Title research for Media AS Coursework
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The document analyzes the opening credits of three films - The Sixth Sense, Sin City, and The Purge. It finds that the openings typically include the titles of 25-28 people, beginning with the main actors' names and then including job titles like director, producer, and costume designer. Based on this analysis, the document concludes that opening credits should include the film title, production company, actors in order of importance, and then job titles over 1-2 minutes with a blank screen or images.
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Title research
The document discusses the typical structure of opening credits sequences in films. It notes that opening sequences usually contain around 30 titles that include the director, producers, writers and other crew alongside the main actors. While actor names typically come first in order of character importance, the production company and film title usually appear at the beginning. Over the course of 1-3 minutes, the credits commonly include roles such as director, producer, writer, costume designer, and composer. The document concludes that its own opening sequence will follow this standard format.
Reece pettengell title sequence
A title sequence presents a film or television program's key credits at the beginning. It typically lists the production company, director, producer, executive producer, and top billed actors. The credits are usually shown over footage from the program while music may play. Title sequences follow a generally consistent order and style for credits but can vary in their specific transitions and placement of certain roles. For example, the producer may be near the end in some but the costume designer is often early. They aim to credit the important contributors while setting the tone for the program through imagery and music.
Assignment 16 strengthening film titles in your
The document analyzes the opening titles and credits of 5 films: Dawn of the Dead, The Ring, Se7en, and Signs. It provides a breakdown of the order and timing of the credits for each film. It also describes the animation, color, and style of the titles and how they relate to the themes of the films. The objective is to gain understanding of how film titles are structured and applied in the opening sequence.
Olly murs website
The Olly Murs website provides information and promotions for his new album. It features direct links to purchase the album from major music platforms, graphics with album artwork and moving images of Olly Murs, and the ability to listen to full songs from the album. These elements help audiences learn about and engage with the new music, while making it easy to purchase the album or individual songs.
Music video analysis
This document summarizes several music video theorists and provides examples of their analyses. Deborah Holdstein notes that music videos can have political themes or revive the film musical. Andrew Goodwin identifies key aspects like seeing the sound through visuals and lyrics, narrative and performance, and star image. Sven Carlsson's theory discusses performance and conceptual videos, with a performance video like "Try With Me" exhibiting Nicole Scherzinger as a commercial exhibitionist. A narrative video is exemplified by "The A Team", which tells a silent story through visuals and music.
Titles for 'A New Wave'
The document outlines George Kaye's plan for incorporating titles into his new film "A New Wave". It lists the various titles that will be included, such as the production companies, actors, photography, music, editing, and directing credits. It then describes how each title will be visually presented within the film. The first two titles and last title will appear in the corners or center of the screen, while the actor names will be paired with their character's appearance. Other credits will rotate around the screen every 10 seconds.
Casino Royale Titles Timeline
The document describes the opening title sequence of a film and lists the times at which various credits are shown, including: the name of the actor who plays the main character; the name of the novel and author it was based on; the names of actors and stunt doubles; the name of the actress who plays M; the names of the associate producer and production executive; and the names of various crew members like the camera operator, sound recordist, visual effects supervisor, editor, director of photography, production designer, composer, executive producers, screenwriters, and producers. It concludes by showing the director's name at the end of the opening sequence.
Analysis of snoop dogg album covers
The document analyzes several of Snoop Dogg's album covers from 1993 to 2015. It notes key elements of each cover such as whether Snoop Dogg is pictured, imagery related to him like dogs, inclusion of the album and artist name, color schemes, and warnings for explicit content. Symbolic representations of the artist through imagery and styles that connect to his music videos are also discussed for some of the earlier album covers.
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Title research
The document discusses the typical structure of opening credits sequences in films. It notes that opening sequences usually contain around 30 titles that include the director, producers, writers and other crew alongside the main actors. While actor names typically come first in order of character importance, the production company and film title usually appear at the beginning. Over the course of 1-3 minutes, the credits commonly include roles such as director, producer, writer, costume designer, and composer. The document concludes that its own opening sequence will follow this standard format.
