What conventions are present within the indie pop
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Indie pop music videos typically feature natural outdoor settings or urban environments. They tell a narrative that is broken up by shots of the artist in a studio. Videos in this genre aim to promote the artist through their performance and close-up shots that create a sense of them as a star. Various techniques like props, filters, and cut pacing are used to emphasize lyrics and convey mood.
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Selena gomez fetish deconstruction
The music video features close-up shots of the artist interspersed with brief establishing shots of tree blossoms. Natural lighting is used to give the video a realistic feel. There are around 115 shots, with some using filters to indicate flashbacks or separate scenes. Throughout the video, the artist engages in unusual behaviors like eating soap and putting her tongue in an eyelash curler, subverting stereotypical portrayals of femininity. She is the sole focus of the video, wearing only yellow costumes to symbolize different meanings taken from the song's lyrics.
Generic conventions of a music video
There are three main types of music videos: illustrative videos that tell a story through performance, amplification videos where the director interprets the song creatively, and conceptual videos that may not relate to the lyrics. Common conventions include quick camera shots between close-ups and long shots, fast editing to match the beat, expressive lighting effects, and mise-en-scene themes relating to historical periods, concert halls, or exaggerated star images through luxury settings.
Tame Impala- Elephant Deconstruction
The music video for Tame Impala's "Elephant" features around 125 cuts between scenes of the band playing and singing. A bright rainbow filter and kaleidoscope effect are used throughout the video to transition between scenes. There is no overarching narrative; rather, the video simply focuses on showing the band perform without any costume changes, consistent with the typical style of an indie band music video.
Carol vernallis theory
Carol Vernallis is a music video theorist known for her work "The Kindest Cut". Her ideas include how editing in music videos differs from film editing by synchronizing image and sound, using close ups of stars to reflect the music, and drawing attention to edits. She notes editing is used to speed up videos to match their short 2-4 minute length by using jump cuts and camera movements that follow the rhythm of the music. Editing can rapidly shift between foregrounding the musical structure, showcasing the star, and conveying meaning through experiential visuals.
Textual analysis 2
The video is a performance narrative that conforms to star theory by featuring the musician Misch in various shots. It aims to portray the musician's passion for music through its relaxed, laid-back style as the characters slowly groove to the music. While the lighting and color scheme are dismal and brown, a disco ball is used to contrast and bring light, representing how music can lift any situation. The costumes have a jazz influence through denim and cord in dreary colors, subverting conventions by covering the women's bodies rather than objectifying them. Various shot types are used, including close-ups of lip syncing and wide shots of the environment. References to 1970s/80s films provide nostalgia.
Codes and conventions of music videos finished
Codes and conventions are techniques used to construct meaning in music videos. Technical techniques include camera angles, shots, editing, and sound. Symbolic techniques convey meaning through facial expressions and gestures. Common conventions include performance, narrative, and cameo styles as well as techniques like panning, tracking, and jump cutting. Understanding codes and conventions allows audiences to interpret meaning and genres in music videos.
Pop rock conventions
In pop/rock music videos, there are conventions around how the band members are portrayed and how the music is presented:
- Medium shots show all band members equally performing their instruments, with no one member shown more than others. This presents the image of a naturally talented group.
- Clothing is casual like denim jeans and jackets, avoiding flashy fashion to maintain an image of authentic, "natural" talent rather than distracting costumes.
- Settings are typically in studios or houses to suggest the band casually playing together rather than elaborate locations.
- Lighting also aims for a natural look, with performances in available light rather than added lighting effects.
- Both narrative scenes and musical performances
Indie Genre Conventions
This document discusses conventions of the indie music video genre. It notes that settings are typically low-budget locations that are easy to access like studios, cities, parks and tunnels. Mise-en-scene aims to portray narrative through costumes, makeup and props like instruments. Performance sections focus on showcasing the artist's talents. Narratives are increasingly popular as they help audiences relate to the lyrics. Sound, camera shots, editing and effects also aim to reflect the independent spirit of the music.
