This document contains summaries of several French advertisements from magazines and newspapers:
1) An advertisement for a cellphone uses bright colors and features French athletes to promote the phone and mobile subscription.
2) An ad promotes an AIDS benefit concert happening over 2 days with 80 performances.
3) A brief ad promotes price reductions and reservations for an unspecified event.
4) Contact information is provided for three students analyzing French advertisements.
Logorama is an animated short film set in a world entirely comprised of brand logos. It tells the story of Ronald McDonald as a villain being chased by police officer Michelin men. Throughout the film, various logos come to life as characters and iconic brands are represented through their mascots. The film uses this setting to comment on how advertising and corporate brands have come to dominate society.
Logorama is an animated short film set in a version of Los Angeles covered in brand logos and advertisements. The film uses various shots to overwhelm the audience with images of logos and features brand mascots like Ronald McDonald and the Michelin men as characters. It tells a straightforward narrative of conflict between Ronald McDonald and police using dark humor. Though initially seen as unlikely to succeed due to legal issues involving the brands, the film was nominated for an Oscar and gained popularity for its commentary on how advertising dominates society.
The driver's apartment is used to introduce his character without exposition since he doesn't speak much. His plain white leather jacket, car, and anonymity show his inner purity. Bryan Cranston's blue jacket suggests a sad character. The pink text and 1980s aesthetic set the period. Shots of Los Angeles, a map, and a basketball game establish the setting. Dark lighting emphasizes a scorpion on the driver's jacket to maintain his mystery. One takes introduce the characters visually through their surroundings and possessions. Lack of non-diegetic sound keeps the audience curious without musical cues.
It’s been an interesting year at Cannes. It’s certainly the biggest year in terms of entries, categories & delegates. 76000 entries were whittled down to 1589 winners across 18 categories.
After looking through the winners this year, it felt like Big Emotion trumped Big Data. I’ve put together a selection of what I found to be the most interesting work from the festival with this overarching theme in mind.
This document discusses the use of comics as a content medium and for branding strategies. It outlines different types of comics like web comics, graphic novels, and comic strips. It also notes that consumption of digital comics is rising due to reducing attention spans. The document then describes Orange Radius Arts, a publishing firm that creates original comic content across genres. It provides examples of how brands have used comics to entertain, educate and convince audiences. Finally, it encourages contacting the directors for more information.
Celebrity endorsement is commonly used in advertising to promote brands. George Clooney has been the face of Nespresso coffee machines since 2006, appearing in television commercials that highlight Nespresso's luxury image. The ads feature Clooney interacting with saints in heaven and subtly promote Nespresso machines as desirable products. Clooney's long-term partnership with Nespresso has helped increase the brand's popularity and sales significantly over the years.
This document analyzes an advertisement by BMW that is in the form of a short film called "The Hire - Ticker." The film showcases BMW's new Z3 car as it is driven evasively to deliver an important heart for transplant while being chased and shot at. The ad targets young adults looking for an affordable yet fast and agile car. It aims to convey the message that the Z3 is an exciting car that makes the driver feel alive. The main roles are the driver acting as a transporter and the secondary role of a cautious courier protecting the package.
The teaser trailer for the film Inception depicts wealthy businessmen engaged in a lucrative but demanding and high-pressure industry, possibly stock trading, as suggested by shots of the stock market and luxury items like cigars and champagne. Scenes of tall office buildings and cities indicate the story will be set in urban financial centers involving themes of wealth, power, and risk-taking. A shot of a character breaking a frame hints at underlying tensions and violence beneath the surface of the characters' lavish lifestyles.
Logorama is an animated short film set in a world entirely comprised of brand logos. It tells the story of Ronald McDonald as a villain being chased by police officer Michelin men. Throughout the film, various logos come to life as characters and iconic brands are represented through their mascots. The film uses this setting to comment on how advertising and corporate brands have come to dominate society.
Logorama is an animated short film set in a version of Los Angeles covered in brand logos and advertisements. The film uses various shots to overwhelm the audience with images of logos and features brand mascots like Ronald McDonald and the Michelin men as characters. It tells a straightforward narrative of conflict between Ronald McDonald and police using dark humor. Though initially seen as unlikely to succeed due to legal issues involving the brands, the film was nominated for an Oscar and gained popularity for its commentary on how advertising dominates society.
