Video risk assessment
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The document summarizes risks associated with filming a project titled "Fashion Killa" at a town centre location. Key risks identified include interactions with the public in the busy area, noise interference, and potential smoking near the filming area. To manage these risks, the film crew will need to cordon off their shooting space, consider alternative times when the area is less busy, use earphones to block noise, and prohibit smoking near their shoot or film in a smoke-free location.
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This document provides a risk assessment for a music video shoot at a nightclub. It identifies potential hazards like access issues getting the underage actress into the club, disturbances from a public audience like fights, and communication failures in the loud environment. Mitigation strategies are proposed, such as having a backup plan at a house party, filming in a small corner away from crowds, and planning shots ahead of time to control for noise issues. The overall risk level is evaluated as moderate due to the unpredictable public setting of a nightclub.
risk assessments 1
This document summarizes the risks associated with filming a music video titled "Inhale Exhale" in a backyard location on December 12. Potential hazards that were identified include weather, food allergies, and other typical outdoor filming risks. To mitigate these risks, the producer plans to ask actors about allergies in advance and accommodate them, and plan for potential weather issues to prevent delays to the shooting schedule.
Croft Circuit - Risk Assessment
The document summarizes risk assessments for various hazards that may be present during a film shoot at Croft Circuit. It identifies hazards such as working in a remote/hostile environment far from medical care, night operations reducing visibility, loud noise from equipment that could damage ears, moving vehicles on the racetrack, and wet weather damaging equipment. For each hazard, it evaluates the likelihood and severity of potential harm, and describes plans to manage the risks, such as having first aid supplies and vehicles on site, supplying torches and ear protection, closing the track to other users, and rescheduling if rain is predicted.
Location recce
The document describes evaluating potential locations for risks and hazards. It involves identifying the location, assessing suitability and issues with access, lighting, and sound. A risk assessment is then conducted by considering hazards such as access, animals, audience, cables, communication failure, confined spaces, costumes, derelict buildings, electricity, fire, first aid, food hygiene, glass, heights, hostile environments, machinery, lighting, lone working, night operations, noise, and assigning a likelihood and severity for each. The risks are then prioritized for elimination, reduction, isolation, control, or use of personal protective equipment.
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Shootingschedule 151120101809-lva1-app6892
This document contains the shooting schedule for the production "Fashion Killa". It includes 6 dates for filming with descriptions of the shots, locations, crew, equipment, props, costumes, and makeup needed. It also notes some editing decisions such as filming as much as possible on the first date for a photo shoot to use footage for multiple scenes, and returning to locations like the town centre or Serpentine Green on different dates to get extra footage if needed. The last two dates are described as "last chances" to get extra shopping scene clips.
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This document evaluates and compares three potential locations for a music video photoshoot: 1) A small greenroom next to a school's media section that would allow for moving backgrounds but limited movement. 2) A busy shopping center with many relevant shops but issues with permission and disruption from crowds. 3) A town center surrounded by shops that would be ideal at night when quiet but busy during the day with potential extras. Each location is assessed for suitability based on access, lighting, sound and other factors.
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The production action plan outlines the key steps and deadlines for completing a group media project. It includes acquiring equipment by the start of production, deciding on a location, arranging filming times, filming all scenes by the second week of December, editing shots over the Christmas holidays, and posting the final project to a blog by New Year. Potential issues are noted such as obtaining clothes for actors and permissions to film in private locations. Coordination will be needed to complete filming and editing by the assigned deadlines.
Final magazine copy2
B-Star Roy is preparing for the release of his new album "In the Game" under the label Big Money Records, run by Ice Cube and K-Dee. The article interviews B-Star Roy about collaborating with 50 Cent, who produced a track for the album, and about overcoming a rough upbringing to achieve success in the rap industry. B-Star Roy discusses having idolized Kanye West growing up and takes no offense to Kanye's criticism of him, seeing his catchphrases as part of what makes his music unique. He is grateful for having risen from an unknown kid to working with respected figures like 50 Cent.
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This document contains a shooting schedule for a student media production titled "Lyrical". It lists 3 shots to be filmed on February 10th and 13th, including the crew, cast, equipment, props, costumes, makeup, locations, and timecodes. Shot 1 on February 10th will feature Arthur wearing a grey hoodie and black shirt in the green room from 11am-12pm. Shots 2 and 3 on February 13th will feature Cipriano wearing a chain and Billroy wearing black and a chain in the green room from 12:45-1:30pm, with a contrasting background for easy editing.
Call sheet arthur+billroy+cipriano
This call sheet provides details for shooting a music magazine. It lists three actors - Arthur Tumbare shooting on February 10th for the front cover, Billroy Marembo shooting on February 13th for a double page spread, and Cipriano Miranda also shooting on February 13th for a contents page. All shoots will take place at Nene Park Academy under producer and director Ikram Hussain.
