This was the basis on which I was assessed in California State University, San Bernardino.
It was based on secondary data and had a descriptive approach.
The scope was to highlight the effects of technology and digital media on how people view TV programs in USA & India.
Ranked as the best project in the batch.
This document analyzes the market for Sling TV, an over-the-top internet television service. It finds that while Sling TV has competitive prices at $30/month, it lacks local channels that competitors offer. Sling TV lost 281,000 subscribers in Q1 2020 due to the pandemic. The document recommends that Sling TV partner with mobile carriers to boost its reach through 5G networks, expand its à la carte offerings to differentiate itself, and continue its competitive pricing strategy.
'Report By UK Government's Consumer Expert Group Provides Evidence To Abandon...Grant Goddard
Analysis of recommendations by the UK government's Consumer Expert Group concerning the public policy of DAB digital radio switchover, written by Grant Goddard in September 2010 for Grant Goddard: Radio Blog.
Qualcomm is developing a new streaming adapter reference design that supports 4K video streaming and LTE Broadcast. This could enable streaming of 4K content from services like Netflix without needing a wired broadband connection. The adapter uses Qualcomm's Snapdragon processors and Android OS. CE makers like Apple, Google and Roku could use this design to add 4K and LTE Broadcast capabilities to their own streaming devices.
Content providers are working to integrate online streaming services with traditional TV by indexing content across sources. However, a true "holy grail" device or service that seamlessly combines all online and traditional TV content has not been achieved yet.
Sony plans to restructure by spinning off its less profitable TV and
Current Media is an independent media company that operates a television network and website. It provides original programming as well as viewer-created content to over 50 million households worldwide. Current Media's business model incorporates viewer participation through profiles, posting videos, and commenting. It generates revenue primarily from television and web advertising and affiliate fees paid by cable/satellite providers. While encouraging participation, Current Media faces challenges in effectively monetizing user-generated content and translating its platform to increased revenue and profitability.
Time Warner Cable Strategy written reportDavid Green
Time Warner Cable aims to become the premier provider of internet, phone, and television services through innovation and enhancing the customer experience. Its strategic plan over the next 5 years includes increasing market share by 10-15% and customer satisfaction through new programming content and service packages. Financially, it aims to increase revenue 20-25% and profit margins 1-3% over the next 3-5 years. Time Warner will pursue this vision through an offensive generic strategy of adopting competitors' services like mobile pay-per-view and sports streaming apps to gain new customers and market share.
The From Lens to Screen project explores major trends impacting the broadcasting industry like increased data generation and screen time. It builds a shared vision of a sustainable future for TV, radio and online media. The BBC, BT, and IABM have partnered with Forum for the Future on this collaboration to address challenges like changing business models and increasing environmental impacts. The project aims to create a better understanding of digitization's effects, make the industry more energy efficient, and redefine business models for the 21st century through cross-sector collaboration.
Comcast operates in the cable service provider industry, which it leads with a 40.3% market share in North America. Porter's Five Forces analysis finds the threat of new entrants is low due to high capital requirements, and industry rivalry is moderate due to a small number of large competitors. Bargaining power of buyers is low as consumers have little influence over pricing, while bargaining power of suppliers is also low as Comcast has many equipment and content providers to choose from. The industry is mature with low growth and high regulation.
This document analyzes the market for Sling TV, an over-the-top internet television service. It finds that while Sling TV has competitive prices at $30/month, it lacks local channels that competitors offer. Sling TV lost 281,000 subscribers in Q1 2020 due to the pandemic. The document recommends that Sling TV partner with mobile carriers to boost its reach through 5G networks, expand its à la carte offerings to differentiate itself, and continue its competitive pricing strategy.
'Report By UK Government's Consumer Expert Group Provides Evidence To Abandon...Grant Goddard
Analysis of recommendations by the UK government's Consumer Expert Group concerning the public policy of DAB digital radio switchover, written by Grant Goddard in September 2010 for Grant Goddard: Radio Blog.
Qualcomm is developing a new streaming adapter reference design that supports 4K video streaming and LTE Broadcast. This could enable streaming of 4K content from services like Netflix without needing a wired broadband connection. The adapter uses Qualcomm's Snapdragon processors and Android OS. CE makers like Apple, Google and Roku could use this design to add 4K and LTE Broadcast capabilities to their own streaming devices.
Content providers are working to integrate online streaming services with traditional TV by indexing content across sources. However, a true "holy grail" device or service that seamlessly combines all online and traditional TV content has not been achieved yet.
Sony plans to restructure by spinning off its less profitable TV and
Current Media is an independent media company that operates a television network and website. It provides original programming as well as viewer-created content to over 50 million households worldwide. Current Media's business model incorporates viewer participation through profiles, posting videos, and commenting. It generates revenue primarily from television and web advertising and affiliate fees paid by cable/satellite providers. While encouraging participation, Current Media faces challenges in effectively monetizing user-generated content and translating its platform to increased revenue and profitability.
Time Warner Cable Strategy written reportDavid Green
Time Warner Cable aims to become the premier provider of internet, phone, and television services through innovation and enhancing the customer experience. Its strategic plan over the next 5 years includes increasing market share by 10-15% and customer satisfaction through new programming content and service packages. Financially, it aims to increase revenue 20-25% and profit margins 1-3% over the next 3-5 years. Time Warner will pursue this vision through an offensive generic strategy of adopting competitors' services like mobile pay-per-view and sports streaming apps to gain new customers and market share.
The From Lens to Screen project explores major trends impacting the broadcasting industry like increased data generation and screen time. It builds a shared vision of a sustainable future for TV, radio and online media. The BBC, BT, and IABM have partnered with Forum for the Future on this collaboration to address challenges like changing business models and increasing environmental impacts. The project aims to create a better understanding of digitization's effects, make the industry more energy efficient, and redefine business models for the 21st century through cross-sector collaboration.
Comcast operates in the cable service provider industry, which it leads with a 40.3% market share in North America. Porter's Five Forces analysis finds the threat of new entrants is low due to high capital requirements, and industry rivalry is moderate due to a small number of large competitors. Bargaining power of buyers is low as consumers have little influence over pricing, while bargaining power of suppliers is also low as Comcast has many equipment and content providers to choose from. The industry is mature with low growth and high regulation.
This document proposes a new revenue model for YouTube based on dynamic pricing and customer segmentation. It suggests introducing "Silver, Gold, and Platinum" subscription tiers that offer different features like ad viewing or blocking. Customer willingness to pay would be assessed through proxy data and surveys to determine pricing. Premium or popular content would use dynamic pricing based on demand. The model aims to maximize revenue for YouTube through advertising and subscriptions while improving the viewer experience.
The document discusses how the digital revolution will profoundly transform media and the economy in ways similar to the industrial revolution. It notes that audiences now demand content on their own terms regarding how, where and when they consume it. TV must adapt to this or will not survive. The digital revolution provides opportunities to create new profiles for Canadian ideas if a strong national digital strategy is developed to build infrastructure and skills. Harnessing creativity and talent will be important to prospering in this new environment.