The driver's apartment is used to introduce his character without exposition since he doesn't speak much. His plain white leather jacket, car, and anonymity show his inner purity. Bryan Cranston's blue jacket suggests a sad character. The pink text and 1980s aesthetic set the period. Shots of Los Angeles, a map, and a basketball game establish the setting. Dark lighting emphasizes a scorpion on the driver's jacket to maintain his mystery. One takes introduce the characters visually through their surroundings and possessions. Lack of non-diegetic sound keeps the audience curious without musical cues.
It’s been an interesting year at Cannes. It’s certainly the biggest year in terms of entries, categories & delegates. 76000 entries were whittled down to 1589 winners across 18 categories.
After looking through the winners this year, it felt like Big Emotion trumped Big Data. I’ve put together a selection of what I found to be the most interesting work from the festival with this overarching theme in mind.
This document discusses the use of comics as a content medium and for branding strategies. It outlines different types of comics like web comics, graphic novels, and comic strips. It also notes that consumption of digital comics is rising due to reducing attention spans. The document then describes Orange Radius Arts, a publishing firm that creates original comic content across genres. It provides examples of how brands have used comics to entertain, educate and convince audiences. Finally, it encourages contacting the directors for more information.
Celebrity endorsement is commonly used in advertising to promote brands. George Clooney has been the face of Nespresso coffee machines since 2006, appearing in television commercials that highlight Nespresso's luxury image. The ads feature Clooney interacting with saints in heaven and subtly promote Nespresso machines as desirable products. Clooney's long-term partnership with Nespresso has helped increase the brand's popularity and sales significantly over the years.
This document analyzes an advertisement by BMW that is in the form of a short film called "The Hire - Ticker." The film showcases BMW's new Z3 car as it is driven evasively to deliver an important heart for transplant while being chased and shot at. The ad targets young adults looking for an affordable yet fast and agile car. It aims to convey the message that the Z3 is an exciting car that makes the driver feel alive. The main roles are the driver acting as a transporter and the secondary role of a cautious courier protecting the package.
The teaser trailer for the film Inception depicts wealthy businessmen engaged in a lucrative but demanding and high-pressure industry, possibly stock trading, as suggested by shots of the stock market and luxury items like cigars and champagne. Scenes of tall office buildings and cities indicate the story will be set in urban financial centers involving themes of wealth, power, and risk-taking. A shot of a character breaking a frame hints at underlying tensions and violence beneath the surface of the characters' lavish lifestyles.
Digital advertising social marketing and tech trends predictions in 2015Soap Creative
We’ve taken another light-hearted look at what we think the zeitgeist of 2015 will be for marketing, tech, pop culture and everything in-between.
Follow us for more updates or view our uploads for more insights.
This print advertisement warns about the dangers of smoking by using ominous imagery and text. It depicts a cigarette in the center surrounded by black, representing death, with the text "LOADING CANCER..." in capital letters. This is meant to symbolize that each cigarette smoked moves the "loading bar" closer to developing cancer. The document discusses how the advertisement aims to raise awareness that smoking shortens one's life by contributing to the development of cancer over time.
The short film "If not now, When?" represents the struggles of youth living in a London housing estate trying to escape gang violence. It focuses on Daniel, a talented footballer who aspires to leave the area but must avoid being drawn into local gangs. Through realistic locations, characters, and depictions of knife crime, the film aims to authentically capture the challenges faced. Ultimately, Daniel is stabbed in a shocking twist, conveying the difficulty of escaping violence for youths in such environments.
In 2015, there were over 10,000 marketing campaigns globally, with 300,000 using new media like social media. 150,000 marketing campaigns used new media platforms. The document discusses several impactful and innovative marketing campaigns from 2015 that changed perceptions of brands and helped shape reality through the creative use of new media to connect with customers. It emphasizes that for marketing to be effective in today's world, it needs to change real perceptions and shape new realities.
The document proposes a marketing campaign for Twinkies to coincide with the launch of a television adaptation of the film Zombieland. It suggests reintroducing Twinkies and taking advantage of the already established relationship between Twinkies and the film's character who has a penchant for them. The campaign would center around finding the "Last Twinkie" and include traditional and social media advertising, games and contests, and a sponsor site to generate excitement for both Twinkies and the new Zombieland TV show.
