SlideShare a Scribd company logo
1 of 10
Download to read offline
ZINE MAKING
ENVIRONMENTAL DESIGN
12 - 18 JUNE 2015
CITTÀ DELLA SCIENZA
ZINE MAKING
ENVIRONMENTAL DESIGN
12 - 18 JUNE 2015
CITTÀ DELLA SCIENZA
WHAT IS A ZINE? Pronounced like magazine without the maga.
A zine is an independently created publication. Currently, zines are typically
photocopied using word processors, but there are many who utilize offset printing
or create handmade zines with content made using collage, digital photography,
silkscreen, litho, hand-written creative writing, etc.
A zine can be about any subject and done in any style imaginable. Some typical
subjects for content are creative writing, comics, personal writings, fan-based writings,
science fiction, literature, anthology/art, and review, however it is completely open.
A person with access to a photocopier can be writer, publisher, and printer.
ZINE MAKING
ENVIRONMENTAL DESIGN
12 - 18 JUNE 2015
CITTÀ DELLA SCIENZA
FACTS Pamphleteers such as Martin Luther and Thomas Paine can be technically classified
as zine publishers. However, the origin of the term fanzine (eventually shortened to
’zine or simply zine) is generally traced to small-circulation science fiction fandom
publications beginning in the late 1920s, and continuing until the present, in which
sci-fi fans wrote about themselves and their interests for a close-knit readership.
The rise of the punk subculture in the ‘70s spawned a new interest in self-publishing.
Zines were used to promote a music scene that, with a few exceptions, received little
attention from the larger music press. In 1975 the first known fanzine was published by
Legs McNeil and friends in New York, it was called Punk.
ZINE MAKING
ENVIRONMENTAL DESIGN
12 - 18 JUNE 2015
CITTÀ DELLA SCIENZA
WHY PUBLISH A ZINE? To see your work in print!
The individual reasons to create a zine are as diverse and unique as the individuals
who create them. Often someone wants to see their work in print by any means
necessary.
It’s a way in which people communicate on a very passionate, free, and sometimes
intensely personal level as it is a medium not bound by censorship. It allows people
of all interests and agendas to voice their opinions, art, and rants to a wide audience
in a relatively cheap and fun way.
ZINE MAKING
ENVIRONMENTAL DESIGN
12 - 18 JUNE 2015
CITTÀ DELLA SCIENZA
HOW WE MAKE IT
ZINE MAKING
ENVIRONMENTAL DESIGN
12 - 18 JUNE 2015
CITTÀ DELLA SCIENZA
SAMPLES
ZINE MAKING
ENVIRONMENTAL DESIGN
12 - 18 JUNE 2015
CITTÀ DELLA SCIENZA
SAMPLES
ZINE MAKING
ENVIRONMENTAL DESIGN
12 - 18 JUNE 2015
CITTÀ DELLA SCIENZA
CONTENT SCIENTIST HAT
Zoom in on the material, analyse the micro transformation of a selected elements
everyday, observe closely.
URBANIST HAT
Explore how the material transforms the perception and usability of the surrounding.
REPORTER HAT
Explore how the material affects people movements and flows.
RADICAL LISTENING (to listen without thinking what to say next)
Report the voices of your fellows and the community around the work using the radical
listening technique.
RULES
1. COMPLETE AT LEAST
1 FORM PER DAY
(MAX 2)
2. DO NOT SHOW
YOUR FORM TO OTHER
DOCUMENTERS
3. TITLE THE DAY AFTER
5PM
4. ENTRIES ARE
ANONYMOUS
5. HAND IN 5.30PM
ZINE MAKING
ENVIRONMENTAL
DESIGN
12 - 18 JUNE 2015
CITTÀ DELLA SCIENZA
YOUR MATERIAL
DAY N.
TODAY’S TITLE
MATERIAL PROCESSES
SOCIAL PROCESSES
ZOOM IN:
SCIENTIST HAT
CAPTION IN 20 WORDS
CAPTION IN 20 WORDS
RADICAL LISTENING
1.
2.
3.
4.
RADICAL LISTENING
1.
2.
3.
4.
CAPTION IN 20 WORDS
CAPTION IN 20 WORDS
CAPTION IN 20 WORDS
CAPTION IN 20 WORDS
CAPTION IN 20 WORDS
CAPTION IN 20 WORDS
PHOTO TITLE
PHOTO TITLE
PHOTO TITLE
PHOTO TITLE
PHOTO TITLE
PHOTO TITLE
PHOTO TITLE
PHOTO TITLE
ZOOM OUT:
URBANIST HAT
SNAPSHOT:
REPORTER HAT
MAKER VOICES COMMUNITY VOICE
HAVE FUN!