The document discusses and compares Comcast and Time Warner Cable. It provides financial information and statistics about the two companies such as revenues, advertising costs, employee numbers, and business segments. It also outlines the services and products offered by each company including cable, television, theme parks, and film/TV production. The FCC has delayed reviews of the proposed merger between Comcast and Time Warner Cable.
Comcast plans to merge with Time Warner Cable to become a leading technology and media company. The objectives are to provide faster innovation, better products and communicate the value of the merger to stakeholders. Key stakeholders include subscribers, employees, investors, government regulators and competitors. There are risks such as increased market control drawing regulatory scrutiny, and opportunities like competing against satellite providers. Metrics will measure social media sentiment, media coverage, sales reports and website traffic to assess the merger's success.
Time Warner Cable's (TWC) business overview document provides information on the company's operations and financial performance. Key points include:
- TWC relies heavily on retail customers who purchase bundled internet, TV, and phone services or who access content online.
- The company comprises video, internet, phone, and publishing services and is restructuring customer service and billing to reduce churn.
- TWC's revenue per customer is lower than industry averages, and competitors introducing new technologies increase costs.
- Major tools and technologies used by TWC include Microsoft Office, Nielsen ratings software, web analytics, marketing research tools, and content delivery networks.
The document provides a strategic analysis of the broadcasting industry and makes recommendations for News Corporation's strategy. It finds that the industry is growing but also facing disruption from new technologies and changing consumer behaviors. It recommends that News Corporation continue its aggressive strategy with emphasis on consumers, content, and convergence. It also provides specific recommendations for News Corporation and its business units, including centralizing content, acquiring more properties, and improving original programming hours.
This document discusses the growth of mobile broadband and its implications. It argues that mobile broadband will drive significant growth in internet applications and services by providing ubiquitous connectivity. While mobile internet usage is growing, fixed broadband remains the primary access method. The document predicts that in the next 3-5 years, mobile broadband will stimulate demand and competition by complementing fixed broadband and putting competitive pressure on lower-quality fixed services. This will encourage upgrades to fixed infrastructure and have an overall pro-competitive impact on broadband markets.
This document discusses the shifting media landscape as audiences fragment across multiple platforms and gain more control over their content consumption. It outlines the evolution from traditional linear broadcasting to on-demand viewing across devices. New smart TVs and streaming services are challenging traditional content providers by bypassing them and delivering content directly. Forecasts predict significant revenue growth in on-demand viewing and over-the-top services as audiences continue migrating to more personalized and on-demand experiences across multiple devices. This paradigm shift requires the industry to innovate and adapt to new models of content delivery and monetization.
The document provides an overview of recent trends in the media and entertainment industry as observed by Cognizant associates. It discusses developments and opportunities related to technologies like ultra-high definition, second screen viewing, over-the-top services, content planning and discovery, and an increased focus on content production. The trends highlighted include the adoption of 4K/UHD formats, the importance of second screen engagement, the maturation of OTT platforms, the need for integrated multi-platform content planning, prioritizing effective content discovery, and broadcasters acquiring content producers.
Time Warner Cable Industry/Competitive AnalysisDavid Green
The document provides a PEST analysis, ETOP analysis, and market share analysis for the broadcasting and cable television industry. The PEST analysis examines political, economic, social and technological factors impacting the industry. The ETOP analysis evaluates factors related to the industry environment including market size/growth, number of rivals, differentiation, supply/demand conditions, and pace of technological change. The market share analysis shows Comcast and Time Warner Cable have the largest shares in the US market at 28% and 15% respectively, while DirecTV and Dish Network also have sizable shares. Programming costs are a major expense for industry players, accounting for over 50% of costs for some companies. The industry outlook predicts continued growth in the US,
Next Generation National Broadband Network development - A ppp for an open ac...Mohamed Bouanane
As many countries seek to introduce greater competition there may be valuable lessons to be drawn from applying open access policies to next generation broadband infrastructure with partial public ownership or financed by utilities (e.g. backbone fibre associated with transport or electricity grids). Therefore, governments and regulators need to consider such policies – especially where there is insufficient competition – along with a public-private partnership to enhance capacity; speed, QoS and decrease costs so that the entire economy can continue to fully leverage its potential.
1) The document discusses the rise of streaming video content and how it is transforming how video is consumed and impacting traditional television viewing.
2) It finds that younger adults aged 18-34 are twice as likely to stream daily compared to older adults aged 35-49. The most commonly streamed genres are sitcoms, animated comedies, and serialized dramas.
3) While streaming is occurring throughout the day, it peaks in the evening "primetime" hours of 8pm-12am. During this period, a majority of streamed content is still traditional movies and cable/broadcast content rather than user-generated or original online content.
'Digital Radio Switchover: Somewhere Over The Rainbow?' by Grant GoddardGrant Goddard
Analysis of the progress achieved by the United Kingdom government's policy to replace analogue broadcast radio transmission with DAB (Digital Audio Broadcasting) and the relevant issues that required solutions to combat its apparent lack of success, written by Grant Goddard for Enders Analysis in October 2007.
The document provides an overview of Time Warner Cable including its mission statement, vision statement, SWOT analysis, competitive analysis, strategic objectives, and potential strategic initiatives. Key points include increasing market share through innovation and enhancing the customer experience to strengthen its market position against competitors like Comcast, DirecTV, Dish Network, and others. Potential strategies discussed are developing a mobile app for live sports streaming, implementing a customer loyalty program, partnering with Amazon on cloud computing services, and improving customer service through expanded call centers.
For Cable Tv A Bad Signal. Viewers Are Fading To BlackOksana Beregova
Cable video subscribers are declining due to rising alternatives like streaming and poor economic conditions. Younger "cord cutters" are leading this trend, willing to accept limitations of alternatives over cable's higher costs. However, most viewers still prefer cable's ease and content. Cable providers face challenges retaining valuable customers by better understanding needs and offering right products at fair prices across platforms.
This proposal outlines a new cable network called "Knockout TV" that will provide 24/7 coverage of boxing. The network aims to grow interest in boxing by targeting males aged 18-40 and providing extensive programming, including live fight coverage, news and analysis shows, historical fight replays, and documentaries. It will differentiate itself from competitors like HBO by being the only network fully dedicated to boxing. The proposal discusses the network's programming, target audiences, positioning, and plans for promotion. It also outlines several original shows that will drive viewership and revenue.
Green Hasson Janks 2016 Entertainment and Media WhitepaperPeter Klass
This document discusses the evolution of new media and monetization in a world dominated by digital streaming. It notes that streaming services like Netflix, Amazon and Hulu have rapidly transformed the industry by creating vast demand for new content. This has led to increased spending on original programming. The survey found that a majority see the future of content consumption moving to computers, phones and tablets rather than traditional TV. Globalization of streaming is also discussed, with Asia seen as having the biggest growth potential. Barriers to growth include infrastructure issues and regulatory restrictions in some countries.