This document contains a project report submitted by students to their professor. It includes answers to various questions about analyzing advertisements. The students identified examples of stimulus factors, perceptual organization, and memory principles like closure, proximity, figure-ground, and similarity being used in different print ads. They also outlined fictional advertisements making use of the Zeigarnik and Restorff effects. Additionally, the students created an advertisement for a mouthwash highlighting positive reinforcement, negative reinforcement, and punishment. Finally, they drafted a print ad for a perfume called "Temptation" with fantasy as its major theme.
This document compares the author's horror trailer to the film "Carrie". Both trailers target teenagers and young adults. The titles in both use plain fonts to convey a serious tone. Scenes in "Carrie" and the author's trailer fade to demonstrate time passing. Quick cuts in the author's trailer build tension, while "Carrie" uses long scenes with dialogue. Both introduce characters like the mother and child first and portray the protagonist as isolated in school. Themes of blood, death, vulnerability and alienation are explored in both through the use of shots like POV shots showing a new environment.
The document provides examples of creative advertisements from various companies around the world. It discusses advertisements that use unique visuals or interactive elements to stand out, as well as competitive advertisements between brands. Examples showcase advertisements for products like BMW, Stabilo pens, electricity providers, iPods, handbags, jeans, and more. The document aims to highlight interesting and innovative advertising campaigns.
This document discusses different narrative styles and advertising techniques:
1) A realist narrative aims to faithfully represent everyday reality without dramatization, while an anti-realist narrative uses surreal ideas and special effects not found in real life.
2) Animation is a technique that can be used to create engaging ads on a low budget through the use of colors and movement.
3) Documentaries tell a story and Nokia used this style to show the impact of screens on our lives from movies to TV to computers to phones.
4) "Talking heads" ads feature people discussing a product to sell it in a neat, professional way using actors delivering scripted lines.
This campaign aimed to educate people on safe driving and reducing road accidents. It used a "space invader" character from the 1980s video game to metaphorically represent the dangers of tailgating. The campaign's ads across TV, radio, and print creatively conveyed the message to not tailgate in a simple, clear, and memorable way. Regulatory bodies like the ASA and Ofcom ensure ads follow codes and address any complaints about unsuitable content.
French advertising is highly regulated to protect consumers and emphasize cultural values like romance and humor over product functions. Regulations include restricting alcohol and phone ads targeting children, requiring the French language be used, and banning false claims. The BVP reviews all TV ads and investigates complaints. French ads aim to seduce viewers through spectacle, love, and humor. While TV ads are limited, online ads are growing as brands create content for sites like Nowness and mobile apps like Net-A-Porter's. Outdoor ads are now smaller and further apart due to new laws.
This document summarizes and analyzes several radio advertisements based on their unique selling points, target audiences, and compliance with advertising standards and codes. It discusses ads for Nivea for Men shaving balm, Churchill car insurance, Zoopla property search, and TomTom navigation. For each ad, it identifies the USP, intended purpose, likely target demographics, and relevant advertising regulations considered in production.
Cameron Whapples plans to create an advertising campaign for a high-end watch. He was inspired by current campaigns that had both TV and print ads, like one for Land Rover featuring Bear Grylls. He wants to produce a TV ad, print poster, and digital billboard ad. Luxury watch ads often feature famous actors and use themes of power through imagery of landscapes, vehicles, and waves. They target a wealthier market than lower-end brands through darker, more professional tones. These ads will influence Cameron's final product by providing ideas for media and color palettes.
A MONTH OF IDEAS - MARCH 2016
by the Strategic Planning of Brand Union Paris
1 month, almost 30 days of good ideas, funny things, beautiful pictures or brillant initiatives that triggered our attention and that we wanted to share with you...
See you next month.
This document analyzes Chevrolet Corvette commercials from the 1950s, 1980s, and present day using Kenneth Burke's Pentad theory, which examines the act, scene, agent, agency, and purpose of a text. The 1950s commercial portrayed Corvette in an upper-class neighborhood to appeal to wealthy buyers when sports cars were an uncommon luxury. Later commercials aimed to attract broader audiences by depicting Corvettes as cutting-edge technologies that anyone could enjoy on the open road or racetrack. While Corvette's target demographics and styling changed over decades, its commercials consistently framed the vehicle as an attainable yet distinctive American status symbol through dramatic imagery and implied social prestige.