More Related Content

Similar to ENVIRONMENTAL DIALOG | Zine Making

Factual project treatment form 2021 (1)
Factual project treatment form 2021 (1)Factual project treatment form 2021 (1)
Factual project treatment form 2021 (1)judeturner2
 
NewsEye WPIP21 conference: The Case for Magazines slides
NewsEye WPIP21 conference: The Case for Magazines slidesNewsEye WPIP21 conference: The Case for Magazines slides
NewsEye WPIP21 conference: The Case for Magazines slidesJim Salmons
 
Nano-publications in the arts and humanities
Nano-publications in the arts and humanitiesNano-publications in the arts and humanities
Nano-publications in the arts and humanitiesSally Chambers
 
Relational Aesthetics .pptx
Relational Aesthetics .pptxRelational Aesthetics .pptx
Relational Aesthetics .pptxLaura McGough
 
NewsEye WPIP21 conference: The Case for Magazines slides
NewsEye WPIP21 conference: The Case for Magazines slidesNewsEye WPIP21 conference: The Case for Magazines slides
NewsEye WPIP21 conference: The Case for Magazines slidesJim Salmons
 
The tie tieds. Capitalism and the artist critique.
The tie tieds. Capitalism and the artist critique.The tie tieds. Capitalism and the artist critique.
The tie tieds. Capitalism and the artist critique.Ptqk
 
Research, Technology, and Engagement
Research, Technology, and EngagementResearch, Technology, and Engagement
Research, Technology, and EngagementRobert J. Stein
 
Innovation and Future Thinking @ IED 2017
Innovation and Future Thinking @ IED 2017Innovation and Future Thinking @ IED 2017
Innovation and Future Thinking @ IED 2017John V Willshire
 
Palazzo Grassi Teens - Marina Rotondo, Federica Pascotto
Palazzo Grassi Teens - Marina Rotondo, Federica PascottoPalazzo Grassi Teens - Marina Rotondo, Federica Pascotto
Palazzo Grassi Teens - Marina Rotondo, Federica PascottoMuseumNext
 
Research project slides
Research project slidesResearch project slides
Research project slidessnginsberg
 
Great Artists Steal: Brighton Strategy and Planning Meetup talk, November 2014
Great Artists Steal: Brighton Strategy and Planning Meetup talk, November 2014Great Artists Steal: Brighton Strategy and Planning Meetup talk, November 2014
Great Artists Steal: Brighton Strategy and Planning Meetup talk, November 2014Andrew Sleigh
 
PicsArt Monthly Magazine, November Issue 2014
PicsArt Monthly Magazine, November  Issue 2014PicsArt Monthly Magazine, November  Issue 2014
PicsArt Monthly Magazine, November Issue 2014PicsArt
 
SID LEE COLLECTIVE | Globologos
SID LEE COLLECTIVE | GlobologosSID LEE COLLECTIVE | Globologos
SID LEE COLLECTIVE | GlobologosSid Lee
 
Art100Sp16Week10Class1
Art100Sp16Week10Class1Art100Sp16Week10Class1
Art100Sp16Week10Class1Jennifer Burns
 
THE EMERGENCY WILL REPLACE THE CONTEMPORARY
THE EMERGENCY WILL REPLACE THE CONTEMPORARYTHE EMERGENCY WILL REPLACE THE CONTEMPORARY
THE EMERGENCY WILL REPLACE THE CONTEMPORARYtijana_miskovic
 

Similar to ENVIRONMENTAL DIALOG | Zine Making (20)

Factual project treatment form 2021 (1)
Factual project treatment form 2021 (1)Factual project treatment form 2021 (1)
Factual project treatment form 2021 (1)
 
NewsEye WPIP21 conference: The Case for Magazines slides
NewsEye WPIP21 conference: The Case for Magazines slidesNewsEye WPIP21 conference: The Case for Magazines slides
NewsEye WPIP21 conference: The Case for Magazines slides
 
Nano-publications in the arts and humanities
Nano-publications in the arts and humanitiesNano-publications in the arts and humanities
Nano-publications in the arts and humanities
 
Relational Aesthetics .pptx
Relational Aesthetics .pptxRelational Aesthetics .pptx
Relational Aesthetics .pptx
 
NewsEye WPIP21 conference: The Case for Magazines slides
NewsEye WPIP21 conference: The Case for Magazines slidesNewsEye WPIP21 conference: The Case for Magazines slides
NewsEye WPIP21 conference: The Case for Magazines slides
 
hivemind-issue5
hivemind-issue5hivemind-issue5
hivemind-issue5
 
The tie tieds. Capitalism and the artist critique.
The tie tieds. Capitalism and the artist critique.The tie tieds. Capitalism and the artist critique.
The tie tieds. Capitalism and the artist critique.
 