The document discusses various topics related to changes in the television industry, including the rise of over-the-top (OTT) content delivery and its impact on both consumers and industry players. It also covers the need for television operators to improve their content discovery and guide experiences given that poor discovery can drive viewers to other sources. Additionally, the document examines challenges and opportunities around implementing 4K/ultra HD television strategies.
The research, final thesis for the MSc in Media Management at Bocconi, aims to define peculiar business models for web TV, still an almost unexplored ground inside the economic theory, despite technological progress and a steady growing audience made it recently so attractive in terms of investments for both entrepreneurs and advertisers.
Music and video streaming services such as Spotify, Deezer, Netflix, YouTube, or Amazon Instant Video account for a continuously increasing part of media consumption in Germany. Although traditional media formats, such as linear TV, CDs and DVDs, have been written off repeatedly, many consumers could not live without them.
Which changes in media usage patterns are actually observable? Why are consumers attracted to streaming services? Why do some consumers still prefer traditional media formats? What are the implications for telecommunications operators?
Finding answers to these questions is the objective of this study. The responses we present are surprising and should encourage decision-makers both at content and telecommunications providers to reflect upon their respective business strategies.
In order to address all aspects of these issues from a consumer behaviour perspective, this study used a mixed-methods approach combining quantitative and qualitative research methods. The first step involved a survey of a representative sample of more than 1,000 German consumers. The results of this survey were then reflected on and scrutinised in 28 in-depth interviews with consumers.
Marketing Magazine Consumer and Marketer Video Study Commissioned by Videolog...Ryan Ladisa
Consumers are leading marketers towards cross-screen video convergence:
- Canadians now consume video across many connected devices like smartphones, tablets, and internet-enabled TVs, blurring the lines between TV and online video.
- While most viewing still occurs on traditional TVs, simultaneous "second-screen" viewing is common, with over half of Canadians using other devices while watching TV.
- Marketers are optimistic about video's growth but have yet to fully develop video advertising strategies that take advantage of cross-device viewing. Perceived challenges around measurement and targeting may be holding them back.
This document proposes a new revenue model for YouTube based on dynamic pricing and customer segmentation. It suggests introducing "Silver, Gold, and Platinum" subscription tiers that offer different features like ad viewing or blocking. Customer willingness to pay would be assessed through proxy data and surveys to determine pricing. Premium or popular content would use dynamic pricing based on demand. The model aims to maximize revenue for YouTube through advertising and subscriptions while improving the viewer experience.
The document discusses how the digital revolution will profoundly transform media and the economy in ways similar to the industrial revolution. It notes that audiences now demand content on their own terms regarding how, where and when they consume it. TV must adapt to this or will not survive. The digital revolution provides opportunities to create new profiles for Canadian ideas if a strong national digital strategy is developed to build infrastructure and skills. Harnessing creativity and talent will be important to prospering in this new environment.
The document discusses and compares Comcast and Time Warner Cable. It provides financial information and statistics about the two companies such as revenues, advertising costs, employee numbers, and business segments. It also outlines the services and products offered by each company including cable, television, theme parks, and film/TV production. The FCC has delayed reviews of the proposed merger between Comcast and Time Warner Cable.
Comcast plans to merge with Time Warner Cable to become a leading technology and media company. The objectives are to provide faster innovation, better products and communicate the value of the merger to stakeholders. Key stakeholders include subscribers, employees, investors, government regulators and competitors. There are risks such as increased market control drawing regulatory scrutiny, and opportunities like competing against satellite providers. Metrics will measure social media sentiment, media coverage, sales reports and website traffic to assess the merger's success.
Time Warner Cable's (TWC) business overview document provides information on the company's operations and financial performance. Key points include:
- TWC relies heavily on retail customers who purchase bundled internet, TV, and phone services or who access content online.
- The company comprises video, internet, phone, and publishing services and is restructuring customer service and billing to reduce churn.
- TWC's revenue per customer is lower than industry averages, and competitors introducing new technologies increase costs.
- Major tools and technologies used by TWC include Microsoft Office, Nielsen ratings software, web analytics, marketing research tools, and content delivery networks.
The document provides a strategic analysis of the broadcasting industry and makes recommendations for News Corporation's strategy. It finds that the industry is growing but also facing disruption from new technologies and changing consumer behaviors. It recommends that News Corporation continue its aggressive strategy with emphasis on consumers, content, and convergence. It also provides specific recommendations for News Corporation and its business units, including centralizing content, acquiring more properties, and improving original programming hours.
This document discusses the growth of mobile broadband and its implications. It argues that mobile broadband will drive significant growth in internet applications and services by providing ubiquitous connectivity. While mobile internet usage is growing, fixed broadband remains the primary access method. The document predicts that in the next 3-5 years, mobile broadband will stimulate demand and competition by complementing fixed broadband and putting competitive pressure on lower-quality fixed services. This will encourage upgrades to fixed infrastructure and have an overall pro-competitive impact on broadband markets.
This document discusses the shifting media landscape as audiences fragment across multiple platforms and gain more control over their content consumption. It outlines the evolution from traditional linear broadcasting to on-demand viewing across devices. New smart TVs and streaming services are challenging traditional content providers by bypassing them and delivering content directly. Forecasts predict significant revenue growth in on-demand viewing and over-the-top services as audiences continue migrating to more personalized and on-demand experiences across multiple devices. This paradigm shift requires the industry to innovate and adapt to new models of content delivery and monetization.
The document provides an overview of recent trends in the media and entertainment industry as observed by Cognizant associates. It discusses developments and opportunities related to technologies like ultra-high definition, second screen viewing, over-the-top services, content planning and discovery, and an increased focus on content production. The trends highlighted include the adoption of 4K/UHD formats, the importance of second screen engagement, the maturation of OTT platforms, the need for integrated multi-platform content planning, prioritizing effective content discovery, and broadcasters acquiring content producers.
Time Warner Cable Industry/Competitive AnalysisDavid Green
The document provides a PEST analysis, ETOP analysis, and market share analysis for the broadcasting and cable television industry. The PEST analysis examines political, economic, social and technological factors impacting the industry. The ETOP analysis evaluates factors related to the industry environment including market size/growth, number of rivals, differentiation, supply/demand conditions, and pace of technological change. The market share analysis shows Comcast and Time Warner Cable have the largest shares in the US market at 28% and 15% respectively, while DirecTV and Dish Network also have sizable shares. Programming costs are a major expense for industry players, accounting for over 50% of costs for some companies. The industry outlook predicts continued growth in the US,
Next Generation National Broadband Network development - A ppp for an open ac...Mohamed Bouanane
As many countries seek to introduce greater competition there may be valuable lessons to be drawn from applying open access policies to next generation broadband infrastructure with partial public ownership or financed by utilities (e.g. backbone fibre associated with transport or electricity grids). Therefore, governments and regulators need to consider such policies – especially where there is insufficient competition – along with a public-private partnership to enhance capacity; speed, QoS and decrease costs so that the entire economy can continue to fully leverage its potential.