Total Film Magazine is a monthly publication focused on movies that has been published since 1997. It has a predominantly male audience of around 561,000 readers. The magazine's biggest competitor is Empire, which has a more sophisticated readership. Total Film aims for a younger audience between ages 15-44. It has evolved its visual style and content over time to maintain relevance in the digital age, and now integrates its website, social media, and other online platforms to engage readers beyond the print magazine.
This document provides summaries of several news stories from this week:
1) ProGlove, a wearable technology item for professional use that helps workers perform tasks more efficiently, is a finalist in Intel's "Make It Wearable" challenge.
2) Mercedes-Benz launched an Instagram filter that allows users to customize and view a new car model, engaging customers in a unique way on social media.
3) An amusement park in Stockholm installed a "haunted poster" that gave passersby a scary surprise with their mobile phones to promote a new attraction.
4) Chrysler overcame misconceptions about American cars with a campaign that tricked people into thinking they were adm
Martin Suiter is a consultant based in Munich who provides strategic communication concepts for corporations, destinations, hotel chains, and other clients. He has experience organizing over 350 events and incentives with up to 140,000 participants. Suiter discusses how brands can use sport, tourism, and emotional storytelling to connect with customers and influence their journeys. He emphasizes the importance of understanding one's target audience and creating easy and enjoyable experiences for them.
The document describes the steps to request writing assistance from HelpWriting.net. It outlines registering for an account, completing an order form providing instructions and deadlines, reviewing writer bids and choosing one, placing a deposit to start the work, reviewing and authorizing payment for the completed assignment. It notes the site offers free revisions and stands by providing original, high-quality content or offering a refund if plagiarized.
Realism adverts depict scenarios that could plausibly occur in real life without special effects, such as ads featuring everyday props or people attending a party. Anti-realism ads, by contrast, depict scenarios that could not actually occur and require special effects, like a man turning into chocolate. The document then discusses different types of animation advertising such as 2D, 3D, claymation and stop motion, and provides examples of each.
Digital advertising social marketing and tech trends predictions in 2015Soap Creative
We’ve taken another light-hearted look at what we think the zeitgeist of 2015 will be for marketing, tech, pop culture and everything in-between.
Follow us for more updates or view our uploads for more insights.
This print advertisement warns about the dangers of smoking by using ominous imagery and text. It depicts a cigarette in the center surrounded by black, representing death, with the text "LOADING CANCER..." in capital letters. This is meant to symbolize that each cigarette smoked moves the "loading bar" closer to developing cancer. The document discusses how the advertisement aims to raise awareness that smoking shortens one's life by contributing to the development of cancer over time.
The short film "If not now, When?" represents the struggles of youth living in a London housing estate trying to escape gang violence. It focuses on Daniel, a talented footballer who aspires to leave the area but must avoid being drawn into local gangs. Through realistic locations, characters, and depictions of knife crime, the film aims to authentically capture the challenges faced. Ultimately, Daniel is stabbed in a shocking twist, conveying the difficulty of escaping violence for youths in such environments.
In 2015, there were over 10,000 marketing campaigns globally, with 300,000 using new media like social media. 150,000 marketing campaigns used new media platforms. The document discusses several impactful and innovative marketing campaigns from 2015 that changed perceptions of brands and helped shape reality through the creative use of new media to connect with customers. It emphasizes that for marketing to be effective in today's world, it needs to change real perceptions and shape new realities.
The document proposes a marketing campaign for Twinkies to coincide with the launch of a television adaptation of the film Zombieland. It suggests reintroducing Twinkies and taking advantage of the already established relationship between Twinkies and the film's character who has a penchant for them. The campaign would center around finding the "Last Twinkie" and include traditional and social media advertising, games and contests, and a sponsor site to generate excitement for both Twinkies and the new Zombieland TV show.
This document contains a project report submitted by students to their professor. It includes answers to various questions about analyzing advertisements. The students identified examples of stimulus factors, perceptual organization, and memory principles like closure, proximity, figure-ground, and similarity being used in different print ads. They also outlined fictional advertisements making use of the Zeigarnik and Restorff effects. Additionally, the students created an advertisement for a mouthwash highlighting positive reinforcement, negative reinforcement, and punishment. Finally, they drafted a print ad for a perfume called "Temptation" with fantasy as its major theme.