Hivemind issue1
Hivemind issue1Hivemind issue1
Hivemind issue1
 
Research, Technology, and Engagement
Research, Technology, and EngagementResearch, Technology, and Engagement
Research, Technology, and Engagement
 
Innovation and Future Thinking @ IED 2017
Innovation and Future Thinking @ IED 2017Innovation and Future Thinking @ IED 2017
Innovation and Future Thinking @ IED 2017
 
Palazzo Grassi Teens - Marina Rotondo, Federica Pascotto
Palazzo Grassi Teens - Marina Rotondo, Federica PascottoPalazzo Grassi Teens - Marina Rotondo, Federica Pascotto
Palazzo Grassi Teens - Marina Rotondo, Federica Pascotto
 
Arts Journalism
Arts JournalismArts Journalism
Arts Journalism
 
Research project slides
Research project slidesResearch project slides
Research project slides
 
DR7-Vulgarism
DR7-VulgarismDR7-Vulgarism
DR7-Vulgarism
 
Great Artists Steal: Brighton Strategy and Planning Meetup talk, November 2014
Great Artists Steal: Brighton Strategy and Planning Meetup talk, November 2014Great Artists Steal: Brighton Strategy and Planning Meetup talk, November 2014
Great Artists Steal: Brighton Strategy and Planning Meetup talk, November 2014
 
PicsArt Monthly Magazine, November Issue 2014
PicsArt Monthly Magazine, November  Issue 2014PicsArt Monthly Magazine, November  Issue 2014
PicsArt Monthly Magazine, November Issue 2014
 
SID LEE COLLECTIVE | Globologos
SID LEE COLLECTIVE | GlobologosSID LEE COLLECTIVE | Globologos
SID LEE COLLECTIVE | Globologos
 
Exposé invisible
Exposé invisibleExposé invisible
Exposé invisible
 
Art100Sp16Week10Class1
Art100Sp16Week10Class1Art100Sp16Week10Class1
Art100Sp16Week10Class1
 
THE EMERGENCY WILL REPLACE THE CONTEMPORARY
THE EMERGENCY WILL REPLACE THE CONTEMPORARYTHE EMERGENCY WILL REPLACE THE CONTEMPORARY
THE EMERGENCY WILL REPLACE THE CONTEMPORARY
 

More from Creactivitas

DESIGN FOR ALL | Mario Malinconico
DESIGN FOR ALL | Mario Malinconico DESIGN FOR ALL | Mario Malinconico
DESIGN FOR ALL | Mario Malinconico Creactivitas
 
DESIGN FOR ALL | Michiel Buchel
DESIGN FOR ALL | Michiel BuchelDESIGN FOR ALL | Michiel Buchel
DESIGN FOR ALL | Michiel BuchelCreactivitas
 
DESIGN FOR ALL | Anouk Heesbeen
DESIGN FOR ALL | Anouk HeesbeenDESIGN FOR ALL | Anouk Heesbeen
DESIGN FOR ALL | Anouk HeesbeenCreactivitas
 
DESIGN FOR ALL | Luigi Amodio
DESIGN FOR ALL | Luigi Amodio DESIGN FOR ALL | Luigi Amodio
DESIGN FOR ALL | Luigi Amodio Creactivitas
 
DESIGN FOR ALL | Bart van de Laar
DESIGN FOR ALL | Bart van de LaarDESIGN FOR ALL | Bart van de Laar
DESIGN FOR ALL | Bart van de LaarCreactivitas
 
DESIGN FOR ALL | Pete Kercher
DESIGN FOR ALL | Pete KercherDESIGN FOR ALL | Pete Kercher
DESIGN FOR ALL | Pete KercherCreactivitas
 
DESIGN FOR ALL | Angelo Rega
DESIGN FOR ALL | Angelo RegaDESIGN FOR ALL | Angelo Rega
DESIGN FOR ALL | Angelo RegaCreactivitas
 