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The music video features close-up shots of the artist interspersed with brief establishing shots of tree blossoms. Natural lighting is used to give the video a realistic feel. There are around 115 shots, with some using filters to indicate flashbacks or separate scenes. Throughout the video, the artist engages in unusual behaviors like eating soap and putting her tongue in an eyelash curler, subverting stereotypical portrayals of femininity. She is the sole focus of the video, wearing only yellow costumes to symbolize different meanings taken from the song's lyrics.
Generic conventions of a music video
There are three main types of music videos: illustrative videos that tell a story through performance, amplification videos where the director interprets the song creatively, and conceptual videos that may not relate to the lyrics. Common conventions include quick camera shots between close-ups and long shots, fast editing to match the beat, expressive lighting effects, and mise-en-scene themes relating to historical periods, concert halls, or exaggerated star images through luxury settings.
Tame Impala- Elephant Deconstruction
The music video for Tame Impala's "Elephant" features around 125 cuts between scenes of the band playing and singing. A bright rainbow filter and kaleidoscope effect are used throughout the video to transition between scenes. There is no overarching narrative; rather, the video simply focuses on showing the band perform without any costume changes, consistent with the typical style of an indie band music video.
Carol vernallis theory
Carol Vernallis is a music video theorist known for her work "The Kindest Cut". Her ideas include how editing in music videos differs from film editing by synchronizing image and sound, using close ups of stars to reflect the music, and drawing attention to edits. She notes editing is used to speed up videos to match their short 2-4 minute length by using jump cuts and camera movements that follow the rhythm of the music. Editing can rapidly shift between foregrounding the musical structure, showcasing the star, and conveying meaning through experiential visuals.
Textual analysis 2
The video is a performance narrative that conforms to star theory by featuring the musician Misch in various shots. It aims to portray the musician's passion for music through its relaxed, laid-back style as the characters slowly groove to the music. While the lighting and color scheme are dismal and brown, a disco ball is used to contrast and bring light, representing how music can lift any situation. The costumes have a jazz influence through denim and cord in dreary colors, subverting conventions by covering the women's bodies rather than objectifying them. Various shot types are used, including close-ups of lip syncing and wide shots of the environment. References to 1970s/80s films provide nostalgia.
Codes and conventions of music videos finished
Codes and conventions are techniques used to construct meaning in music videos. Technical techniques include camera angles, shots, editing, and sound. Symbolic techniques convey meaning through facial expressions and gestures. Common conventions include performance, narrative, and cameo styles as well as techniques like panning, tracking, and jump cutting. Understanding codes and conventions allows audiences to interpret meaning and genres in music videos.
Pop rock conventions
In pop/rock music videos, there are conventions around how the band members are portrayed and how the music is presented:
- Medium shots show all band members equally performing their instruments, with no one member shown more than others. This presents the image of a naturally talented group.
- Clothing is casual like denim jeans and jackets, avoiding flashy fashion to maintain an image of authentic, "natural" talent rather than distracting costumes.
- Settings are typically in studios or houses to suggest the band casually playing together rather than elaborate locations.
- Lighting also aims for a natural look, with performances in available light rather than added lighting effects.
- Both narrative scenes and musical performances
Indie Genre Conventions
This document discusses conventions of the indie music video genre. It notes that settings are typically low-budget locations that are easy to access like studios, cities, parks and tunnels. Mise-en-scene aims to portray narrative through costumes, makeup and props like instruments. Performance sections focus on showcasing the artist's talents. Narratives are increasingly popular as they help audiences relate to the lyrics. Sound, camera shots, editing and effects also aim to reflect the independent spirit of the music.
Folk genre conventions and codes
The document discusses codes and conventions for indie/folk music genres that can be seen in music videos. It analyzes videos by Mumford and Sons, Show of Hands, and Seth Lakeman to identify conventions like performance shots of the band, close-ups of instruments, black and white filters, isolation, and exaggerated lighting/shadows. Key conventions were compiled to incorporate into the author's own music video and relate it to the indie and folk genres.
Carol vernallis theory
Carol Vernallis developed a theory of music video based on four key concepts: narrative, diegesis, editing, and camera movement/framing. For narrative, she says the music video visuals should respond to the song's narrative. Diegesis should be revealed slowly. Editing in music videos can break conventions through techniques like jump cuts and cutting with lyrics. Camera movements and framing should flow with the lyrics and use distinctive styles.
