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Non-Personal Interpretation Non-personal interpretation typically includes one-way communication through any informational and educational written, audio, or visual messages.
Exhibits ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
The Sam Waller Museum
Personal Interpretation Personal interpretation  involve direct, face-to-face contact with the visitor.
Types of Interpretive Programs ,[object Object]
[object Object]
[object Object]
[object Object]
Demonstrations
[object Object]
[object Object]
Don’t forget about refreshments…..
[object Object]
Heritage Fairs
Inglis Grain Elevators NHS Subject Integration Social studies Manitoba’s history, map study, research Science Manitoba’s flora & fauna, agricultural landscapes Language arts Plays,skits, letters, poems, storytelling, journal and letter writing Home Economics Food preparation Reading Use of books on the subject, photography, etc. Art Sketching, painting, sculpture, photography Spelling All subjects New Vocabulary All subjects Mathematics Distance on maps, orienteering, measurement Agriculture Agricultural history, technology, economy Others Log books, bulletin board displays, cooperative games
Develop Teacher Resources ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Field Trip to the Yukon Wildlife Preserve
Group Activity Working in groups, you will select interpretive programs and techniques appropriate for various visitors.
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
Ways of focusing attention on objects or photographs: 1)  Begin with the visitor’s experience. 2)  Establish a beginning point of reference. 3)  Organize the experience around a problem, task or problem which provides some focus but requires initiative and thought. 4)  Emphasize sensory learning. 5)  Mix in hands-on activities.
Group Activity Using demonstrated object and literacy exercises, you will practice simple communication skills by preparing and presenting a short oral presentation.
5. Program Planning: Program Logistics How will the program work? When and where will the program take place? Who will do the program? What activities will take place?
Group Activity Groups will complete a program planning worksheet for their programs.
5. Promoting Programs An effective promotional campaign helps to create or reinforce the image you want for  your heritage centre and conveys a specific message that tells people what you what them to do. You are, essentially, developing a communications campaign.   Promotion includes anything and everything the museum does to let people know that it exists, why they should come, why they should support it, and why they should take pride in its role in their community. In business, promotion traditionally includes public relations and paid advertising.        
Advertising is something you pay for. To be effective, advertising must be in appropriate mediums, contain a message targeted to your public, and must offer them something. Ads don’t give out all the information about your museum. Narrow your focus to name what the visitor receives and what the advantage is to the client.   Promotion and publicity are ways of communicating with little or no cost. Its purpose is the same as advertising - to move the members of the public to action.  
Promotional Techniques include: ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
6. Program Evaluation “ If you don't know where you're going,  any road will get you there.” Flying Karamazov Brothers
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
7. Look towards the future
Group Activity Participants will complete their public programming plans and present to the class.
Class Evaluation and Goodbyes

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Yukon Presentation Feb 2009 Pt 2

  • 1. Non-Personal Interpretation Non-personal interpretation typically includes one-way communication through any informational and educational written, audio, or visual messages.
  • 2.
  • 3. The Sam Waller Museum
  • 4. Personal Interpretation Personal interpretation involve direct, face-to-face contact with the visitor.
  • 5.
  • 6.
  • 7.
  • 8.
  • 10.
  • 11.
  • 12. Don’t forget about refreshments…..
  • 13.
  • 15. Inglis Grain Elevators NHS Subject Integration Social studies Manitoba’s history, map study, research Science Manitoba’s flora & fauna, agricultural landscapes Language arts Plays,skits, letters, poems, storytelling, journal and letter writing Home Economics Food preparation Reading Use of books on the subject, photography, etc. Art Sketching, painting, sculpture, photography Spelling All subjects New Vocabulary All subjects Mathematics Distance on maps, orienteering, measurement Agriculture Agricultural history, technology, economy Others Log books, bulletin board displays, cooperative games
  • 16.
  • 17. Field Trip to the Yukon Wildlife Preserve
  • 18. Group Activity Working in groups, you will select interpretive programs and techniques appropriate for various visitors.
  • 19.
  • 20.  
  • 21. Ways of focusing attention on objects or photographs: 1) Begin with the visitor’s experience. 2) Establish a beginning point of reference. 3) Organize the experience around a problem, task or problem which provides some focus but requires initiative and thought. 4) Emphasize sensory learning. 5) Mix in hands-on activities.
  • 22. Group Activity Using demonstrated object and literacy exercises, you will practice simple communication skills by preparing and presenting a short oral presentation.
  • 23. 5. Program Planning: Program Logistics How will the program work? When and where will the program take place? Who will do the program? What activities will take place?
  • 24. Group Activity Groups will complete a program planning worksheet for their programs.
  • 25. 5. Promoting Programs An effective promotional campaign helps to create or reinforce the image you want for your heritage centre and conveys a specific message that tells people what you what them to do. You are, essentially, developing a communications campaign.   Promotion includes anything and everything the museum does to let people know that it exists, why they should come, why they should support it, and why they should take pride in its role in their community. In business, promotion traditionally includes public relations and paid advertising.        
  • 26. Advertising is something you pay for. To be effective, advertising must be in appropriate mediums, contain a message targeted to your public, and must offer them something. Ads don’t give out all the information about your museum. Narrow your focus to name what the visitor receives and what the advantage is to the client.   Promotion and publicity are ways of communicating with little or no cost. Its purpose is the same as advertising - to move the members of the public to action.  
  • 27.
  • 28. 6. Program Evaluation “ If you don't know where you're going, any road will get you there.” Flying Karamazov Brothers
  • 29.
  • 30. 7. Look towards the future
  • 31. Group Activity Participants will complete their public programming plans and present to the class.