1) The document discusses the rise of streaming video content and how it is transforming how video is consumed and impacting traditional television viewing.
2) It finds that younger adults aged 18-34 are twice as likely to stream daily compared to older adults aged 35-49. The most commonly streamed genres are sitcoms, animated comedies, and serialized dramas.
3) While streaming is occurring throughout the day, it peaks in the evening "primetime" hours of 8pm-12am. During this period, a majority of streamed content is still traditional movies and cable/broadcast content rather than user-generated or original online content.
'Digital Radio Switchover: Somewhere Over The Rainbow?' by Grant GoddardGrant Goddard
Analysis of the progress achieved by the United Kingdom government's policy to replace analogue broadcast radio transmission with DAB (Digital Audio Broadcasting) and the relevant issues that required solutions to combat its apparent lack of success, written by Grant Goddard for Enders Analysis in October 2007.
The document provides an overview of Time Warner Cable including its mission statement, vision statement, SWOT analysis, competitive analysis, strategic objectives, and potential strategic initiatives. Key points include increasing market share through innovation and enhancing the customer experience to strengthen its market position against competitors like Comcast, DirecTV, Dish Network, and others. Potential strategies discussed are developing a mobile app for live sports streaming, implementing a customer loyalty program, partnering with Amazon on cloud computing services, and improving customer service through expanded call centers.
For Cable Tv A Bad Signal. Viewers Are Fading To BlackOksana Beregova
Cable video subscribers are declining due to rising alternatives like streaming and poor economic conditions. Younger "cord cutters" are leading this trend, willing to accept limitations of alternatives over cable's higher costs. However, most viewers still prefer cable's ease and content. Cable providers face challenges retaining valuable customers by better understanding needs and offering right products at fair prices across platforms.
This proposal outlines a new cable network called "Knockout TV" that will provide 24/7 coverage of boxing. The network aims to grow interest in boxing by targeting males aged 18-40 and providing extensive programming, including live fight coverage, news and analysis shows, historical fight replays, and documentaries. It will differentiate itself from competitors like HBO by being the only network fully dedicated to boxing. The proposal discusses the network's programming, target audiences, positioning, and plans for promotion. It also outlines several original shows that will drive viewership and revenue.
Green Hasson Janks 2016 Entertainment and Media WhitepaperPeter Klass
This document discusses the evolution of new media and monetization in a world dominated by digital streaming. It notes that streaming services like Netflix, Amazon and Hulu have rapidly transformed the industry by creating vast demand for new content. This has led to increased spending on original programming. The survey found that a majority see the future of content consumption moving to computers, phones and tablets rather than traditional TV. Globalization of streaming is also discussed, with Asia seen as having the biggest growth potential. Barriers to growth include infrastructure issues and regulatory restrictions in some countries.
The document discusses various topics related to changes in the television industry, including the rise of over-the-top (OTT) content delivery and its impact on both consumers and industry players. It also covers the need for television operators to improve their content discovery and guide experiences given that poor discovery can drive viewers to other sources. Additionally, the document examines challenges and opportunities around implementing 4K/ultra HD television strategies.
The research, final thesis for the MSc in Media Management at Bocconi, aims to define peculiar business models for web TV, still an almost unexplored ground inside the economic theory, despite technological progress and a steady growing audience made it recently so attractive in terms of investments for both entrepreneurs and advertisers.
Music and video streaming services such as Spotify, Deezer, Netflix, YouTube, or Amazon Instant Video account for a continuously increasing part of media consumption in Germany. Although traditional media formats, such as linear TV, CDs and DVDs, have been written off repeatedly, many consumers could not live without them.
Which changes in media usage patterns are actually observable? Why are consumers attracted to streaming services? Why do some consumers still prefer traditional media formats? What are the implications for telecommunications operators?
Finding answers to these questions is the objective of this study. The responses we present are surprising and should encourage decision-makers both at content and telecommunications providers to reflect upon their respective business strategies.
In order to address all aspects of these issues from a consumer behaviour perspective, this study used a mixed-methods approach combining quantitative and qualitative research methods. The first step involved a survey of a representative sample of more than 1,000 German consumers. The results of this survey were then reflected on and scrutinised in 28 in-depth interviews with consumers.
Similar to An In-depth Analysis on the Role of Technology and Digital Media on the Viewership Behavior in the Media industry involving ABC USA & Star India
Marketing Magazine Consumer and Marketer Video Study Commissioned by Videolog...Ryan Ladisa
Consumers are leading marketers towards cross-screen video convergence:
- Canadians now consume video across many connected devices like smartphones, tablets, and internet-enabled TVs, blurring the lines between TV and online video.
- While most viewing still occurs on traditional TVs, simultaneous "second-screen" viewing is common, with over half of Canadians using other devices while watching TV.
- Marketers are optimistic about video's growth but have yet to fully develop video advertising strategies that take advantage of cross-device viewing. Perceived challenges around measurement and targeting may be holding them back.
2010 Digital Entertainment Georgia White Papermlubow
The document discusses Georgia's strengths in the digital entertainment industry, including its talent base in film, music, television, games and digital marketing. It outlines the various sectors of digital entertainment that have a strong presence in Georgia, such as major film and music productions, television shows, and video game developers. Additionally, it highlights factors that contribute to Georgia's success in digital entertainment like its business environment, incentives, and educational institutions.
The document discusses several theories related to how media and television content can influence audiences:
- Moral panic theory explains how the media can exaggerate issues and define people/groups as threats, potentially causing mass hysteria. It often involves five stages including defining a threat and authorities responding.
- Encoding/decoding theory suggests audiences actively derive their own meanings from media texts based on their experiences, which can be dominant, negotiated, or oppositional to the producer's intent.
- Uses and gratifications theory proposes audiences choose media to fulfill certain needs like information, entertainment, social interaction, personal identity, and escapism.
How the Digital Revolution is Disrupting the TV Industry Suman Mishra
This is a BCG report on the TV industry in US and it talks about how the TV industry has seen “shifts” from inception, but this time the pace with which its changing is so different. It has done ample surveys and has lot of verified facts which makes this report so rich and conclusive.
The core trends fueling disruption this time are
a. Online and mobile will exceed Facilities based viewing
b. On demand viewing will exceed live, linear viewing
c. New companies and business models in online viewing
d. Networks are experiencing the collapse of the middle and rise of “long tail”
e. Content creators and right holders are capturing a greater value share than ever
The 4 disruptive scenarios in making which will “accelerate” the change are
a. The universal remote: Global, all-inclusive navigation solving the discovery problem
b. The walled garden: exclusive entertainment becomes the critical strategic asset
c. Direct to Consumer takes on traditional TV bundles
d. Live TV online
This document discusses the convergence of mobile, TV, and internet media. It outlines four trends for TV in the next five years: 1) Connected TV adoption will be faster than ever due to mobile phones; 2) Second screen engagement on mobile devices will drive new interactive and monetization models for TV; 3) The TV ad business will be redefined through data mining and new ad injection systems; 4) There will be constant competition and changes to established players and models as new gatekeepers emerge in the living room. The future of media will be a feedback loop between traditional and new digital platforms and experiences.