This document compares the author's horror trailer to the film "Carrie". Both trailers target teenagers and young adults. The titles in both use plain fonts to convey a serious tone. Scenes in "Carrie" and the author's trailer fade to demonstrate time passing. Quick cuts in the author's trailer build tension, while "Carrie" uses long scenes with dialogue. Both introduce characters like the mother and child first and portray the protagonist as isolated in school. Themes of blood, death, vulnerability and alienation are explored in both through the use of shots like POV shots showing a new environment.
The document provides examples of creative advertisements from various companies around the world. It discusses advertisements that use unique visuals or interactive elements to stand out, as well as competitive advertisements between brands. Examples showcase advertisements for products like BMW, Stabilo pens, electricity providers, iPods, handbags, jeans, and more. The document aims to highlight interesting and innovative advertising campaigns.
This document discusses different narrative styles and advertising techniques:
1) A realist narrative aims to faithfully represent everyday reality without dramatization, while an anti-realist narrative uses surreal ideas and special effects not found in real life.
2) Animation is a technique that can be used to create engaging ads on a low budget through the use of colors and movement.
3) Documentaries tell a story and Nokia used this style to show the impact of screens on our lives from movies to TV to computers to phones.
4) "Talking heads" ads feature people discussing a product to sell it in a neat, professional way using actors delivering scripted lines.
This campaign aimed to educate people on safe driving and reducing road accidents. It used a "space invader" character from the 1980s video game to metaphorically represent the dangers of tailgating. The campaign's ads across TV, radio, and print creatively conveyed the message to not tailgate in a simple, clear, and memorable way. Regulatory bodies like the ASA and Ofcom ensure ads follow codes and address any complaints about unsuitable content.
French advertising is highly regulated to protect consumers and emphasize cultural values like romance and humor over product functions. Regulations include restricting alcohol and phone ads targeting children, requiring the French language be used, and banning false claims. The BVP reviews all TV ads and investigates complaints. French ads aim to seduce viewers through spectacle, love, and humor. While TV ads are limited, online ads are growing as brands create content for sites like Nowness and mobile apps like Net-A-Porter's. Outdoor ads are now smaller and further apart due to new laws.
This document summarizes and analyzes several radio advertisements based on their unique selling points, target audiences, and compliance with advertising standards and codes. It discusses ads for Nivea for Men shaving balm, Churchill car insurance, Zoopla property search, and TomTom navigation. For each ad, it identifies the USP, intended purpose, likely target demographics, and relevant advertising regulations considered in production.
Cameron Whapples plans to create an advertising campaign for a high-end watch. He was inspired by current campaigns that had both TV and print ads, like one for Land Rover featuring Bear Grylls. He wants to produce a TV ad, print poster, and digital billboard ad. Luxury watch ads often feature famous actors and use themes of power through imagery of landscapes, vehicles, and waves. They target a wealthier market than lower-end brands through darker, more professional tones. These ads will influence Cameron's final product by providing ideas for media and color palettes.
A MONTH OF IDEAS - MARCH 2016
by the Strategic Planning of Brand Union Paris
1 month, almost 30 days of good ideas, funny things, beautiful pictures or brillant initiatives that triggered our attention and that we wanted to share with you...
See you next month.
This document analyzes Chevrolet Corvette commercials from the 1950s, 1980s, and present day using Kenneth Burke's Pentad theory, which examines the act, scene, agent, agency, and purpose of a text. The 1950s commercial portrayed Corvette in an upper-class neighborhood to appeal to wealthy buyers when sports cars were an uncommon luxury. Later commercials aimed to attract broader audiences by depicting Corvettes as cutting-edge technologies that anyone could enjoy on the open road or racetrack. While Corvette's target demographics and styling changed over decades, its commercials consistently framed the vehicle as an attainable yet distinctive American status symbol through dramatic imagery and implied social prestige.
Total Film Magazine is a monthly publication focused on movies that has been published since 1997. It has a predominantly male audience of around 561,000 readers. The magazine's biggest competitor is Empire, which has a more sophisticated readership. Total Film aims for a younger audience between ages 15-44. It has evolved its visual style and content over time to maintain relevance in the digital age, and now integrates its website, social media, and other online platforms to engage readers beyond the print magazine.
