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P R E S E N T E D B Y J A I S H A N I U P A D H Y A Y
HISTORY OF ARCHITECTURE
VILLA
FARNESE
2 0 2 1 | D E P A R T M E N T O F H I S T O R Y
Points of Discussion
Topics to be Covered
History Summary
Timeline of Events
Plan , Elevation , Section
Interior
Gardens
The Casino
2 0 2 0 | D E P A R T M E N T O F H I S T O R Y
History Summary
A Brief Discussion
The Villa Farnese, also known as Villa Caprarola, is a pentagonal
mansion in the town of Caprarola in the province of Viterbo,
Northern Lazio, Italy, approximately 50 kilometres (31 mi) north-
west of Rome. This villa should not be confused with the Palazzo
Farnese and the Villa Farnesina, both in Rome. A property of the
Republic of Italy, Villa Farnese is run by the Polo Museale del Lazio.
The Villa Farnese is situated directly above the town of Caprarola
and dominates its surroundings. It is a massive Renaissance and
Mannerist construction, opening to the Monte Cimini, a range of
densely wooded volcanic hills. It is built on a five-sided plan in
reddish gold stone; buttresses support the upper floors. As a
centerpiece of the vast Farnese holdings, Caprarola was always an
expression of Farnese power, rather than a villa in the more usual
agricultural or pleasure senses.
Timeline of Events
In 1504, Cardinal Alessandro Farnese, the future Pope Paul III,
acquired the estate at Caprarola.
He had designs made for a fortified castle or rocca by the
architects Antonio da Sangallo the Younger and Baldassare
Peruzzi.
Surviving plan drawings by Peruzzi show a pentagonal
arrangement with each face of the pentagon canted inwards
towards its center, to permit raking fire upon a would-be scaling
force, both from the center and from the projecting bastions that
advance from each corner angle of the fortress.
Peruzzi's plan also shows a central pentagonal courtyard and it is
likely that the later development of the circular central court was
also determined by the necessities of the pentagonal plan. The
pentagonal fortress foundations, constructed probably between
1515 and 1530,[2] became the base upon which the present villa
sits; so the overall form of the villa was predetermined by the rocca
foundations.
PLAN
ELEVATION
SECTION
DESIGN
The villa is one of the finest examples of Renaissance architecture.
Ornament is used sparingly to achieve proportion and harmony.
Thus while the villa dominates the surroundings, its severe design
also complements the site.
This particular style, known today as Mannerism, was a reaction to
the ornate earlier High Renaissance designs of twenty years earlier.
Interior
The villa's interiors are arranged over five
floors, each floor designed for a different
function.
The main rooms are located on the first floor or
piano nobile, where a large central loggia (now
glazed in) looks down over the town, its main
street and the surrounding countryside.
This hall is known as the Room of Hercules on
account of its fresco decorations,[6] and was
used as a summer dining hall.
It has a grotto-like fountain with sculpture at
one end.
To either side of the loggia are two circular
rooms: one is the chapel, the other
accommodates the principal staircase or Scala
Regia, a graceful spiral of steps supported by
pairs of Ionic columns rising up through three
floors and frescoed by Antonio Tempesta.
Interior
The Villa Farnese is very sparsely furnished but the rooms are
nonetheless hugely impressive because of their lavishly marbled
and frescoed walls and ceilings, and ornately tiled floors – though
not all are decorated as richly as the one in the photo above.
The ceiling paintings are so glorious that you’re liable to leave with
a stiff neck – unless you choose to lie flat on your back in the
middle of every room.
LOBBY IN VILLA FERNESE
SPIRAL STAIR CASE IN VILLA FERNESE MASTERPIECE AT VILLA FERNESE
GARDENS
The gardens of the villa are as impressive as the building itself, a
significant example of the Italian Renaissance garden period.
The villa's fortress theme is carried through by a surrounding moat
and three drawbridges.
Two facades of the pentagonal arrangement face the two gardens
cut into the hill; each garden is accessed across the moat by a
drawbridge from the apartments on the piano nobile and each is a
parterre garden of box topiary with fountains.
A grotto-like theatre was once here. A walk through the chestnut
woods beyond, leads to the giardino segreto, or secret garden, with
its well-known casino.
THE CASINO
The Casino, a small habitable summerhouse with two loggie for al
fresco dining.
It was built probably on designs by Giacomo del Duca, with later
alterations were made to the area around the casino by the
architect Girolamo Rainaldi.
The casino is approached by stairs contained between heavily
rusticated grotto walls, with a central catena d'acqua, a cascaded
rill or 'water-staircase', which the water flows down to a stone
basin.
At the top of the steps and set in an oval space are large statues of
two reclining river gods to either side of a large central vase
fountain. Stairs built into the oval walls lead up to the parterred
terrace in front of the south facade of the casino. This part of the
terrace is lined by stone herms with cypress trees. To the north of
the casino is a private garden which steps up slightly and
accommodates roses.
