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How I made the
Magazine
People pay £10 for new releases
(mainstream magazines such as Empire
cost nearly half that) and some pay even
more to get their hands on past issues.
This is because this unique magazine is
considered a piece of art. It featured
talented illustrators and graphic
designers and photographers and
cutting edge writers. The magazine is a
high quality source of all things film,
music, art politics, op culture and other
topical news. From my previous
research I noted that the cover centres
heavily on a characters face profile, with
little writing only the logo and the title
(the exception older issues where they
displayed the contents). Looking
through the magazines inspired me to
do a similar one to this, as our film is
independent and the style and
cinematography would be interesting for
the indie culture this magazine attracts.
After downloading our trailer from YouTube
(easier and faster and smaller file size than
straight from Adobe Premier), I imported
the video into Photoshop. Here I could
choose a frame that would be suitable for a
cover that’s shown to the public
Following a few steps of enhancing
colour and exposure, I went
through the filters. This is because
Little White Lies are a very arty
magazine that features talented
artwork. My drawing skills are not
good enough quality so I opted for
this method. There ware some very
extreme effects that were definitely
suitable as you could hardly
recognise Emily.
In the end I narrowed it down to
these five. I chose these as they
were close enough to processes
that could be done by paper and
they still kept Emily’s features clear.
After choosing the brush filter, I
set about making it into a
magazine cover. The template
helped for sizing and as a base.
The logo is what makes it a Little
White Lies cover. I cropped the
image then blended all three
layers together to create the
above image.
I then proceeded to experimente with
different effects through the blending options
of the layer style, to get a feel of how I wanted
the text to look.
Then I browsed dafont, selecting possible styles
that captured my interest and tested them on top
of the magazine. Yellow worked the best as it leapt
out of the dark background and linked the digital
font – of which is a connection to the films plot.

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How I made the Magazine

  • 1. How I made the Magazine
  • 2. People pay £10 for new releases (mainstream magazines such as Empire cost nearly half that) and some pay even more to get their hands on past issues. This is because this unique magazine is considered a piece of art. It featured talented illustrators and graphic designers and photographers and cutting edge writers. The magazine is a high quality source of all things film, music, art politics, op culture and other topical news. From my previous research I noted that the cover centres heavily on a characters face profile, with little writing only the logo and the title (the exception older issues where they displayed the contents). Looking through the magazines inspired me to do a similar one to this, as our film is independent and the style and cinematography would be interesting for the indie culture this magazine attracts.
  • 3. After downloading our trailer from YouTube (easier and faster and smaller file size than straight from Adobe Premier), I imported the video into Photoshop. Here I could choose a frame that would be suitable for a cover that’s shown to the public
  • 4. Following a few steps of enhancing colour and exposure, I went through the filters. This is because Little White Lies are a very arty magazine that features talented artwork. My drawing skills are not good enough quality so I opted for this method. There ware some very extreme effects that were definitely suitable as you could hardly recognise Emily.
  • 5. In the end I narrowed it down to these five. I chose these as they were close enough to processes that could be done by paper and they still kept Emily’s features clear.
  • 6. After choosing the brush filter, I set about making it into a magazine cover. The template helped for sizing and as a base. The logo is what makes it a Little White Lies cover. I cropped the image then blended all three layers together to create the above image.
  • 7. I then proceeded to experimente with different effects through the blending options of the layer style, to get a feel of how I wanted the text to look.
  • 8. Then I browsed dafont, selecting possible styles that captured my interest and tested them on top of the magazine. Yellow worked the best as it leapt out of the dark background and linked the digital font – of which is a connection to the films plot.