Case study of Toulouse as presented in an international forum in Tel Aviv.
How do city to city partnerships promote the city or residents or businesses?
Day TWO BTO2017 | TEN
Giovedì 30 novembre
FOCUS Hall
Obbiettivo su Matera 2019 [con due b, volutamente]
https://www.buytourismonline.com
Keynote Speaker
Rossella Tarantino Fondazione di partecipazione Matera-Basilicata 2019
Talkbacker
Emmanuele Curti Fondazione di partecipazione Matera-Basilicata 2019
Pia Leydolt-Fuchs CaP.CULT
Claartje van Ette City of Amsterdam
Introduzione di contesto
Ottavia Ricci
Consigliera del Ministro Franceschini per la sostenibilità nel turismo
Block 2.2: Connectivities built by people and groups
Špela Ledinek Lozej (Institute of Slovenian Ethnology, Slovenia): Collaborative inventory – participatory linking of cultural heritage collections in the Slovenian-Italian cross-border region.
Shaping Networks, Shaped by Networks. Collaborative strategies for the perfor...Joris Janssens
This talk deals with European experiences with collective strategies for the development of the performing arts, with a focus on Flanders. In the 1980’s, international networks and platforms for (co)production and presentation were set up (e.g. IETM). In the case of Flanders, this coincided with diverse domestic strategies: a.o. the emergence of artists collectives, a touring circuit, an advocacy organisation,… In a time when government support for contemporary performing arts was absent, the interplay of these strategies resulted not only in Flemish artists being launched on international platforms. It also lead to the development of an innovative Flemish funding system. It enabled artists, companies and producing houses to develop their work and to fully engage in a transnational networks for (co-)production and presentation.
This way of working has resulted in growth: more productions, in more venues and countries all around the world. There are, however, downsides to the story. With government spending under pressure throughout Europe, producers are being forced to rely on an ever growing number of increasingly vulnerable partners. The position of individual artists in this network has become precarious. How sustainable is this growth in the longer term? Are the limits of the transnational co-production and distribution model in sight? How can we re-think our current working models?
Synarts is the ultimate destination for fine arts lovers.
Here we provide the top artist with their works along with their personal details.
Index of artist and the famous museums where these exhibitions are conducted are also available in the website
http://www.synarts.com/
Day TWO BTO2017 | TEN
Giovedì 30 novembre
FOCUS Hall
Obbiettivo su Matera 2019 [con due b, volutamente]
https://www.buytourismonline.com
Keynote Speaker
Rossella Tarantino Fondazione di partecipazione Matera-Basilicata 2019
Talkbacker
Emmanuele Curti Fondazione di partecipazione Matera-Basilicata 2019
Pia Leydolt-Fuchs CaP.CULT
Claartje van Ette City of Amsterdam
Introduzione di contesto
Ottavia Ricci
Consigliera del Ministro Franceschini per la sostenibilità nel turismo
Block 2.2: Connectivities built by people and groups
Špela Ledinek Lozej (Institute of Slovenian Ethnology, Slovenia): Collaborative inventory – participatory linking of cultural heritage collections in the Slovenian-Italian cross-border region.
Shaping Networks, Shaped by Networks. Collaborative strategies for the perfor...Joris Janssens
This talk deals with European experiences with collective strategies for the development of the performing arts, with a focus on Flanders. In the 1980’s, international networks and platforms for (co)production and presentation were set up (e.g. IETM). In the case of Flanders, this coincided with diverse domestic strategies: a.o. the emergence of artists collectives, a touring circuit, an advocacy organisation,… In a time when government support for contemporary performing arts was absent, the interplay of these strategies resulted not only in Flemish artists being launched on international platforms. It also lead to the development of an innovative Flemish funding system. It enabled artists, companies and producing houses to develop their work and to fully engage in a transnational networks for (co-)production and presentation.
This way of working has resulted in growth: more productions, in more venues and countries all around the world. There are, however, downsides to the story. With government spending under pressure throughout Europe, producers are being forced to rely on an ever growing number of increasingly vulnerable partners. The position of individual artists in this network has become precarious. How sustainable is this growth in the longer term? Are the limits of the transnational co-production and distribution model in sight? How can we re-think our current working models?
Synarts is the ultimate destination for fine arts lovers.
Here we provide the top artist with their works along with their personal details.
Index of artist and the famous museums where these exhibitions are conducted are also available in the website
http://www.synarts.com/
...presentation about cooperation of Prague City Gallery with foreign visitors + their integration...
...for international project UNITES – Integrating Cities...
Prague, September 2023
https://integratingcities.eu/projects/unites-2022-2024/
Réalisation d'un dossier de présentation de l'événement d'art contemporain - Art Encounters". Réalisation d'interviews, bénévolat en tant que médiatrice culturelle.
Dans le cadre d'une année erasmus à l'université de l'ouest de Timisoara (Roumanie), cours de management de projet culturel.
Réalisé en anglais.
The More You Give, the More You Get - Jill CousinsRCAHMW
The More You Give, the More You Get
Jill Cousins: Executive Director, Europeana
Europeana constructed a Publishing Framework (video) together with its contributing cultural heritage institutions to be more explicit about the possible returns of opening up data and delivering better quality. This framework has been translated and implemented across Europe to help institutions understand the benefits of being able to open up their data. A couple of case studies from the museum, archive and library world will used to illustrate the results of adopting a more open approach, covering both the positive and the negative.
