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1. Types of Cameras used in
Film Production
Muhammad Rawaha Saleem
ecHaaR Studio
Lecture #5

2. ARRI Cameras and Films
 With over 100 years under their belt, ARRI has continued to set the standard
for cinematic filmmaking. Used from the ’20s through the ’40s, it was only
after WWII that ARRI took off in popularity, and Americans eventually got their
hands on the compact ARRIFLEX 35 film cameras they had heard so much
about. By the ’60s and ’70s, many directors breaking studio norms were
turning to ARRIFLEX 35 cameras. The ARRIFLEX 35 BL was used by Martin
Scorsese on Taxi Driver and Raging Bull.

3. ARRI CAMERAS
ARRIFLEX 35 ARRIFLEX 35BL
ARRIFLEX 535
ARRIFLEX 435
ARRICAM
ALEXA

4. ARRI Cameras and Films
 In the ’90s, the ARRIFLEX 435 and 535 models were the next massive camera
hits. These two cameras went on to capture films like Star Wars: Episode I,
Lord of the Rings: The Two Towers, The Fifth Element, Hot Fuzz, and The
Avengers.
 By 2000, the ARRICAM went on to shoot films like Children of Men, Munich,
Brokeback Mountain, Casino Royale, The Departed, and a collection of Harry
Potter films.
 That brings us to the 2010s, when ARRI released the first ALEXA, their new
digital camera. The ALEXA line continues to be the industry standard,
capturing modern blockbusters like Rogue One, The Revenant, Arrival, The
Jungle Book, Creed, and nearly every film in the Marvel Cinematic Universe.

5. 2019 Films Shot on ARRI Cameras
 Avengers: Endgame — ARRI Alexa 65 IMAX
 Us —ARRI ALEXA, ALEXA SXT, ALEXA Mini
 The Lion King —ARRI ALEXA 65, ARRI ALEXA SXT
 IT: Chapter Two —ARRI ALEXA SXT
 Aladdin —ARRI ALEXA SXT, ALEXA Mini

6. RED Cameras and Films
 RED introduced its first camera in 2007 RED ONE. By 2009, RED introduced
the Digital Stills and Motion Capture (DSMC) system. These cameras included
the Epic, Scarlet, and Dragon.
 In 2015, RED released the DSMC2 system. The DSMC2 brain is available with
several sensor types: Monstro 8K VV, Helium 8K S35, Gemini 5K S35, and
Dragon-X 5K S35.
 RED have been used on major motion pictures, particularly to capture VFX-
heavy sequences.
RED ONE DSMC
DSMC2

7. 2019 Films Shot on RED Cameras:
 Rambo V: Last Blood —DSMC2 Gemini S35
 Maleficent: Mistress of Evil — DSMC2
 Dragged Acrossed Concrete —RED Weapon Helium
 RED has also partnered with another camera manufacturer — Panavision — to create
the Millennium DXL. It’s a Panavision camera using RED’s sensor technology.
Upcoming films using the Panavision Millennium DXL include The New Mutants.

8. Panavision Cameras and Films
 In 1953, Panavision started as a company focused on creating anamorphic
lenses. The company expanded into general motion picture equipment,
primarily focused on cameras and lenses.
 In 1972, Panavision introduced the Panaflex 35mm camera. It was an instant
hit — subsequent models went on to shoot Rocky, Back to the Future, Star
Wars: The Empire Strikes Back, Golden Eye, Batman Returns, and L.A.
Confidential. In the ’90s, Panavision released the Millennium camera series,
which went on to capture films like The Sixth Sense, Donnie Darko, Harry
Potter and the Sorcerer’s Stone, and X-Men.

9. 2019 Films Shot on Panavision Cameras:
 Once Upon a Time in Hollywood — Panavision Panaflex Millennium XL2
 Star Wars IX: The Rise of Skywalker — Panavision Panaflex Millennium,
Panavision Panaflex System 65 Studio, IMAX MKIV, IMAX MSM 9802

10. Films with Multiple Cameras
 When it comes to production, you should always rely on the right camera for
the job. That means that films can easily combine multiple types of camera
bodies, from several manufacturers. This is pretty standard for big-budget
blockbuster films.

11. Captain Marvel Cameras
 ARRI Alexa 65, Panavision Sphero 65 Lenses Panavision Millennium DXL,
Panavision Sphero 65 Lenses RED Weapon 8K VV Monstro, Panavision Sphero
65 LensesIt’s not uncommon to see multiple cameras used for various aspects
of the filmmaking process.
 You can even go back to the first film in the Marvel Cinematic Universe —
Iron Man was captured on the ARRIFLEX 235, Panavision Panaflex Millennium
Camera, and Panavision Panaflex Millennium XL Camera.
 So is there really a best camera out there? Not really. Every film tends to
shoot with what the director and the cinematographer are comfortable with.
It’s all about the right camera for the right job, not the camera with the best
specs.

12. SOUND EFFECTS IN FILM PRODUCTION
 See in lecture #6