Two complex of morning becomes electra
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Mourning Becomes Electra is a play cycle by Eugene O'Neill that retells the Greek tragedy Oresteia. It features themes of murder, adultery, incestuous love and revenge between members of a wealthy New England family in the aftermath of the Civil War. The play explores Freudian concepts of the Oedipus complex through the relationships between characters, particularly the incestuous love of Lavinia for her father that mirrors an Electra complex.
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1) The document discusses Sigmund Freud's theory of the Oedipus complex and how it is resolved in boys and girls during early childhood development.
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Great first lines from stories for children
At six forty-five one summer morning, a red London bus was crossing Waterloo Bridge. The bus and its passengers were never found. It was the first of the Time Tornadoes.
Not every 13-year-old girl is accused of murder, brought to trial, and found guilty.
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This document provides biographical information about American playwright Eugene O'Neill and analyzes his play Mourning Becomes Electra. It notes that Mourning Becomes Electra explores Freud's theory of the Oedipus complex through its characters. Specifically, it examines how the play depicts the Oedipus complex between Christine and her son Orin, as well as Lavinia's relationship with her father, as turning points in the development of their Oedipus and Electra complexes. The document concludes by discussing Freud's theory that the mind consists of conscious, preconscious, and unconscious systems, as relevant to O'Neill's interpretation of psychoanalysis in the play.
Paper no: 10 : The American Literarture
This document summarizes key elements of Eugene O'Neill's play Mourning Becomes Electra including:
- It adapts the Greek tragic myth Oresteia to 19th century New England.
- The tragic hero is Lavinia Mannon who hates her mother and is in an incestuous relationship with her father.
- The catastrophe includes multiple deaths including Lavinia's brother Orin killing their mother's lover and later committing suicide.
- Seth Beckwith comments on the action like a Greek chorus would.
- O'Neill challenges the Greek idea of fate by having the characters' actions drive the tragedy rather than supernatural forces.
Presentation Paper 10
Eugene O'Neill's play Mourning Becomes Electra shows evidence that O'Neill had knowledge of Freudian psychology. The play draws parallels to Greek tragedy and explores Freud's concepts of the Electra complex and Oedipus complex through the characters. Lavinia struggles with her Electra complex feelings of competition with her mother Christine for her father Ezra's affection, while Orin exhibits an Oedipus complex in his desire for his mother and rivalry with his father and brother. Through its use of Freudian concepts, the play provides a psychoanalytic lens for understanding the motivations and relationships between the characters.
1Hamlet and His Problems (graded)In his essay Hamlet and His Pr.docx
1
Hamlet and His Problems (graded)
In his essay “Hamlet and His Problems,” T. S. Eliot declared the play an artistic failure, radically dismissing one of Shakespeare’s greatest plays. Eliot coins the term
objective correlative
in this essay and asserts that Hamlet lacks a strong objective correlative to cohere the play’s actions.
Sigmund Freud, interestingly, views Hamlet’s fixation on Gertrude, his mother, as the axis on which the play turns. It doesn’t take years of Freudian analysis to determine that Hamlet has a fixation on his mother, nor that his uncle’s fratricide and subsequent marriage to his dead brother’s wife is incestuous even by modern terms. Yet, the Old Testament gives the injunction for a man to take up with his dead brother’s wife.
Let's begin this discussion with an evaluation of Hamlet’s relationship to his mother. Does he have an untoward interest in her affairs?
Make it three comments in your own words.
1.
Comments:
four to five lines
2.
Comments:
four to five lines
3.
Comments:
four to five lines
2)
The Elizabethan Context (graded)
Hamlet
is, ultimately, a revenge tragedy. In a revenge tragedy, the convention is to have all the major characters (and many of the minor ones) dead on stage by the end. The Elizabethans even used animal organs, guts, and blood to make the action realistic. Does the ambition of revenge motifs have any relevance for modern society and the art that reflects our own culture?
Let's also consider Ophelia and Gertrude as the only female characters in this play. What is Shakespeare telling his audience about women through these characters? How might Queen Elizabeth have reacted to Shakespeare’s view of women? Did Queen Elizabeth perceive herself to be a woman, or was she, as a monarch, "without gender"?
Make it three comments in your own words.
1.
Comments:
four to five lines
2.
Comments:
four to five lines
3.
Comments:
four to five lines
here i attached a file only for your example.
These comments only for your example. Because you understand how to make it and, also you can give answer, any one comment in this example? Other two you have to make it in your own words.
.
The Comedy Of Errors
This is our group presentation in English Literature course. It is one of the comedies of Shakespeare.
Elctra presented at Govt. College University Faisalabad Pakistan
This document provides a detailed summary and analysis of the Greek tragedy "Electra" by Sophocles. It outlines the plot, characters, themes, and motifs of the play. The main characters - Electra, Orestes, and Clytemnestra - are analyzed in depth. The document also discusses symbols, illusions, and provides an overall analysis of the protagonist Electra and writing style.
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Two complex of morning becomes electra
- 1. DHARABA GOHIL Roll no: 8 Semester : 3 Enrollment no.: 2609108420170011 Batch : 2016- 18 Paper no. 10 The American Literature Smt. S. B. Gardi. Dept. of English
- 2. Mourning Becomes Electra is a play cycle written by American playwright Eugene O'Neill. The story is a retelling of the Oresteia by Aeschylus. The characters parallel characters from the ancient Greek play. As a Greek tragedy made modern, the play features murder, adultery, incestuous love and revenge, and even a group of townspeople who function as a kind of Greek chorus. Mourning Becomes Electra is divided into three plays with themes that correspond to the Oresteia trilogy.
- 4. With "Oedipus Complex", Sigmund Freud originated the theory that children of ages up to 5 are sexually desirous of the parent of opposite gender. During this phase, the kids respond with a certain level of jealousy and rivalry. Freudian model of Oedipus complex, if "Mourning Becomes Electra", is a tale of incestuous love, hatred, jealousy and adultery, then, in the first place, all such may be attributed to Orin and her mother Christine.
- 6. Lavinia's love for her father is so deep rooted that she is willful in rejecting the genuine love of Peter saying: "I can't marry anyone, Peter. I've got to stay home. Father needs me". the tone in which she speaks is enough to reveal the deep psychosexual jealousy of Lavinia. Its clearly presents Electra complex.
- 9. AS per title suggest Electra complex here over powering Oedipus complex. Overpowering of Electra complex reflects in character of Lavinia that she ruined everything and everyone's life because of her feelings towards her father and she took revenge on the other hand Orin also feels for his mother but he do not go on that extant.