In frames of presentation i would like to present few projects related to informal education and socially oriented. It will be project S.M.A.R.R.R.T. - establishing of first interdisciplinary residency in Belarus, project Workshops for Children, and few artistic projects related to social and political aspects.
La presentazione che il segretario generale dell’Eu Japan Fest, Shuji Kogi ha fatto alla scena creativa locale durante la sua visita a Matera.
Da ventitré anni infatti l’EU Japan Fest è uno dei momenti salienti delle Capitali Europee della Cultura che finanzia mettendo in relazione la cultura giapponese con quella della Capitale designata.
L’appuntamento è stato organizzato proprio per conoscere le attività svolte dall’EU Japan Fest nelle altre Capitali Europee della Cultura e le opportunità di cooperazione con la scena creativa giapponese che possono nascere nell’ambito di Matera 2019.
What role cultural institutions play in society and how this have come about ?Victoria Durrer
Tseng Sun Man presents two case studies from Hong Kong Arts Festival and Oriental Art Centre, Shanghai as part of a presentation exploring the role cultural institutions play in society. This presentation was part of an AHRC funded research network, Brokering Intercultural Exchange: Interrogating the Role of Arts and Cultural Management based at Queen's University Belfast (PI Victoria Durrer) in partnership with Heilbronn University (Co-I Raphaela Henze). www.managingculture.net
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Presentation by Jared Jageler, David Adler, Noelia Duchovny, and Evan Herrnstadt, analysts in CBO’s Microeconomic Studies and Health Analysis Divisions, at the Association of Environmental and Resource Economists Summer Conference.
What is the point of small housing associations.pptxPaul Smith
Given the small scale of housing associations and their relative high cost per home what is the point of them and how do we justify their continued existance
Understanding the Challenges of Street ChildrenSERUDS INDIA
By raising awareness, providing support, advocating for change, and offering assistance to children in need, individuals can play a crucial role in improving the lives of street children and helping them realize their full potential
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A process server is a authorized person for delivering legal documents, such as summons, complaints, subpoenas, and other court papers, to peoples involved in legal proceedings.
ZGB - The Role of Generative AI in Government transformation.pdfSaeed Al Dhaheri
This keynote was presented during the the 7th edition of the UAE Hackathon 2024. It highlights the role of AI and Generative AI in addressing government transformation to achieve zero government bureaucracy
4. Department of Attractiveness, Europe and International Relations
Artist residencies : a definition
Artist residencies are a type of artistic and cultural project for which an operator offers:
•a workplace,
•housing,
•technical assistance,
•financial assistance.
Goal: To conduct a research and creation work over
a fixed period of time.
5. Department of Attractiveness, Europe and International Relations
Artist residencies « Passage »
•Started in 2004.
•Partners in Toulouse: Lieu Commun (artist run space), l’École Supérieure des Beaux-Arts (School of Fine Arts), l’Espace Croix-Baragnon (Municipal Cultural Center) and BBB (Center for Contemporary Art).
•Partners in Düsseldorf: Workplaces/Housing/Center for Contemporary Art, all run by the City of Düsseldorf
•From 2004 to 2014, 26 artists from Toulouse have stayed in Düsseldorf , and 22 German artists in Toulouse.
•Great visibility for the artists, programed in the « Graphéine » exhibition, dedicated to graphic arts in november.
Conditions :
•Every year, 4 artists from each city have the possibility to apply for a residency in the host country.
•Every residency lasts 2 months and the hosting city offers a 1000€ grant per month, and 300€ for production costs. The artists receive a workplace, housing and an exhibition of their work is organised at the end of the residency. Transportation is covered par the city of origin.
6. Department of Attractiveness, Europe and International Relations
Common goals
For the city of Toulouse and the art structures:
•Promote international mobility and exchanges between young Europeans and international artists;
•Reveal the talents of young designers who engage in the exploration of new forms of expression.
For the artists:
•Support the creation and professionalization of young artists
•Generate meetings that lead to artistic creation by sharing expertise
•Support a professional career, sector structuring and cultural economy
7. Department of Attractiveness, Europe and International Relations
Project Methodology
•Project run jointly by the Cultural Department of the City of Toulouse and the International Relations Office, and financed mainly by the International Relations Office and the local art structures.
•Importance of coordination City – Art Structures/School of Fine Arts/Associations, with identified contact persons.
•Draft of the call of applications, listing all the conditions
•Mode of selection: define the participants and organise dates of selection committees
•Implementation timetable: by December 1st of each year
8. Department of Attractiveness, Europe and International Relations
Welcome of the artists
Before the arrival of the artist:
•Provide the artists with a full description of the accommodation (attached necessarily to the call for applications), and a list of local contacts.
Upon arrival of the artist:
•Sign a contract with the artist
•Organise a welcome party, inviting local artists or during a special event (opening ...). Issue a document, translated into English, with museums and cultural structures essential to the City.
•Presentation by each partner of their art structure . Networking with local art associations. Offer artists a "Pass" to allow them free access to museums in the city.
During the residency:
•Conduct a monitoring and evaluation of the situation of the artists in residence after the first 15 days, and readjust if necessary, according to their needs.
•Provide better support to the artists, with a person dedicated to this support (usually an art student)
At the end of the residency:
•Evaluate the residence with two meetings - Between the City and the artists - With all local partners/Art structures
•Write an evaluation report