Theoretical framework
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The document discusses the theoretical framework for analyzing theater as an evolving technology to tell stories. It proposes three key stages: 1) examining the history of technological development, 2) how innovation requires an accommodating social environment, and 3) how theater has both behaved as a community and evolved as a disembodied technology adapting to different eras. The status and media used by theater can change over time, with old and new forms coexisting as the technology advances different ways to tell stories.
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ABSTRACT: A prima vista, un mattoncino Lego e la backdoor XZ potrebbero avere in comune il fatto di essere entrambi blocchi di costruzione, o dipendenze di progetti creativi e software. La realtà è che un mattoncino Lego e il caso della backdoor XZ hanno molto di più di tutto ciò in comune.
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BIO: Sostenitrice del software libero e dei formati standard e aperti. È stata un membro attivo dei progetti Fedora e openSUSE e ha co-fondato l'Associazione LibreItalia dove è stata coinvolta in diversi eventi, migrazioni e formazione relativi a LibreOffice. In precedenza ha lavorato a migrazioni e corsi di formazione su LibreOffice per diverse amministrazioni pubbliche e privati. Da gennaio 2020 lavora in SUSE come Software Release Engineer per Uyuni e SUSE Manager e quando non segue la sua passione per i computer e per Geeko coltiva la sua curiosità per l'astronomia (da cui deriva il suo nickname deneb_alpha).
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Cosa hanno in comune un mattoncino Lego e la backdoor XZ?
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Theoretical framework
- 2. “Mostevolvedthings are beautiful, and themostbeautiful are themosthighlyevolved” K.K.
- 3. Firststage: History of technology. Joel Mokyr, Thelever of riches Kevin Kelly, Whattechnologywants Tim Wu, Themasterswitch
- 4. Innovationand inventionneedanadecuate social environmenttorise. Traditional social groupstendtopunishcreativity and innovation, makingthem imposible
- 5. Theatrehadbehaved in twowaysthroughhistory: as a community, sometimescreative, someothers, traditional. (BasedonMokyr) As a (disembodied) technologytotellstories, evolving in each era as itwasconvenient: hidingtothepoint of almostdisapearing (MiddleAges) toitsglobalization (21st Century). (Basedon Kelly)
- 6. As a technology, theatreistheresult of thecombinedwork of hundreds of peopleworkingallovertheworld. A jump in itsevolutionisonlypossiblewhenoptimal social circumstances are set. Inventions, discoveriesorinnovations in thistechnologycouldoccursymoultaneously in some places (BasedonWu).
- 7. Oldtechnologiesdon’tdisappearwhentheyprovetobeuseful. The media they use toworkthrough, changes, buttheydon’tdisappeareither, theyevolve and old media coexistswith new one. Theatremightbe a technologytotellstoriesevolving in media likemovies, t.v.or internet.
- 8. The status of certaintechnologymaychange, as theaterbecamean elite entertainmentinstead of a popular one. Thereis no competitionbetweentheater and cinema: both are different media of theatricality as technologytotellstories
- 9. Theend