Reece pettengell title sequence
A title sequence presents a film or television program's key credits at the beginning. It typically lists the production company, director, producer, executive producer, and top billed actors. The credits are usually shown over footage from the program while music may play. Title sequences follow a generally consistent order and style for credits but can vary in their specific transitions and placement of certain roles. For example, the producer may be near the end in some but the costume designer is often early. They aim to credit the important contributors while setting the tone for the program through imagery and music.
Assignment 16 strengthening film titles in your
The document analyzes the opening titles and credits of 5 films: Dawn of the Dead, The Ring, Se7en, and Signs. It provides a breakdown of the order and timing of the credits for each film. It also describes the animation, color, and style of the titles and how they relate to the themes of the films. The objective is to gain understanding of how film titles are structured and applied in the opening sequence.
Olly murs website
The Olly Murs website provides information and promotions for his new album. It features direct links to purchase the album from major music platforms, graphics with album artwork and moving images of Olly Murs, and the ability to listen to full songs from the album. These elements help audiences learn about and engage with the new music, while making it easy to purchase the album or individual songs.
Music video analysis
This document summarizes several music video theorists and provides examples of their analyses. Deborah Holdstein notes that music videos can have political themes or revive the film musical. Andrew Goodwin identifies key aspects like seeing the sound through visuals and lyrics, narrative and performance, and star image. Sven Carlsson's theory discusses performance and conceptual videos, with a performance video like "Try With Me" exhibiting Nicole Scherzinger as a commercial exhibitionist. A narrative video is exemplified by "The A Team", which tells a silent story through visuals and music.
Titles for 'A New Wave'
The document outlines George Kaye's plan for incorporating titles into his new film "A New Wave". It lists the various titles that will be included, such as the production companies, actors, photography, music, editing, and directing credits. It then describes how each title will be visually presented within the film. The first two titles and last title will appear in the corners or center of the screen, while the actor names will be paired with their character's appearance. Other credits will rotate around the screen every 10 seconds.
Casino Royale Titles Timeline
The document describes the opening title sequence of a film and lists the times at which various credits are shown, including: the name of the actor who plays the main character; the name of the novel and author it was based on; the names of actors and stunt doubles; the name of the actress who plays M; the names of the associate producer and production executive; and the names of various crew members like the camera operator, sound recordist, visual effects supervisor, editor, director of photography, production designer, composer, executive producers, screenwriters, and producers. It concludes by showing the director's name at the end of the opening sequence.
Analysis of snoop dogg album covers
The document analyzes several of Snoop Dogg's album covers from 1993 to 2015. It notes key elements of each cover such as whether Snoop Dogg is pictured, imagery related to him like dogs, inclusion of the album and artist name, color schemes, and warnings for explicit content. Symbolic representations of the artist through imagery and styles that connect to his music videos are also discussed for some of the earlier album covers.
Planning and research, construction and evaluation
1) The document describes the design process for a house music magazine, including analyzing fonts, colors, target audiences, and construction of the front cover, contents page, and double page spread.
2) Blue and yellow were selected as the color scheme to represent the winter music genre. Effects like gradients, glows, and strokes were used in Photoshop to enhance text visibility and style.
3) Feedback indicated the magazine stood out but pictures could be improved by making them stand out more from the text. Overall the magazine design process and techniques used were effective but could be further refined.
Target audiences
Media audiences are important because without them, media products would not sell or make money. Music producers and record labels are interested in the demographics of the audiences that bands attract. They gather information on audiences' gender, age, spending power, and media engagement to help package and market bands to the right target audiences. Companies like Nielsen conduct surveys to create detailed demographic and psychographic profiles of audience groups based on lifestyle, attitudes, and media consumption.