Codes and Conventions of Indie Genre
Indie music videos increasingly include narratives to engage audiences by telling a story that connects to the lyrics and visuals. Narratives allow for creativity and memorable videos by providing context for special effects and something for audiences to follow beyond repetitive live performances. Common settings for indie videos are everyday locations that create mystery while feeling relatable to audiences. Live performances are also common to showcase artist talent. Mise-en-scene elements like costumes, props, and shots types are used to portray characters and set the scene through establishing mood and message. Editing reflects the music's pace and filters create certain atmospheres.
Circa waves fossils
The music video for the song "Fossils" by indie band Circa Waves uses short, quick cuts between shots that jump around sporadically, mimicking the spontaneous mindset of the band members. Filmed with an old or filtered camera, the video has a homemade feel and no clear narrative, instead showing the band having fun across a variety of situations over time, from traveling and parties to band practice. At the end, the words "true love circa waves" are displayed to identify the band.
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Music videos employ several cinematography and editing techniques to synchronize the visuals with the music. These include close-ups to match lyrics with lip movements, mobile camera shots and quick cuts for fast songs, and fades/dissolves to give the video flow. Location changes are also common to provide variety. In terms of mise-en-scene, the artist usually performs while artificially lit, colors set the tone, and props/costumes reflect the genre, style, or lyrics and help the artist stand out.
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- The document provides examples of different music videos and analyzes which category they fall into. It also discusses creating hybrid videos and developing recipes for each type of music video.
- Finally, the document considers how to plan an effective storyboard that mixes narrative and performance elements in a music video.
Textual analysis 1
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2) It will use a hybrid style of both narrative and performance elements, with editing in time to the music but also blending narrative and performance shots chronologically.
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Indie music videos increasingly include narratives to engage audiences by telling a story that connects to the lyrics and visuals. Narratives allow for creativity and memorable videos by providing context for special effects and something for audiences to follow beyond repetitive live performances. Common settings for indie videos are everyday locations that create mystery while feeling relatable to audiences. Live performances are also common to showcase artist talent. Mise-en-scene elements like costumes, props, and shots types are used to portray characters and set the scene through establishing mood and message. Editing reflects the music's pace and filters create certain atmospheres.
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The document provides initial ideas for creating a music video, including potential song choices, clothing options for the actor, color/filter techniques, and locations. It considers Ed Sheeran's "Small Bump", Sam Smith's "Latch", and James Bay's "Scars" as song options. Clothing options discussed include a suit, casual/smart attire, and casual clothes. Color techniques proposed are full color, black and white, and using filters. Locations mentioned are The Black Box, London at night, and London during the day. The document serves to outline early planning ideas before deciding on final choices for the music video.
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Conventions of music videos
Music videos employ several cinematography and editing techniques to synchronize the visuals with the music. These include close-ups to match lyrics with lip movements, mobile camera shots and quick cuts for fast songs, and fades/dissolves to give the video flow. Location changes are also common to provide variety. In terms of mise-en-scene, the artist usually performs while artificially lit, colors set the tone, and props/costumes reflect the genre, style, or lyrics and help the artist stand out.
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Carol Vernallis' theory focuses on 4 key concepts for analyzing music videos: Narrative, Editing, Camera Movement/Framing, and Diegesis. The narrative of a video may be partial or disjointed and reflect the song lyrics. Editing often disrupts continuity for effect. Camerawork relies on establishing shots, close-ups, and moving with the music. The diegesis or world of the video is revealed slowly through incomplete or disrupted actions and repeated frames that draw attention.
Textual analysis of music videos
This document discusses various techniques used in the production of music videos, including mise-en-scene, sound, and camerawork. For mise-en-scene, it describes how location, costume, lighting, and acting are used to represent the genre of music and mood of the song. It also explains how sound is used to convey the music and effects. Finally, it outlines different camera shots including close-ups, long shots, and point-of-view shots, and how they are employed to promote the artist, set the scene, and engage the audience in the story.