This document provides summaries of several news stories from this week:
1) ProGlove, a wearable technology item for professional use that helps workers perform tasks more efficiently, is a finalist in Intel's "Make It Wearable" challenge.
2) Mercedes-Benz launched an Instagram filter that allows users to customize and view a new car model, engaging customers in a unique way on social media.
3) An amusement park in Stockholm installed a "haunted poster" that gave passersby a scary surprise with their mobile phones to promote a new attraction.
4) Chrysler overcame misconceptions about American cars with a campaign that tricked people into thinking they were adm
Martin Suiter is a consultant based in Munich who provides strategic communication concepts for corporations, destinations, hotel chains, and other clients. He has experience organizing over 350 events and incentives with up to 140,000 participants. Suiter discusses how brands can use sport, tourism, and emotional storytelling to connect with customers and influence their journeys. He emphasizes the importance of understanding one's target audience and creating easy and enjoyable experiences for them.
The document describes the steps to request writing assistance from HelpWriting.net. It outlines registering for an account, completing an order form providing instructions and deadlines, reviewing writer bids and choosing one, placing a deposit to start the work, reviewing and authorizing payment for the completed assignment. It notes the site offers free revisions and stands by providing original, high-quality content or offering a refund if plagiarized.
Realism adverts depict scenarios that could plausibly occur in real life without special effects, such as ads featuring everyday props or people attending a party. Anti-realism ads, by contrast, depict scenarios that could not actually occur and require special effects, like a man turning into chocolate. The document then discusses different types of animation advertising such as 2D, 3D, claymation and stop motion, and provides examples of each.
2. The purpose of this ad is to sell a
cellphone and a mobile subscription.
The title could be translated like this :
« This is Florent, a golden boy »
They used bright colors and famous French
athlete (Florent and Laure Manaudou).
There also a reference to the relatively new
great performance with golden to refer to
the golden medal won at the Olympics
game and, in the upper right-hand corner
of the phone, there is a photo of Florent
Manaudou and the caption L’Equipe.fr*.
« L’Equipe » is a famous sport magazine and website.
3. This is to advertise a event : 80
concerts during 2 days.
The purpose is to fight against AIDS
(that’s the meaning of the small black
square, abose the ‘o’ of Solidays).
This ad was found in a newspaper called
20 minutes*.
Île de France (at the bottom) stand for
the French region (it’s where Paris is).
A lot of people read 20 minutes but it’s not a very good
newspaper, it’s just free and distributed in the metro and
some other public places.
4. This is an ad founded in a magazine.
There isn’t much to say about it.
The small paragraph at the end is to
promote some price reduction and some
reservations.
The slogan
« Profiter, changer, économiser » (at the
bottom of the ad) could be translated like
this : « Profiting, changing, saving.
5. This ad promote a magic show, we just can read the place and dates were the show will
take place.
TF1 (bottom left-hand corner) is one of the first TV channel in France.
RFM (bottom right-hand corner) is a big radio station.
The other logos are not well known.
6. This ad is for a tour in France.
In the bottom right-hand corner, the red logo stand for RTL2, a famous radio station
(rock and pop-rock music) in France,
7. « At this price, I’m back in France »
In this ad, Virgin Mobile uses the actuality to promote their low-price offer. In
fact, it clearly refers to Gerard Depardieu’s recent tax exile in Belgium and
Russia, which has been particularly mediatized…
8. « For Christmas, the best gift is to come back home alive »
Road safety has a huge importance in France – many shocking ads are made to
prevent road accidents, like this damaged car in Paris, last December. Even a
website (rentreenvie.fr) has been created to give advice about how to deal with
parties.
9. « THERE IS NO DANGER - Concerning GMOs we can not stand back enough yet»
This ad has around 5 years old. GMOs were very contested at this time in
France, which explains such striking ads against them, comparing transgenic corn
with a gun. (GMOs are still contested, but we don’t hear about it any more…)
10. Ads for condoms or other sex products
are sometimes quite rude, like this ad
for a « very effective lubricant » by
Manix.