Questionnaire
The document summarizes the results of a 15 question questionnaire. It found that most respondents were males between 16-17 years old. While rap was not very popular overall, including features on other music genres could appeal to more people. Respondents wanted to know about artists in magazines. Though no one currently reads rap magazines, the creator intends to expand the genre's audience. Most would pay £1-2 for a magazine and favorites included rock, pop and indie. Nearly all listened to rap sometimes. Magazine purchases are declining. A famous cover person would attract buyers, as would free content. Music is commonly listened to during exercise.
Questionnaire media blank
This document contains a 15 question survey about music magazine readership. It asks respondents about their gender, age, music interests like rap and genres listened to, how often they listen to music and buy magazines, favorite magazines, occupation, what attracts them to magazines' covers and whether free content would influence purchases. The questions aim to understand demographics and habits to better tailor music magazines.
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This document appears to be a print layout or design that includes sections for a masthead, dateline, main image, barcode, cover line, color scheme, sell lines, feature image, list of content, and sub-images along with their associated color schemes. The layout outlines where different elements would be placed on a printed page.
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Bhangra genre
Bhangra originated in the Punjab region of India and is often danced at celebrations to the rhythms of the dhol drum. There are different styles of bhangra dancing for men and women that use arm and shoulder movements in circular formations. The genre became popular in the UK during the 1980s through South Asian immigrants and is seen as an expression of their culture. Well-known bhangra artists include Panjabi MC, Sukshinder Shinda, and Jazzy B. Bhangra videos feature conventions like dancers, varied scenes, and fast editing to match the upbeat music. The dhol drum is a key component played by dholis to produce bass and treble sounds. An accurate bhang
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Video risk assessment
- 1. Video Production Risk Assessment ProjectTitle:FashionKilla Filmingdate: Location(one formper location): TownCentre Producer:Kyle Wales,KurtHillson,IkramHussain,OscarLannon Date: Course: Level: Tick all hazardsthatapply atthis location. o Access o Animals/Insects o Audience /Public o Cables o CommunicationFailure o ConfinedSpaces o Costume /Make-up o Derelictbuildings/Dangerousstructures o Electricity o Fire / Flammable material o FirstAid o FoodHygiene o Glass o Heights o Hostile /Remote environment o Machinery o Lighting o Lone working o Manual handling o Mines/ excavations/quarries o Nightoperation o Noise o Radiation(phone towers,transmitters) o Personwithspecial needs o Roads o Setconstruction o Slipping,tripping,falling o Smokingonset o Stunts o Vehicles o Weather o Weapons o Other:
- 2. Hazard Evaluation Hazard: Audience/Public What could cause harm? Towncentre isverybusy sopeople couldwonderintoourshootandfall overour actors whowill be dancingaroundlookingatthe camera, unaware of people runninginto them. What is the likelihoodofthis happening? 9/10 How much harm? Bruisesandpossible grazesfromfallingover. Apply the followingpriorities,howwill this risk be managed (provide detail)? (1) Eliminate. (2) Reduce or substitute (3) Isolate. (4) Control. (5) Personalprotective equipment We will have to corner off the area aroundwhere we are shooting to tryandstoppeople wondering ontoour shoot. We could alsoshoot at a time whenit is not busyso we avoidthe risk. Hazard: Noise What could cause harm? Notso much harm topeople inthislocationbutitcouldaffectthe video. Because itis sopublicand itis indoors,the noise levelisquite high. What is the likelihoodofthis happening? 8/10 How much harm? Notmuch harm, butcouldaffectconcentrationwhichcouldleadtoharm. Apply the followingpriorities,howwill this risk be managed (provide detail)? (1)Eliminate. (2) Reduce or substitute (3) Isolate. (4) Control. (5) Personalprotective equipment We couldtryputting see-through earphonesto tryand blockout the noise whenfilming but this maynot be that effective so other measuresmaybe required to put inplace to work around this. Hazard: Smokingonset What could cause harm? Towncentre isverypublicand people are alwayssmokingarounditso there isalwaysthe possibilityof people smokingnearthe set.Andif we were lookingtofilmoutside thisprobablyone of the most likelistof issueswe are likelytoencounter. What is the likelihoodofthis happening? 10/10 How much harm? The smoke goingintoyourlungsand causingfurtherdamage. Apply the followingpriorities,howwill this risk be managed (provide detail)? (1) Eliminate. (2) Reduce or substitute (3) Isolate. (4) Control. (5) Personalprotective equipment We will have to tell people whoare around the shoot that theya re not allowedto smoke near our shooting ofour scenesor we will have to shoot in anarea whichis not full of anypeople smoking.