Performance, concept, narrative thematic, symbolic
- The document discusses different types of music videos: performance-based, narrative-based, and concept-based.
- Performance-based videos feature artists performing, narrative videos tell a story, and concept videos are based on a single idea.
- The document provides examples of different music videos and analyzes which category they fall into. It also discusses creating hybrid videos and developing recipes for each type of music video.
- Finally, the document considers how to plan an effective storyboard that mixes narrative and performance elements in a music video.
Textual analysis 1
The narrative focuses on celebrating love and peace. The style uses a filter to give it a nostalgic and retro feel filmed on old film. The lighting is very bright from being filmed on a sunny day, corresponding to the upbeat song, and the saturation was increased. The costumes have a unique 1970s style to portray the band's laidback brand identity and message of peace. A variety of shots are used including close ups, wide shots, and long shots of landmarks to promote culture and unity. There are also intertextual references to other music videos through the use of signs with lyrics.
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This document provides a textual analysis of Ed Sheeran's "Castle on the Hill" music video in 3 paragraphs. It summarizes the mise-en-scene elements used to portray Ed Sheeran's childhood and teenage years as normal, including locations, iconography, costumes and lighting. Camerawork techniques like close-ups, long shots and point-of-view are described as ways to illustrate the lyrics and show relationships between characters. However, the portrayal of underage drinking and smoking in the video could negatively stereotype Ed Sheeran.
Codes and Conventions
This document discusses codes and conventions in music videos. It explains that music videos use techniques like camera angles, movements, editing, sound, and mise-en-scene to portray genres and appeal to audiences. Two contrasting genres highlighted are heavy metal/rock videos, which use dark lighting and costumes to portray emotion, and R&B/pop videos, which feature wealthly settings and stylish costumes to showcase artists' performances and good lives. The document examines how different elements come together in music videos to represent genres recognizably.
Music video analysis kinks
The music video for "Waterloo Sunset" by The Kinks focuses on performance shots of the band and does not correlate visually with the song's lyrics. It uses close-ups of the band and eye contact with the camera to promote the artists' image. While the happy music contrasts with the sad lyrics, the video maintains a calm tone through slow transitions and long shots. It has a surreal, abstract quality from layered video clips and is shot in black and white, reflecting the era it was made.
Planning
1) The document outlines plans for a music video summary that will adopt some conventions of dance music videos but also subvert some expectations.
2) It will use a hybrid style of both narrative and performance elements, with editing in time to the music but also blending narrative and performance shots chronologically.
3) The video will feature unique shots and angles as well as slower camera movements to match the R&B feel of the chosen song, and will focus on a gay performer struggling with their identity rather than stereotypical portrayals.
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Similar to What conventions are present within the indie pop
Key conventions of music video
Indie pop music videos typically feature low budgets and are filmed in natural settings like studios, cities, and parks. They often tell a narrative story that relates to the song's lyrics through a sequence of images and videos. Performance videos focus on showcasing the artist's talent to promote them and give viewers a sense of their live shows. Narratives may be literal or abstract, using scenes to link to the song. Videos have simple costumes, props, and aesthetics like the artist dressed casually in tops, jackets, and jeans. Filters are frequently used to set a mood and give off feelings and vibes through colors like sepia, monochrome, and purple. Editing and camera angles like close-ups
Evaluation Question 1
My media product uses and develops conventions of indie music videos, digipaks, and magazine ads. For the music video, I chose a point-of-view narrative style which is unconventional but leaves space for imagination. Camera shots include close-ups to show emotion. The setting is a woodland area, and editing follows the beat of the song. For the digipak and ad, I used natural woodland shots and a minimalist style with handwritten fonts, following conventions of promoting a warm, natural aesthetic through visual continuity across formats.
Codes and conventions
The document discusses various codes and conventions used in music videos. It describes technical codes like camera shots, angles, editing techniques, and sound design. It also covers symbolic codes like mis en scène elements involving lighting, props, costumes, makeup, hair, location, and color. Specific examples are provided to illustrate different types of music videos and how codes and conventions can convey meaning and enhance audience understanding.