When we see this picture for the first
time, we don’t realize what it
represents. But soon, we understand
where (how?) this women is sitting…
11. But sex in ads is much more surprising
when what is advertised has nothing to
do with sex.
For exemple, this coffee machine clearly
has the shape of a male genital organ.
The associated text is not less strange-
quite perverse indeed :
« Black Senseo. To bewitch mum, there
is nothing like black magic »
12. This is an old commercial (1998 with prices in francs) from a magazine. Here, the commercial
indicates that a sentence can be applied to two entities: a car and a woman wearing a helmet. The text
reads: “To have a [dreamy body] and to feel [indestructible]. The text below clearly describes the car’s
features but some words are also clearly used to refer to a female body (for example: “great curves” when
referring to the body or “inflatable cushion” when referring to the airbag). The purpose here is to make
the car attractive while emphasizing on the safety features of the car (hence the helmet). Though the
comparison between the woman wearing a helmet and the car is questionable in terms of “safety”.
13. This car commercial is very
different from what we would usually
find in modern advertisement. The car
is neither shown in motion nor in a
favorably attractive location. The car,
being illegally parked, got its four tires
immobilized, proving that it needs
that much to be pinned down. Hence
the simple and only sentence of this
ad: “Toyota RAV 4 four-wheel drive”.
Indeed, usually, one of these is enough
to unable motion so it’s clearly overkill
to use four. This is just to prove a point.
Also, doing something
illegal right in front of the prohibiting
sign is typically French… Commercials
usually don’t condone committing
infractions, even if it’s in order to make
a point.
14. On the left: “I dream that one day, cars will
leave a mark on the Earth as big as a ship
leaves a mark on the ocean” by Ellen
MacArthur.
On the right: “To reduce our impact on the
planet, this is the Renault eco-
commitment”
This commercial is very
interesting in that they made a very clear
parallel between the two pictures: the
catamaran leaves the exact same pattern
(road included) as on the picture on the
right. Notice that even the road behind the
car disappears to the point it is not
noticeable at the bottom of the picture so
as to respect the symmetry. Finally, the
colors have also been carefully chose: the
big blue for the ocean and the bountiful
green for the Earth (->green energies…)
Last but not least, the “eco²”
logo is found on both pictures showing that
no matter where, Renault’s “eco-
commitment” may be found…
15. This is yet another ad from a 1998
magazine. This ad is also rather unusual as the
character depicted is rather sleep deprived, which
makes him unattractive. This does not seem to
correspond to the commercial’s goal, which is to offer
price reductions on some of their product. In truth, it
seems that the picture is in accordance with the text
in white “Am I dreaming or is it my eyes?” While it is
true that the picture is focusing on the eyes (the
business man is trying really hard to keep them
open), depicting a sleep deprived person is, in my
opinion, not necessarily a good way to show that the
offer is genuine…
On another note, the big red Q (which
represents the brand) might actually add to the
sentence in white to make “Am I dreaming or is it
just my eyes?” This could alter slightly the meaning
and my interpretation but I think it is a bit far
fetched for an ad that is supposed to catch the
reader’s attention in an instant…
16. This commercial is about Duracell
batteries. The text in black reads: “New Duracell
Ultra that make lamps, toys and rabbits last even
longer.” This is the type of ad that doesn’t work if
left alone because we don’t really understand
what the rabbit is all about. In fact, this
commercial was accompanied by TV ads
depicting the same rabbit doing all sorts of sports
activity while being powered by a battery (a link
to such videos is probably given in the internet
link given at the top of the ad…). In this
commercial, the best way to make the reader
understand “sports activity” is to stop the motion.
Finally, to emphasize the “Ultra”, why not make
the rabbit jump above city buildings like it was
flying? Only one thing doesn’t seem to work well:
how do you convey “battery duration”, which is
the main point of the ad? By adding “no alkaline
battery lasts longer” (text in white) at the bottom
of course!
Note that in France, it is illegal to
name other brands to compare with, which is why
ads usually say they are “the best”, instead of
“better than‘”.
17. Contact information
From SFR ad to Mark Knopfler ad:
romain.fleurisson@etu.emse.fr
From Virgin mobile ad to Senseo ad
damien.heriveaux@etu.emse.fr
From Honda ad to Duracell ad:
mathieu.snollaerts@etu.emse.fr