Jenny Holzer's artistic progression is examined through analyses of three pieces from different series: Truisms (1982), Living (1980-1982), and Redaction Paintings (2006). Stylistically, her early text-based Truisms pieces gave way to more abstract Living works, culminating in her later symbolic Redaction Paintings. Contextually, Holzer's feminist messages evolved over time parallel to changes in society. Her innovative styles are compared to those of Joseph Kosuth, Yoko Ono, and Adrian Piper, showing similarities like conceptual approaches but also her unique influences over decades as an artist.
![Jenny Holzer Objective: To research the stylistic progression of Jenny Holzer as an artist by reviewing & describing three of her pieces within the context of her life & the lives of three other well known artists. Introduction -Introduction to Jenny 1950 – current ( why I have chosen her), the objective of the essay and an overview of the main points the essay will include: ,[object Object],Introduction to three pieces from three different series A, Truisms (Times Square Sign 1982 & 1977 Triusms poster) B, Living Series (Living: Some days you wake and immediately..., 1980-1982) C, Redaction Paintings ( 2006) ,[object Object],Comparisons stylistically / contextually and over time ,[object Object],Comparisons between Jenny Holzer and other artists namely Joseph Kosuth, Yoko Ono, Adrian Piper ,[object Object],Summarising the essay](https://image.slidesharecdn.com/mitpowerpoint-110607190435-phpapp02/85/Mit-powerpoint-1-320.jpg)
![1. Introduction to three main pieces ,[object Object],2. Comparisons Stylistically & Contextually ,[object Object],[object Object]](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)