Ravi Singh shares insights from his experience in the public broadcasting industry, highlighting how the rise of internet and mobile platforms, as well as social media applications, have transformed the television and new media broadcast industry. He also discusses Knowledge Network's role as British Columbia's public broadcaster and how it has adapted to the digital revolution by making its content available anytime, anywhere on multiple platforms and devices.
The document discusses 7 dynamics that are transforming TV as the industry shifts to delivering television programming over the internet. These dynamics are: 1) Reach across screens, 2) Internet TV streaming, 3) TV distribution and the cloud, 4) Measurement, 5) Programmatic ad technology, 6) Addressable advertising, and 7) Viewer engagement. The convergence of traditional linear TV and internet video is having a profound impact on how television is delivered, advertised, and experienced by viewers. This transformation presents both risks and opportunities for TV programmers, distributors, and advertisers.
TV has undergone such transformation over the past decade that a new name is needed to fully represent this evolved medium. In this presentation, Comcast Spotlight provides some insight on how marketers can navigate the new, increasingly complex reality of TV.
The document discusses 7 dynamics that are transforming TV as the industry shifts to delivering television content over the internet rather than traditional linear TV. These dynamics are: 1) Reaching across screens 2) Internet TV streaming 3) TV distribution and the cloud 4) Measurement 5) Programmatic ad technology 6) Addressable advertising 7) Viewer engagement. The convergence of TV and internet video is having a profound impact on delivery, advertising, and the viewer experience as television content becomes available anywhere, anytime on any internet-connected device.
The document discusses 7 dynamics that are transforming TV as it shifts to being delivered over the internet: 1) Reaching across screens to provide programming on any device, 2) Internet TV streaming, 3) TV distribution and cloud-based delivery, 4) Improved measurement of viewership across platforms, 5) Programmatic ad technology, 6) Addressable advertising, and 7) Increased viewer engagement. This shift is having a profound impact on delivery, advertising and the viewer experience as TV adapts to being viewed anytime, anywhere over the internet.
Ratings wars occur between broadcasting companies as they compete for the largest audience numbers, which are measured by BARB. Advertisers use these viewership numbers to determine which shows to advertise on in order to reach the biggest audience. Companies like ITV have moved timeslots for their shows like The X Factor in response to losing viewers to BBC shows like Strictly Come Dancing. New streaming services like Netflix and Amazon have also entered into ratings battles as they offer exclusive content to their subscribers.
Thesis-Determinants of Demand For Cable TV Services in the Era of Internet Co...Michael Gorodetsky
This document analyzes the determinants of demand for cable TV services in the era of internet communication technologies like video-on-demand (VOD) services. The author conducts an empirical study using quarterly US data from 2008-2015 on the number of Time Warner Cable subscribers as a proxy for cable TV consumption and Netflix subscribers as a proxy for VOD consumption. Regression analysis provides evidence that VOD services substitute for cable TV services, with a 1% increase in Netflix subscribers associated with a 0.123% decrease in Time Warner Cable subscribers. This implies providers may benefit more from extra value than advertising revenue. Higher cable TV prices are also associated with more subscribers, implying choice and price are valued. The findings help understand how
the affect of technology on TV productionskilmj007
This document discusses several issues related to television broadcasting in the UK, including rating wars between broadcasters, the impact of new technologies and social media, and regulation. It provides details on how:
1) Rating wars occur between broadcasters like BBC and ITV as they compete for viewers by scheduling popular shows against each other.
2) New technologies and the rise of streaming have transformed television into an on-demand medium controlled by viewers rather than broadcasters, though this poses financial challenges.
3) Social media has enhanced television by allowing viewers to discuss shows online and access additional content, though it also influences how ratings are calculated.
4) The regulator Ofcom oversees television broadcasting through the Broadcasting Code and
Factors affecting online streaming service ResearchRockstarBoy1
In this day & age, the entertainment consumption habits of people are rapidly changing. The
introduction & quick adoption of streaming services/OTT platforms has completely changed the
way we consume our entertainment. Millennials, who are the target demographic of this study, are
the most sought-after customers for these OTT platforms as they are well versed with internet
usage and have disposable income which can be spent on these entertainment platforms. This study
focuses on the factors which affect the OTT choice of millennials which will in turn help the OTT
platforms in acquiring customers if they chose to work on the most important factors. The COVID19 pandemic has accelerated the adoption of these OTT services as people have had more free time
at their homes due to lockdowns. Pre & post COVID-19 behaviors of customers regarding usage
of OTT platforms has also changed dramatically, with most customers reporting increased usage.
The study talks about several important factors which affect the streaming service choice of
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An In-depth Analysis on the Role of Technology and Digital Media on the Viewership Behavior in the Media industry involving ABC USA & Star India
1. An in-depth analysis of the role of technology and
digital media on the viewership behaviour in the media
industry involving American Broadcasting Co. (ABC)USA
and Star TV India.
Submitted By: Submitted To:
Siddharth Subhankar Prof. Debashish Choudhary
BBA-3 Continent
A1810411006
2. ACKNOWLEDGEMENT
My deepest appreciation goes to Prof. Dr. Debashish
Choudhury who provided helpful comments and
suggestions. I also owe a very important debt to Dr.
Shyamalendu Niyogi who provided technical help
and sincere encouragement. I would also like to
express my gratitude to my family for their moral
support and warm encouragements.
3. DECLARATION
I hereby declare that the project report entitled “A
comprehensive study and analysis of the marketing
strategy in the broadcasting industry incorporating
content creation, consumer approach and retention on
the basis of culture as well as the impact of technology
on broadcasting involving the companies American
Broadcasting Co. (ABC) USA and Star TV India.”
submitted by me, Siddharth Subhankar, to California
State University, San Bernardino in partial fulfilment of
the requirement for the award of the degree of BBA in
International Business is a record of bonafide project
work carried out by me under the guidance of Prof. Dr.
Debashish Choudhury. I further declare that the work
reported in this project has not been submitted and will
not be submitted, either in part or in full, for the award
of any other degree or diploma in this institute or any
other institute or university.