A level media opening title research updated
The document summarizes and analyzes the opening title sequence of the TV show "Game of Thrones". It describes how the names of the actors fade into the screen within a gold colored ring. It also notes that the show's title appears in a much larger and brighter font to draw attention and indicate it is the title of the program. At the end of the sequence, the names of the writers and director are shown in the same font style as the cast to fit with the theme of the opening.
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Music video producers use various research methods to define their target audience, including quantitative, qualitative, socio-economic status, demographics, psychographics, and geo-demographics research. Quantitative research uses surveys and statistics to gather numeric audience information on a large scale, while qualitative research uses interviews and focus groups for detailed feedback. Demographics and psychographics provide comprehensive yet detailed information about audience characteristics and behaviors. Geo-demographics research helps determine where a music video will be most commercially successful based on economic factors. Producers then use this audience research to determine the size of their target audience.
Title research
The document discusses the design elements used in several thriller movie title designs. It notes that thriller titles often use bright colors like yellow, black, and red; fonts styled to look glowing, distressed, or sinister; capital bold letters to make the title stand out; and techniques like using different font sizes or gradients. Common design conventions identified include incorporating numbers, using lines or motifs related to the plot, and featuring certain words in glowing bold capital letters to draw attention.
Font types research
Brian O'Keeffe discusses 5 fonts for use in an AS Media magazine: 1) Bebas Neue for clean lines suitable for mastheads and paragraphs, 2) SteelFish for a stretched standard font that stands out for cover lines, 3) Devil Breeze for joining text into logos or brands, 4) Rounded Elegance for simple rounded text that looks good together, and 5) Agra Axera for an extreme text suitable for mastheads to suit genres like rap. Overall, these sans serif fonts were chosen because they match genres, stand out while looking unique, and are appealing and readable from a distance for mastheads and cover lines.
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Initial title research
The document summarizes the opening title sequences of three films: Evil Dead (2013), The Conjuring (2013), and Psycho (1960). It finds that the films credit between 14-23 job roles in their openings, including director, starring actors, music, editor, costume designer, and more. The document concludes that while many roles are important to creating a film, it will prioritize including the film title, director, starring actors, and music in its own opening titles, as these are the most essential elements to engage audiences. It aims to have around 20 titles, similar to the averages found in the films it researched.
Initial title research
The document analyzes the opening title sequences of three films - Guardians of the Galaxy, Se7en, and The Conjuring. It notes the number of title cards in each opening and the different job roles displayed. On average, the openings contained 20-21 title cards showing around 14 job roles. This information will help the document's author create an opening title sequence that is a similar length and structure.
Target Audience Research - AS Media Studies
Founded in 1999, The Fader magazine focuses on music, style, art and culture. Its target audience is predominantly male (75%) between the ages of 18-34, with a median age of 31.1. Most readers have household incomes between $40,000-$150,000, with a median of $92,000.
Vibe magazine, founded by Quincy Jones, predominantly features R&B and hip-hop artists. Its target audience is split evenly between male and female readers. Most readers are between 18-34 years old, with a median age of 34. 62% of readers identify as Black or African American.
XXL magazine focuses on hip hop music. Its target
Audience Research And Target Audiences
The document discusses audience research and targeting audiences for media texts. It describes how producers consider the intended audience when planning a text and conduct research like questionnaires and focus groups to understand consumption habits. They then aim to target a specific demographic by shaping the text to appeal to the habits and characteristics of that group, such as age, gender, income level. The document also discusses models for how audiences engage with and are influenced by media texts.
Title Research
The document summarizes the title sequences of three films: Zombieland, Good Will Hunting, and The Breakfast Club. It describes the style, tone, music, and order of credits for each film. The credits typically begin with institutions, then list actors, the film title, production team members, producers, writers, and director. The style of each title sequence reflects the tone and intended audience of its respective film.