THE CASINO AT VILLA FERNSE
BIBLIOGRAPHY
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Villa Farnese.pdf

  • 1. P R E S E N T E D B Y J A I S H A N I U P A D H Y A Y HISTORY OF ARCHITECTURE VILLA FARNESE
  • 2. 2 0 2 1 | D E P A R T M E N T O F H I S T O R Y Points of Discussion Topics to be Covered History Summary Timeline of Events Plan , Elevation , Section Interior Gardens The Casino
  • 3. 2 0 2 0 | D E P A R T M E N T O F H I S T O R Y History Summary A Brief Discussion The Villa Farnese, also known as Villa Caprarola, is a pentagonal mansion in the town of Caprarola in the province of Viterbo, Northern Lazio, Italy, approximately 50 kilometres (31 mi) north- west of Rome. This villa should not be confused with the Palazzo Farnese and the Villa Farnesina, both in Rome. A property of the Republic of Italy, Villa Farnese is run by the Polo Museale del Lazio. The Villa Farnese is situated directly above the town of Caprarola and dominates its surroundings. It is a massive Renaissance and Mannerist construction, opening to the Monte Cimini, a range of densely wooded volcanic hills. It is built on a five-sided plan in reddish gold stone; buttresses support the upper floors. As a centerpiece of the vast Farnese holdings, Caprarola was always an expression of Farnese power, rather than a villa in the more usual agricultural or pleasure senses.
  • 4. Timeline of Events In 1504, Cardinal Alessandro Farnese, the future Pope Paul III, acquired the estate at Caprarola. He had designs made for a fortified castle or rocca by the architects Antonio da Sangallo the Younger and Baldassare Peruzzi. Surviving plan drawings by Peruzzi show a pentagonal arrangement with each face of the pentagon canted inwards towards its center, to permit raking fire upon a would-be scaling force, both from the center and from the projecting bastions that advance from each corner angle of the fortress. Peruzzi's plan also shows a central pentagonal courtyard and it is likely that the later development of the circular central court was also determined by the necessities of the pentagonal plan. The pentagonal fortress foundations, constructed probably between 1515 and 1530,[2] became the base upon which the present villa sits; so the overall form of the villa was predetermined by the rocca foundations.
  • 8. DESIGN The villa is one of the finest examples of Renaissance architecture. Ornament is used sparingly to achieve proportion and harmony. Thus while the villa dominates the surroundings, its severe design also complements the site. This particular style, known today as Mannerism, was a reaction to the ornate earlier High Renaissance designs of twenty years earlier.
  • 9. Interior The villa's interiors are arranged over five floors, each floor designed for a different function. The main rooms are located on the first floor or piano nobile, where a large central loggia (now glazed in) looks down over the town, its main street and the surrounding countryside. This hall is known as the Room of Hercules on account of its fresco decorations,[6] and was used as a summer dining hall. It has a grotto-like fountain with sculpture at one end. To either side of the loggia are two circular rooms: one is the chapel, the other accommodates the principal staircase or Scala Regia, a graceful spiral of steps supported by pairs of Ionic columns rising up through three floors and frescoed by Antonio Tempesta.
  • 10. Interior The Villa Farnese is very sparsely furnished but the rooms are nonetheless hugely impressive because of their lavishly marbled and frescoed walls and ceilings, and ornately tiled floors – though not all are decorated as richly as the one in the photo above. The ceiling paintings are so glorious that you’re liable to leave with a stiff neck – unless you choose to lie flat on your back in the middle of every room.
  • 11. LOBBY IN VILLA FERNESE SPIRAL STAIR CASE IN VILLA FERNESE MASTERPIECE AT VILLA FERNESE
  • 12. GARDENS The gardens of the villa are as impressive as the building itself, a significant example of the Italian Renaissance garden period. The villa's fortress theme is carried through by a surrounding moat and three drawbridges. Two facades of the pentagonal arrangement face the two gardens cut into the hill; each garden is accessed across the moat by a drawbridge from the apartments on the piano nobile and each is a parterre garden of box topiary with fountains. A grotto-like theatre was once here. A walk through the chestnut woods beyond, leads to the giardino segreto, or secret garden, with its well-known casino.
  • 13. THE CASINO The Casino, a small habitable summerhouse with two loggie for al fresco dining. It was built probably on designs by Giacomo del Duca, with later alterations were made to the area around the casino by the architect Girolamo Rainaldi. The casino is approached by stairs contained between heavily rusticated grotto walls, with a central catena d'acqua, a cascaded rill or 'water-staircase', which the water flows down to a stone basin. At the top of the steps and set in an oval space are large statues of two reclining river gods to either side of a large central vase fountain. Stairs built into the oval walls lead up to the parterred terrace in front of the south facade of the casino. This part of the terrace is lined by stone herms with cypress trees. To the north of the casino is a private garden which steps up slightly and accommodates roses. THE CASINO AT VILLA FERNSE
  • 15. $2.5T Total revenues in 2019 26.67% Increase in students globally THANK YOU!