TEXTURE 2015 | Presentation LIMINARIA per AltoFest
TEXTURE 2015 | Presentation LIMINARIA per AltoFestTEXTURE 2015 | Presentation LIMINARIA per AltoFest
TEXTURE 2015 | Presentation LIMINARIA per AltoFestCreactivitas
 
TEXTURE 2015 | Anne Breure per AltoFest
TEXTURE 2015 | Anne Breure per AltoFestTEXTURE 2015 | Anne Breure per AltoFest
TEXTURE 2015 | Anne Breure per AltoFestCreactivitas
 
TEXTURE 2015 | Michelangelo Russo per AltoFest
TEXTURE 2015 | Michelangelo Russo per AltoFestTEXTURE 2015 | Michelangelo Russo per AltoFest
TEXTURE 2015 | Michelangelo Russo per AltoFestCreactivitas
 
VINI, VILLE E SAPORI 2014 | Salvatore Cozzolino
VINI, VILLE E SAPORI 2014 | Salvatore CozzolinoVINI, VILLE E SAPORI 2014 | Salvatore Cozzolino
VINI, VILLE E SAPORI 2014 | Salvatore CozzolinoCreactivitas
 
VINI, VILLE E SAPORI 2014 | Carlo Olivari
VINI, VILLE E SAPORI 2014 | Carlo OlivariVINI, VILLE E SAPORI 2014 | Carlo Olivari
VINI, VILLE E SAPORI 2014 | Carlo OlivariCreactivitas
 
VINI, VILLE E SAPORI 2014 | Carla Giusti
VINI, VILLE E SAPORI 2014 | Carla GiustiVINI, VILLE E SAPORI 2014 | Carla Giusti
VINI, VILLE E SAPORI 2014 | Carla GiustiCreactivitas
 
VINI, VILLE E SAPORI 2014 | Carla Langella
VINI, VILLE E SAPORI 2014 | Carla LangellaVINI, VILLE E SAPORI 2014 | Carla Langella
VINI, VILLE E SAPORI 2014 | Carla LangellaCreactivitas
 
VINI, VILLE E SAPORI 2014 | Antonio Puzzi
VINI, VILLE E SAPORI 2014 | Antonio Puzzi VINI, VILLE E SAPORI 2014 | Antonio Puzzi
VINI, VILLE E SAPORI 2014 | Antonio Puzzi Creactivitas
 
RAVELLO LAB 2014 | L.I.S.A.
RAVELLO LAB 2014 | L.I.S.A.RAVELLO LAB 2014 | L.I.S.A.
RAVELLO LAB 2014 | L.I.S.A.Creactivitas
 
RAVELLO LAB 2014 | Adriano Baffelli, Fondazione Franciacorta
RAVELLO LAB 2014 | Adriano Baffelli, Fondazione FranciacortaRAVELLO LAB 2014 | Adriano Baffelli, Fondazione Franciacorta
RAVELLO LAB 2014 | Adriano Baffelli, Fondazione FranciacortaCreactivitas
 
RAVELLO LAB 2014 | Ettore Bambi, Proago
RAVELLO LAB 2014 | Ettore Bambi, Proago RAVELLO LAB 2014 | Ettore Bambi, Proago
RAVELLO LAB 2014 | Ettore Bambi, Proago Creactivitas
 
RAVELLO LAB 2014 | Massimo Bottini, Italia Nostra
RAVELLO LAB 2014 | Massimo Bottini, Italia NostraRAVELLO LAB 2014 | Massimo Bottini, Italia Nostra
RAVELLO LAB 2014 | Massimo Bottini, Italia NostraCreactivitas
 
RAVELLO LAB 2014 | Regione Sardegna
RAVELLO LAB 2014 | Regione Sardegna RAVELLO LAB 2014 | Regione Sardegna
RAVELLO LAB 2014 | Regione Sardegna Creactivitas
 

More from Creactivitas (20)

DESIGN FOR ALL | Mario Malinconico
DESIGN FOR ALL | Mario Malinconico DESIGN FOR ALL | Mario Malinconico
DESIGN FOR ALL | Mario Malinconico
 
DESIGN FOR ALL | Michiel Buchel
DESIGN FOR ALL | Michiel BuchelDESIGN FOR ALL | Michiel Buchel
DESIGN FOR ALL | Michiel Buchel
 
DESIGN FOR ALL | Anouk Heesbeen
DESIGN FOR ALL | Anouk HeesbeenDESIGN FOR ALL | Anouk Heesbeen
DESIGN FOR ALL | Anouk Heesbeen
 