4. Table of Contents
An in-depth analysis of the role of technology and digital media on the viewership
behaviour in the media industry involving American Broadcasting Co. (ABC)USA
and Star TV India................................................................................................ 1
ACKNOWLEDGEMENT........................................................................................ 2
DECLARATION.................................................................................................... 3
Research Methodology...................................................................................... 5
Objectives....................................................................................................... 5
Primary Objective ........................................................................................ 5
Secondary Objective..................................................................................... 5
Sample Design ............................................................................................. 6
Data ............................................................................................................ 6
Limitations of the study................................................................................ 6
Review of Literature........................................................................................... 7
Sectoral Profile................................................................................................ 13
The American Media Industry........................................................................ 18
The Indian Media Industry............................................................................. 19
Company Profile.............................................................................................. 21
ABC USA....................................................................................................... 21
Star India...................................................................................................... 24
Findings & TechnologicalImpact on the industry .............................................. 27
Analysis........................................................................................................... 36
Recommendations........................................................................................... 38
Conclusion....................................................................................................... 40
References ...................................................................................................... 41
5. Research Methodology
Objectives
Primary Objective
Enhancement of viewership & revenue for ABC USA &
Star India
Secondary Objective
Identifying the content created by ABC & Star India
Analysing how new technology is playing a role in
impacting the viewership in broadcasting media
Analysis how digital media is bringing a change in the
way consumers view content
Finding how digital advertising can generate revenue
for the mentioned companies
Provision of findings & recommendations where
both can broaden the scope of their reach
6. Sample Design
The data that is being incorporated in the report is from
secondary sources therefore the sample design is not
available.
Data
Data collection method will be based on secondary
method as the information available is in the form of
secondary information.
Limitations of the study
The primary data is not available to analyse inside the
report therefore no detailed implications can be
mentioned.
7. Review of Literature
Broadcast networks and television stations usually acquire a
significant portion of the entertainment and media industry.
Furthermore they are also able to capture quite a huge share of
the content that they broadcast which come from sources such
as major movie producers, sport leagues, television & movie
studios. The acquired rights that have been claimed by the
broadcasting houses can range from small production houses
and contracts, season long sitcoms & dramas, to multiyear
multibillion dollar contracts for sports such as football,
basketball, cricket etc.
In the recent years, the access of television has become
available in a higher concentration through Internet. Now
content is available through websites such as Netflix, Hulu,
CBS.com etc. In 2008, Horace Newcomb of University of
Georgia said “It’s too difficult to choose among such choices”.
This was in regards to the slight decline in the television
industry due to the emergence of internet based television. Yet
at the same time, there was a 9.7% increase in the sales of
8. DirectTV during Q3 of 2009. According to DirectTV, their
assumption is that despite America’s poor economy, viewers
are still going for cable television. But the main concern that
remains is that there is a slow but steady shift towards online
content which can be accessed anytime and anywhere.
This trend has left many scholars and experts in this field on
divided opinions as they see that this sector can go either way.
According to Tim Arango of the New York Times “In the last 3
months of 2008, the broadcasting networks have lost nearly 3
million viewers i.e. nearly 7 per cent of the total number of
television viewers in all of USA.” With this being said, Hallvard
Moe (2008) of the University of Bergen argues that
“Broadcasting is likely to remain central to our everyday lives
and thus central to the public”. The introduction of high speed
internet, live streaming, applications, smartphones & tablets
has made it a lot easier to gain access to television shows
anytime and anywhere you want to. Based on many of the new
media outlets that are currently available to consumers, it is
becoming somewhat of a necessity for broadcasting companies
9. bringing in new techniques and methods which are going to be
required to change their current businessoperationsin order to
keep up with market demand and new trends to ensure
survival.
But yet, with the new advancements in technology, there
comes some trade-offs with them. What format are the shows
to be shown in, how frequently they need to be converted to
High Definition, how frequently do they need to be uploaded
onto the servers, and how big do the file sizes need to be to
ensure optimum use of bandwidth.
While many of the broadcasting companies will move forward
towards showing content online and in real time, it is not
possible to download entire programs. Additionally, large
network events such as the Super Bowl, Academy Awards, the
Grammys & Emmys are not available in full format as well as
content online, as they are exclusive to specific networks who
buy off the rights to broadcast these programs.
Due to the constant presence of the broadcasting & cable
televisions in homes, an opportunity is created to reach out to
10. more and more consumers who have not adopted the
technological breakthroughs in this industry. In many places
such as in India, people only have access to only televisions and
are apparently not even aware of the applications, and
websites where they can see the programs they like. In India,
the advent of DTH television during the past two years has
been immense. The introduction of DTH in the country was a
boon for people who resided in areas that were rural and hilly
and where the availability of television network was scarce.
Furthermore, in various metros like Delhi, Mumbai, Chennai,
Kolkata, Bangalore etc. the presence of easy availability of DTH
has benefitted people who tend to shift their homes or who are
just too busy with their work life that they find the online
recharge system of DTH to be highly efficient. Also, the steady
rise in economic growth has been a very key catalyst, which has
been reflected in a number of trends including household
growth and urbanization, rising TV penetration, and higher
incomes and improved affordability.
11. From the above points that have been made, we have been
able to identify that technology is playing a somewhat neutral
role in today’s broadcasting scenario.
At the same time, advertising is facing a hard time due to the
trends in technology. With Nielsen’sdecision to combine digital
viewership and merging it with the standard television
audience data resulting in a combined national television
rating, it is going to become difficult for advertising firms to
determine as to how many viewers actually watch their ads.
According to an article of Brian Steinberg of Advertising Age in
2010, “At present, advertisers pay based solely on the number
of viewers who see commercials during a particular show as
many as three days after the program airs. That measure,
known as ‘C3,’ and created to take into account the growing
number of viewers playing back programs on digital video
recorders, was introduced in 2007” So, it is highly possible that
the number of people that Nielsen will report in its ratings
watching the same program, are a lot lower than the actual
number who are watching that same program. This is because
12. Nielsen will use only those in its online viewing data who are
going to watch the same program with the same commercials
that have been aired on national TV. This could leave many
viewing occasions unrecorded as they do not necessarily run
the same ads that are run on national television and can leave
the market fragmented. This becomes a concern for the
advertising conglomerates because they determine the cost of
paying the broadcast networks on the basis of how many
people have watched their advertisements. And they
determine online costs separately. Therefore for advertising
companies, it will become a problem when these viewers will
be combined as one as it will be a hindrance in determining the
price per viewer.
13. Sectoral Profile
The media industry comprises of many businesses that have
been operating for a long time such as print, television
broadcasting, digital content creation & radio. As the demand
for information and content grows more and more, the
transition of this industry is becoming evident. People want
informationat hand. In this age, the possibilityof having a delay
or a lag in getting any sort of information or content can be
devastating for many businesses. The consumers will flock
together to those who will give them what they want. The
aspect or right timing is of utmost value nowadays. The days of
procuring content conservatively like print, television and radio
are now gone. A new entrant in the form of digital media is
creating waves among the masses. The world of traditional
media is under increasing pressure from the digital landscape
and consumers are facing an ever-growing array on content
choices.
Consumers all around the world continue to spend their hard-
earned money on media and entertainment, from acquiring
14. broadband access to reading books, magazines, and
newspapers, subscribing to TV and satelliteradio, buying music,
watching in-home videos, and playing video games. As a result,
global spending on media and entertainment grew 5.8 % in
2012.
In North America, itself, there was a 4.5% increase in the
amount of money that was spent on entertainment and media.
The major reasons were a boost in broadband access and
digital advertising.
