Wintertime Light Design Group 86
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The lighting design for the play "Wintertime" calls for a dim white light to set the wintery scene. The medium-lit room allows the light director to emphasize characters as they speak by focusing the lighting on them. In the first act, lighting is a bit brighter to introduce characters, getting dimmer to match the wintertime setting. Fresnel lights and dimmers will be used to focus on and adjust the brightness of characters and scenes.
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The director is looking for characters with a sense of humor to enhance the comedy in the play. Five main characters have been cast: James Franco as Terry, Jenna Fischer as Kristine, Kal Penn as Raj, Jennifer Aniston as Nora, and Ben Stiller as Pete. The director and costume designer provide details on the characters, themes, and setting to bring the play to life in a realistic yet comedic way through the use of lighting, set design, and costumes that emphasize the themes of materialism, debt, and family around the holidays.
Group presentation 38
This document provides details for the production of a play called "Dollhouse", including casting choices, directorial visions, and design concepts. It summarizes the director's goals to portray the complexities of modern marriage through a stylized set and lighting design meant to represent deception. Major characters like Nora Helmer and Terry Helmer will be costumed to depict their roles and financial situations realistically within the modern setting of the play.
Big love presentation
This document provides details on the set design, costumes, lighting, and direction for a play called "Big Love". The set design describes the settings for three acts taking place on a balcony, in a kitchen, and in a wedding hall. The costume design outlines styles inspired by European fashion for the characters. The lighting design provides instructions for lighting each scene to enhance the emotions and action. Finally, the direction section discusses the script, casting choices, directorial concept focusing on a heretical interpretation, and a creative artist directorial style.
Collaboration project thea 1331
This document provides details for a production of Rebecca Gilman's play Dollhouse, which is a modern adaptation of Henrik Ibsen's A Doll's House. It summarizes the casting, themes, concept, set design, symbolism, lighting design, and costume design. The production is set in contemporary America and takes place in a suburban Chicago home around Christmas 2004 and New Year's Eve. The document outlines how each creative element will represent the modern setting and relationships between characters.
Bus stop
The document provides details about the play "Bus Stop" by William Inge, including the setting, characters, stages, and lighting design. The play is set in a 1950s diner in Kansas during a blizzard. It will be performed on a proscenium stage. The lighting design uses different colors, intensities and focuses to set the mood during scenes such as conversations between characters. Flood lights and spotlights will illuminate parts of the stage during acts 1-3 to draw attention to actions and enhance the drama.
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The document discusses pre-production plans for filming a music video in a field and wooded area to represent the isolation and loneliness felt by the main character. Filming in the evening darkness will emphasize their emptiness and growing void from society. Interior shots in a broken and uninviting home are intended to further symbolize the character's isolation and subvert expectations of home as warm and welcoming. Dark lighting and mysterious woods are chosen to visually convey themes of sadness, darkness, and the unknown cause of their loneliness.
Presentation ben
The document discusses lighting design considerations for a production of Anton Chekhov's play "The Seagull". It proposes using dim lighting throughout to support the sad, melancholy mood of the play. It also recommends front lighting be brighter than above to ensure actors are visible without shadows. Incorporating a moonlight effect could allude to the time of day and provide flood lighting. Color lighting, like red, could highlight references to the seagull theme. Spotlights could illuminate important events and characters, such as Nina's monologue.
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1. The play takes place during winter time at a house near a lake. A couple goes there to be alone but the man's parents and their partners also show up, disrupting their plans. Conflict arises when it's revealed one partner may have had an affair with another's partner. Two elderly women also get involved when one falls through the ice on the lake.
2. The play seems to be set in modern times during winter at a house near a lake.
3. The themes are the value of life and the importance of love.
Inside the Director's Mind: Wintertime
The document outlines the director's vision for a play about the struggles of love set during wintertime. It proposes casting established actors like Leonardo DiCaprio, Josh Gordon-Levitt, Bryan Cranston, and Betty White in main roles to portray the complex emotions. The spine of the play will focus on the conflicts between couples. Ambient lighting on a sparse proscenium stage will portray the isolation of the characters. Naturalism and actually enacting violent scenes are intended to make the audience sympathize with the internal struggles over love. Winter motifs like cold, snow, and characters' reactions will pervade the play, until a warm fireplace scene provides closure.