Target Audience Research
This document discusses the importance of understanding a film's target audience. It defines a target audience based on factors like gender, age, socioeconomic status, interests, and location. The document recommends both primary research, like surveys and feedback, and secondary research, such as analyzing audience data from similar existing films on sites like Pearl and Dean, to determine a film's target audience. Understanding the target audience is crucial for effective storytelling and commercial success.
Target audience research
This document outlines a lesson on target audience research for a media studies class. It introduces the topic and explains why audience research is an important part of production planning. It provides learning outcomes for students to carry out basic audience research, consider their questions and presentation of findings. The document describes different research methods like questionnaires and vox pops students can use to collect both qualitative and quantitative data. It also explains how to analyze the results, create target audience profiles, and use this research to inform their media production portfolio.
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There are two main categories of sound in film - diegetic and non-diegetic. Diegetic sound has a source visible on screen like dialogue or ambient noise, while non-diegetic sound like theme music does not. Sound helps create meaning by enhancing emotion, revealing character psychology, and setting atmosphere through location, period, and continuity between scenes. Key sound terminology includes soundtrack, theme music, sound effects, ambient noise, dialogue, voiceover, and techniques like sound bridges, parallel sound, and contrapuntal sound.
Research title & knowing the problem
This document provides guidance on developing a strong research title and statement of the problem. It notes that a good title should be specific, express the scale of research, tell the subject nature, be clear and definite, and catch readers' attention. The statement of problem should answer who has the problem, what the problem is, its scope and limitations. It then provides examples of interesting titles and outlines steps to construct a statement of problem, including introducing the main problem, creating logical subsidiary questions, and ensuring questions elicit new knowledge to address the problem.
Audience
The document discusses the concept of audience in media studies, noting that all media texts are produced with a target audience in mind. It explores how audience research is used to understand who comprises the target audience and their demographics. The document also outlines several theories about how audiences interact with and make sense of media texts, ranging from more passive models to more active models that view audiences as playing a role in interpreting meaning.
How media producers define their target audience
The document discusses different methods that media producers use to define their target audiences for documentaries. It describes several profiling methods such as quantitative research using viewing figures, qualitative research through focus groups and interviews, socio-economic status research, demographics research using charts to categorize audiences, psychographics research examining audience behavior and personality, and considering audience age and gender. The document evaluates which methods are most useful for documentary producers, with qualitative research and demographics and psychographics charts seen as providing the most detailed audience information.
Audience & Media
This document discusses concepts related to media audiences, including different audience reception models and ways to segment audiences. It introduces Maslow's Hierarchy of Needs and compares the Hypodermic Needle and Uses and Gratifications audience reception models. The document also discusses Young & Rubicam's 4Cs cross-cultural consumer characterization model for segmenting audiences into seven types based on motivations like security, control, and individuality. Students are prompted to analyze ads using these audience concepts and segmentation models.
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Planning and research, construction and evaluation
1) The document describes the design process for a house music magazine, including analyzing fonts, colors, target audiences, and construction of the front cover, contents page, and double page spread.
2) Blue and yellow were selected as the color scheme to represent the winter music genre. Effects like gradients, glows, and strokes were used in Photoshop to enhance text visibility and style.
3) Feedback indicated the magazine stood out but pictures could be improved by making them stand out more from the text. Overall the magazine design process and techniques used were effective but could be further refined.
Target audiences
Media audiences are important because without them, media products would not sell or make money. Music producers and record labels are interested in the demographics of the audiences that bands attract. They gather information on audiences' gender, age, spending power, and media engagement to help package and market bands to the right target audiences. Companies like Nielsen conduct surveys to create detailed demographic and psychographic profiles of audience groups based on lifestyle, attitudes, and media consumption.
A level media opening title research updated
The document summarizes and analyzes the opening title sequence of the TV show "Game of Thrones". It describes how the names of the actors fade into the screen within a gold colored ring. It also notes that the show's title appears in a much larger and brighter font to draw attention and indicate it is the title of the program. At the end of the sequence, the names of the writers and director are shown in the same font style as the cast to fit with the theme of the opening.