Conventions of a music video
A music video is primarily used to market and promote an artist's album. There are several common conventions used in music videos, including lip syncing to the song, using a mixture of performance and narrative styles, and featuring cameos. Music videos employ different camera techniques, shots, angles, and movements. Elements like location, lighting, props, costumes, and color are deliberately chosen to represent the song's meaning and genre. Effective editing, sound, and animation are also incorporated to engage audiences.
Evaluation - Question 1
The document discusses how the media product, a music video for an indie song, uses and develops conventions of real music videos in the indie genre. It summarizes how the video uses typical conventions for the genre seen in locations, costumes, lighting, sound, performance structure, and representation of mental illness. It also discusses how the accompanying digipak and magazine advertisement develop conventions through consistent use of color palettes, fonts, and circular text layout while challenging some conventions like social media icons.
Q1
The document discusses various conventions used in pop music videos, including:
- Using high key lighting and close ups of artists' faces.
- Following the rule of thirds composition.
- Including feminine props like makeup and mirrors to appeal to the target audience.
- Choosing bright, colorful costumes and feminine bedroom locations.
- Employing shots like wide shots, close ups, and long shots to showcase different elements.
Alternative
The document discusses conventions of indie music videos. It is conventional for indie music videos to have a casual dress code, low production value, a mix of narrative and performance elements, and some odd or symbolic shots. Key features that could be used in an indie music video include natural lighting, diverse locations, surreal elements, and a focus on the artist themselves through close-ups. Common themes across analyzed indie music videos are the use of lighting, symmetry, and a dark, minimal aesthetic.
General convention of Pop
The document discusses the codes and conventions used in different genres of music videos. It provides information on technical elements like editing, camerawork, and sound design. It also discusses symbolic techniques and reasons for using codes and conventions. Specific conventions for pop, rock, and narrative/performance-based music videos are outlined. These include common editing styles, camera shots, settings, lighting, costumes, and more. In the conclusion, the author notes they have learned about how image and personality influence music video conventions and will apply this knowledge to improving their own music video projects.
Foals
The document analyzes the music video for the song "Spanish Sahara" by the band Foals. It summarizes key elements of the video including the narrative of the main character finding a dead animal and traveling to sacrifice it, the use of mise-en-scene like the character's black coat, and locations like mountains that make the artist seem ordinary. It also discusses camera shots like close-ups that help viewers recognize the artist, the sole focus on the artist as the only character, and the use of soft colors and natural lighting. The analysis of these elements can help in planning and filming a new music video.
indierockconventions-copy-220711205730-d40063c9.pptx
1. The document discusses codes and conventions of indie rock music videos. It focuses on elements like primary colors, glitch effects, narrative styles, and the use of diegetic and non-diegetic sounds.
2. Many indie videos show the artist in a live performance to focus attention on the artist and demonstrate their musical skills. Some include narratives that relate to the song's meaning.
3. Editing, sound, mise-en-scene, camerawork, and narrative are important technical aspects that help set the retro, authentic atmosphere for which indie rock videos strive. Close-ups during performance and longer shots cut together are commonly used.
indie rock conventions - Copy.pptx
1. The document discusses codes and conventions of indie rock music videos. It focuses on elements like primary colors, glitch effects, narrative styles, and the use of diegetic and non-diegetic sounds.
2. Many indie rock videos show the artist in a live performance or contain a narrative storyline to help audiences relate to the artist's meaning and lyrics. Editing, sound, mise-en-scene, and camera work aim to create an authentic yet retro atmosphere.
3. Narrative is a key element as it shows how the performer feels about the song and defines their style. Examples of indie rock videos discussed include Wallows' "Remember When" and Cage the Elephant's "Cold Cold
Alternative Rock Conventions
The document discusses common elements of mise-en-scene, camerawork, and editing in music videos. For mise-en-scene, settings are often urban areas at night or consider colors for daytime/rural areas. Costumes tend to be casual, with female singers having multiple changes. Cameras commonly use mid shots of singers, tilt down establishing shots, and close-ups of faces during singing. Editing features fancy transitions of artists into shots, effects like blurring, and cuts that match the song's tempo.
