved January 4, 2015, <http://www.wikiart.org/en/antoni-tapies/grey-ochre-1958>
  17. Antoni Tapies, ‘Gray Relief on Black’, 1959, Latex paint with marble dust on canvas, 194.6 x 170 cm, Collection of MoMa Museum of Modern Art (MoMa), 2014, retrieved January 7, 2015,<http://www.moma.org/collection//browse_results.php?artistFilterInitial=&criteria=O%3AAD%3AE%3A5809|A%3AAR%3AE%3A1&page_number=5&template_id=1&sort_order=1>
  18. Antoni Tàpies,' Al teu peu (For Your Foot)', 1989. Paint and pencil on wood, 300 x 500 cm, Fundació Antoni Tàpies, Barcelona Fundacio Antoni Tapies, 2014, retrieved January 4, 2015, <http://www.fundaciotapies.org/site/spip.php?article8025>
  19. Antoni Tapies, ‘Encarnacia del peu’, (Incarnation of the Foot), 1999, Mixed Media, 219.7 × 269.9 cm (Image provided by Harn Museum of Art) Artsy.net, 2014, retrieved January 4, 2015, < https://www.artsy.net/artwork/antoni-tapies-encarnacia-del-peu-incarnation-of-the-foot>
  20. The Art Story, 2014, Jasper Johns, retrieved January 7, 2015, < http://www.theartstory.org/artist-johns-jasper.htm>
  21. Jasper Johns, ‘Flag’, 1954-55 (dated on reverse 1954), Encaustic, oil, and collage on fabric mounted on plywood, three panels, 107.3 x 153.8 cm Museum of Modern Art (MoMa), 2014, retrieved January 7, 2015, <http://www.moma.org/collection/object.php?object_id=78805>
  22. Jasper Johns, 'White Numbers', July 29, 1957, Encaustic on canvas Museum of Modern Art (MoMa), 2014, retrieved January 7, 2015, < http://www.moma.org/collection/browse_results.php?criteria=O%3AAD%3AE%3A2923&page_number=6&template_id=1&sort_order=1>
  23. Jasper Johns, ‘Near the Lagoon’, 2002–03. Encaustic on canvas and wooden boards, hinges and string. 118 7/8 x 78 3/4 x 4 in. Artefile, retrieved January 7, 2015, <http://artefile.com/filter/printmaking/Jasper-Johns>
  24. Jasper Johns, 'Diver', Charcoal, pastel, and watercolor on paper mounted on canvas, two panels, 219.7 x 182.2 cm Museum of Modern Art (MoMa), 2014, retrieved January 7, 2015, < http://www.moma.org/collection/browse_results.php?criteria=O%3AAD%3AE%3A2923&page_number=38&template_id=1&sort_order=1>
  25. Jasper Johns ‘Map'. 1963 Encaustic and collage on canvas60 x 93" (152.4 x 236.2 cm)Private collection Museum of Modern Art (MoMa), 2014, retrieved January 7, 2015, <http://www.moma.org/interactives/exhibitions/1996/johns/pages/johns_map.html>
  26. Encyclopædia Britannica, Jim Dine, 2015, retrieved February 2, 2015, < http://www.britannica.com/EBchecked/topic/163819/Jim-Dine> Artcyclopedia, Jim Dine, retrieved February 2, 2015, < http://www.artcyclopedia.com/artists/dine_jim.html>
  27. Jim Dine, 'Sissor', 1962, Paintings, mixed medium, 55.9 x 74.9 cm Artnet, 2015, Jim Dine, retrieved February 2, 2015, < http://www.artnet.com/artists/jim-dine/scissor-a-OFWLelGnLpud4g6FzB6zlg2>
  28. Jim Dine, 'Five feet of colourful Tools', 1962, Oil on canvas surmounted by a board on which painted tools hang from hooks, 141.2 x 152.9 x 11 cm Museum of Modern Art (MoMa), 2014, The Collection: ‘Jim Dine’, retrieved January 7, 2015, < http://www.moma.org/collection/object.php?object_id=81620:>
  29. Jim Dine, 'Walking dream with a 4 foot clamp', Oil paint, charcoal and steel on canvas, 1965, 1.524 x 2.743 x 2.9 cm, Collection Tate Gallery, London Wikiart, 2014, retrieved January 4, 2015, <http://www.wikiart.org/en/jim-dine/walking-dream-with-a-four-foot-clamp-1965>
  30. Jim Dine, Untitled, (Gossip), 1970–1971, Mixed Media, Collage and mixed media on paper, 152.4 x 101.6 cm Artnet, 2015, retrieved January 4, 2015, <http://www.artnet.com/artists/jim-dine/untitled-gossip-a-xTpLRB8uffl-dRWXmPktDA2
  31. Jim Dine, Blue Clamp, 1981; acrylic and synthetic resin, straw, broom fragments, wood chips and sticks on canvas with English C-clamp, 214 cm x 245.11 cm x 12.7 cm Collection SFMOMA, Jim Dine / Artists Rights Society (ARS), New York San Francisco Museum of Modern Art, 2015, <http://www.sfmoma.org/explore/collection/artwork/111>