Lo1 (final major project)
Music video producers use various research methods to define their target audience, including quantitative, qualitative, socio-economic status, demographics, psychographics, and geo-demographics research. Quantitative research uses surveys and statistics to gather numeric audience information on a large scale, while qualitative research uses interviews and focus groups for detailed feedback. Demographics and psychographics provide comprehensive yet detailed information about audience characteristics and behaviors. Geo-demographics research helps determine where a music video will be most commercially successful based on economic factors. Producers then use this audience research to determine the size of their target audience.
Title research
The document discusses the design elements used in several thriller movie title designs. It notes that thriller titles often use bright colors like yellow, black, and red; fonts styled to look glowing, distressed, or sinister; capital bold letters to make the title stand out; and techniques like using different font sizes or gradients. Common design conventions identified include incorporating numbers, using lines or motifs related to the plot, and featuring certain words in glowing bold capital letters to draw attention.
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Brian O'Keeffe discusses 5 fonts for use in an AS Media magazine: 1) Bebas Neue for clean lines suitable for mastheads and paragraphs, 2) SteelFish for a stretched standard font that stands out for cover lines, 3) Devil Breeze for joining text into logos or brands, 4) Rounded Elegance for simple rounded text that looks good together, and 5) Agra Axera for an extreme text suitable for mastheads to suit genres like rap. Overall, these sans serif fonts were chosen because they match genres, stand out while looking unique, and are appealing and readable from a distance for mastheads and cover lines.
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Initial title research
The document summarizes the opening title sequences of three films: Evil Dead (2013), The Conjuring (2013), and Psycho (1960). It finds that the films credit between 14-23 job roles in their openings, including director, starring actors, music, editor, costume designer, and more. The document concludes that while many roles are important to creating a film, it will prioritize including the film title, director, starring actors, and music in its own opening titles, as these are the most essential elements to engage audiences. It aims to have around 20 titles, similar to the averages found in the films it researched.
Initial title research
The document analyzes the opening title sequences of three films - Guardians of the Galaxy, Se7en, and The Conjuring. It notes the number of title cards in each opening and the different job roles displayed. On average, the openings contained 20-21 title cards showing around 14 job roles. This information will help the document's author create an opening title sequence that is a similar length and structure.
Target Audience Research - AS Media Studies
Founded in 1999, The Fader magazine focuses on music, style, art and culture. Its target audience is predominantly male (75%) between the ages of 18-34, with a median age of 31.1. Most readers have household incomes between $40,000-$150,000, with a median of $92,000.
Vibe magazine, founded by Quincy Jones, predominantly features R&B and hip-hop artists. Its target audience is split evenly between male and female readers. Most readers are between 18-34 years old, with a median age of 34. 62% of readers identify as Black or African American.
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Audience Research And Target Audiences
The document discusses audience research and targeting audiences for media texts. It describes how producers consider the intended audience when planning a text and conduct research like questionnaires and focus groups to understand consumption habits. They then aim to target a specific demographic by shaping the text to appeal to the habits and characteristics of that group, such as age, gender, income level. The document also discusses models for how audiences engage with and are influenced by media texts.
Title Research
The document summarizes the title sequences of three films: Zombieland, Good Will Hunting, and The Breakfast Club. It describes the style, tone, music, and order of credits for each film. The credits typically begin with institutions, then list actors, the film title, production team members, producers, writers, and director. The style of each title sequence reflects the tone and intended audience of its respective film.
Target Audience Research
This document discusses the importance of understanding a film's target audience. It defines a target audience based on factors like gender, age, socioeconomic status, interests, and location. The document recommends both primary research, like surveys and feedback, and secondary research, such as analyzing audience data from similar existing films on sites like Pearl and Dean, to determine a film's target audience. Understanding the target audience is crucial for effective storytelling and commercial success.
