Using Remix to
  Engage Student
Readers and Writers


  Building Learning Communities 2010

   Sara Kajder, Ph.D. - Virginia Tech
Resources:
       Wiki -
 tiny.cc/kajderblc

   Backchannel -
tiny.cc/kajderchat

    Google Doc -
tiny.cc/remixrubric      Contact Info:
                      Email - skajder@vt.edu

                        Twitter - skajder
                        Skype - skajder
New
   Literacies
   Practices
- Authentic Audience

- Multimodal Composing

- Interest Driven Participation

- “Clickable Footprint”
(putting knowledge to work
through digital artifacts)

- Assessment FOR Learning
NCTE 21st
 Century
                Early
Literacies
Statement
              Questions:
             1. What is a remix?

             2. How does this fit into
             what I understand about
             copyright practices?

             3. How does this fit an
             instructional need? What
             contribution is made by
             bringing this into my
             pedagogy?
What counts as a remix?
See link for Twilight/Buffy Remix in wiki
See link for Bush speech Remix on wiki
As a writer, I needed to understand...
  •   What principles of selection are at work?

  •   What principles of arrangement are at play?

  •   What are we doing to make the new from the old?

  •   Do I still consider MAPS (mode, audience, purpose) in
      the same ways when composing a remix?
What is the process of remix?
•   Choosing

•   Making


                     Recursive
•   Revising

•   Reflecting

•   Converging and
    Sharing
Plagiarism


Originality

          Remix
Transformative
     Use
“When a user of copyrighted
materials adds value to, or
repurposes materials for a
use different from that
which it was originally
intended, it will likely be
considered transformative
use; it will also likely be
considered fair use.”

      - Joyce Valenza, School
             Library Journal
What is the process of remix?
•   Choosing

•   Making


                     Recursive
•   Revising

•   Reflecting

•   Converging and
    Sharing
See link for Hitler/BHS video on wiki
What
 DIGITAL
Writers do...
- Choose mode and
content for a specific
purpose and audience.

- Structure texts/design

- Use technical features

- Reflect
Mode                     Effect
                    Can be direct or indirect;
Written Words
                     connotation/denotation
   Visuals        Meaning comes from feelings
                  Subtext comes from stirring
    Sound
                   memories, ideas, values
    Color                  Mood, tone
                         Frozen moment,
 Photography
                       frames perspective
 Interactivity     Allows transaction with text

Hypertextuality    Connections across texts

    Motion        Position, direction, change
What
 DIGITAL
Writers do...
- Choose mode and
content for a specific
purpose and audience.

- Structure texts/design

- Use technical features

- Reflect
Design

Cre ativity
               Spin


     M ultimo dality
Collaborate
                          Design
Int erdiscipliarity

                Cre ativity
                                Spin
    Trial & Error

  Production
                      M ultimo dality
And assessment?
“A pedagogy of multiliteracies requires
that the enormous role of agency in the
meaning making process be recognized
and in that recognition, it seeks to
create a more productive, relevant,
innovative, creative and perhaps even
more emancipatory pedagogy.”


           - Cope & Kalantzis (2009) Pedagogies, p. 173
Teaching
  with New
  Literacies

 - Technology as
 REPLACEMENT
  - Technology as
 AMPLIFICATION
  - Technology as
TRANSFORMATION
Resources:
       Wiki -
 tiny.cc/kajderblc

   Backchannel -
tiny.cc/kajderchat

    Google Doc -
tiny.cc/remixrubric      Contact Info:
                      Email - skajder@vt.edu

                        Twitter - skajder
                        Skype - skajder

Using Remix with Readers and Writers

  • 1.
    Using Remix to Engage Student Readers and Writers Building Learning Communities 2010 Sara Kajder, Ph.D. - Virginia Tech
  • 2.
    Resources: Wiki - tiny.cc/kajderblc Backchannel - tiny.cc/kajderchat Google Doc - tiny.cc/remixrubric Contact Info: Email - skajder@vt.edu Twitter - skajder Skype - skajder
  • 4.
    New Literacies Practices - Authentic Audience - Multimodal Composing - Interest Driven Participation - “Clickable Footprint” (putting knowledge to work through digital artifacts) - Assessment FOR Learning
  • 5.
    NCTE 21st Century Early Literacies Statement Questions: 1. What is a remix? 2. How does this fit into what I understand about copyright practices? 3. How does this fit an instructional need? What contribution is made by bringing this into my pedagogy?
  • 6.
  • 8.
    See link forTwilight/Buffy Remix in wiki
  • 9.
    See link forBush speech Remix on wiki
  • 10.
    As a writer,I needed to understand... • What principles of selection are at work? • What principles of arrangement are at play? • What are we doing to make the new from the old? • Do I still consider MAPS (mode, audience, purpose) in the same ways when composing a remix?
  • 11.
    What is theprocess of remix? • Choosing • Making Recursive • Revising • Reflecting • Converging and Sharing
  • 12.
  • 14.
    Transformative Use “When a user of copyrighted materials adds value to, or repurposes materials for a use different from that which it was originally intended, it will likely be considered transformative use; it will also likely be considered fair use.” - Joyce Valenza, School Library Journal
  • 15.
    What is theprocess of remix? • Choosing • Making Recursive • Revising • Reflecting • Converging and Sharing
  • 17.
    See link forHitler/BHS video on wiki
  • 18.
    What DIGITAL Writers do... -Choose mode and content for a specific purpose and audience. - Structure texts/design - Use technical features - Reflect
  • 19.
    Mode Effect Can be direct or indirect; Written Words connotation/denotation Visuals Meaning comes from feelings Subtext comes from stirring Sound memories, ideas, values Color Mood, tone Frozen moment, Photography frames perspective Interactivity Allows transaction with text Hypertextuality Connections across texts Motion Position, direction, change
  • 20.
    What DIGITAL Writers do... -Choose mode and content for a specific purpose and audience. - Structure texts/design - Use technical features - Reflect
  • 21.
    Design Cre ativity Spin M ultimo dality
  • 22.
    Collaborate Design Int erdiscipliarity Cre ativity Spin Trial & Error Production M ultimo dality
  • 23.
  • 24.
    “A pedagogy ofmultiliteracies requires that the enormous role of agency in the meaning making process be recognized and in that recognition, it seeks to create a more productive, relevant, innovative, creative and perhaps even more emancipatory pedagogy.” - Cope & Kalantzis (2009) Pedagogies, p. 173
  • 25.
    Teaching withNew Literacies - Technology as REPLACEMENT - Technology as AMPLIFICATION - Technology as TRANSFORMATION
  • 26.
    Resources: Wiki - tiny.cc/kajderblc Backchannel - tiny.cc/kajderchat Google Doc - tiny.cc/remixrubric Contact Info: Email - skajder@vt.edu Twitter - skajder Skype - skajder