At the same time, the growth in Asia was measured at around
8.5 % with China being a major contributor in the industry with
a 16.4% growth by itself. Excluding China, the growth in all of
Asia can be measured at 6.1%.
In Europe, Middle East & Africa i.e. EMEA countries, as a whole
the increased combined spending was 3.0%. Among them all,
Western Europe performed the poorest by just having 0.9%
increase in spending as compared to 2009 when its spending
fell by 1.9%. In contrast, Middle Eastern & African countries
growth was measured at around 21.3% which reflects the
15. increase in media penetration through increased broadband
access. In Central & Eastern Europe, there was an increase of
8.5%.
Latin America showed the best growth among all the regions
with an increase of 13.3%. This region as compared to others is
still in the early stages of development and increases in
broadband networks and in-home entertainment systems as
the primary factors of growth.
Global media is expected to grow at a projected rate of 6.1%
compound annualrate. The expectation is that Western Europe
and North America will be the slowest growing regions but
Central & East Europe & Asia will continue to grow at high
single digit rates. Subsequently, Middle Eastern & African
regions will continue to grow exponentially in media spending
with double digit compound growth till 2017.
16.
17.
18. The American Media Industry
In USA, the use of television is growing steadily as a medium of
entertainment. In this country, the whole of media industry is
completely controlled by 6 media giants who currently control
a now staggering 90% of what we watch, read or listen. In 1983,
the media industry was controlled by around 50 companies.
Come 2012, the same amount of the media market is
controlled by these 6 major companies. These 6 companies are:
GE which owns NBC, Comcast &Universal Pictures.
News-Corp which owns Fox, Wall Street Journal & New
York Post
Disney which owns ABC, Miramax, Marvel Studios, ESPN &
Pixar
Viacom which owns MTV, Nick Jr. & Paramount Pictures
Time Warner which owns CNN, HBO & Warner Bros.
CBS which owns Showtime, Smithsonian channel &
NFL.com
19. Combining the Big Six together, the total revenue for 2012 was
around $275.9 billion. They control nearly 70% of all cable
television in USA and they have monopolies in cities such as
NYC & Chicago.
According to Nielsen’s 2014 Advance National TV Household
Universe Estimate (UE), there are 115.6 million TV homes in the
U.S., up 1.2% from the 2012-2013 estimate of 114.2 million.
On the contrary, according to Wayne Friedman of Media Daily
News, the number of U.S. digital TV users -- those who view at
least one TV show per month via the Internet -- will climb 37%
in four years to 145 million in 2017, from 106 million in 2012.
This amounts to digital TV user growth climbing at a 6.9%
compound annual growth rate -- a higher increase than
previously forecast in August 2012.
The Indian Media Industry
The Indian media industry is one of the largest in the world. It
comprises of various television stations, production houses,
advertising agencies, radio channels, newspapers, magazines
and Internet-based websites. Many of the media is controlled
20. by large media houses and conglomerates which are for-profit
organisations and reap revenue from advertising, subscriptions
and sale of copyrighted material. India has more than 70,000
newspapers and over nearly 690 satellite channels in multiple
languages where more than 80 are news channels, and is the
biggest newspaper market in the world with over 100 million
copies sold in one day.
The media industry is expected to grow at a compound annual
growth rate of 18% to about Rs. 2245 billion by 2017. The
industry is incorporated of print, electronic, radio, internet and
outdoor segments. As the Indian government is aggressively
pushing in for digitization of TV, Multi System Cable Operators
(MSOs) are expected to lose 15-20% of their subscribers to DTH
(direct-to-home) or satellite services. Digitization will facilitate
increased number of channels and high quality viewing. The
Information and Broadcasting (I&B) ministry has already
completed the second phase of digitization, which involved
digitizing 16m cable TV houses in 38 cities by April 1, 2013. It
aims to complete the third phase of digitization which includes
21. all other urban areas (municipal corporations/ municipalities)
by September 30, 2014. The rest of the country is likely to be
covered by December 2014 under the fourth phase of
digitization. The digital subscribers are expected to outdo the
analog subscribers by 2013-14.
The broadcasting industry, according to PWC, is estimated at
Rs. 38,500 crore in 2011-12 is projected to grow at a CAGR of
12 percent to reach Rs. 54,720 crore by 2014. Continuation of
digitization of distribution infrastructure and the demand for
regional and niche content are key drivers of growth in this
segment.
Company Profile
ABC USA
The American Broadcasting Company or ABC is an American
television broadcasting network which is primarily viewed in
USA & Canada. It was formed in early 1943, from the former
NBC Blue radio network. It is now owned by The Walt Disney
Company which acquired it in 1996 and is now part of the
22. Disney-ABC Television Group. ABC’s first television broadcast
was in the year 1948. Since a long time ABC has been a part of
the “Big Three television networks” and has contributed
significantly to the American pop-culture with classics such as
Zorro, The Untouchables, The Brady Brunch, Happy Days, The
Fugitive etc. More recent popular titles include:
Lost
Modern family
Castle, Revenge
Desperate Housewives
Grey’s Anatomy
Once Upon A time
Nashville
Agents of Shield
Scandal
The Goldbergs
Jimmy Kimmel Live
Their reality shows include:
23. America's Funniest Home Videos
Extreme Makeover: Home Edition
Dancing with the Stars
Wipeout
The Bachelor
The Bachelorette
Extreme Weight Loss
Secret Millionaire
Their news shows include:
ABC World News
Good Morning America
20/20
Nightline This Week
America This Morning
Primetime
World News Now
24. Star India
Star India is an Indian Median and Entertainment company
headquartered in Mumbai, India. The company produces and
broadcasts satellite television programs and content all around
Asia. The company`s services also include filmed
entertainment, television production, cable systems, direct-to-
home services, terrestrial television broadcasting, wireless, and
digital services.
It has various channels which show various forms of
entertainment such as sports, dramas, soap operas, movies,
reality shows etc.
Star India also manages News Corporation's interests in seven
ventures including DTH operator Tata Sky; cable system
Hathway, channel distributor Media Pro Enterprise, south
Indian broadcast business of STAR Vijay, the film producer and
distributor Fox Star Studios India and STAR CJ Alive Home
Shopping.
25. Star India entered into High Definition broadcasting on 15 April
2011 with the launch of the HD versions of its channels,
including Star Plus HD, Star Movies HD, Star World HD, Star
Gold HD and National Geographic Channel India HD.
Their Channels are:
Star Plus: Hindi General Entertainment Programs
especially soap operas
Star Gold: Hindi movie channel
Star Movies: English movie channel
Star World: English language program that broadcasts
American programs
Star Movies Action:English channelshowing action movies
Life OK: Hindi General entertainment channel
Movies OK: Current Hindi movies channel
Channel V India: Hindi music video channel
Star Utsav: Marathi channel which shows some of the
popular programs from STAR Plus
Star Sports 1: A sports channel
Star Sports 2: A sports channel
26. Star Sports 3: 24X7 Hindi sports channel consisting of full
cricket programming and broadcast by ESPN STAR Sports
(ESS), a Joint Venture with ESPN International
Star Sports 4: broadcast by ESPN STAR Sports (ESS), a Joint
Venture with ESPN International
Star Jalsha: Bengali-language general entertainment
channel.