Mv production assignment form 2021
I will be editing my video using Adobe Premiere Pro on my personal laptop. I have the software license through my university and have been trained in the basics of the program. All of my filming will be done using my Canon EOS Rebel T7 DSLR camera which I already own. I don't anticipate needing any other specialist facilities for the scale of this project.
Indie rock genre conventions
Mise-en-scene, costumes, props, and live performances are important elements of indie rock music videos to portray narratives and focus on the artist. Typical settings for these low-budget videos are studios, cities, parks and underground environments. It has become popular to include narratives between live performances to give meaning and allow audiences to relate to the song lyrics. Effective editing, camera shots, sound design and special effects help immerse audiences in the retro, casual aesthetic common to the indie rock genre.
Ryan smith media PROPER
This document discusses the codes and conventions used in music videos and how the author developed and challenged them in their own music video project. It provides an overview of several key conventions like technical techniques, symbolic techniques, colors, and star image. It then describes how the author's video focused on color and star image through close-ups and facial expressions to represent the song. While the original cut was similar to Bloc Party's "Banquet," feedback requested more editing effects, so the author combined elements of "Banquet" with A-Ha's "Take On Me" by adding overlays and modifying colors and contrast.
Genre study
The document discusses the genre of indie pop music and common characteristics of indie pop music videos. It states that indie pop originated in the UK in the 1980s from post-punk Scottish bands, and is characterized as being more melodic and less abrasive than indie rock. It outlines several typical elements of indie pop music videos, such as low-budget settings, live performances, narratives, simplicity in props/costumes, and cinematography techniques like close-ups, tilts/pans, and filters.
Mv production assignment form 2021
The document provides guidance for a music video assignment, including templates and suggestions for the pre-production process. Key details include:
- The assignment requires idea generation, research, and pre-production planning for a music video.
- Template slides cover tasks like idea generation, location scouting, equipment needs, personnel, and visual planning through storyboards.
- The student has selected the song "Two Moons" by boywithuke, and plans a montage-style video set in autumn, drawing inspiration from the song's themes of betrayal and sadness.
- Locations will need to ensure privacy, and equipment will mostly come from home or friends. A main cast of 10-11 people is
Codes and conventions of an indie music video
This document summarizes some common codes and conventions used in indie music videos. It discusses how indie music originated in the UK in the 1980s. It also outlines how indie music videos typically tell narratives that relate to but don't literally illustrate the song, use low-budget settings like studios and parks, feature live performances by the artist, employ simple props and costumes, incorporate dialogue and diegetic sound, utilize close-ups and establishing shots, and edit with filters and cuts between shots to match the pace of the music.
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Evaluation Question 4- How effective is the combination of your main product and the ancillary texts?
Detailed Analysis of Circa Waves - Fossils
The document analyzes the music video for the song "Fossils" by the indie band Circa Waves. It identifies several key conventions of indie music videos through its analysis of technical elements like camerawork, editing, costumes, and props used in the video. These conventions include the use of retro filters, tour footage, a DIY aesthetic created through handheld camerawork and amateurish editing, and the inclusion of performance elements and a range of locations to portray the band as touring musicians. The analysis concludes that the video effectively incorporates many conventions of both form and genre for indie music videos.
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What conventions are present within the indie pop
- 2. In indie pop videos the location is usually a naturalistic place such as the woods or the grounds of a large country house Videos within this genre are also often set within a city or urban environment Videos are cut up with studio to create a ‘broken narrative’
- 3. Often these types of videos have a broken narrative which means there is a story that is broken up by shots of the artist or band in a studio Most videos include performance of some sort to promote the artist The narrative is often abstract and is easy to follow for the audience
- 4. Props are used to emphasise the lyrics The artist is often the main star in terms of costume and makeup In the studio close ups and extreme close ups are used to promote the artist and create a sense of a ‘star image’
- 5. Filters are often used within videos in this genre to portray a certain mood such as sepia filters for nostalgia or blue filters for sadness The pace of the cuts is reflective of the pace of the song
- 6. From this research into genre conventions I have learnt the typical features that are present within the indie pop genre. This basic knowledge will allow me to incorporate specific iconography and editing within my final product as well as carry these conventions over to my ancillary texts as well