The Seagull Presentation
Spot lighting of actors is important to help the audience follow conversations and see characters' emotions. Different lighting is needed both indoors and outdoors to recreate natural sunlight and the mood of the play, which shifts from light to dark and sad. Lights need to move with actors and focus on important props like the dead seagull to enhance the realistic style and help tell the story. Dim lighting throughout recreates the evening setting of the play.
As You like It Lighting Design
The document describes the lighting design for a production of "As You Like It". The style would use flood lights to illuminate the whole scene in an abstract way. The scenes in the French Court are meant to seem bleak and depressing, so the lighting would be very dim and dull, using spots in the corners that don't flow well and make objects look flat. By contrast, the scenes in the Forest of Arden are happy and lighthearted, so the lighting would be brighter and convey more color, using small amounts of green and blue light to highlight the trees and sky while making the setting seem brighter.
Lighting colour shot analysis
The first scenes are title screens with a black background and white titles, creating a mysterious feel. The next scene fades up from black to color, showing a nighttime street scene lit by low-key white streetlights, contrasting with the tense titles. Subsequent scenes include a shaking long shot with a white title appearing, then panning to an aerial shot with low-key lighting and an unsteady canted shot where the face of a male character is gradually lit up.
Horror Genre Research
The document outlines research for a horror genre film, including using dark, mysterious music and ambient noises to set an unsettling atmosphere, shooting in dark, isolated locations with low lighting, employing point-of-view shots and handheld camera work, and cutting between shots quickly or fading to black to build tension. The main character will be psychologically damaged and living alone, while another character remains mysterious and unknown.
Bus Stop Set Design by Makayla Gatson-1159023
This document provides details about the set design for a stage production of the play "Bus Stop" taking place in Alvin, Ohio in 1957. The set designer chose small-town Ohio because blizzards are common there, fitting for the play, and wanted to convey a small town feel rather than large city. The main sets include the exterior and interior of a 1950s-style diner where most scenes take place, as well as the bedroom of the character Grace, keeping within a limited budget. Lighting, sound effects, and period details will be used to further immerse the audience and enhance mood.
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Wintertime Light Design Group 86
- 1. WINTERTIME By: Charles L. Mee Hue Le (1121761) Group 86 Light Design
- 2. VISIBILITY The lighting is just enough to see the performers’ face. The white snow from the setting is suppose to cast a bright light into the medium lit room. This creates a winter scene and mood for the audience.
- 3. VISUAL COMPOSITION The room is medium lit which would help the light director easily put emphasize on the characters that are talking. Each time each characters speak and/or argue, the lighting would focus on whoever the conversation includes, helping the one who leave or enters be less noticed until their part comes.
- 4. MOOD & STYLE In the first act, the lighting will a bit bright to introduce everyone in the play. It gets dimmer due to wintertime. The light will focus on everyone since everyone in the scene is as important as the others. In the second act where the family members and friends gathered together for a memorial service for Maria’s “death”, all the furniture were black causing a darker lighting than usual. It created a mourning, sad, and lifeless mood.
- 5. TIME AND PLACE The lighting use during this play will be a dim white light due to the play taking place during the winter time.
- 6. RHYTHM OF VISUAL MOVEMENT The light focuses on everyone but one light will focus on the person who is speaking and moves as they move.
- 7. TYPE OF LIGHTS The type of light that will be use is a Fresnel. With this type of light, the light director will be able to focus on the stage and dim or bright on what he/she wants to focus on.
- 8. TYPE OF LIGHTS (CONT.) A dimmer will also be use to help fade out casts, during scene changes, and to change the importance of a character.