Jalsha Movies: Bengali-language movie channel
Star Pravah: Marathi-language general entertainment
channel in India.
Star Vijay: Tamil-language general entertainment channel.
Asianet: Malayalam-language general entertainment
channel.
National Geographic Channel India
Nat Geo Wild
Fox Crime
Fox Traveller
27. Findings & Technological Impact on the industry
In the modern world of today, technology plays a big part in the
media industry. There are advantages and disadvantages to
this. The advantage of new technology is that it keeps us up to
date with current affairs. Information is more accessible
especially with the internet and the use of WAP (Wireless
Application Protocol) technology and message alerts on mobile
phones. The Internet, undisputedly, offers the most variety
when it comes to alternative television technologies, however,
it is not as large of a global influence on television as it is in the
United States. Nowadays many television channels have
created websites to help with television viewing without using
a television itself.
In the USA, digital TV viewers will cross a critical tipping point --
surpassing 50% of the USA Internet user population. Those
users who watch at least one movie per month on any Internet-
capable device will climb to 115 million in 2017 from nearly 80
million in 2012, a 9.7% annual growth rate. It was reported by
eMarketer, the U.S. streaming revenues of $2.19 billion for
28. 2012, growing moderately from quarter-to-quarter, with its
U.S. rental DVD revenues totalling $1.14 billion and declining
each quarter.
For as widespread as television on the Internet is, television via
mobile devices is rapidlygrowing, especiallywith advances with
the smartphones. Television is becoming more interactive
through the use of telephony as a return channel, particularly
with the rapid spread of SMS an MMS messaging on mobile
phones. Fundamentally, this changes the entire use of
television as an outlet because of the shift from connecting
with the general public, to connecting on an individual level.
This provides a completely alternative way of individualizing
advertising based on locations, interests, common searches,
and messaging.
29.
30. In India, DTH revolution along with live streaming of TV
channels changed the face of broadcasting industry soon after
its inception. DTH was successful in addressing the needs of
rural as well urban audiences. DTH was a boon to rural people
who resided in hilly and remote villages. At same time urban
audiences in metros like Delhi, Mumbai, Chennai and
Bangalore, who frequently shift their rented house welcomed
DTH with open arms as they can shift the small antenna while
shifting their house and on top of that online recharge
procedure helps them to recharge and access TV whenever
they want.
Smartphones, tablets and now even smart television sets
provide interactive applications to users which enable cutting
edge services like live streaming through the Internet. Delivery
of content through the data networks is all set to get a boost
with imminent 4G rollout, while at the same time cable
networks in the country are rapidly moving towards digitization
with the regulator having set a deadline of June 2012 for
metros. Major developments in the area of digitization of
31. single-screen theatres and multiplexes wherein movies are
streamed directly via satellite to the theatre resulting in cost
savings and logistical complexities of physical print delivery.
Further, Video-On-Demand (VoD) services are being rolled out
through a cross-section of services from DTH to IP based
networks. It will be interesting to observe how the digitization
of cable networks would impact growth in VoD. Last but
significant is the emergence of new toys on the block – tablets
and smartphones which are fast replacing television and radio
sets as the primary last mile enablers of content delivery.
32.
33. Digital advertising is expected to grow at a monumentalrate.
Below are the facts and figures of how digital advertising will be
acting in the next few years:
34.
35.
36. Analysis
From our findings, we have been able to ascertain as to what is
happening in the current media scenario:
The Globalspending on media and entertainment industry
is increasing year by year with Asian, Latin & Middle
Eastern countries growing exponentiallydue to broadband
access in these regions. The media and entertainment
industry is growing content wise and the ability of people
to access media with the help of new technology is
providing them greater access.
The American television industry’s viewership is going
down steadily and there is hard evidence that people are
now going for digital services such as YouTube, Netflix,
Hulu Plus, Amazon Instant Video, HBO Go etc. People are
looking forward to having content with them anytime and
anywhere and the internet growth is rated at around 35%
CAGR.
The Indian consumers are now opening up to the idea of
having internet based content. The drawback here in India
37. is that internet based content is not readily available
through the companies’ websites and a majority of them
can be accessed through television viewing only. But with
the advent of new technology, rising purchasing power
and people’s approval of mobile phones and tablets as an
acceptable form of entertainment, web-based content is
an irresistible opportunity for broadcasting companies to
make content available online in huge volumes.
Digital advertising is going to boom in the next few years.
By 2018, digital advertising is going to own a global market
share of $994 bn. This comes as part of the package that
broadcast television channels are taking to internet based
content and this model is going to generate revenue for
them. Advertisers will be teaming up with the
broadcasters to showcase ads online which can be easily
accessible to the viewers.
38. Recommendations
Technological adaptation on a large scale: As the need of
the consumer to have quality content at any time possible
is growing, there must be certain adaptation techniques
that must be taken by broadcasting companies so that
they can provide consumers with whatever content they
need. ABC has started incorporating its content on its
official website but are yet to come up with a mobile
version of their video streaming website. Another way
they can increase viewership is that they can introduce
applications for streaming content anytime and anywhere.
With the increase in the use of smartphones and tablets
and the advancing penetration of internet and broadband
all over USA and the world itself, it is an irresistible
opportunity to grow big. The same can be said for Star
India which can capitalise on this rising trend as they
haven’t really gone to the same measures that ABC has.
Enhancing content quality: With the number of online
viewers on the rise, it is becoming imperative for
39. broadcasting companies to make content that can satisfy
the viewers. Also the content can be made in such a way
that it can relate to the viewers in question i.e. Generation
Y. ABC already has some shows that are modern and
connect with the new generation of viewers. Star on the
other hand still broadcasts shows that are traditional in
nature with the themes of joint families, melodrama etc.
being unambiguous. They have to make content so that
the new generation can connect with it and not only
middle aged people.
Enhancing focus on digital advertising: As the realm of
digital advertising grows, it is a straight and clear
opportunity for broadcast companies to collaborate it in
their online content to raise their revenue channel. This
model will bring about more money into the broadcast
companies and will allow for more content creation and a
better advertising scenario. With digital advertising
creating nearly $994 bn dollars by 2018, it is precisely
obvious that this is the next big thing in advertising and
40. seamless collaboration with advertising agencies and
creation of new and interactive digitalads will enhance the
companies’ money inflow.
Conclusion
As we move forward in time, the importance of the media and
entertainment sector is rising on a very high rate. People are
wanting to have a more convenient and hassle free method to
gain access to quality content at the most efficient price
possible. Technology is going to play a huge role in this sector
and is definitely going to change its face and in the future we
can see that television entertainment will be accessed on
personal devices rather than on large televisions themselves.
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