Target audience research
This document outlines a lesson on target audience research for a media studies class. It introduces the topic and explains why audience research is an important part of production planning. It provides learning outcomes for students to carry out basic audience research, consider their questions and presentation of findings. The document describes different research methods like questionnaires and vox pops students can use to collect both qualitative and quantitative data. It also explains how to analyze the results, create target audience profiles, and use this research to inform their media production portfolio.
Sound - AS Media
There are two main categories of sound in film - diegetic and non-diegetic. Diegetic sound has a source visible on screen like dialogue or ambient noise, while non-diegetic sound like theme music does not. Sound helps create meaning by enhancing emotion, revealing character psychology, and setting atmosphere through location, period, and continuity between scenes. Key sound terminology includes soundtrack, theme music, sound effects, ambient noise, dialogue, voiceover, and techniques like sound bridges, parallel sound, and contrapuntal sound.
Research title & knowing the problem
This document provides guidance on developing a strong research title and statement of the problem. It notes that a good title should be specific, express the scale of research, tell the subject nature, be clear and definite, and catch readers' attention. The statement of problem should answer who has the problem, what the problem is, its scope and limitations. It then provides examples of interesting titles and outlines steps to construct a statement of problem, including introducing the main problem, creating logical subsidiary questions, and ensuring questions elicit new knowledge to address the problem.
Audience
The document discusses the concept of audience in media studies, noting that all media texts are produced with a target audience in mind. It explores how audience research is used to understand who comprises the target audience and their demographics. The document also outlines several theories about how audiences interact with and make sense of media texts, ranging from more passive models to more active models that view audiences as playing a role in interpreting meaning.
How media producers define their target audience
The document discusses different methods that media producers use to define their target audiences for documentaries. It describes several profiling methods such as quantitative research using viewing figures, qualitative research through focus groups and interviews, socio-economic status research, demographics research using charts to categorize audiences, psychographics research examining audience behavior and personality, and considering audience age and gender. The document evaluates which methods are most useful for documentary producers, with qualitative research and demographics and psychographics charts seen as providing the most detailed audience information.
Audience & Media
This document discusses concepts related to media audiences, including different audience reception models and ways to segment audiences. It introduces Maslow's Hierarchy of Needs and compares the Hypodermic Needle and Uses and Gratifications audience reception models. The document also discusses Young & Rubicam's 4Cs cross-cultural consumer characterization model for segmenting audiences into seven types based on motivations like security, control, and individuality. Students are prompted to analyze ads using these audience concepts and segmentation models.
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Liberal Approach to the Study of Indian Politics.pdf
What is Digital Literacy? A guest blog from Andy McLaughlin, University of Ab...
What is Digital Literacy? A guest blog from Andy McLaughlin, University of Ab...
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Your Skill Boost Masterclass: Strategies for Effective Upskilling
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Pride Month Slides 2024 David Douglas School District
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LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UP
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Digital Artefact 1 - Tiny Home Environmental Design
Title research for Media AS Coursework
- 2. THE SIXTH SENSE (1999) • Approx. 25 titles in the opening credits • Consists mostly of the main actors’ names • Included the main job titles such as director, producer, costume designer, etc.
- 4. SIN CITY (2005) • Approx. 28 titles in this opening sequence • Mostly consists of the main actors and the main job titles, such as direction, producer, music by and writers
- 6. THE PURGE (2013) • Approx. 22 titles are included in the opening credits of this film • Again, the actors’ names are stated first, followed by the job titles. E.g. producer, writer, director, costume designer, music by, etc.
- 8. FINDINGS I have found that I will need to start off my opening credits with the title of the film and the production company. After this, it is common to add in the actors’ names, usually in the order of the most important to the least (main characters) Then, it is common to include the job titles and the people that have worked in the film in the next minute or so of the opening credits Some of these job titles include: director, producer, writer, costume designer, music by, casting director and production design, amongst many others. I have found that it is usually shown within 1-2 minutes and they can be shown against a blank screen or with images behind them (which is probably more suited for a thriller film).