DESIGN FOR ALL | Luigi Amodio
DESIGN FOR ALL | Luigi Amodio DESIGN FOR ALL | Luigi Amodio
DESIGN FOR ALL | Luigi Amodio
 
DESIGN FOR ALL | Bart van de Laar
DESIGN FOR ALL | Bart van de LaarDESIGN FOR ALL | Bart van de Laar
DESIGN FOR ALL | Bart van de Laar
 
DESIGN FOR ALL | Pete Kercher
DESIGN FOR ALL | Pete KercherDESIGN FOR ALL | Pete Kercher
DESIGN FOR ALL | Pete Kercher
 
DESIGN FOR ALL | Angelo Rega
DESIGN FOR ALL | Angelo RegaDESIGN FOR ALL | Angelo Rega
DESIGN FOR ALL | Angelo Rega
 
TEXTURE 2015 | Presentation LIMINARIA per AltoFest
TEXTURE 2015 | Presentation LIMINARIA per AltoFestTEXTURE 2015 | Presentation LIMINARIA per AltoFest
TEXTURE 2015 | Presentation LIMINARIA per AltoFest
 
TEXTURE 2015 | Anne Breure per AltoFest
TEXTURE 2015 | Anne Breure per AltoFestTEXTURE 2015 | Anne Breure per AltoFest
TEXTURE 2015 | Anne Breure per AltoFest
 
TEXTURE 2015 | Michelangelo Russo per AltoFest
TEXTURE 2015 | Michelangelo Russo per AltoFestTEXTURE 2015 | Michelangelo Russo per AltoFest
TEXTURE 2015 | Michelangelo Russo per AltoFest
 
VINI, VILLE E SAPORI 2014 | Salvatore Cozzolino
VINI, VILLE E SAPORI 2014 | Salvatore CozzolinoVINI, VILLE E SAPORI 2014 | Salvatore Cozzolino
VINI, VILLE E SAPORI 2014 | Salvatore Cozzolino
 
VINI, VILLE E SAPORI 2014 | Carlo Olivari
VINI, VILLE E SAPORI 2014 | Carlo OlivariVINI, VILLE E SAPORI 2014 | Carlo Olivari
VINI, VILLE E SAPORI 2014 | Carlo Olivari
 
VINI, VILLE E SAPORI 2014 | Carla Giusti
VINI, VILLE E SAPORI 2014 | Carla GiustiVINI, VILLE E SAPORI 2014 | Carla Giusti
VINI, VILLE E SAPORI 2014 | Carla Giusti
 
VINI, VILLE E SAPORI 2014 | Carla Langella
VINI, VILLE E SAPORI 2014 | Carla LangellaVINI, VILLE E SAPORI 2014 | Carla Langella
VINI, VILLE E SAPORI 2014 | Carla Langella
 
VINI, VILLE E SAPORI 2014 | Antonio Puzzi
VINI, VILLE E SAPORI 2014 | Antonio Puzzi VINI, VILLE E SAPORI 2014 | Antonio Puzzi
VINI, VILLE E SAPORI 2014 | Antonio Puzzi
 
RAVELLO LAB 2014 | L.I.S.A.
RAVELLO LAB 2014 | L.I.S.A.RAVELLO LAB 2014 | L.I.S.A.
RAVELLO LAB 2014 | L.I.S.A.
 
RAVELLO LAB 2014 | Adriano Baffelli, Fondazione Franciacorta
RAVELLO LAB 2014 | Adriano Baffelli, Fondazione FranciacortaRAVELLO LAB 2014 | Adriano Baffelli, Fondazione Franciacorta
RAVELLO LAB 2014 | Adriano Baffelli, Fondazione Franciacorta
 
RAVELLO LAB 2014 | Ettore Bambi, Proago
RAVELLO LAB 2014 | Ettore Bambi, Proago RAVELLO LAB 2014 | Ettore Bambi, Proago
RAVELLO LAB 2014 | Ettore Bambi, Proago
 
RAVELLO LAB 2014 | Massimo Bottini, Italia Nostra
RAVELLO LAB 2014 | Massimo Bottini, Italia NostraRAVELLO LAB 2014 | Massimo Bottini, Italia Nostra
RAVELLO LAB 2014 | Massimo Bottini, Italia Nostra
 
RAVELLO LAB 2014 | Regione Sardegna
RAVELLO LAB 2014 | Regione Sardegna RAVELLO LAB 2014 | Regione Sardegna
RAVELLO LAB 2014 | Regione Sardegna
 

ENVIRONMENTAL DIALOG | Zine Making

  • 1. ZINE MAKING ENVIRONMENTAL DESIGN 12 - 18 JUNE 2015 CITTÀ DELLA SCIENZA
  • 2. ZINE MAKING ENVIRONMENTAL DESIGN 12 - 18 JUNE 2015 CITTÀ DELLA SCIENZA WHAT IS A ZINE? Pronounced like magazine without the maga. A zine is an independently created publication. Currently, zines are typically photocopied using word processors, but there are many who utilize offset printing or create handmade zines with content made using collage, digital photography, silkscreen, litho, hand-written creative writing, etc. A zine can be about any subject and done in any style imaginable. Some typical subjects for content are creative writing, comics, personal writings, fan-based writings, science fiction, literature, anthology/art, and review, however it is completely open. A person with access to a photocopier can be writer, publisher, and printer.
  • 3. ZINE MAKING ENVIRONMENTAL DESIGN 12 - 18 JUNE 2015 CITTÀ DELLA SCIENZA FACTS Pamphleteers such as Martin Luther and Thomas Paine can be technically classified as zine publishers. However, the origin of the term fanzine (eventually shortened to ’zine or simply zine) is generally traced to small-circulation science fiction fandom publications beginning in the late 1920s, and continuing until the present, in which sci-fi fans wrote about themselves and their interests for a close-knit readership. The rise of the punk subculture in the ‘70s spawned a new interest in self-publishing. Zines were used to promote a music scene that, with a few exceptions, received little attention from the larger music press. In 1975 the first known fanzine was published by Legs McNeil and friends in New York, it was called Punk.
  • 4. ZINE MAKING ENVIRONMENTAL DESIGN 12 - 18 JUNE 2015 CITTÀ DELLA SCIENZA WHY PUBLISH A ZINE? To see your work in print! The individual reasons to create a zine are as diverse and unique as the individuals who create them. Often someone wants to see their work in print by any means necessary. It’s a way in which people communicate on a very passionate, free, and sometimes intensely personal level as it is a medium not bound by censorship. It allows people of all interests and agendas to voice their opinions, art, and rants to a wide audience in a relatively cheap and fun way.
  • 5. ZINE MAKING ENVIRONMENTAL DESIGN 12 - 18 JUNE 2015 CITTÀ DELLA SCIENZA HOW WE MAKE IT
  • 6. ZINE MAKING ENVIRONMENTAL DESIGN 12 - 18 JUNE 2015 CITTÀ DELLA SCIENZA SAMPLES
  • 7. ZINE MAKING ENVIRONMENTAL DESIGN 12 - 18 JUNE 2015 CITTÀ DELLA SCIENZA SAMPLES
  • 8. ZINE MAKING ENVIRONMENTAL DESIGN 12 - 18 JUNE 2015 CITTÀ DELLA SCIENZA CONTENT SCIENTIST HAT Zoom in on the material, analyse the micro transformation of a selected elements everyday, observe closely. URBANIST HAT Explore how the material transforms the perception and usability of the surrounding. REPORTER HAT Explore how the material affects people movements and flows. RADICAL LISTENING (to listen without thinking what to say next) Report the voices of your fellows and the community around the work using the radical listening technique.
  • 9. RULES 1. COMPLETE AT LEAST 1 FORM PER DAY (MAX 2) 2. DO NOT SHOW YOUR FORM TO OTHER DOCUMENTERS 3. TITLE THE DAY AFTER 5PM 4. ENTRIES ARE ANONYMOUS 5. HAND IN 5.30PM ZINE MAKING ENVIRONMENTAL DESIGN 12 - 18 JUNE 2015 CITTÀ DELLA SCIENZA YOUR MATERIAL DAY N. TODAY’S TITLE MATERIAL PROCESSES SOCIAL PROCESSES ZOOM IN: SCIENTIST HAT CAPTION IN 20 WORDS CAPTION IN 20 WORDS RADICAL LISTENING 1. 2. 3. 4. RADICAL LISTENING 1. 2. 3. 4. CAPTION IN 20 WORDS CAPTION IN 20 WORDS CAPTION IN 20 WORDS CAPTION IN 20 WORDS CAPTION IN 20 WORDS CAPTION IN 20 WORDS PHOTO TITLE PHOTO TITLE PHOTO TITLE PHOTO TITLE PHOTO TITLE PHOTO TITLE PHOTO TITLE PHOTO TITLE ZOOM OUT: URBANIST HAT SNAPSHOT: REPORTER HAT MAKER VOICES COMMUNITY VOICE